He who fights with monsters should be careful lest he thereby become a monster. And if thou gaze long into an abyss, the abyss will also gaze into thee.
The distance, and as it were the space around man, grows with the strength of his intellectual vision and insight: his world becomes profounder; new stars, new enigmas, and notions are ever coming into view. Perhaps everything on which the intellectual eye has exercised its acuteness and profundity has just been an occasion for its exercise, something of a game, something for children and childish minds
It does so with severity, indeed it desires severity; every aristocratic morality is intolerant in the education of youth, in the control of women, in the marriage customs, in the relations of old and young, in the penal laws (which have an eye only for the degenerating): it counts intolerance itself among the virtues, under the name of “justice.”
He who has not a hard heart when young, will never have one
The English coarseness and rustic demureness is still most satisfactorily disguised by Christian pantomime, and by praying and psalm-singing (or, more correctly, it is thereby explained and differently expressed); and for the herd of drunkards and rakes who formerly learned moral grunting under the influence of Methodism (and more recently as the “Salvation Army”), a penitential fit may really be the relatively highest manifestation of “humanity” to which they can be elevated: so much may reasonably be admitted. That, however, which offends even in the humanest Englishman is his lack of music, to speak figuratively (and also literally): he has neither rhythm nor dance in the movements of his soul and body; indeed, not even the desire for rhythm and dance, for “music.” Listen to him speaking; look at the most beautiful Englishwoman walking—in no country on earth are there more beautiful doves and swans; finally, listen to them singing! But I ask too much …
But whoever has really offered sacrifice knows that he wanted and obtained something for it—perhaps something from himself for something from himself; that he relinquished here in order to have more there, perhaps in general to be more, or even feel himself “more.” But this is a realm of questions and answers in which a more fastidious spirit does not like to stay: for here truth has to stifle her yawns so much when she is obliged to answer. And after all, truth is a woman; one must not use force with her.
He shall be the greatest who can be the most solitary, the most concealed, the most divergent, the man beyond good and evil, the master of his virtues, and of superabundance of will; precisely this shall be called greatness: as diversified as can be entire, as ample as can be full.” And to ask once more the question: Is greatness possible—nowadays?
Quidquid luce fuit, tenebris agit: but also contrariwise. What we experience in dreams, provided we experience it often, pertains at last just as much to the general belongings of our soul as anything “actually” experienced; by virtue thereof we are richer or poorer, we have a requirement more or less, and finally, in broad daylight, and even in the brightest moments of our waking life, we are ruled to some extent by the nature of our dreams. Supposing that someone has often flown in his dreams, and that at last, as soon as he dreams, he is conscious of the power and art of flying as his privilege and his peculiarly enviable happiness; such a person, who believes that on the slightest impulse, he can actualize all sorts of curves and angles, who knows the sensation of a certain divine levity, an “upwards” without effort or constraint, a “downwards” without descending or lowering—without trouble!—how could the man with such dream-experiences and dream-habits fail to find “happiness” differently coloured and defined, even in his waking hours! How could he fail—to long differently for happiness? “Flight,” such as is described by poets, must, when compared with his own “flying,” be far too earthly, muscular, violent, far too “troublesome” for him.
In an animated conversation, I often see the face of the person with whom I am speaking so clearly and sharply defined before me, according to the thought he expresses, or which I believe to be evoked in his mind, that the degree of distinctness far exceeds the strength of my visual faculty—the delicacy of the play of the muscles and of the expression of the eyes must therefore be imagined by me. Probably the person put on quite a different expression, or none at all.
πϱόσϑε Πλάτων τε Πλάτων μέσση Χίμαιϱα.
