The Lure of the Mask

Harold MacGrath

Chapter 1 THE VOICE IN THE FOG

Out of the unromantic night, out of the somber blurring January fog, came a voice lifted in song, a soprano, rich, full and round, young, yet matured, sweet and mysterious as a night-bird's, haunting and elusive as the murmur of the sea in a shell: a lilt from La Fille de Madame Angot, a light opera long since forgotten in New York. Hillard, genuinely astonished, lowered his pipe and listened. To sit dreaming by an open window, even in this unlovely first month of the year, in that grim unhandsome city which boasts of its riches and still accepts with smug content its rows upon rows of ugly architecture, to sit dreaming, then, of red-tiled roofs, of cloud-caressed hills, of terraced vineyards, of cypresses in their dark aloofness, is not out of the natural order of things; but that into this idle and pleasant dream there should enter so divine a voice, living, feeling, pulsing, this was not ordinary at all.

And Hillard was glad that the room was in darkness. He rose eagerly and peered out. But he saw no one. Across the street the arc-lamp burned dimly, like an opal in the matrix, while of architectural outlines not one remained, the fog having kindly obliterated them.

The Voice rose and sank and soared again, drawing nearer and nearer. It was joyous and unrestrained, and there was youth in it, the touch of spring and the breath of flowers. The music was Lecocq's, that is to say, French; but the tongue was of a country which Hillard knew to be the garden of the world. Presently he observed a shadow emerge from the yellow mist, to come within the circle of light, which, faint as it was, limned in against the nothingness beyond the form of a woman. She walked directly under his window.

As the invisible comes suddenly out of the future to assume distinct proportions which either make or mar us, so did this unknown cantatrice come out of the fog that night and enter into Hillard's life, to readjust its ambitions, to divert its aimless course, to give impetus to it, and a directness which hitherto it had not known.

"Ah!"

He leaned over the sill at a perilous angle, the bright coal of his pipe spilling comet-wise to the area-way below. He was only subconscious of having spoken; but this syllable was sufficient to spoil the enchantment. The Voice ceased abruptly, with an odd break. The singer looked up. Possibly her astonishment surpassed even that of her audience. For a few minutes she had forgotten that she was in New York, where romance may be found only in the book-shops; she had forgotten that it was night, a damp and chill forlorn night; she had forgotten the pain in her heart; there had been only a great and irresistible longing to sing.

Though she raised her face, he could distinguish no feature, for the light was behind. However, he was a man who made up his mind quickly. Brunette or blond, beautiful or otherwise, it needed but a moment to find out. Even as this decision was made he was in the upper hall, taking the stairs two at a bound. He ran out into the night, bareheaded. Up the street he saw a flying shadow. Plainly she had anticipated his impulse and the curiosity behind it. Even as he gave chase the shadow melted in the fog, as ice melts in running waters, as flame dissolves in sunshine. She was gone. He cupped his ear with his hand; in vain, there came no sound as of pattering feet; there was nothing but fog and silence.

"Well, if this doesn't beat the Dutch!" he murmured.

He laughed disappointedly. It did not matter that he was three and thirty; he still retained youth enough to feel chagrined at such a trivial defeat. Here had been something like a genuine adventure, and it had slipped like water through his clumsy fingers.

"Deuce take the fog! But for that I'd have caught her."

But reason promptly asked him what he should have done had he caught the singer. Yes, supposing he had, what excuse would he have had to offer? Denial on her part would have been simple, and righteous indignation at being accosted on the street simpler still. He had not seen her face, and doubtless she was aware of this fact. Thus, she would have had all the weapons for defense and he not one for attack. But though reason argued well, it did not dislodge his longing. He would have been perfectly happy to have braved her indignation for a single glance at her face. He walked back, lighting his pipe. Who could she be? What peculiar whimsical freak had sent her singing past his window at one o'clock of the morning? A grand opera singer, returning home from a late supper? But he dismissed this opinion even as he advanced it. He knew something about grand opera singers. They attend late suppers, it is true, but they ride home in luxurious carriages and never risk their golden voices in this careless if romantic fashion. And in New York nobody took the trouble to serenade anybody else, unless paid in advance and armed with a police permit. As for being a comic-opera star, he refused to admit the possibility; and he relegated this well-satisfied constellation to the darks of limbo. He had heard a Voice.

A vast, shadow loomed up in the middle of the street, presently to take upon itself the solid outlines of a policeman who came lumbering over to add or subtract his quota of interest in the affair. Hillard wisely stopped and waited for him, pulling up the collar of his jacket, as he began to note that there was a winter's tang to the fog.

"Hi, what's all this?" the policeman called out roughly.

"To what do you refer?" Hillard counter-questioned, puffing. He slipped his hands into the pockets of his jacket.

"I heard a woman singin', that's what!" explained the guardian of the law.

"So did I."

"Oh, you did, huh?"

"Certainly. It is patent that my ears are as good as yours."

"Huh! See her?"

"For a moment," Hillard admitted.

"Well, we can't have none o' this in the streets. It's disorderly."

"My friend," said Hillard, rather annoyed at the policeman's tone, "you don't think for an instant that I was directing this operetta?"

"Think? Where's your hat?"

Hillard ran his hand over his head. The policeman had him here. "I did not bring it out."

"Too warm and summery; huh? It don't look good. I've been watchin' these parts fer a leddy. They call her Leddy Lightfinger; an' she has some O' the gents done to a pulp when it comes to liftin' jools an' trinkets. Somebody fergits to lock the front door, an' she finds it out. Why did you come out without yer lid?"

"Just forgot it, that's all."

"Which way'd she go?"

"You'll need a map and a search-light. I started to run after her myself. I heard a voice from my window; I saw a woman; I made for the street; niente!"

"Huh?"

"Niente, nothing!"

"Oh! I see; Dago. Seems to me now that this woman was singin' I-taly-an, too." They were nearing the light, and the policeman gazed intently at the hatless young man. "Why, it's Mr. Hillard! I'm surprised. Well, well! Some day I'll run in a bunch o' these chorus leddies, jes' fer a lesson. They git lively at the restaurants over on Broadway, an' thin they raise the dead with their singin', which, often as not, is anythin' but singin'. An' here it is, after one."

"But this was not a chorus lady," replied Hillard, thoughtfully reaching into his vest for a cigar.

"Sure, an' how do you know?" with renewed suspicions.

"The lady had a singing voice."

"Huh! They all think alike about that. But mebbe she wasn't bad at the business. Annyhow… ."

"It was rather out of time and place, eh?" helpfully.

"That's about the size of it. This Leddy Lightfinger is a case. She has us all thinkin' on our nights off. Clever an' edjicated, an' jabbers in half a dozen tongues. It's a thousan' to the man who jugs her. But she don't sing; at least, they ain't any report to that effect. Perhaps your leddy was jes' larkin' a bit. But it's got to be stopped."

Hillard passed over the cigar, and the policeman bit off the end, nodding with approval at such foresight. The young man then proffered the coal of his pipe and the policeman took his light therefrom, realizing that after such a peace-offering there was nothing for him to do but move on. Yet on dismal lonesome nights, like this one, it is a godsend and a comfort to hear one's own voice against the darkness. So he lingered.

"Didn't get a peep at her face?"

"Not a single feature. The light was behind her." Hillard tapped one toe and then the other.

"An' how was she dressed?"

"In fog, for all I could see."

"On the level now, didn't you know who she was?" The policeman gave Hillard a sly dig in the ribs with his club.

"On my word!"

"Some swell, mebbe."

"Undoubtedly a lady. That's why it looks odd, why it brought me into the street. She sang in classic Italian. And what's more, for the privilege of hearing that voice again, I should not mind sitting on this cold curb till the milkman comes around in the morning."

"That wouldn't be fer long," laughed the policeman, taking out his watch and holding it close to the end of his cigar. "Twenty minutes after one. Well, I must be gittin' back to me beat. An' you'd better be goin' in; it's cold. Good night."

"Good night," Hillard responded cheerfully.

"Say, what's I-taly-an fer good night?" still reluctant to go on.

"Buona notte."

"Bony notty; huh, sounds like Chinese fer rheumatism. Been to Italy?"

"I was born there," patiently.

"No! Why, you're no Dago!"

"Not so much as an eyelash. The stork happened to drop the basket there, that's all."

"Ha! I see. Well, Ameriky is good enough fer me an' mine," complacently.

"I dare say!"

"An' if this stogy continues t' behave, we'll say no more about the vanishin' leddy." And with this the policeman strolled off into the fog, his suspicions in nowise removed. He knew many rich young bachelors like Hillard. If it wasn't a chorus lady, it was a prima donna, which was not far in these degenerate days from being the same thing.

Hillard regained his room and leaned with his back to the radiator. He had an idea. It was rather green and salad, but as soon as his hands were warm he determined to put this idea into immediate use. The Voice had stirred him deeply, stirred him with the longing to hear it again, to see the singer's face, to learn what extraordinary impulse had loosed the song. Perhaps it was his unspoken loneliness striving to call out against this self-imposed isolation; for he was secretly lonely, as all bachelors must be who have passed the Rubicon of thirty. He made no analysis of this new desire, or rather this old desire, newly awakened. He embraced it gratefully. Such is the mystery and power of the human voice: this one, passing casually under his window, had awakened him.

Never the winter came with its weary round of rain and fog and snow that his heart and mind did not fly over the tideless southern sea to the land of his birth if not of his blood. Sorrento, that jewel of the ruddy clifts! There was fog outside his window, and yet how easy it was to picture the turquoise bay of Naples shimmering in the morning light! There was Naples itself, like a string of its own pink coral, lying crescent-wise on the distant strand; there were the snowcaps fading on the far horizon; the bronzed fishermen and their wives, a sheer two hundred feet below him, pulling in their glistening nets; the amethyst isles of Capri and Ischia eternally hanging midway between the blue of the sky and the blue of the sea; and there, towering menacingly above all this melting beauty, the dark, grim pipe of Vulcan. How easily, indeed, he could see all these things!

With a quick gesture of both hands, Latin, always Latin, he crossed the room to a small writing-desk, turned on the lights and sat down. He smiled as he took up the pen to begin his composition. Not one chance in a thousand. And after several attempts he realized that the letter he had in mind was not the simplest to compose. There were a dozen futile efforts before he produced anything like satisfaction. Then he filled out a small check. A little later he stole down-stairs, round the corner to the local branch of the post-office, and returned. It was only a blind throw, such as dicers sometimes make in the dark. But chance loves her true gamester, and to him she makes a faithful servant.

"I should be sorely tempted," he mused, picking up a novel and selecting a comfortable angle in the Morris, "I should be sorely tempted to call any other man a silly ass. Leddy Lightfinger—it would be a fine joke if my singer turned out to be that irregular person."

He fell to reading, but it was not long before he yawned. He shied the book into a corner, drew off his boots and cast them into the hall. A moment after his valet appeared, gathered up the boots, tucked them under his arm, and waited.

"I want nothing, Giovanni. I have only been around to the post-office."

"I heard the door open and close four times, signore."

"It was I each time. If this fog does not change into rain, I shall want my riding-breeches to-morrow morning."

"It is always raining here," Giovanni remarked sadly.

"Not always; there are pleasant days in the spring and summer. It is because this is not Italy. The Hollander wonders how any reasonable being can dwell in a country where they do not drink gin. It's home, Giovanni; rain pelts you from a different angle here. There is nothing more; you may go. It is two o'clock, and you are dead for sleep."

But Giovanni only bowed; he did not stir.

"Well?" inquired his master.

"It is seven years now, signore."

"So it is; seven this coming April."

"I am now a citizen of this country; I obey its laws; I vote."

"Yes, Giovanni, you are an American citizen, and you should be proud of it."

Giovanni smiled. "I may return to my good Italia without danger."

"That depends. If you do not run across any official who recognizes you."

Giovanni spread his hands. "Official memory seldom lasts so long as seven years. The signore has crossed four times in this period."

"I would gladly have taken you each time, as you know."

"Oh, yes! But in two or three years the police do not forget. In seven it is different."

"Ah!" Hillard was beginning to understand the trend of this conversation. "So, then, you wish to return?"

"Yes, signore. I have saved a little money," modestly.

"A little?" Hillard laughed. "For seven years you have received fifty American dollars every month, and out of it you do not spend as many copper centesimi. I am certain that you have twenty thousand lire tucked away in your stocking; a fortune!"

"I buy the blacking for the signore's boots," gravely.

Hillard saw the twinkle in the black eyes. "I have never," he said truthfully, "asked you to black my boots."

"Penance, signore, penance for my sins; and I am not without gratitude. There was a time when I had rather cut off a hand than black a boot; but all that is changed. We of the Sabine Hills are proud, as the signore knows. We are Romans out there; we despise the cities; and we do not hold out our palms for the traveler's pennies. I am a peasant, but always remember the blood of the Cæsars. Who can say? Besides, I have held a sword for the church. I owe no allegiance to the puny House of Savoy!" There was no twinkle in the black eyes now; there was a ferocious gleam. It died away quickly, however; the squared shoulders drooped, and there was a deprecating shrug. "Pardon, signore; this is far away from the matter of boots. I grow boastful; I am an old man and should know better. But does the signore return to Italy in the spring?"

"I don't know, Giovanni, I don't know. But what's on your mind?"

"Nothing new, signore," with eyes cast down to hide the returning lights.

"You are a bloodthirsty ruffian!" said Hillard shortly. "Will time never soften the murder in your heart?"

"I am as the good God made me. I have seen through blood, and time can not change that. Besides, the Holy Father will do something for one who fought for the cause."

"He will certainly not countenance bloodshed, Giovanni."

"He can absolve it. And as you say, I am rich, as riches go in the Sabine Hills."

"I was in hopes you had forgotten."

"Forgotten? The signore will never understand; it is his father's blood. She was so pretty and youthful, eye of my eye, heart of my heart! And innocent! She sang like the nightingale. She was always happy. Up with the dawn, to sleep with the stars. We were alone, she and I. The sheep supported me and she sold her roses and dried lavender. It was all so beautiful … till he came. Ah, had he loved her! But a plaything, a pastime! The signore never had a daughter. What is she now? A nameless thing in the streets!" Giovanni raised his arms tragically; the hoots clattered to the floor. "Seven years! It is a long time for one of my blood to wait."

"Enough!" cried Hillard; but there was a hardness in his throat at the sight of the old man's tears. Where was the proud and stately man, the black-bearded shepherd in faded blue linen, in picturesque garters, with his reed-like pipe, that he, Hillard, had known in his boyhood days? Surely not here. Giovanni had known the great wrong, but Hillard could not in conscience's name foster the spirit which demanded an eye for an eye. So he said: "I can give you only my sympathy for your loss, but I abhor the spirit of revenge which can not find satisfaction in anything save murder."

Giovanni once more picked up the boots. "I shall leave the signore in the spring."

"As you please," said Hillard gently.

Giovanni bowed gravely and made off with his boots. Hillard remained staring thoughtfully at the many-colored squares in the rug under his feet. It would be lonesome with Giovanni gone. The old man had evidently made up his mind… . But the Woman with the Voice, would she see the notice in the paper? And if she did, would she reply to it? What a foundation for a romance!… Bah! He prepared for bed.

