«GQ: The 21 Books From the 21st Century Every Man Should Read», Марк Губаренко сөресіндегі кітаптар

BECAUSE: Austerlitz is possessed of a form all its own. It's long been in vogue to blur the lines between fiction and non-, between novel and memoir, and W.G. did that before it was cool. But Austerlitz, which is basically about Sebald wandering around Europe, doesn't do it as a gimmick. You get the sense that this is simply what he had to write. Austerlitz is about the intricate, horrifying, inhuman destruction upon which all societies, certainly Western ones, are built. An understandable thing for a German to have been obsessed about. Its message is that we all live in the silent, beautiful ruins of sadistic disaster. And it falls to Sebald to uncover those ruins. To read it is to stop and smell the roses, except, you know, roses that smell like sadistic destruction.

BECAUSE: In any of the five collections she's put out since 2000, but especially in this one, she so totally nails the short story that one could be forgiven for thinking writing them is easy. It ain't.

BECAUSE: No other novel this century has so fully, meticulously described the life of a man, from birth to middle age, and all the choices and obsessions that guide him through it.

BECAUSE: he's written eight pretty great novels since the turn, but only one masterpiece. Beginning in the summer "that Bill Clinton's secret emerged," it's the best book on sex, scandal (Roth coined the famous phrase "ecstasy of sanctimony"), and political correctness in the Lewinsky Moment.

BECAUSE: the voice in this fictional autobiography of Australia's most famous outlaw—Ned Kelly, bushranger—is so convincing that you'd swear it came from his own dirt-and-blood-soaked hands.