автордың кітабынан сөз тіркестері Picasso
Gertrude Stein

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Кітап туралы Пікірлер1 Дәйексөздер34 Қазір оқып жатыр204 Сөрелерде

Эмильдәйексөз келтірді5 жыл бұрын

It was obvious that he did not need to have painters in his daily life and this was true all his life

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Эмильдәйексөз келтірді5 жыл бұрын

who had in him not only all Spanish painting but Spanish cubism which is the daily life of Spain

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Гюльнара Б.дәйексөз келтірді8 жыл бұрын

to complicate things in a new way that is easy, but to see the things in a new way that is really difficult, everything prevents one, habits, schools, daily life, reason, necessities of daily life, indolence, everything prevents one, in fact there are very few geniuses in the world.

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Гюльнара Б.дәйексөз келтірді8 жыл бұрын

Surrealism could console him a little, but not really. The surrealists still see things as every one sees them, they complicate them in a different way but the vision is that of every one else, in short the complication is the complication of the twentieth century but the vision is that of the nineteenth century.

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Гюльнара Б.дәйексөз келтірді8 жыл бұрын

From 1914 to 1917 cubism changed to rather flat surfaces, it was no longer sculpture, it was writing and Picasso really expressed himself in this way because it was not possible, really not, to really write with sculpture, no, not.

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Гюльнара Б.дәйексөз келтірді8 жыл бұрын

These pictures have the serenity of perfect beauty but they have not the beauty of realisation. The beauty of realisation is a beauty that always takes more time to show itself as beauty than pure beauty does. The beauty of realisation during its creation is not beauty, it is only beauty when the things that follow it are created in its image. It is then that it is known as beauty on account of its quality of fecondity, it is the most beautiful beauty, more beautiful than the beauty of serenity. Well.

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