To those who reckon earthly treasures as the only thing worth having, John Hillard was a fortunate young man. That he was without kith or kin was considered by many as an additional piece of good fortune. Born in Sorrento, in one of the charming villas which sweep down to the very brow of the cliffs, educated in Rome up to his fifteenth year; taken at that age from the dreamy, drifting land and thrust into the noisy, bustling life which was his inheritance; fatherless and motherless at twenty; a college youth who was for ever mixing his Italian with his English and being laughed at; hating tumult and loving quiet; warm-hearted and impulsive, yet meeting only habitual reserve from his compatriots whichever way he turned; it is not to be wondered at that he preferred the land of his birth to that of his blood.

All this might indicate an artistic temperament, the ability to do petty things grandly; but Hillard had escaped this. He loved his Raphaels, his Titians, his Veroneses, his Rubenses, without any desire to make indifferent copies of them; he admired his Dante, his Petrarch, his Goldoni, without the wish to imitate them. He was full of sentiment without being sentimental, a poet who thought but never indited verses. His father's blood was in his veins, that is to say, the salt of restraint; thus, his fortune grew and multiplied. The strongest and reddest corpuscle had been the gift of his mother. She had left him the legacy of loving all beautiful things in moderation, the legacy of gentleness, of charity, of strong loves and frank hatreds, of humor, of living out in the open, of dreaming great things and accomplishing none of them.

The old house in which he lived was not in the fashionable quarter of the town; but that did not matter. Nor did it vary externally from any of its unpretentious neighbors. Inside, however, there were treasures priceless and unique. There was no woman in the household; he might smoke in any room he pleased. A cook, a butler, and a valet were the sum-total of his retinue. In appearance he resembled many another clean-cut, clean-living American gentleman.

Giovanni sought his own room at the end of the hall, squatted on a low stool and solemnly began the business of blacking his master's boots. He was still as lean and tall as a Lombardy poplar, this handsome old Roman. His hair was white; there was now no black beard on his face, which was as brown and creased as Spanish levant; and some of the fullness was gone from his chest and arms; but for all that he carried his fifty-odd years lightly. He worked swiftly to-night, but his mind was far away from his task.

There was a pitiful story, commonplace enough. A daughter, a loose-living officer, a knife flung from a dark alley, and sudden flight to the south. Hillard had found him wandering through the streets of Naples, hiding from the carabinieri as best he could. Hillard contrived to smuggle him on the private yacht of a friend. He found a peasant who was reconsidering the advisability of digging sewers and laying railroad ties in the Eldorado of the West. A few pieces of silver, and the passport changed hands. With this Giovanni blandly lied his way into the United States. After due time he applied for citizenship, and through Hillard's influence it was accorded him. He solemnly voted when elections came round, and hoarded his wages, like the thrifty man he was. Some day he would return to Rome, or Naples, or Venice, or Florence, as the case might be; and then!

When the boots shone flawlessly, he carried them to Hillard's door and softly tiptoed back. He put his face against the cold window. He, too, had heard the Voice. How his heart hurt him with its wild hope! But only for a moment. It was not the voice he hungered for. The words were Italian, but he knew that the woman who sang them was not!

Chapter 2 OBJECT, MATRIMONY

Winter fogs in New York are never quite so intolerable as their counterparts in London; and while their frequency is a matter of complaint, their duration is seldom of any length. So, by the morrow a strong wind from the west had winnowed the skies and cleared the sun. There was an exhilarating tingle of frost in the air and a visible rime on the windows. Hillard, having breakfasted lightly, was standing with his back to the grate in the cozy breakfast-room. He was in boots and breeches and otherwise warmly clad, and freshly shaven. He rocked on his heels and toes, and ran his palm over his blue-white chin in search of a possible slip of the razor.

Giovanni came in to announce that he had telephoned, and that the signore's brown mare would be at the park entrance precisely at half-after eight. Giovanni still marveled over this wonderful voice which came out of nowhere, but he was no longer afraid of it. The curiosity which is innate and child-like in all Latins soon overcame his dark superstitions. He was an ardent Catholic and believed that a few miracles should be left in the hands of God. The telephone had now become a kind of plaything, and Hillard often found him in front of it, patiently waiting for the bell to ring.

The facility with which Giovanni had mastered English amazed his teacher and master; but now he needed no more lessons, the two when alone together spoke Giovanni's tongue: Hillard, because he loved it, and Giovanni because the cook spoke it badly and the English butler not at all.

"You have made up your mind to go, then, amico?" said Hillard.

"Yes, signore."

"Well, I shall miss you. To whom shall I talk the tongue I love so well, when Giovanni is gone?" with a lightness which he did not feel. Hillard had grown very fond of the old Roman in these seven years.

"Whenever the signore goes to Italia, he shall find me. It needs but a word to bring me to him. The signore will pardon me, but he is like—like a son."

"Thanks, Giovanni. By the way, did you hear a woman singing in the street last night?"

"Yes. At first—" Giovanni hesitated.

"Ah, but that could not be, Giovanni; that could not be."

"No, it could not be. But she sang well!" the old servant ventured.

"So thought I. I even ran out into the street to find out who she was; but she vanished like the lady in the conjurer's trick. But it seemed to me that, while she sang in Italian, she herself was not wholly of that race."

"Buonissima!" Giovanni struck a noiseless brava with his hands. "Have I not always said that the signore's ears are as sharp as my own? No, the voice was very beautiful, but it was not truly Roman. It was more like they talk in Venice. And yet the sound of the voice decided me. The hills have always been calling to me; and I must answer."

"And the unforgetting carabinieri?"

"Oh, I must take my chance," with the air of a fatalist.

"What shall you do?"

"I have my two hands, signore. Besides, the signore has said it; I am rich." Giovanni permitted a smile to stir his thin lips. "Yes, I must go back. Your people have been good to me and have legally made me one of them, but my heart is never here. It is always so cold and every one moves so quickly. You can not lie down in the sun. Your police, bah! They beat you on the feet. You remember when I fell asleep on the steps of the cathedral? They thought I was drunk, and would have arrested me!"

"Everybody must keep moving here; it is the penalty of being rich."

"And I am lonesome for my kind. I have nothing in common with these herds of Sicilians and Neapolitans who pour into the streets from the wharves." Giovanni spoke scornfully.

"Yet in war time the Neapolitans sheltered your pope."

"Vanity! They wished to make an impression on the rest of the world. It is dull here, besides. There is no joy in the shops. I am lost in these great palaces. The festa is lacking. Nobody bargains; nobody sees the proprietor; you find your way to the streets alone. The butcher says that his meat is so-and-so, and you pay; the grocer marks his tins such-and-such, and you do not question; and the baker says that, and you pay, pay, pay! What? I need a collar; it is quindici—fifteen you say! I offer quattordici. I would give interest to the sale. But no! The collar goes back into the box. I pay quindici, or I go without. It is the same everywhere; very dull, dead, lifeless."

Hillard was moved to laughter. He very well understood the old man's lament. In Italy, if there is one thing more than another that pleases the native it is to make believe to himself that he has got the better of a bargain. A shrewd purchase enlivens the whole day; it is talked about, laughed over, and becomes the history of the day that Tomass', or Pietro, or Paoli, or whatever his name may be, has bested the merchant out of some twenty centesimi.

"And the cook and the butler," concluded Giovanna; "we do not get on well."

"It is because they are in mortal fear of you, you brigand! Well, my coat and cap."

Hillard presently left the house and hailed a Fifth Avenue omnibus. He looked with negative interest at the advertisements, at the people in the streets, at his fellow-travelers. One of these was hidden behind his morning paper. Personals. Hillard squirmed a little. The world never holds very much romance in the sober morning. What a stupid piece of folly! The idea of his sending that personal inquiry to the paper! To-morrow he would see it sandwiched in between samples of shop-girl romance, questionable intrigues, and divers search-warrants. Ye gods! "Will the blonde who smiled at gentleman in blue serge, elevated train, Tuesday, meet same in park? Object, matrimony." Hillard fidgeted. "Young man known as Adonis would adore stout elderly lady, independently situated. Object, matrimony." Pish! "Girlie. Can't keep appointment to-night. Willie." Tush! "A French Widow of eighteen, unencumbered," and so forth and so on. Rot, bally rot; and here he was on the way to join them! "Will the lady who sang from Madame Angot communicate with gentleman who leaned out of the window? J.H. Burgomaster Club." Positively asinine! The man opposite folded the paper and stuffed it into his pocket, and its disappearance relieved Hillard somewhat.

There was scarce one chance in a thousand of the mysterious singer's seeing the inquiry, not one in ten thousand of her answering it. And the folly of giving his club address! That would look very dignified in yonder agony column! And then he brightened. He could withdraw it; and he would do so the very first thing when he went down-town to the office. "Object, matrimony!" If the woman saw it she would only laugh. It was all a decent woman could do. And certainly the woman of the past night's adventure was of high degree, educated; and doubtless the spirit which had prompted the song was as inexplicable to her this morning as it had been to him last night. He had lost none of the desire to meet her, but reason made it plain to him that a meeting could not possibly be arranged through any personal column in the newspaper. He would cancel the thing.

He dropped from the omnibus at the park entrance, where he found his restive mare. He gave her a lump of sugar and climbed into the saddle. He directed the groom to return for the horse at ten o'clock, then headed for the bridle-path. It was heavy, but the air was so keen and bracing that neither the man nor the horse worried about the going. There were a dozen or so early riders besides himself, and in and out the winding path they passed and repassed, walking, trotting, cantering. Only one party attracted him: a riding master and a trio of brokers who were verging on embonpoint, and were desperate and looked it. They stood in a fair way of losing several pounds that morning. A good rider always smiles at the sight of a poor one, when a little retrospection should make him rather pitying. Hillard went on. The park was not lovely; the trees were barren, the grass yellow and sodden, and here and there were grimy cakes of unmelted snow.

"She is so innocent, so youthful!"

He found himself humming the refrain over and over. She had sung it with abandon, tenderness, lightness. For one glimpse of her face! He took the rise and dip which followed. Perhaps a hundred yards ahead a solitary woman cantered easily along. Hillard had not seen her before. He spurred forward, only faintly curious. She proved to be a total stranger. There was nothing familiar to his eye in her figure, which was charming. She rode well. As he drew nearer he saw that she wore a heavy grey veil. And this veil hid everything but the single flash of a pair of eyes the color of which defied him. Then he looked at her mount. Ha! there was only one rangy black with a white throat; from the Sandford stables, he was positive. But the Sandfords were at this moment in Cairo, so it signified nothing. There is always some one ready to exercise your horses, if they happen to be showy ones. He looked again at the rider; the flash of the eyes was not repeated; so his interest vanished, and he urged the mare into a sharp run. Twice in the course of the ride he passed her, but her head never turned. He knew it did not because he turned to see.

So he went back to his tentative romance. She had passed his window and disappeared into the fog, and there was a reasonable doubt of her ever returning from it. The Singer in the Fog; thus he would write it down in his book of memories and sensibly turn the page. Once down-town he would countermand his order, and that would be the end of it. At length he came back to the entrance and surrendered the mare. He was about to cross the square, when he was hailed.

"Hello, Jack! I say, Hillard!"

Hillard wheeled and saw Merrihew. He, too, was in riding-breeches.

"Why, Dan, glad to see you. Were you in the park?"

"Riverside. Beastly cold, too. Come into the Plaza and join me in a cup of good coffee."

"Had breakfast long ago, boy."

"Oh, just one cup! I'm lonesome."

"That's no inducement; but I'll join you," replied Hillard cheerfully.

The two entered the café, sat down, and Merrihew ordered Mocha.

"How are you behaving yourself these days?" asked Merrihew. He drank more coffee and smoked more cigars than were good for him. He was always going to start in next week to reduce the quantity.

"My habits are always exemplary," answered Hillard. "But yours?"

Merrihew's face lengthened. He pulled the yellow hair out of his eyes and gulped his coffee.

"Kitty Killigrew leaves in two weeks for Europe."

"And who the deuce is Kitty Killigrew?" demanded Hillard.

"What?" reproachfully. "You haven't heard of Kitty Killigrew in The Modern Maid? Where've you been? Pippin! Prettiest soubrette that's hit the town in a dog's age."

"I say, Dan, don't you ever tire of that sort? I can't recall when there wasn't a Kitty Killigrew. What's the attraction?" Hillard waved aside the big black cigar. "No heavy tobacco for me in the morning. What's the attraction?"

Merrihew touched off a match, applied it to the black cigar, took the cigar from his teeth and inspected the glowing end critically. He never failed to go through this absurd pantomime; he would miss a train rather than omit it.

"The truth is, Jack, I'm a jackass half the time. I can't get away from the glamour of the footlights. I'm no Johnny; you know that. No hanging round stage-entrances and buying wine and diamonds. I might be reckless enough to buy a bunch of roses, when I'm not broke. But I like 'em, the bright ones. They keep a fellow amused. Most of 'em speak good English and come from better families than you would suppose. Just good fellowship, you know; maybe a rabbit and a bottle of beer after the performance, or a little quarter limit at the apartment, singing and good stories. What you've in mind is the chorus-lady. Not for mine!"

Hillard laughed, recalling his conversation with the policeman.

"Go on," he said; "get it all out of your system, now that you're started."

"And then it tickles a fellow's vanity to be seen with them at the restaurants. That's the way it begins, you know. I'll be perfectly frank with you. If it wasn't for what the other fellows say, most of the chorus-ladies would go hungry. And the girls that you and I know think I'm a devil of a fellow, wicked but interesting, and all that."

Hillard's laughter broke forth again, and he leaned back. Merrihew would always be twenty-six, he would always be youthful.

"And this Kitty Killigrew? I believe I've seen posters of her in the windows, now that you speak of it."

"Well, Jack, I've got it bad this trip. I offered to marry her last night."

"What!"

"Truth. And what do you think? Dropped me very neatly two thousand feet, but softly. And I was serious, too."

"It seems to me that your Kitty is not half bad. What would you have done had she accepted you?"

"Married her within twenty-four hours!"

"Come, Dan, be sensible. You are not such an ass as all that."

"Yes, I am," moodily. "I told you that I was a jackass half the time; this is the half."

"But she won't have you?"

"Not for love or money."

"Are you sure about the money?" asked Hillard shrewdly.

"Seven hundred or seven thousand, it wouldn't matter to Kitty if she made up her mind to marry a fellow. What's the matter with me, anyhow? I'm not so badly set-up; I can whip any man in the club at my weight; I can tell a story well; and I'm not afraid of anything."

"Not even of the future!" added Hillard.

"Do you really think it's my money?" pathetically.

"Well, seven thousand doesn't go far, and that's all you have. If it were seventy, now, I'm not sure Kitty wouldn't reconsider."

Merrihew ran his tongue along the cigar wrapper which had loosened. He had seven thousand a year, and every January first saw him shouldering a thousand odd dollars' worth of last year's debts. Somehow, no matter how he retrenched, he never could catch up. It's hard to pay for a horse after one has ridden it to death, and Merrihew was always paying for dead horses. He sighed.

"What's she like?" asked Hillard, with more sympathy than curiosity.

Merrihew drew out his watch and opened the case. It was a pretty face; more than that, it was a refined prettiness. The eyes were merry, the brow was intelligent, the nose and chin were good. Altogether, it was the face of a merry, kindly little soul, one such as would be most likely to trap the wandering fancy of a young man like Merrihew.

"And she won't have you," Hillard repeated, this time with more curiosity than sympathy.

"Oh, she's no fool, I suppose. Honest Injun, Jack, it's so bad that I find myself writing poetry on the backs of envelopes. And now she's going to Europe!"

