Last and First Men
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автордың кітабынан сөз тіркестері  Last and First Men

by now it was fashionable to profess an equally uncritical belief that all natural phenomena were manifestations of the cosmic mind
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Half a century after the Anglo-French War, a second-rate German author published a typically German book of the baser sort. For as each nation had its characteristic virtues, so also each was prone to characteristic follies. This book was one of those brilliant but extravagant works in which the whole diversity of existence is interpreted under a single formula, with extreme detail and plausibility, yet with amazing naïveté. Highly astute within its own artificial universe, it was none the less in wider regard quite uncritical. In two large volumes the author claimed that the cosmos was a dualism in which a heroic and obviously Nordic spirit ruled by divine right over an un-self-disciplined, yet servile and obviously Slavonic spirit. The whole of history, and of evolution, was interpreted on this principle; and of the contemporary world it was said that the Slavonic element was poisoning Europe. One phrase in particular caused fury in Moscow, "the anthropoid face of the Russian sub-man."
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Socrates woke to the ideal of dispassionate intelligence, Jesus to the ideal of passionate yet self-oblivious worship. Socrates urged intellectual integrity, Jesus integrity of will. Each, of course, though starting with a different emphasis, involved the other.
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It is almost inconceivable to simple minds that man's whole history should be but a moment in the life of the stars, and that remote events should embrace within themselves aeon upon aeon
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When your writers romance of the future, they too easily imagine a progress toward some kind of Utopia, in which beings like themselves live in unmitigated bliss among circumstances perfectly suited to a fixed human nature.
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Listen patiently; for we who are the Last Men earnestly desire to communicate with you, who are members of the First Human Species. We can help you, and we need your help.
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Great are the stars, and man is of no account to them. But man is a fair spirit, whom a star conceived and a star kills. He is greater than those bright blind companies. For though in them there is incalculable potentiality, in him there is achievement, small, but actual. Too soon, seemingly, he comes to his end. But when he is done he will not be nothing, not as though he had never been; for he is eternally a beauty in the eternal form of things. Man was winged hopefully. He had in him to go further than this short flight, now ending. He proposed even that he should become the Flower of All Things, and that he should learn to be the All-Knowing, the All-Admiring. Instead, he is to be destroyed. He is only a fledgling caught in a bush-fire. He is very small, very simple, very little capable of insight. His knowledge of the great orb of things is but a fledgling's knowledge. His admiration is a nestling's admiration for the things kindly to his own small nature. He delights only in food and the food-announcing call. The music of the spheres passes over him, through him, and is not heard. Yet it has used him. And now it uses his destruction. Great, and terrible, and very beautiful is the Whole; and for man the best is that the Whole should use him. But does it really use him? Is the beauty of the Whole really enhanced by our agony? And is the Whole really beautiful? And what is beauty? Throughout all his existence man has been striving to hear the music of the spheres, and has seemed to himself once and again to catch some phrase of it, or even a hint of the whole form of it. Yet he can never be sure that he has truly heard it, nor even that there is any such perfect music at all to be heard. Inevitably so, for if it exists, it is not for him in his littleness. But one thing is certain. Man himself, at the very least, is music, a brave theme that makes music also of its vast accompaniment, its matrix of storms and stars. Man himself in his degree is eternally a beauty in the eternal form of things. It is very good to have been man. And so we may go forward together with laughter in our hearts, and peace, thankful for the past, and for our own courage. For we shall niake after all a fair conclusion to this brief music that is man.
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n the Beginning there was great potency, but little form. And the spirit slept as the multitude of discrete primordial existents. Thenceforth there has been a long and fluctuating adventure toward harmonious complexity of form, and toward the awakening of the spirit into unity, knowledge, delight and self-expression. And this is the goal of all living, that the cosmos may be known, and admired, and that it may be crowned with further beauties.
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And so in vain we ask, will ever any spirit awake to gather all spirits into itself, to elicit from the stars their full flower of beauty, to know all things together, and admire all things justly?
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Yet though time is cyclic, it is not repetitive; there is no other time within which it can repeat itself. For time is hut an abstraction from the successiveness of events that pass; and since all events whatsoever form together a cycle of successiveness, there is nothing constant in relation to which there can be repetition.
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