"London?"

"No. Some manager has the idea in his head that there is money to be made in Italy and Germany during the spring and summer. American comic-opera in those countries; can you imagine it? He has an angel, and I suppose money is no object."

"This angel, then, has cut out a fine time for his bank account, and he'll never get back to heaven, once he gets tangled up in foreign red-tape. Every large city in Italy and Germany has practically its own opera troupe. In full season it is grand opera, out of season it is comic-opera, not the American kind; Martha, The Bohemian Girl, The Mascotte, The Grand Duchess, and the like. And oh! my boy, the homeliest chorus you ever dreamed of seeing; but they can sing. It's only the ballerina who must have looks and figure. Poor angel! Tell your Kitty to strike for a return ticket to America before she leaves."

"You think it's as bad as that?"

"Look on me as a prophet of evil, if you like, but truthful."

"I'll see that Kitty gets her ticket." Merrihew snapped the case of his watch and drew his legs from under the table. "I lost a hundred last night, too."

"After that I suppose nothing worse can happen," said Hillard cheerily. "You will play, for all my advice."

"It's better to give than receive … that," replied Merrihew philosophically. "I've a good mind to follow the company. I've always had a hankering to beat it up at Monte Carlo. A last throw, eh? Win or lose, and quit. I might."

"And then again you mightn't. But the next time I go to Italy, I want you to go with me. You're good company, and for the pleasure of listening to your jokes I'll gladly foot the bills, and you may gamble your letter of credit to your heart's content. I must be off. Who is riding the Sandfords' black?"

"Haven't noticed. What do you think of Kitty?"

"Charming."

"And the photo isn't a marker."

"Possibly not."

"Lord, if I could only hibernate for three months, like a bear! My capital might then readjust itself, if left alone that length of time. Jack, why the deuce haven't I a relation I never heard of, who would politely die to-morrow and leave me that beggarly thousand? I'm not asking for much. The harder I chase it, the faster it runs ahead." Merrihew thwacked his boots soundly with his crop.

"Some day I'm going to enter that thousand in the Suburban handicap. And won't there be a killing!"

"It wouldn't do you any good to borrow it?"

"In that case I should owe two thousand instead of one. No, thank you. Shall I see you at the club to-night?"

"Perhaps. Good-by."

They nodded pleasantly and took their separate ways. Merrihew stood very high in Hillard's regard. He was a lovable fellow, and there was something kindred in his soul and Hillard's, possibly the spirit of romance. They had met years before, at a commencement, Merrihew in his mortar-board and gown and Hillard as an old graduate, renewing his youth at the fountains. What drew them together, perhaps more than anything else, was their mutual love of out-door pleasures. Their first meeting was followed by many hunting and fishing expeditions, and many long rides on horseback. Take two men and put them on good horses, send them forth into the wilds to face all conditions of weather and inconveniences, and if they are not fast friends at the end of the journey, rest assured that they never will be.

For all his aversion to cards, there was a bit of the gamester in Hillard; as, once in his office, he decided on the fall of a coin not to withdraw his personal from the paper. He was quite positive that he would never hear that Voice again, but having thrown his dice he would let them lie.

Now, at eleven o'clock that same morning two distinguished Italians sat down to breakfast in one of the fashionable hotels. The one nor the other had ever heard of Hillard, they did not even know that such a person existed; and yet, serenely unconscious, one was casting his life-line, as the palmist would say, across Hillard's. The knots and tangles were to come later.

"The coffee in this country is abominable!" growled one.

"Insufferable!" assented his companion.

The waiter smiled covertly behind his hand. He had a smattering of all tongues, being foreign born. These Italians and these Germans! Why, there is only one place in the world where both the aroma and the flavor of coffee are preserved; and it is not, decidedly not, in Italy or Germany. And if his tip exceeded ten cents, he would be vastly surprised. The Italian is always the same, prince or peasant. He never wastes on necessities a penny which can be applied to the gaming-tables. And these two were talking about Monte Carlo and Ostend and the German Kursaalen.

The younger of the two was a very handsome man, tall, slender and nervous, the Venetian type. His black eyes were keen and energetic and roving, suggesting a temper less calculating than hasty. The mouth, partly hidden under a graceful military mustache, was thin-lipped, the mouth of a man who, however great his vices, was always master of them. From his right cheek-bone to the corner of his mouth ran a scar, very well healed. Instead of detracting from the beauty of his face it added a peculiar fascination. And the American imagination, always receptive of the romantic, might readily and forgivably have pictured villas, maids in durance vile, and sword-thrusts under the moonlight. But the waiter, who had served his time in one or another of the foreign armies, knew that no foil or rapier could have made such a scar; more probably the saber. For the Italian officer on horseback is the maddest of all men, and in the spirit of play courts hazards that another man might sensibly avoid in actual warfare.

His companion was less handsome but equally picturesque. His white head and iron-grey beard placed him outside the active army. He wore in his buttonhole a tiny bow of ribbon, the usual badge of the foreign service.

"I'm afraid, Enrico, that you have brought me to America on a useless adventure," said the diplomat, lighting a thin, strong cigarette.

"She is here in New York, and I shall find her. I must have money, must! I owe you the incredible amount of one hundred thousand lire. There are millions under my hand, and I can not touch a penny."

"Do not let your debt to me worry you."

"You are so very good, Giuseppe!"

"Have we not grown up together? Sometimes I think I am partly to blame for your extravagance. But a friend is a friend, or he is not."

"But he who borrows from his friend, loses him. Observe how I am placed! It is maddening. I have had a dozen opportunities to marry riches. This millstone is eternally round my neck. I have gone through my part of the fortune which was left us independently. She has all of hers, and that is why she is so strong. I am absolutely helpless."

"Poor friend! These American women! They all believe that a man must have no peccadillos, once he has signed the marriage contract. Body of Bacchus! the sacrament does not make a man less human than he was before. But this one is clever. She might be Italian born."

"Her mother was Italian. It is the schooling in this country that has made her so clever. The only thing Italian about her is her hatred. She is my countrywoman there. Without her consent I can touch nothing; and if I divorce her, pouff! all goes to the State. Sometimes I long to get my two hands round her white throat. One mistake, one little mistake! I am willing to swear that she loved me in the beginning. And I was a fool not to profit by this sentiment. Give me patience, patience. If I say to her, so much and you may have your freedom, there is always that cursed will. The crown of Italy will never withdraw its hand; no. With his wife's family on his hands, especially her brother, the king will never waive his rights."

"Zut! softly, softly!"

"Oh, I speak with no disrespect. But let me find her."

"I doubt it. And remember, we have but ten days."

"We shall not find time heavy. I know a few rich butchers and grocers who call themselves the aristocracy."

They laughed.

"And some of them play bridge and écarté."

The diplomat jingled his keys. He was not averse to adding a few gold pieces to his purse.

"I have followed her step by step to the boat at Naples. She is here. She is not so inconspicuous that she will be hard to find. She has wealthy friends, and from these I shall learn her whereabouts."

"You say she is beautiful; I would that I had seen her."

"Yes, she is beautiful; and a beautiful woman can not hide, even in a city so big and noisy as this. Think of it! Châteaux and villas and splendid rents, all waiting to be gormandized by the State! I have lied to her, I have humiliated myself, I have offered all the reparation a gentleman possibly could. Nothing, nothing! She knows; it is money, and she knows it is money. The American native shrewdness! My father was a fool and so was hers. And on July first comes the end! Let us get out into the air before I become excited and forget where I am."

"As you wish, amico." The diplomat beckoned to the waiter.

The waiter stepped forward with the coats and hats. His tip was exactly ten cents, and out of this the head waiter must have his percentage.

Three nights later, as Hillard and Merrihew were dining together at the club, the steward came into the grill-room and swept his placid eye over the groups of diners. Singling out Hillard, he came solemnly down to the corner table and laid a blue letter at the side of Hillard's plate.

"I did not see you when you came in, sir," said the steward, his voice as solemn as his step. "The letter arrived yesterday."

"Thank you, Thomas." With no small difficulty Hillard composed his face and repressed the eagerness in his eyes. She had seen, she had written, the letter lay under his hand! Who said that romance had taken flight? True, the reading of the letter might disillusion him; but always would there be that vision and the voice coming out of the fog. Nonchalantly he turned the letter face downward and went on with the meal.

"I did not know that your mail came to the club," said Merrihew.

"It doesn't. Only rarely a letter drifts this way."

"Well, go on and read it; don't let me keep you from it. Some charmer, I'll wager. Here I pour all my adventures into your ear, and I on my side never so much as get a hint of yours. Go on, read it."

"Adventures, fiddlesticks! The letter can wait. It is probably a bill."

"A bill in a fashionable envelope like that?"

Hillard only smiled, tipped the cradle and refilled Merrihew's glass with some excellent Romanee Conti. "When does Kitty sail?" he asked, after a while of silence.

"A week from this Saturday, February second. What the deuce did you bring up that for? I've been trying to forget it."

"Where do they land?"

"Naples. They open in Rome the first week in March. All the arrangements and bookings seem to be complete. This is mighty good Burgundy, Jack. I don't see where you pick it up." After coffee Merrihew pushed back his chair. "I'll reserve a table in the billiard-room while you read your letter."

"I'll be with you shortly," gratefully.

So, with the inevitable black cigar between his teeth, Merrihew sauntered off toward the billiard-room, while Hillard picked up his letter and studied it. His fingers trembled slightly as he tore open the envelope. The handwriting, the paper, the modest size, all these pointed to a woman of culture and refinement. But a subtle spirit of irony pervaded it all. She would never have answered his printed inquiry had she not laughed over it. For, pinned to the top of the letter was the clipping, the stupid, banal clipping—"Will the lady who sang from Madame Angot communicate with gentleman who leaned out of the window? J.H. Burgomaster Club." There was neither a formal beginning nor a formal ending; only four crisp lines. But these implied one thing, and distinctly: the writer had no desire for further communication "with gentleman who leaned out of the window." He read and re-read slowly.

I am sorry to learn that mysinging disturbed you.

Therewas a reason.

At that partic-

ular moment I was happy.

That was all. It was enough. She had laughed; she was a lady humorously inclined, not to say mischievous. A comic-opera star would have sent her press agent round to see what advertising could be got out of the incident; a prima donna would have appealed to her primo tenore, for the same purpose. A gentlewoman, surely; moreover, she lived within the radius, the official radius of the Madison Square branch of the post-office, for such was the postmark. Common sense urged him to dismiss the whole affair and laugh over it as the Lady in the Fog had done. But common sense often goes about with a pedant's strut, and is something to avoid on occasions. Here was a harmless pastime to pursue, common sense notwithstanding. The vein of romance in him was strong, and all the commercial blood of his father could not subjugate it. To find out who she was, to meet her, to know her, if possible, this was his final determination. He rang for paper and a messenger, and wrote: "Madame Angot. There is a letter for you in the mail-department of this office." This time his initials were not necessary. Once the message was on its way, he sought Merrihew, whom he found knocking the balls about in a spiritless manner.

"A hundred to seventy-five, Dan."

"For what?"

"For the mere fun of the game, of course."

"Make it cigars, just to add interest."

"Cigars, then."

But they both played a very indifferent game. At ten-thirty Merrihew's eyes began to haunt the clock, and Hillard grew merciful for various reasons.

"What time does the performance end?" he asked.

"At ten-fifty, but it takes about twenty minutes to scrape off the make-up."

"Run along, then, my son; I can spare you. And you've a cigar coming."

Merrihew agreeably put his cue in the rack.

"Much obliged for the dinner, Jack. I'll return the favor any night you say." He made off for the coat-room.

Hillard laughed, and went up to the writing-room to fulfil a part of his destiny. He took the letter out and read it again. A woman of wit and presence; a mighty good dinner companion, or he was no judge of women. He replaced the letter in its blue covering, and then for the first time his eye met the superscription. Like a man entranced he sat there staring. The steward had brought the letter to him, and in his first excitement this had made no impression upon his mind; he had seen nothing peculiar nor strange. And here it was, not his initials, but his name in full.

She knew who he was!

Chapter 3 MADAME ANGOT

In a fashionable quarter of the city there stood a brownstone house, with grotesque turrets, winding steps, and glaring polished red tiles. There was a touch of the Gothic, of the Renaissance, of the old English manor; just a touch, however, a kind of blind-man's-buff of a house. A very rich man lived here, but for ten months in the year he and his family fluttered about the social centers of the world. And with a house like this on his hands, one could scarce blame him. Twice a week, during this absence, a caretaker came in, flourished a feather duster, and went away again. Society reporters always referred to this house as "the palatial residence."

This morning a woman stood in the alcove-window and looked down into the glistening street. There was a smile on her lips, in her eyes, in the temporary little wrinkles on either side of her nose. The Venetian red of her hair trapped the reflected sunlight from the opposite windows, and two little points of silver danced in her blue eyes. Ah! but her eyes were blue; blue as spring-water in the morning, blue as the summer sky seen through a cleft in the mountains, blue as lapis-lazuli, with the same fibers of gold. And every feature and contour of the face harmonized with the marvelous hair and the wonderful eyes; a beautiful face, warm, dreamy, engaging, mobile. It was not the face of a worldly woman; neither was it the face of a girl. It was too emotional for the second, and there was not enough control for the first. It seemed as if she stood on the threshold of life, with one hand lingering regretfully in the clasp of youth and the other doubtfully greeting womanhood; altogether, something of a puzzle.

But the prophecy of laughter did not come to pass; the little wrinkles faded, the mouth grew sad, and the silver points no longer danced in her eyes. The pain in her heart was always shadowing; like a jailer it jealously watched and repressed the natural gaiety which was a part of her. Those who have been in serious wrecks are never quite the same afterward; and she had seen her fairest dream beaten and crumpled upon the reef of disillusion.

Yet again the smile renewed itself. She was a creature of varying moods. She twisted and untwisted the newspaper. Should she? Ought she? Was it not dreadfully improper and bizarre? Had she not always regretted these singular impulses? And yet, what harm to read this letter and return it to the sender? She was so lonely here; it was like being among a strange people, so long ago was it that her foot had touched this soil. Was it possible that she was twenty-five? Was there not some miscount, and was it not fifteen instead? As old and as wise as the Cumæan Sybil at one moment, as light and careless as a Hebe the next. Would not this war of wisdom and folly be decided ere long?

She opened the paper and smoothed out the folds. "Madame Angot. There is a letter for you in the mail-department of this office." It was so droll. It was unlike anything she had ever heard of. A personal inquiry column, where Cupids and Psyches billed and cooed, and anxious Junos searched for recreant Jupiters! The merest chance had thrown the original inquiry under her notice. Her answer was an impulse to which she had given no second thought till too late. She ought to have ignored it. But since she had taken the first step she might as well take the second. She was lonely; the people she knew were out of town; and the jest might amuse her.

This man was, in all probability, a gentleman, since he was a member of a gentlemen's club. But second thought convinced her that this proved nothing. Men are often called gentlemen out of compliment to their ancestors. Still, if this man only saw the affair from her angle of vision, the grotesque humor of it and not the common vulgar intrigue! She hesitated, as well she might. Supposing that eventually he found out who she was? That would never, never do. No one must know that she was in America, about to step into the wildest of wild adventures. No; she must not be found out. The king, who had been kind to her, and the court must never know. From their viewpoint they would have declared that she was about to tarnish a distinguished name, to outrage the oldest aristocracy in Europe, the court of Italy. But she had her own opinion; what she proposed to do was in itself harmless and innocent. But this gentleman who leaned out of the window? What should she do with him? What had possessed her to sing at that moment? A block above or below his window, and no one would have heard, not even the policeman. This time the laughter bubbled. It was all so funny. She had heard every word of their conversation. She had seen the match flare in the young man's face. Fortunately they had not thought to peer into the area-ways. Was it the face she had seen in that flash of light that interested her sufficiently to risk the note? Against the dark of the night it had appeared for an instant, clean, crisp, ruddy as a cameo. Sometimes a single glance is enough; the instinct of the heart is often surer than the instinct of the mind. She would not have been afraid had he found her. The face warranted confidence.

She had sung because she had been happy, happy with that transient happiness which at times was her portion. Could she ever judge another man by his looks? She believed not. How she had run! The man, bareheaded, giving chase, and the burly policeman across the street! Chorus-ladies—what in the world were they?

She stepped down from the alcove, wound the grey veil round the riding-crop and tossed them into a corner. Somehow, in the daylight, the magic was gone from his face, for she had recognized him that first day in the park. He rode well. She knew that his interest in her had been only casual. She touched a bell. A maid appeared.

"Signora?"

"Bettina, you will go to the office of this newspaper and inquire for a letter addressed to Madame Angot. You can speak that much English. And be quick, for I may change my mind."

"I go at once, Signora." And she was back in less than half an hour.

"There was a letter, then?" The points were dancing again in the blue eyes.

"And here it is, signora." The maid's eyes sparkled, too. An intrigue! It would not be so dull hereafter.

"You may go. Perhaps," and Bettina's mistress smiled, "perhaps I may let you read it and answer it, after I am done with it. That would be rather neat."

"But it will be in English, signora; and that I can not read." Bettina's eyes filled with disappointment.

"You may use it as a lesson. In a few days you should be able to master it."

The slight nod was a dismissal, and the maid went about her duties, which were not many in this house. These were terrible days; the two of them alone in this strange palazzo, and the stuffy, ill-smelling trattoria they dined at! Che peccato! And that she should sit side by side with her mistress! Santa Maria, what was the good world coming to? And the ban on the familiar tongue! English? She despised it. German? She detested it. But to be allowed to speak in French, that alone made conversation tolerable. And this new mad whim! Oh, yes; the signora was truly mad this time.

Meanwhile the lady with the Venetian hair toyed with the letter. Club paper. Evidently he was not afraid to trust her. But would he amuse her? Would he have anything to say that would interest her? She ran the paper-knife under the flap. The contents gave her a genuine surprise. She ran to the window. Italian! It was written in Italian, with all the flourishes of an Italian born. She turned to the signature. Hillard; so he had signed his name in full? She ruminated. How came such a name to belong to a man who wrote Italian so beautifully? Here was something to ponder over. She smiled and looked at the signature again… . John, Giovanni. She would call him Giovanni. She had been rather clever. To have had the wit to look in the library for the blue book and the club list; not every woman would have thought of that. Then a new inspiration came to her, and she struck the bell again. She sent Bettina for the card-basket in the lower hall. She scattered the contents upon the floor, touched up the wood fire, and sat down Turkish-wise. She sorted the cards carefully, and lo! she was presently rewarded. She held up the card in triumph. He had called at this house on Thanksgiving Day. He was known, then, to the master and mistress, this Giovanni with the Irish surname. Very good. She now gave her full attention to the letter, which, incredible as it may seem, she had not yet perused.

To the Lady in the Fog—To begin with, let me say that I, too, have laughed. But there was some degree of chagrin in my laughter. On my word of honor, it was a distinct shock to my sense of dignity when I saw that idiotic personal of mine in the paper. It is my first offense of the kind, and I am really ashamed. But the situation was not ordinary. Ordinary women do not sing in the streets after midnight. As you could not possibly be ordinary, my offense has greater magnitude. To indite a personal to a gentlewoman! A thousand pardons! I doubted that it would come under your notice; and even if it did, I was sure that you would ignore it. And yet I am human enough to have hoped that you wouldn't. When I found your note, it was a kind of vindication; it proved that a singular episode had taken place. To find a woman with an appreciable sense of humor is rare; to find one who couples this with initiation is rarer still. I do not refer to wit, the eternal striving to say something clever, regardless of cost. How you found out my name confuses me.

"Indeed!" murmured the lady.

Doubtless you have the club list in your house. Do you know, when the letter was brought me, I saw nothing unusual about the address. It was only when I began this letter that I comprehended how clever you were. There are half a dozen J.H's at the club. I tell you truthfully, over my own name, that your voice startled me. It would have startled me under ordinary circumstances. In New York one does not sing in the streets. It is considered bad form by the police.

"Thanks! I must remember that."

I was startled, then, because my thoughts were far away. I was dreaming of Italy, where I was born, though there is no more Italian blood in my veins than there is in yours.

The ruddy head became erect and the blue eyes searched the glowing seams in the logs. Here was a riddle.

"What made him think that, I wonder?"

I therefore write this in a language familiar to us both, certain you could not sing Lecocq's songs in Italian if you did not speak and understand it thoroughly. Signora or signorina, whichever it may be, have we no mutual friends? Are you not known to some one who knows me? Some one who will speak for me, my character, my habits? Modesty forbids that I myself should dwell upon my virtues. I could refer you to my bankers, but money does not recommend the good character of a man. It merely recommends his thrift, or more generally that of his father.

"That will pass as wit," said the lady. "But it is rather a dull letter, so far. But, then, he is wandering in the dark."

You say you sang because at that moment you were happy. This implies that you are not always so. Surely, with a voice like yours one can not possibly be unhappy. If only I might meet you! Will you not do me that honor? I realize that this is all irregular, out of fashion, obsolete. But something tells me that neither of us is adjusted properly to prosaic environments. Isn't there just a little pure, healthy romance waiting to be given life? Your voice haunts me; out of every silence it comes to me—"She is so innocent, so youthful!"

John Hillard.

The letter fluttered into her lap. She leaned on her elbows. It was not a bad letter; and she rather liked the boyish tone of it. Nothing vulgar peered out from between the lines. Did he really love music? He must, for it was not every young man who could pick out the melody of an old, forgotten opera. She shivered, but the room was warm. Had fate or chance some ulterior purpose behind this episode? Rather than tempt fate she decided not to answer this letter; aside from her passive superstition, it would be neither wise nor useful. She desired to meet no strangers; to be left to herself was all she wished. Her voice, it was all she had that afforded her comfort and pleasure.

Romance! The word came back to her. With an unmusical laugh she stood up, shaking the letter to the floor. Romance! She was no longer a girl; she was a woman of five and twenty; and what should a woman know of romance? Ah, there had been a time when all the world was romance, romance; when the night breeze had whispered it under her casement-window, when the lattice-climbing roses had breathed it, when the moon and the stars had spelled it. Romance! She hated the word not less than she hated the Italian language, the Italian people, the country itself. She spurned the letter with her foot and fed the newspaper to the fire. She would let Bettina answer the letter.

She went down-stairs to the piano and played with strong feeling. Presently she began to sing a haunting melancholy song by Abt. From Abt she turned to Flotow; from Offenbach to Rossini; from Gounod to Verdi. The voice was now sad or gay, now tender or wild. She was mistress of every tone, every shade, every expression.

The door opened gradually. The little maid's face was moved to rapture over these exquisite sounds.

Crash! It was over.

"Bettina? Bettina, are you listening?"

"I am always listening." Bettina squeezed into the room. "I had not the heart to interrupt. It is beautiful, beautiful! To sing like that!" Then, with a burst of confidence: "There will be kings and dukes at your feet!"

"Enough!"

"Pardon, signora, I forgot. But listen; I bring a message. A boy came to say that the rehearsal will be at four this afternoon. It is now after twelve."

"So late? I did not know. We must be off to lunch."

"And the letter up-stairs on the floor?"

"Some day, Bettina, you will enter the Forbidden Chamber, and I shall have to play Bluebeard. This time, however, I do not mind. Leave it there or burn it," indifferently.

Bettina knew her mistress. She thought best to leave the letter where it lay, forgotten for the time being.

Chapter 4 BLINDFOLDED

For two days the club steward only nodded when Hillard came in; he had no letters to present.

"I am thirty-three years old," Hillard mused, as he sought the reading-room. "Down-town I am looked upon as a man of affairs, a business man, with the care of half a dozen fortunes on my hands. Now, what's the matter with me? I begin to tremble when I look that sober old steward in the face. If he had handed me a letter to-night, I should have had to lean against the wall for support. This will never do at all. I have not seen her face, I do not know her name; for all I know, she may be this Leddy Lightfinger… . No, that would be impossible. Leddy Lightfinger would have made an appointment. What possesses me to dwell in this realm of fancy, which is less tangible than a cloud of smoke? Have I reached my dotage by the way of the seven-league boots? Am I simply bored with the monotony of routine, and am I groping blindly for a new sensation?" He smoked thoughtfully. "Or, am I romantic? To create romance out of nothing; I used to do that when I was a boy. But I'm a boy no longer. Or, am I a boy, thirty-three years old?… She does not answer my letter. Sensible woman. In her place I shouldn't answer it. But in my place I want her to. Two weeks ago I was haunting the curio-shops for a Roman cameo two thousand years old; to-night I might take it as a gift. I have ceased to be interested in something that has always interested me. Something is wrong; what is it? She sent for my letter. That indicates that she read it. Well, well!" reaching for the London Illustrated News; "let's see what their Majesties have been doing the past fortnight."

The King of England was preparing to descend to the Riviera; the King of Spain was killing pigeons; the Kaiser was calling for more battleships; the Czar of all the Russias was still able to sit for his photograph; the King of Italy was giving a fête; and Leopold of Belgium was winning at Monte Carlo. Among the lesser nobles the American duchesses were creating a favorable impression in spite of their husbands.

"What a fine sensation it must be," Hillard murmured, "to be able at any time to plunge one's noble white hand into a sack of almost inexhaustible American dollars!"

He dropped the paper. The same old stories, warmed over. There was really nothing new in the world. If Giovanni returned to Italy in the spring, he was of a mind to go with him. He looked up and was glad to see Merrihew in the doorway.

"Been looking for you, Jack. Want your company to-night. Kitty Killigrew is giving a little bite to eat after the performance, and has asked me to bring you along. Will you come?"

"With pleasure, Dan. Are you dining with any one to-night?" Hillard was lonesome.

"Yes. A little bridge till eleven."

"You're hopeless. I can see you in limbo, matching coffin-plates with Charon. I'll hunt you up at eleven."

"Heard the talk?"

"About what?"

"Why, some one in the club has been using the agony column. The J.H's are being guyed unmercifully, and you'll come in for it presently. It's a case of wine on the man who did it."

Hillard felt of his collar and drew down his cuffs. "Probably some joke," he ventured tentatively.

"If it isn't, the man who would stoop to such tommyrot and tack the name of his club to it must be an ass."

"No doubt about that. Odd that this is the first time I have heard about it." But silently Hillard was swearing at his folly. There was one crumb of comfort: the incident would be forgotten in a few days.

"I may depend upon you to-night, then?" said Merrihew.

"I shall be pleased to meet Miss Killigrew," which was a white one. Hillard would have paid court to a laundress rather than offend Merrihew.

And promptly at eleven he went up to the card-room and dragged Merrihew away. Merrihew gave up his chair reluctantly. He was winning. He would have been just as reluctant, however, had he been losing. The amateur gambler never wants to stop.

On the way to the Killigrew apartment, Merrihew's moods varied. At one moment he was on the heights, at the next in the depths. He simply could not live without Kitty. Perhaps if this trip abroad turned out badly she might change her mind. Seven thousand could be made to muster. Twice Hillard came very near making his friend a confidant of his own affair; but he realized that, while Merrihew was to be trusted in all things, it was not yet time.

He found a pleasing and diverting company. There was Mère Killigrew, a quaint little old lady who deplored her daughter's occupation but admitted that without her success, Heaven only knew how they would have got along. There was the genial Thomas O'Mally, a low-comedian of genuine ability, whom Hillard knew casually; Smith, a light-comedian; and Worth, a moderately successful barytone to whom Hillard took one of those instant and unaccountable dislikes. These three and Kitty were going abroad. And there were several members of The Modern Maid company, which went on tour the following Monday.

Kitty fancied Hillard from the start; and he on his side found her well educated, witty and unaffected. She was even prettier than her photograph. Merrihew's face beamed upon them both, in a kind of benediction. He had known all along that once Jack saw Kitty, he would become a good ally in fighting down her objections.

"Think of singing in Italy!" cried Kitty. "Isn't it just wonderful?"

"And has Merrihew told you to get a return ticket before you sail?" with half a jest.

"Don't you think it will be successful?" a shade of disappointment. "There will be thousands of lonesome Americans over there. Out of patriotism, if for nothing else, they ought to come and see us."

"They certainly ought to. But I'm an old killjoy."

"No, no; go on and tell me all your doubts. You have been over there so many times."

"Well, supposing your tourists are tired, after having walked all day through the churches and galleries? They may want to go to bed early. But you never can tell till you try. You may become the rage on the continent. Yet, you go into the enemy's country. It isn't the same as going to London, among tolerant cousins. In Italy and in Germany there is always so much red tape, blundering, confusing red tape, custom duties, excessive charges. But your manager must know what he is doing."

"He has everything in black and white, I believe. But your advice is sensible."

"Do you know anything about Italy or Germany?"

"Only what I learned in my geographies," laughing. "Rome, Florence, Genoa, Venice, Nice, Milan, Strasburg, Cologne, and on to Berlin! It is like a fairy story come true."

"Who is your prima donna?" he asked.

"Ah!" Kitty's face became eager with excitement. "Now you have put your finger on the mystery that is bothering us all. Not one of us has seen her or knows her name. She has not rehearsed with us and will not till we reach Naples, where we rest a week. When we speak of her, the manager smiles and says nothing; and as none of us has seen the backer, Mr. Worth thinks that she herself is the prima donna and backer in one. We think that she is some rich young woman who wishes to exploit her voice. There's a lot of them in the world. I wish I knew her. I am dying of curiosity. The manager is not a man to fool away his time. She doubtless can act and sing. Little has been said about the venture in the papers, and I'm glad. We may prove a perfect fizzle, and the less said the better. As we can't walk back, I must learn to swim… . Lunch is ready, every one!"

The mummers and the outsiders flocked into the small dining-room. There was plenty to eat—beer, soda, whisky, and two magnums of champagne, Merrihew's contribution to the feast. Hillard listened with increasing amusement to the shop-talk. Such and such a person (absent) never could act; such and such a composer (absent) was always giving the high note to the wrong singer; such and such a manager (absent) never staged the opera right. It was after one when they returned to the sitting-room, where the piano stood. The wine was now opened and toasts were drunk. O'Mally told inimitable stories. There was something exceedingly droll in that expressive Irish face of his and the way he lingered over his wine.

"There is nothing so good as a glass of champagne," he observed, "unless it is another."

Worth did not drink, but Hillard did not like his handsome face any the more for this virtue. He sang remarkably well, however, and with a willingness Hillard had not believed he possessed. He wondered vaguely why he disliked the man. He had never met him before, and knew nothing at all about him. It was one of those inexplicable things which can not be answered. Otherwise Hillard enjoyed himself vastly. He found these people full of hope, light-hearted, generous, intelligent, and generally improvident.

"Mr. Merrihew has been telling me all about you," said Kitty.

"You mean, of course, my good qualities," replied Hillard.

"To hear him talk, one would think that you possessed nothing else. But I am sure that you have glaring faults, such as a man might pass over and a woman go round."

"I believed that Merrihew had a serious fault till to-night," he said; and he made no attempt to disguise the admiration in his eyes.

She looked at him quickly and colored. It was a good sign.

"Has the foolish boy been telling you that I refused to marry him? I like him very much," she added gravely; "but I shall never marry any man till I have ceased to love the stage. Just now I can not wisely love anything else."

"I understand," he said.

"I am not a whit less extravagant than he is. How could the two of us live on an income which he himself admits that he can not live within? But that isn't it; a million would not make any difference. I am like a young colt; I have no desire to be harnessed yet. A month after I am gone he will forget all about me; or, at least, he will only recollect me with a sigh of relief. There will be others; only I hope they will treat him as frankly as I have done."

"Merrihew is the most loyal man I know," Hillard declared, bound to defend his comrade against this shrewd insight to his character.

"Of course he is loyal! And he is always in earnest—for the moment." She laughed. "But if he marries any one while I am gone, I shall hate him."

And then they both laughed.

"I'll wager another magnum," cried Merrihew from across the room, "that I'm the subject under discussion."

"Another magnum!" murmured O'Mally rapturously.

"No more magnums," said Kitty resolutely.

"On abstract principles, then!" insisted Merrihew.

"You win," Kitty replied merrily. "We have been saying only nice things about you."

It was outrageously late, nearly four, when the revelers took leave of their hostess. Merrihew was happy with that evanescent happiness which goes hand in glove with late suppers and magnums. In the morning he would have a headache.

"Isn't she a little wonder, Jack? Do you blame me?"

"Not at all, Dan. It might be a good thing for you to marry a sensible little woman like that. But she won't have you."

"No, she won't." Merrihew reached for his watch. "Four A.M. Wonder if we can't find another bottle somewhere."

"You are going home, my boy."

"All right, if you say so,"—good-humoredly. "Say, what do you think of that man Worth?"

"Very good voice; but he's too handsome. Being a plain duffer myself, I don't take kindly to handsome men."

"Oh, go on! You're as fine a looking chap as there's in New York. But this man Worth has the looks of a lady-killer. He's been eying Kitty, but it doesn't go. Hang it, I can't see why she won't marry me now. She's got to, some time or other."

"You must have patience."

"Or more money. Can't O'Mally tell a good story, though?"

"Good company, too; but I should hate to turn him loose in my wine-cellars. I imagine that he's not a connoisseur, and will praise anything that's good to drink, unless it's water."

Merrihew roared.

"Well, here's your station, Dan. You go home like a good boy. Shall I see you to-morrow?"

"Eight-thirty in the park. Gallop off headache. Nothing like a horse for a headache. Good night."

Merrihew climbed the elevated stairs and vanished. Hillard arrived home tired and sleepy; but as he saw a letter on the stand in the hall, his drowsiness passed quickly. There was no other blue envelope like it. She now had his house address; she was interested enough to look it up. She did not follow his lead and write in Italian; she wrote in English—crisp English, too. Again there was neither beginning nor ending. But this was a letter; there was something here of the woman, something to read and read again.

I had told the maid to burn your letter. But she left it on the floor where I had thrown it, and I came across it this morning. It looked rather pathetic. So I am writing you against my better judgment. Yes, I know your name; I find that I am well acquainted with people you know. I am a woman who often surrenders to the impulse of the moment; I may or may not answer any future letter from you. You write very good Italian; but it will surprise you to learn that I detest all things that are Italian. Once I loved them well. Why should you wish to know me? Our ways are as divergent as the two poles. Happy because I sing? There are some things over which we can sing or laugh, but of which we can not speak without crying. Happy or unhappy, what can this matter to you? To you I shall always remain the Lady in the Fog. Are you rich, young, talented? I care not in the least. Perhaps it amuses me to add to your confusion. Find me? I think not. Seek me? Do so; I permit you to. And would you know me if you found me? Misguided energy!

Hillard put the letter away, extinguished the lights, and passed up to his room. She defied him to find her? This was a direct challenge. He would accept it. This time he would use no personal to tell her that a letter awaited her. She should make the inquiries herself. And from the mail-clerk he would obtain a description of the elusive Madame Angot. Next morning he rode in the park with Merrihew. Again he saw the veiled lady on the Sandford black. Out of normal curiosity he telephoned the stables and made inquiries. The reply was short. No one at the stables knew the lady, but she rode the horse on proper authority.

That night he wrote:

I shall keep on writing till you cease to reply. Let me be frank with you. I am bored; so are you. The pleasure you derive in keeping up this mystery engages you. You bid me to find you. I accept the challenge. You must understand at once that it is the mystery that interests me. It is the unknown that attracts me. I am mentally painting you in all sorts of radiant colors. You defy me to find you. There is nothing so reliable as the unexpected, nothing so desperately uncertain as a thing assured. I warn you that I shall lay all manner of traps, waylay your messengers, bribe them. I shall find out where you live. The rest will be simple.

She replied:

I have no desire to alleviate your confessed boredom. Your persistence would be praiseworthy if well directed. Waters wear away stone, the wind crumbles the marble, but a woman is not moved till she wishes to be. I never thought that I should dabble in an intrigue of this sort, and I am surprised at the amusement it affords me. I really owe you some gratitude. The few I have met who know you tell me that you are a "nice young man."

He rebelled at the adjective. Every man has some portion of self-love. So his next effort was a passionate denial that he was nice. When should he meet her? The postman brought him a letter which contained one word—Nimmer! He sent her four pages, a frank and witty description of himself and friends, his past and some of theirs.

On the day she received this letter a cablegram came to her from the far Mediterranean. Whatever it contained had the effect to cause all restraint to disappear from the tone of her letters. They became charming; and more and more Hillard found himself loving a Voice. All his watching, all his traps, came to no successful end. She was too clever for him. He sought the mail-department of the great newspaper; the clerk couldn't remember, there were so many calling for mail. Letters passed to and fro daily now, but always she declared that it was impossible for them to meet. To write a letter was one thing, to meet a strange man in an unconventional manner was another. No, it was out of the question to dine with him in a restaurant. It was equally out of the question to cook a dinner where she lived, as she and her maid dined at a small restaurant near-by. Would he not be content with the romance and let the reality go? Finally he proposed to bring the dinner all cooked from the club. Two days went by without a sign; then the blue letter came.

I surrender. The most fatal thing in life is curiosity. It has the power to lead us into all manner of trouble. And I have my share of curiosity. Remember, you never would have found me. I may dwell in a garret; I may be hideous; perhaps nothing remains to me but my voice. Whatever you have painted me in your imagination, I tell you that I shall prove directly the opposite. And now the terms. And if you do not follow them confidently and blindly, your dinner will grow cold in the carriage. Dinner will be at eight, February first. At seven a carriage will call for you. The messenger will blindfold you. He will then proceed to the club and take the dinner, and bring you here. Be warned! If you so much as lift the corner of the bandage, the romance will end then and there. It is necessary to enforce these conditions, but it is not necessary to explain why. I realize that I am doing something very foolish and unwise. But, as you say, I am a woman who has seen much of the world. Thus I have my worldly side. I shall use it as a buffer.

"Blindfolded!" Hillard scrubbed his chin. All these precautions! Who was she? What was she? An ordinary young woman, full of mischief, or was she what he hoped, a real mystery? He was well on the way to find out. Since there was no escape, blindfolded he would go.

At half after six, on the night of the first of February, then, he began to dress. It was some time since he had taken such particular care.

"The signore seems in high spirits to-night," observed Giovanni, as he laid out the linen.

"Man, I'm happy and greatly excited. Do you recollect the lady who sang under my window? I am going to meet her to-night. The mystery will be a mystery no longer."

"Who is she?" asked Giovanni sharply. It was rarely he asked a question with such directness.

But his master was too excited to note it. "On my word, I don't know who she is, Giovanni. She has written such charming letters! She may be only a singer; she may be a Russian princess in exile; she may be an adventuress of the most formidable type; she may be an American girl. One thing, she is not English. English women as I have found them lack the essential spirit of adventure."

"Ah!" Giovanni stroked his lips doubtfully. "It is not like the signore to plunge blindly into adventures like this."

"The very word, blindly. I go blindfolded, amico. What do you think of that?"

"Blindfolded?" Giovanni was horrified. "It is a trap!" he cried. "They will assassinate you! No, you shall not go! In Rome, at the carnivals, it is an old game. They will rob you."

"You are dreaming. This is America; things are not done that way here. And nothing now can turn me aside." Hillard was all the while finishing his toilet.

"I suppose not. But blindfolded!"

"Take the number of the cab as I get in. If anything should happen, give the number to the police."

Giovanni, with a sharp movement of the hands, expressed his resignation to the worst. He knew the futility of arguing with his master. But he followed him down to the hall and tied on the bandage himself. He was honest about it, too, for Hillard could see nothing. Then the messenger-boy took him by the hand and led him to the carriage. As the two were climbing in, Giovanni spoke rapidly in his native tongue.

"There is no number on the carriage!"

"Too late to bother now."

The carriage rolled off toward the club, where the dinner, hot and smoking, was taken on.

"Joinin' th' Elks?" asked the boy, when they were well under way once more.

"No, it's a séance. They are going to call up my fate round a table."

"Huh? Aw, go-wan! Dey don't call up no ghosts wit' French cider and hot boids." The boy relapsed into silence.

Hillard tried to follow the turns of the carriage, but these were too many; and so he resigned himself to become totally lost. By and by the carriage stopped.

"Dis is where we alights, me loid!" the boy jeered. "An' no lookin', mind."

Hillard found the carriage steps and landed safely. He stood for a moment, listening. They were in a quiet part of the city; no elevated or surface cars were near. He was assured that the location was exclusive. Garrets are not to be found in quiet places.

"Look out fer th' steps," said the boy, again taking Hillard by the hand.

"And you be careful of that basket."

"I ain't lettin' it drop any."

Winding steps, thought the blindfolded man. He could recollect none. It seemed to him that they stood there five minutes before the door opened. When it did, the boy passed in the basket and resolutely pushed Hillard into the hall. The door closed gently, and the adventure was begun. Whither would it lead him?

"Take off the bandage the signore may now," said a voice in broken English.

"Thanks!" He tore the handkerchief from his eyes and blinked. The hall was so dimly lighted that he could see nothing distinctly.

"The signore's coat and hat."

He passed over these articles, shook the wrinkles from his trousers, smoothed his chin, and stood at attention. The maid eyed him with abundant approval, then knocked timidly on the door leading to the drawing-room. He was sure of one thing: this was some millionaire's home. What if he should see in the drawing-room a party of his intimate friends, ready to plague and jest? He shuddered. He never had entertained such an appalling probability.

"Avanti!" called a soft voice from within.

Hillard gathered in his courage, opened the door and stepped inside. A single lamp in a far corner drew his glance, which roved a moment later. On a divan near this lamp sat a woman in black. Only a patch of white throat could be seen, for her shoulders were not bare and her arms only to the elbows. Her back was turned squarely. He could see nothing of her face. But what a head! He caught his breath. It glowed like a copper-beech in the sunshine. What was it? There was something, something he could not see.

"Madame?" he faltered. He had had a gallant Italian phrase to turn for her benefit. He spoke English instead, and not very firmly.

The woman turned. Hillard took a step backward and blundered against a pedestal.

She was masked!

 

Chapter 5 THE MASK

Masked! Only her mouth and chin were visible, and several little pieces of court-plaster effectually disguised these. There was a mystery. He to come blindfolded and she to wear a mask! Extraordinary! There was something more than a jest: she really did not wish to be known, and the reason lay far back of all this, beyond his grasp. He stood there dumfounded. She rose. The movement was elegant.

"And this," she said ironically, "is the gentleman who leaned out of the window?"

He brought all his faculties together, for he knew that he would need them in this encounter. "Supposing I had fallen out of it? Well, it could not have mattered. I should not have been more at your feet than I am now." This was very good, considering how dry his tongue was.

"If you had fallen out? I had not thought of that. A modern Ulysses, house-broken, and an itinerant siren! You had been wise to have stuffed your ears that night."

"My mythology is rusty. And I much prefer Penelope. She interests me vastly more than the ancient prize-fighter."

"But sit down, Mr. Hillard, sit down." The lady with the mask motioned him to a chair directly under the light. She wished to study his face while she talked.

Hillard reached the chair successfully enough, but he never could recollect how. He sat down as a bashful man sits down in a crowded ball-room, with his knees drawn in tightly and his feet at sympathetic angles. He knew that she would have the best of him in this engagement. All the bright things to say would come to him after he had gone home. It was far easier to write letters. That mask! One might as well converse with the Sphinx. His face was hers to study; her emotions would be wholly her own.

Presently she laughed with malice.

"You are not comfortable in that chair."

"That is true; and yet it is soft and roomy. I am uneasy. Perhaps you recall to my subconsciousness a period in my former existence on earth; or, if you will, one of my ancestors."

"I fail to understand."

"Well, a Hillard two hundred years ago had his head cut off by an ax. His executioner wore a mask."

"A mistake. Your ancestor should have been hanged."

"And I along with him, you would imply?"

"Are you not Irish? I have known Irishmen by the name of Hillard."

"They were in disguise. But I have a generous strain of Irish blood in me. Otherwise I shouldn't have had the courage to follow up an adventure like this."

"Thanks. The compliment is rather ambiguous."

"My compliments can not possibly be more ambiguous than your appearance. Surely, there will be an hour for unmasking."

"It has already begun, Mr. Hillard."

"So I am the one who is to be unmasked? Well, I have only the mask nature gave to me. I wish she had been more liberal. But I shall see what can be done with it."

"Is there any mask quite so terrible, quite so deceptive, as this very mask nature gives us? Can it not lie adroitly, break hearts, overthrow empires? You can judge a character by this mask sometimes, but never the working of the mind behind it." She resumed her seat on the divan.

"I wish I could read yours."

"And much good it would do you." She smiled, rather ruefully Hillard thought.

He took note of her teeth, and felt a sudden tinge of regret. One may disguise the face and hair, but the teeth are always the same. Two lower teeth on the right side appeared to be gone; the others were firm and glistening white. It was a pity, for a woman's teeth are as much her glory as her hair.

"I am curious to learn what you brought for dinner."

He enumerated the delicacies.

"You have evidently studied your Lucullus," she said.

Silence. The ruddy light on her hair fascinated him.

"What is it?" she demanded.

"Your hair," with a simplicity which silenced her. "You have the most beautiful hair I have ever seen."

"Thank you. And yet, for all you know, it may be a fine wig."

"If it is, I shall never be sure of anything again. Am I in prosaic New York? Have you not, by some carpet-magic, transported me to old Europe? If a dozen conspirators came in in cowls to render me the oath, I should not be at all surprised."

"There is no magic; only a mask."

"And there is no way of seeing behind that?"

"None, absolutely none. I am told that you are a gentleman; so I am confident that you will not stoop to use force."

"Only the force of eloquence, if ever I may lay claim to that again."

"You are beginning well. For I tell you, Mr. Hillard, I shall expect but the most brilliant wit from you to-night. As for me, I shall only interpolate occasionally. Now, begin."

"I am not used to dancing without the pole."

"You must learn. Dance!"

"Upon what—nothing? And how shall I know that my dancing pleases you?"

"I agree to tell you. I wear this mask to-night because I am taking a surreptitious leaf out of my book of cares."

"Cares? Have you any?"

"If I were without cares it would not be necessary to seek diversions of this equivocal character." She crossed her arms. The magic of old Venice seemed at that moment to enfold her.

"You are, then, seeking a diversion?"

"Nothing more or less. Do not flatter yourself that there is anything personal or romantic on my side. I am bored."

"I am wholly in your hands," he said; "and they are very beautiful hands."

"Is there anything more beautiful than a cat's paw, when the claws are hidden? Never judge a woman by her hands." Nevertheless she buried her hands in the depths of a down-pillow. She had forgotten her rings. She slipped them off and managed to hide them.

"I promise to remember. Your letters—" he began diffidently. Where the deuce was his tongue? Was he to be tongue-tied all the evening before this Columbine, who, with the aid of her mask, was covertly laughing at his awkwardness?

"My letters? A woman often writes what she will not say, and says what she will not write. Did you not ask me to disillusion you?"

"Yes, but softly, softly. I begin to believe one thing: you brought me here to teach me a lesson. Gentlemen should never use the personal column."

"Nor should ladies read it. I am not saving any mercy for myself!" with laughter.

"Shall I begin with my past?"

"Something less horrifying, if you please!"

"I object to the word nice," he said, seeking a new channel, for he was not steering very well in those he had so far selected.

"The word was employed negligently. Your friends used the word."

"I should have preferred milksop!" He was growing impatient. "Hadn't you better try some new kind of torture?"

"This is only a skirmish; your real torture hasn't even begun yet. But this will give you an appetite. I do not drink champagne, but the chambertin will do nicely. Oh, I propose that you shall pay for this dinner, Mr. Hillard; pay for the privilege of sharing it with me."

"Bring on the check. I should like to settle the bill at once, and have it off my mind."

"You may take off your gloves," she countered. "I know that you must feel uncomfortable with them on. To clasp one's own hands is a kind of personal sympathy. Try it."

He drew them off, not ungracefully, and tucked them away. He spread his thin brown muscular fingers a few times, then folded his arms.

"You look quite Napoleonic in that pose."

"If this were only Elba and not St. Helena! I should be coming back to you some day."

"I shall credit that against the partridges."

This time her laughter was relaxed and joyful. And somehow he felt more at ease. He was growing accustomed to the mask. He stretched his legs and fingered his nether lip.

"Have you not somewhere an invisible cloak?"

"I had one that night, which nature lent me," she answered readily. "I was so invisible to you that I heard the policeman call out your name. I thank you for insisting that I was not a chorus-lady."

Here was a revelation which accounted for many things. "I haven't been very fortunate so far in this adventure."

"That is rank ingratitude. I am of the opinion that fortune has highly favored you."

"But the mask, the mask! If you heard the policeman call my name, you must have heard him speak of one Leddy Lightfinger."

"I did indeed. And is it not possible that I am that very person?"

Hillard dropped his hand toward his watch. "Why do you hate Italy?"

She sat straight, and what little he could see of her mouth had hardened.

"There will be no retrospection this evening, if you please," her voice rather metallic.

The mystery lifted its head again. One does not hate a country without a strong and vital reason. Was Giovanni partly right, after all? Was this a kind of trap, a play to gain his interest? Was her singing under his window purely accidental? She hated Italy. The State or the Church? More likely the State. And what had the State done to her or she to the State? A conspirator, in need of funds and men? If this was the case, she was not going about her cause scientifically. Italy had no hold upon anything of his save his love of beauty. Perhaps her reason for hating Italy was individual and singular: as she would have hated any other country, had her unhappiness originated there.

"Will you not sing?" he asked. This was an inspiration. Music might assist in melting her new reserve.

"You recollect, then, that I possess a voice?"

"It is all I have to recollect. Tell me, whither is all this to lead?"

"To the door, and into the fog again."

"On my word, I'm half inclined to believe you to be an anarchist or a Red, or something on that order."

"On account of my hair?" She laughed again. "Put yourself at ease. I am neither Leddy Lightfinger nor a socialist. There are no dynamite bombs in this house. I despise any organization which aims to destroy society. Society is bad enough as it is; but think of trying to readjust it!"

"I give up the puzzle."

"That is better."

It is difficult to seek and hold a pair of eyes partly hidden behind a mask. Several times he made the attempt, but his eyes were first to lower.

Her severity, her irony and her apparent lack of warmth were mere matters of calculation. Her plan was to inspire him with trepidation, to keep him always at arm's length, for his own safety as well as hers. She knew something of men. Even the best, if suddenly thrown into an affair so strange as this, might commit an irreparable blunder; and this she did not want Hillard to do. She was secretly pleased with his strong face and shapely head. There was neither beard nor mustache to hide the virtues or defects. The chin was square but not heavy, the mouth humorous, kindly and firm, the nose bridged; and the brown eyes, sleepy yet with latent fires, were really handsome. She knew all about him; she was not afraid to be alone with him; nor was it really necessary to wear a mask. But the romance in her heart, that she believed to be dead, was not dead, only waiting to be rekindled. True, they were never to meet again; it was all to begin to-night and end to-night. No man was likely to forget a face met under such whimsical and extraordinary circumstances; so he must not have hers to remember. She arose.

"I will sing!"

"That is more than I dared to hope." He made as though to rise.

"Sit down. I do not play by note; my memory is very good. While I am singing I should much prefer you to remain where you are."

He obeyed without protest, and she went to the piano. Above the instrument was a rare old Venetian mirror; in it he could see her face fairly well. And where had he seen that mirror before?

"What shall it be?" she asked, and he forgot the mirror.

"The song you sang under my window."

"But that is for the male voice!"

"You sang it very well, nevertheless. I have a good memory, too." He leaned forward, his arms crossed on his knees. Was there ever, in all the world, such an Arabian night?

She sang, but without that buoyant note of the first night. One after another he called out the popular airs of the old light operas. She had them all on her tongue's end.

"Light opera appeals to you?" She had followed in the mirror his slightest move. Was she disappointed?

Where had he seen that copy of Botticelli before? If only there was a little more light.

"Pardon me," he said. "You asked—?"

She repeated her question, wondering what had drawn his attention.

"I like my grand opera after dinner. After dinner I shall want Verdi, Berlioz, Gounod."

"But after dinner I may not care to sing." She spoke in German.

He was not expecting this tongue; besides, his German had never been a finished product. For all that, he made a passable reply.

"You speak as many languages as a Swiss hotel-concierge."

"I wish I did. My mother had one idea in regard to my youth: I should speak four languages and eventually become a great diplomat. As it stands, I speak indifferent French and German, and am not in the diplomatic service. My mother had one of the loveliest voices. It was a joy to hear her speak, now Italian, now German, now French. She understood that in these days one does not travel far with Greek and Latin, though they come in handy when you strike old inscriptions. We were great comrades. It was rare fun to go with her on an antique-hunting expedition. They never fooled her nor got the better of her in a bargain."

She liked the way he spoke of his mother.

"But you," he said; "you are not Italian."

She smiled.

"You are neither French, German nor English."

She still smiled, but to the smile she added a gentle shrug.

"You are American—like myself!" he hazarded.

Her fingers stirred over the keys again, and Grieg's Papillon fluttered softly from flower to flower.

Chapter 6 INTO THE FOG AGAIN

He sat there, waiting and listening. From the light and airy butterfly, the music changed to Farwell's Norwegian Song. Hillard saw the lonely sea, the lonely twilight, the lonely gull wheeling seaward, the lonely little cottage on the cliffs, and the white moon in the far east. And presently she spoke, still playing softly.

"My father was an American, my mother Italian. But I have lived in Europe nearly all my life. There! You have more of my history than I intended telling you." The music went dreamily.

"I knew it. Who but an American woman would have the courage to do what you are doing to-night? Who but one of mine own countrywomen would trust me so wholly and accept me so frankly for what I am, an American gentleman?"

"Softly!" she warned. "You will dig a pit for your vanity."

"No. I am an American gentleman, and I am proud of it; though this statement in your ears may have a school-boy ring."

"A nobility in this country? Impossible!"

"Not the kind you find in the Almanach de Gotha. I speak of the nobility of the heart and the mind." He was very much in earnest now.

"Indeed!" The music stopped, and she turned. She regarded his earnestness with favor.

"I have traveled much; I have found noblemen everywhere, in all climes, and also I have found beasts. Oh, I confess that my country is not wholly free from the beast. But the beast here is a beast; shunned, discredited, outcast. On the other side, if he be mentioned in theAlmanach, they give him sashes and decorations. And they credit us with being money-mad! It is not true. It is proved every day in the foreign cables that our love for money is not one-tenth so strong as that which our continental cousins evince."

"But if you are not money-mad, why these great fortunes?" dubiously.

"At a certain age a fortune in this country doubles itself without any effort on the part of the owner. Few of us marry for money; and when we do, we at least have the manhood to keep the letter of our bargain. We do not beat the wife, nor impoverish her, nor thrust opera-singers into the house she shares with us."

"And when you marry?"

"Well, it is generally the woman we love. Dowries are not considered. There is no social law which forbids a dowerless girl to marry a dowerless man," laughing. "But over there it is always and eternally a business contract simply. You know that."

"Yes, a business contract," listlessly.

"And yet these foreigners call us a business nation! Well, we are, outside our homes. But in the home we are husbands and fathers; most of us live cleanly and honestly; we make our homes our havens and our heavens. But of course there is always the beast. But they talk of nobility on the other side. That is it; they talk, talk. Italy, France, Germany! Why, I had rather be the son of an English farmer than a prince on the continent. And I had rather be what I am than the greatest nobleman in England."

"Go on, go on! I like it. What do you call it—jingo?"

"Call it what you will. Look at the men we produce. Three or four hundred years ago Europe gave us great poets, great artists, great soldiers, great churchmen, and great rascals. I admire a great rascal, when he is a Napoleon, a Talleyrand, a Machiavelli; but a petty one! We have no art, no music, no antiquity; but we have a race of gentlemen. The old country is not breeding them nowadays."

"No, she simply prints new editions of the Almanach. Continue; I am becoming illumined."

"If I am boring you?"

"No. I have the greatest admiration for the American gentleman. My father was one. But I have met Americans who are not so loyal as you are, who see no good in their native land."

"I said we have beasts; I forgot to mention the cads. I am perfectly frank. Italy is the most beautiful country in the world; France is incomparable; Germany possesses a rugged beauty which I envy for my country's sake. Every square foot of it is cultivated; nowhere the squalidity one sees among the farm-houses of this country. Think of the histories, the romance, the art, the music! America has little history; and, saving the wildernesses, it is not beautiful; but it is generous and bountiful and healthy mentally. Europe is a story-world, and I should like nothing better than to read it to the end of my days."

"Signora, dinner is served!" The little maid stood between the sliding doors which gave entrance to the dining-room.

Signora! thought Hillard. He certainly would look at her hands again.

"After you, Mr. Hillard," she said.

He bowed and passed on before her. But not till he had passed did he understand the manoeuver. To follow her would have been nothing less than the temptation to pluck at the strings of her mask. Would he have touched it? He could not say, the temptation not having been his.

That dinner! Was he in New York? Was it not Bagdad, the bottle and the genii? Had he ever, even in his most romantic dreams, expected to turn a page so charming, so enchanting, or so dangerous to his peace of mind? A game of magical hide-and-seek? To see, yet to be blindfolded! Here, across the small table, within arm's length, was a woman such as, had he been a painter, he must have painted; a poet, he must have celebrated in silken verse. Three-and-thirty? No, he was only a lad this night. All his illusions had come back again. At a word from this mysterious woman, he would have started out on any fool's errand, to any fool's land.

And she? A whim, a fantastic, unaccountable whim; the whim of a woman seeking forgetfulness, not counting the cost nor caring; simply a whim. She had brought him here to crush him for his impertinence; and that purpose was no longer in her mind. Was she sorry? Did he cause her some uneasiness, some regret and sadness? It was too late. There could be no Prince Charming in her world. He had tarried too long by the way. Not that there was the least sentiment in her heart regarding him; but his presence, his freshness, his frank honesty, these caused her to resort to comparisons. It was too late indeed.

On the little table was a Tuscany brass lamp of three wicks, fed by olive oil. It was sufficient to light the table, but the rest of the room was sunk in darkness. He half understood that there was a definite purpose in this semi-illumination: she had no wish that he should by chance recognize anything familiar in this house. Dimly he could see the stein-rack and the plate-shelf running around the walls. Sometimes, as the light flickered, a stein or a plate stood out boldly, as if to challenge his memory.

He watched her hands. The fingers were free from rings. Was she single or married? The maid had called her signora; but that might have been a disguise, like the mask and the patches of court-plaster.

"May I ask you one question?"

"No," promptly. There was something in his eyes that made her grow wary of a sudden.

"Then I shan't ask it. I shall not ask you if you are married."

"And I shall not say one way or the other."

She smiled and he laughed quietly. He had put the question and she had answered it.

Neither of them ate much of this elaborate dinner. A game like this might easily dull the sharpest appetite. He studied her head, the curves of her throat, the little gestures, the way her shoulders seemed to narrow when she shrugged; and all these pictures he stored away for future need. He would meet her again; a touch of prescience told him this. When, where, did not matter.

A running conversation; a fencing match with words and phrases. Time after time she touched him; but with all his skill he could not break through her guard. Once or twice he thrust in a manner which was not in accord with the rules.

"And that interesting dissertation on the American gentleman?" she said icily, putting aside each thrust with a parry of this kind.

"That's the trouble with posing as a moralist; one must live up to the precepts. Would you believe me if I told you that, at the age of three-and-thirty, I am still heart-whole?"

She parried: "I trust you will not spoil that excellent record by making love to me." She reached for the matches, touched off one, watched it burn for a moment, extinguished it, and then deliberately drew a line across the center of the table-cloth.

"Now what might that represent?" he asked curiously.

"A line, Mr. Hillard. The moment you cross that line, that moment you leave this house. On guard!"

"Come, that is not brave. You can retreat till your shoulders touch the mat, but I must stand this side of the line, unable to reach you. And you have the advantage of the mask besides. You are not a fair fencer."

"The odds should be in my favor. I am a woman. My wrist is not so strong as yours."

"Physically, of course, I may pass the line; to reach the salt, for instance. Will that be against the rules?"

"To a certain extent, no."

"You make it very hard. You have put temptation in my path."

"Bid Satan get behind thee."

"But supposing he should take it into his head to—shoulder me forward?"

"In that case, under the new rules, I should referee the matter."

"I wish I knew the color of your eyes. Behind those holes I see nothing but points of fire, no color. Are they blue, brown, grey?"

"They are blue. But supposing I wear this mask because my face is dreadfully scarred, and that I have some vanity?"

"Vanity, yes; but scars, never; at least never so deep as you yourself can make. You do not wear that mask to cover defects, but out of mercy to me."

And so the duel went on. Sometimes the heat of the mask almost suffocated her, and she could hardly resist the desire to tear it from her face. Yet, in spite of this discomfort, she was enjoying herself. This adventure was as novel to her as it was to him. Once she rose and approached the window, slyly raising the mask and breathing deeply of the cold air which rushed in through the crevices. When she turned she found that he, too, had risen. He was looking at the steins, one of which he held in his hand. Moreover, he returned and set the stein down beside his plate.

"Tell me, why do you do that?" There was an anxious note in her voice.

"I have an idea. But let us proceed with the dinner. This salad—"

"I am more interested in the idea." She pushed aside the salad and took a sip of the ruby Burgundy. Had he discovered something?

"May I smoke?" he asked.

"By all means."

He lighted a cigarette and put the case near the line.

"Do you not enjoy a cigarette?"

"Sometimes," she answered. "But that idea—"

"Will you not have one?" He moved the case still nearer to the line.

She reached out a firm round white arm.

"One moment," he said; "let us understand each other thoroughly."

"What do you mean?" her arm poised in mid-air. "To touch a cigarette you must cross the line to this side."

She withdrew her arm slowly.

"I shall not smoke. If I crossed the line I should establish a dangerous precedent. A good stroke. Now, the idea. I must have that idea."

He blew the smoke toward the lamp; it sailed over the flaming wicks and darted into the dark beyond.

"The mirror over the piano confused me. I had seen it somewhere before. Then, there was that old copy of Botticelli. The frame was familiar, but I could not place it. This stein, however!" He laughed; the laughter was boyish, even triumphant.

"Well, that stein?" She was now leaning across the table, her fingers tense on the cloth.

"I bought that stein two seasons ago. This is the Sandfords' place, and you are the veiled lady who has been riding Mrs. Sandford's favorite hunter in the park."

"And so?"

"I shall find out who you are presently."

"How?"

"That shall be my secret. Mutual friends, indeed! You will not have to send me home blindfolded."

"That is precisely what I shall do, in a certain sense. My name? Perhaps. But you will never know my face."

"Suppose I should determine to cross the line, despite your precepts?"

They stood up simultaneously. In a matter of this sort he was by far the quicker. In an instant he had caught her by the wrist, at the same time drawing her irresistibly round the table toward him. His grasp was not rough, only firm. She ceased to pull against him.

"I must see your face. I shall never be at peace if I do not."

"Certainly you will never know any peace if you do. Be careful!"

His free hand stole toward the strings of her mask. She moved not. His face was very close to hers now. If only she would struggle! Yes, he was certain now that her eyes were blue. But they looked at him with a menace which chilled his ardor. He dropped the hand from the mask and released her wrist.

"No, I haven't the courage. If I take that mask from your face, it will be the end. And I do not want this ever to end. If you will not let me see your face of your own free will, so be it. I shall see it some day, mark me. Fate does not cross two paths in this manner without a purpose." He stepped back slowly. "You do not understand the lure of that mask."

"Perhaps I do. I am beginning to admire your self-control, Mr. Hillard; I am beginning to admire it very much. But I am tired now, and I must ask you to go."

"Once more, will you let me see your face?"

"No. If, as you say, fate intends for us to meet again, you will see it. But I have my doubts. So it is my will to pass out of your life as completely as though I had never entered it; from one fog into another. No, I am not a happy woman; I am not happy in my friendships. Listen to me," and her voice grew low and sweet. "Let me appeal to your imagination. This light adventure shall be a souvenir for your old age. One night Romance stepped into your life and out of it. Think! There will always be the same charm, the same mystery, the same enchantment. Knowing nothing of me, there will follow no disillusions, no disenchantments; I shall always be Cinderella, or the Sleeping Beauty, or what your fancy wills. Do you understand me?"

He nodded.

"Nothing," she proceeded, "nothing lasts so long in the recollection as a pleasant mystery. In other days, in other times… . Well, on my side I shall recall this night pleasantly. Without knowing it, you have given me a new foothold in life. I did not believe that there lived a single man who could keep to the letter of his bargain. Presently you will forget the chagrin. Good night! And do not lean out of any more windows," she added lightly.

"You are right," he said reluctantly. "Something to dream over in my old age. And certainly I shall dream of it; a flash of sunlight in the shadow."

Then slowly he reached down toward her wine-glass. She understood his purpose and essayed to stop him.

"Do not deny me this little thing," he said.

She let her hand fall. He took the glass, held it against the light to see where her lips had touched it. Carefully he poured out the wine from the opposite side and kissed the rim.

"I shall keep this glass. I must have some visible object to make sure that this hasn't been a dream. Mrs. Sandford may send me the bill."

"You may kiss my hand, Mr. Hillard."

He bent quickly and kissed, not the hand, but the wrist where the marks of his fingers still remained faintly. He squared himself, and gazed long and steadfastly into her eyes. In that moment he seemed to her positively handsome; and there was a flutter in her heart that she was unable to define. On his part he realized the sooner he was gone the better; there was a limit to his self-control… . He gained the street somehow. There he stopped and turned. Did the curtain move? He wasn't sure; but he raised his hat, settled it firmly on his head, and walked rapidly away. He was rather proud of himself. He had conquered a hundred temptations. And he confidently knew that it would be many a day before she ceased to think of him. Was she single or married? Well, it mattered not, one way or the other; he knew that long years ago this night had been written and his fate summed up. Unhappy? There was more than one mask. Once in his own room, however, the longing to see her face grew terribly strong. He stood the glass on the mantel and stared at it. Why must she go out of his life? What obstacle was there to stand between them and a kindly friendship?

There was little sleep for him that night; and in the morning the first thing he did was to pick up the wine-glass. It was all true. And then his good resolutions melted and vanished. He must have one more word with her, happen what might. So at ten o'clock he called a cab and drove rapidly to the Sandford place. Snow had fallen during the night, and many of the steps were still spotless white. Impossible! He leaned from the cab and rubbed his eyes. Absolutely impossible! For, what did he see? Wooden shutters over all the lower windows and the iron gates closed before the doors! And not a footprint anywhere. This was extraordinary. He jumped from the cab, ran up the steps, and rang the bell, rang it ten times with minute intervals. And no one answered. Then he heard a call from across the street. A man stood in one of the area-ways.

"Nobody home!" he shouted. "Gone to Egypt."

"But there was some one here last night," Hillard shouted back.

"Last night? Guess you've got the wrong street and wrong house, young man."

"But this is the Sandford place?"

"Nothing else."

"I was here last night."

"Dreaming. That house has been empty since November. I happen to be the caretaker."

Hillard went back to his cab, dazed. No one there last night? Come, come; there was a mistake somewhere. It was out of the question that he had been in another house. He would soon find out whether or not he had dined there the night before.

"A cable-office!" he cried to the cabby. "Hurry!"

Once there he telephoned down-town and secured Sandford's cable address. Then he filled out a blank which cost him ten dollars. Late that night at the club he received his reply. It was terse.

You are crazy. House absolutely empty. SANDFORD.

 

Chapter 7 THE TOSS OF A COIN

Hillard made an inexcusably careless shot. It was under his hand to have turned an even forty on his string. He grounded his cue and stood back from the table. That was the way everything seemed to go; at tennis, at squash, at fencing, at billiards, it was all the same. The moment victory was within his grasp his interest waned. Only last night he had lost his title as the best fencer in the club; disqualified in the preliminaries, too, by a tyro who would never cease to brag about the accident.

"I say, Jack, what's the matter with you, anyhow?" asked Merrihew, out of patience. "A boy could have made that three-cushion, his hands tied behind him."

"It was bad," Hillard agreed. "Perhaps I am not taking the interest in the game that I formerly took."

"I should say not. You lost me fifty last night. Corlis has no more right to cross foils with you than I have; and yet he goes in for the finals, while you are out of it. Where's your eye? Where's your grip?"

Hillard chalked his cue silently.

"And when I make a proposition," pursued Merrihew, "to ride to the Catskills and back—something you would have jumped at a year ago—you shake your head. Think of it! Through unbroken roads, nights at farm-houses, old feather beds, ice in the wash-basin, liver and bacon for breakfast, and off again! Snow or rain! By George, you had a bully time last year; you swore it was the best trip we ever took on the horses. Remember how we came back to town, hungry and hardy as Arctic explorers? Come on; everything is dull down-town. Where's your spirit of adventure?"

"I'm sure I don't know where it is. Shall we finish the game?"

"Not if you're going to throw it like this," declared Merrihew. He was proud of his friend's prowess in games of skill and strength, and he was wroth to see him lose all interest unaccountably.

"Ten and a string against your half a string," said Hillard, studying the score. "I'll bet a bottle that I beat you."

"Done!" said Merrihew. Being on his mettle, he made a clean score of twenty, five to go. "I can see you paying for that check, Jack."

But the odds tingled Hillard's blood. He settled down to a brilliant play and turned sixty-one in beautiful form. There were several shots which caused Merrihew to gasp.

"Well, it's worth the price of the bottle. If only you had had that eye last night! We'll have the bottle in the alcove at the head of the stairs. I want to talk to you."

So the two passed up-stairs to the secluded alcove, and the bottle shortly followed. Merrihew filled the glasses with the air of one who would like to pass the remainder of his days doing the same thing. Not that he was overfond; but each bottle temporarily weeded out that crop of imperishable debts, that Molochian thousand, that Atalanta whose speed he could not overtake, having no golden apples. To him the world grew roseate and kindly, viewed through the press of the sparkling grape, and invariably he saw fortune beckoning to the card-tables.

"Now, then, Jack, I've got you where I want you. Who is she?"

"On my word, I don't know," answered Hillard, stirring restlessly.

"Then there is a woman!" cried Merrihew, astonished at his perspicacity. "I knew it. Nothing else would so demoralize your nerve. Shall we drink a health to her?"

Hillard raised his glass and touched that of his comrade. For the good of his soul and the peace of his mind, he then and there determined to tell Merrihew the whole adventure, without a single reservation.

"To the Lady in the Fog!" he said.

"Fog?" blankly.

"Well, the Lady in the Mask."

"Fog, mask? Two of them?"

"No, only one. Once I met her in the fog, and then I met her in the mask."

"I'll drink to her; but I'm hanged if I don't believe you're codding me," said Merrihew disappointedly. "This is New York."

"I know it; and yet sometimes I doubt it. Here's to the lady."

They drank. Hillard set down his glass; Merrihew refilled his.

"The whole story, Jack, details and all; no half-portions."

Hillard told the yarn simply, omitting nothing essential. He even added that for three weeks he had been the author of the personal inquiry as to the whereabouts of one Madame Angot. More than that, he was the guilty man who had set the club by the ears.

"I don't know, Dan, but this has taken so strong a hold on me that I shan't forget it soon. Imagine it yourself. Oh, but she could sing! I am a man not to be held in the leash of an adventure like this; but she held me. How? By the hope that one day I might see her face, with no veil of mystery to hold her off at arm's length."

Merrihew was greatly excited. He was for ordering a second bottle, but Hillard stayed him.

"By George! And you are sure that it was at the Sandfords'?"

"I am positive. But there is a puzzle that I have failed to solve: Sandford's cable and the caretaker's declaration. I know that I was in that house. I ran across a stein which I had given Sandford. I have inquired of the police; they had been requested to watch the house in the absence of the owner. The patrolman says that he has seen no light in the house since the family sailed for Africa. I sleep soundly; never have nightmares. And yet, but for her letters and the fact that Giovanni heard her sing under my window, I might almost believe I've been dreaming. It is no dream; but it begins to look as if I were the victim of some fine hoax."

"And Sandford mixed up in it," supplemented Merrihew.

"Sandford and I are good friends, but we are not so intimate that he'd take the pains to work out a hoax of this magnitude. It did not originate with him, and his wife is altogether out of the picture. If I had only seen her face, I might have forgotten all about her in a few days. But the mask, the charm, the mystery! I can't get her out of my thoughts; I am irrational in all I do; an absolute failure in the office."

"It is more than a hoax, in my opinion. Wait till Sandford returns and finds his silver gone!"

Hillard started.

"And his gold-plate," continued Merrihew, pleased with the idea. "My boy, that's what it is; the best dodge I ever heard of. But how did they get into the house, she and her maid? It will make a good story for the Sunday papers. You won't be in it, unless she ropes you in as an accomplice. That would be rich!"

"I'm a romantic ass!" Hillard sighed. Leddy Lightfinger! If this turned out to be the case, he would never trust a human being again; he would take to breeding dogs.

"Let's take that ride on the horses," Merrihew urged. "That'll clear your brain of this sentimental fog."

"No!" Hillard struck his hands together. "I've a better idea than that, and it has just come to me. I shall go to Italy in March, and you, my boy, shall go with me."

"Impossible! Why, I'm all but broke." Merrihew shook his head decidedly.

"I'll take you as a companion. I'm a sick man, Dan. I'm likely to jump overboard if some one isn't watching me every minute."

"I'd like to go, Jack; Heaven and earth, but I should! But I can't possibly go to Italy with a letter of credit no more than twenty-five hundred, and that's all there is in the exchequer at present."

"Between such friends as we are—"

"That racket won't work. I could not take a moment's peace if I did not feel independent. Supposing I wanted to come home and you didn't, or you did and I didn't? No, Jack; nothing to it that way." And Merrihew was right.

"But I'm not going to give it to you!" Hillard protested. He was determined to break down Merrihew's objections if it took all night. "I am going to lend it to you."

"And could I ever pay you back if I accepted the loan?" humorously. "You'll have to invent some other scheme."

"There's Monte Carlo; you might pull down a tidy sum," said the tempter.

"That's the way, you beggar; hit me on the soft side." But Merrihew was still obdurate. To go to Europe was out of the question.

"Now listen to reason, Dan. If you wait for the opportunity to go to Europe, you'll wait in vain. You must make the opportunity. One must have youth to enjoy Italy thoroughly. The desire to go becomes less and less as one grows older. Besides, it completes every man's education; it broadens his charity and smooths down the rough edges of his conceit. I'll put the proposition in a way you can't possibly get round. You've simply got to go. You will always have that thousand, so don't worry about that. You have twenty-five hundred on hand, you say. With that you can see Italy like a prince for three months. I know the tongue and the country; I know what you would want to see, what to avoid, where to stop."

"What's the proposition?" Merrihew drained the bottle.

"This: I'll agree to take not a penny more than twenty-five hundred myself. We'll go on equal terms. Why," confidently, "besides living like a prince, you'll have four hundred to throw away at roulette. Boy, you have never seen Italy; therefore you do not know what beauty is. When we eventually land at Bellaggio, on Lake Como, and I take your lily-white hand in mine and lead you up to the terrace of Villa Serbelloni, and order tea, then you will realize that you have only begun to live. Gardens, towering Alps, the green Lecco on one side and the green Como on the other; and Swiss champagne at a dollar-forty the quart! Eh?"

Merrihew produced his black cigar. This matter needed some deep reflection, and could not be determined offhand. The ash turned white on the end of the cigar before he replied.

"If you weren't Irish, you'd just naturally be Dago," he said with a laugh. "But it isn't fair to shoot me up this way, with flowery speeches."

"And then, besides all these things," Hillard added, "there's Kitty Killigrew, singing her heart out to a people who can't understand a word she's singing. Kitty Killigrew!"

"Can it be done for twenty-five hundred?"

"He's melting!" murmured Hillard jubilantly. "He's melting!"

"For a small amount I'd punch your head!" Merrihew chewed his cigar with subdued fierceness. He knew very well that he was destined to go to Europe. Kitty Killigrew, who had promised to mail the route they were to play, and hadn't!

"It is written, Dan, that you shall go with me. Think of running into the theater and seeing Kitty! I begin to like the music of that name."

"We'll settle this argument right here and now." Merrihew drew out a coin. "Call it!" he cried recklessly.

"Heads!"

The coin flickered in the light, fell, and proved that all money is perverse, by rolling under the davenport upon which they were sitting. An amusing hunt followed. They ran their hands over the floor, turned the rug, pulled out the davenport and looked behind, burnt innumerable matches, and finally rang for the attendant. The situation was explained, and he procured a candle. He was ultimately successful.

"Here it is, sir."

"Don't touch it!" warned Hillard.

"What is it, head or tail?" asked Merrihew weakly.

"Heads, sir," said the attendant, picking up the coin and offering it to the owner.

"Keep it," said Merrihew generously, even sadly. He never got up a game of chance that he did not get the worst of it. And now, Italy! All that way from home! "Boy, bring up a bottle of '96."

"Dan!"

"You be still," said Merrihew savagely. "You've roped me in nicely, and I'm game to go; but I'll have that bottle if I have to drink it all alone."

But he did not drink it all alone. Hillard was too wise to permit that. Merrihew might wish to add a few hundred to his letter of credit, via the card-room.

"And the Lady in the Mask?" asked Merrihew, as they at length stood up, preparatory to going down-stairs.

"I must relegate her to the fog she came out of. But it would be a frightful thing if—if—" He hesitated to form the words.

But Merrihew had no such scruple. "If the silver and plate were missing when the Sandfords return?"

"Oh, bosh! It's all some joke, and I'm the butt of it. She was in that house by the same authority she rode the horse."

"A woman of that sort would have no difficulty in hoodwinking the stablemen," declared Merrihew, certain that he had solved the riddle.

"And so you add forgery? Not a shred of my romance left!" Hillard spoke jestingly, but like a man who covers up a sudden twinge of pain.

"We'll know all about it in the fall. And ten to one, my theory will be the correct one."

"That's better. I have some hope now. You never won a bet in all your life."

"I know it; but this may be the one time. By the way, received a postal from Kitty this morning. From Gibraltar. Fine trip. Visited the gun-galleries and the antique furniture shops. Says no sign of prima donna as yet, but believes her to be on board. O'Mally's on the water-wagon. But Kitty aggravates me."

"What has she done now—refused you by Marconigraph?"

"No; but she promised me her address."

"Address her care Cook's, Florence, Rome, Venice. It's the popular mail-box of Europe; and if she has given them the address, they will forward."

"That helps considerably. I'm glad there's one Cook which can be relied on."

"In the morning I'll arrange for passage. We'll try the Celtic."

"I'll leave the business end of the trip to you."

"The first Saturday in March, then, if we can get booking. That will be in less than two weeks."

"I'm game. Shall I pack up my riding-breeches?"

"Prepare for everything except automobiles."

"Bah! I wouldn't take one as a gift."

"You couldn't afford to, if what I hear about them is true. Though you might be able to sell the gift and wipe out that thousand."

"Hang the thousand! I had almost forgotten it again."

In the lobby of the club, as they were about to enter the coat-room, Hillard ran into one of several gentlemen issuing.

"Pardon me," he said, stepping aside.

"Non un importa!" said the stranger with a graceful wave of the hands.

Hillard looked quickly into the gentleman's face. "I am clumsy," he said in Italian.

Then the other stared at him, and smiled. For a moment there was a brief tableau, in which each took the other's measure and noted the color of the eyes. The man was an exceedingly handsome Italian, for all that a scar ran from his check to his chin. It was all over in a moment; and Hillard and Merrihew proceeded to the street.

"Handsome duffer," was Merrihew's comment. "But you never can tell a man by his looks. Gaze on me, for instance. I'm a good example of handsome is as handsome does." He was growing merry.

"Go home!" Hillard slapped him jovially on the shoulder.

"Home? Ah, yes! But shall I have a home to go to when I get back? You have roped me in nicely. My poor little twenty-five hundred! But Swiss champagne at a dollar-forty the quart! Well, every cloud has its lining. Say, Jack, how much brighter the world looks after a magnum! And a funny story's twice as funny. Good night. As for the Lady in the Fog, take the cash and let the credit go. That's my motto."

As Hillard never received any answer to his personal, he discontinued it. Truly, she had returned to the fog out of which she had come. But it was no less difficult for him to take up the daily affairs again; everything was so terribly prosaic now; the zest was gone from work and play. Italy was the last resort; and the business of giving Merrihew a personally conducted tour would occupy his mind. Always he was asking: Who was she? What mystery veiled her? Whither had she gone? We never can conjure up a complete likeness. Sometimes it is the eyes, again the mouth and chin, or the turn of the throat; there is never any ensemble of features and adornments. And as for Hillard, he really had nothing definite to recall, unless it was the striking color of her hair or the mellow smoothness of her voice. And could he really remember these? He often wished that she had sung under any window but his.

Giovanni was delighted when he heard the news. He would go, too, and act as valet to the signore and his friend till they put out for Rome. Then, of course, he would be obliged to leave them. Occasionally Hillard would reason with him regarding his deadly projects. But when a Latin declares that he has seen through blood, persuasions, arguments, entreaties, threats do not prevail. He comforted himself with the opinion, however, that Giovanni's hunt would come to no successful end.

"You will surely fall into the hands of the police."

"What God wills comes true. But by this time they will have forgotten me."

"But you have not forgotten."

"Padre mio, that is different. One obeys the civil law from habit. Between me and the carabinieri there is nothing personal. Thus it is easy for them to forget. Still, I shall not announce my approach, that I am Giovanni l'Aguello, returned for arrest. I shall take good care to keep out of their way."

"The eagle; that is a good name for you."

"And once I was as tame as a dove."

"But your man might be dead."

"He is not dead. If he were, something would tell me."

"It is a bad business, and I wish you no luck."

Giovanni smiled easily. Wishes seldom interfere with any one.

"I will double your wages," said Hillard, "if you will go where I go and return with me when I come back to America."

A deprecating movement. "Money? It is nothing. I am rich, after my kind."

"Are you still in the Church?"

"I confess regularly once a week. Oh, I am a good Catholic."

"Take yourself off. I am displeased with you."

The few days before sailing found Merrihew in a flutter of intense excitement. He carried his letter of credit about in order to convince himself during the day that he was really and truly going to Italy. He forswore the bottle and the illumined royalty of the card-deck, and spent his evenings "studying up" the lay of the land. To be sure, there was one grand dinner the night before they sailed. Suppose, Merrihew advanced, for the sake of argument, suppose the ship went down or he never came back, or he was ill all the way over? There would be one good dinner to remember, anyhow.

It was a drizzling, foggy morning when they drove down to the boat. There are seldom bright sailing days in the forepart of March. But the atmospheric effects made no impression on the volatile Merrihew. It was all very interesting to him. And he had an eye for all things, from the baskets of fruit and flowers, messengers with late orders from the stores, repeated farewells, to the squalling babies in the steerage. Even in the impudent shrieking tugboats he found a measure of delight; and the blur on the water was inviting.

At four o'clock they were on the high seas, heading for the Azores. Hillard was dreaming and Merrihew was studiously employed over a booklet on How to Speak Italian in One Day. There was a moderate sea on.

By and by Giovanni, who had spent most of the time arranging the luggage in the adjoining staterooms, came up on deck. He had two packets of letters and telegrams. One he gave to Merrihew and the other to his master.

"I forgot to give the signore his mail at breakfast. The boat-mail has just been distributed." He then went forward.

Merrihew was greatly pleased with his packet. There were humorous letters and cheery telegrams, containing all sorts of advice in case of seasickness, how to slip cigars through the customs, where to get the best post-cards, and also the worst.

Hillard found among his a bulky envelope post-marked Naples. After he opened it he lay back in his chair and contemplated the ruffled horizon. Naples! He sat up. It had been addressed to the house and the address typewritten.

"Dan?"

"What is it?"

"Look at this!"

"Good Lord!" Dan gasped, his feet coming down to the deck.

For Hillard was holding up for his inspection a crumpled black silk mask.

Chapter 8 WHAT MERRIHEW FOUND

The great ship had passed the Isle of Ischia, and now the Bay of Naples unfolded all its variant beauties. Hillard had seen them many times before, yet they are a joy eternal, a changing joy of which neither the eye nor the mind ever grows weary. Both he and Merrihew were foremost in the press against the forward rail. To the latter's impressionable mind it was like a dream. In fancy he could see the Roman galleys, the fighting triremes, the canopied pleasure-craft, just as they were two thousand years ago. Yonder, the temples and baths of Nero of the Golden House; thither, the palaces of the grim Tiberius; beyond, Pompeii, with Glaucus, lone, and Nydia, the blind girl. The dream-picture faded and the reality was no less fascinating: the white sails of the fishermen winging across the sapphire waters, leaving ribboned pathways behind that crossed and recrossed like a chart of the stars; proud white pleasure-yachts, great vessels from all ports in the world; and an occasional battle-ship, drab and stealthy. And the hundred pink and white villages, the jade and amethyst of the near and far islands, the smiling terraces above the city, the ruined temples, the grim giant ash-heap of Vesuvius!

"That is it," said Merrihew, whose flights of rhetoric were most simplified.

"Vedi Napoli e poi mori!" replied Hillard.

"Hold on," exclaimed Merrihew. "Pass it out slowly. What's that mean?"

"See Naples and die."

"I prefer to see it and live. But I am kind of disappointed in Vesuvius. It's not the terrible old Moloch of my geographies that gobbled up cities and peoples. And nobody seems to be afraid of it," with a gesture toward the villages nestling with the utmost confidence at the circling base. "Not a bit of smoke anywhere."

"No, my boy, don't speak slightingly of old Vesuvius. It is one of the great mysteries of the world. To-morrow that mountain may swallow up the whole bay, or it may never wake up again. Respect it; I do. When I recall Herculaneum and Pompeii—"

"Two thousand years ago; that's different. I'm never satisfied, I know, but I should like to see it blow its head off while I'm here."

"Not I! As I grow older I like comfort and security more and more. See that village on the cliffs toward the south? That's Sorrento, where I was born. The eruption of '72 happened while I was there, but I was too young to take any particular notice. Sh! Look at Giovanni."

Merrihew looked at the old Roman. Tears were running down his cheeks, and his gaze strove to pierce the distance to the far-off Sabine Hills. Italy! Yonder his heart and soul had taken root; his native land, his native land, and condemned to live in exile from it! Hillard leaned over and touched him on the arm, and he started.

"Take care, Giovanni."

"Pardon! I am weak this day, but to-morrow I shall be strong. Seven years! Have you not longed for it yourself? Has not your heart gone out many times across the seas to those cliffs?" pointing to Sorrento.

"Many times, Giovanni. But remember and control yourself. Presently the carabinieri will come on board. You will see that all our luggage goes promptly to the Bristol, once we are through the customs."

"Trust me, signore."

They landed at the custom-house at two in the afternoon, and passed without any difficulty. Naples is the easiest port in the world, if you are not a native and you chance to be an uncommercial traveler who is willing to purchase salt and tobacco of the State. The Italian tobacco is generally bad, and formerly one had to smoke it or go without; but now the best of imported cigars may be found in all the large cities, cheaper in some respects than those in America, and not a whit inferior, since there is no middleman's profit, buying, as one does, direct from the State. The hotels, however, sell the same brands at an outrageous advance; the proprietor must have his commission, the concierge, the head-waiter, the waiters, the porters, and the chef, for this slight favor to the guest. Commission! It means something in sunny Italy. All this Hillard explained to Merrihew as they were awaiting the examination. Merrihew, holding grimly on to his hand-luggage, stood waiting for Hillard at the iron gates fronting the railroad. Suddenly a brilliantly uniformed man rushed up to him, bowed, and insisted on taking the luggage. Merrihew protested feebly.

"But you are Meestaire Merrihoo, the friend of Meestaire Hillar?"

"Yes."

"It is all right, then." The brilliant uniform prevailed, and Merrihew surrendered the luggage, marveling. Hillard seemed to know every one over here.

"Beautiful weather," said the uniform, as they passed through the gates.

"Fine," said Merrihew. From the corner of his eye he inspected the man at his side. Certainly he could be no less than a captain in the navy, with those epaulets and sleeve-bands.

"This is your first trip to Italy?"

"Yes. You people are very courteous here."

"Oh, we make that a part of our business."

A hundred cabmen yelled and shouted; but at a sign from Merrihew's new acquaintance they subsided or turned their attention elsewhere. This sign of respect made a still deeper impression on Merrihew.

"I'll bet a dollar he's an admiral!" he thought.

At length they came to an omnibus. The admiral beckoned to Merrihew to step in. The luggage was thrown on top.

"I am very grateful to you," said Merrihew, offering his hand.

The admiral shook it somewhat doubtfully, tipped his cap, and went hurriedly back to the dogana, or custom-house.

Shortly after Hillard appeared.

"We shan't go up in the omnibus," he said. "We'll take a carriage."

Merrihew looked around in vain for his distinguished acquaintance.

"What did you give the porter?" Hillard asked as they drove off.

"Porter? I didn't see any porter."

"Why, the chap who took your luggage from the customs."

"Good Lord! was that the porter? Why, I thought he was a personal friend of yours and an admiral in the Italian navy. I shook hands with him!"

Hillard shouted with laughter.

What a noisy, smelly, picturesque city it was! The cries of the hawkers, the importunities of the guides, the venders and cabmen, the whining beggars; the clatter of horses and carriages and carts; strolling singers, goats with tinkling bells, the barking of outcast dogs, and the brawling and bawling of children, hundreds upon hundreds of children! Merrihew grew dizzy trying to absorb the whole canvas at once. How the sturdy little campagna ponies ran up and down the narrow winding streets! Crack-crack! went the driver's lash. It possessed a language all its own. It called, it warned at the turning of the corners, it greeted friends, it hurled curses at rivals. Crack-crack! till Merrihew's ears ached. It was all very crowded and noisy till they reached the upper terrace of the Corso Vittorio; then the sounds became murmurous and pleasing.

Their rooms were pleasantly situated, looking out upon the sparkling bay. Giovanni began at once to unpack the trunks, happy enough to have something to occupy him till after dark, when he determined to venture forth. The dreaded carabinieri had paid him not the slightest attention; so far he was as safe as though he were in New York.

It was yet so early in the day that the two young men sallied forth in quest of light adventure. Besides, Merrihew was very eager to find some Roman and Florence newspapers. The American Comic Opera Company was somewhere north. They found stationed outside the hotel a rosy-cheeked cabby who answered to the name of Tomasso, or Tomass', as the Neapolitans generally drop the finals. He carried a bright red lap-robe and blanket, spoke a little English, and was very proud of the accomplishment. He was rather disappointed, however, when Hillard bargained with him in his own tongue. He saw at once that there would be no imposing on the young Americano. The two harangued for a while, on general principles. Twice words rose so high that Merrihew thought they were about to come to blows. Tomass' shook his fingers under Hillard's nose and Hillard returned the compliment. Finally Tomass' compromised on one-lira-fifty per hour, with fifty centesimi pourboire. Crack-crack! Down the hill they went, as if a thousand devils were after them.

"By George!" gasped Merrihew, clutching his seat; "the fool will break our necks!"

"They are always like this," laughed Hillard. "Slowly, slowly!" he called.

Tomass' grinned and cracked his whip. He did not understand the word slowly in his own tongue or in any other; at least, not till he reached the shops. It was business to go slowly there. A dozen times, on the Via Roma, Merrihew yelled that they would lose a wheel. But Tomass' knew the game. A man on foot could not have eluded collisions more skilfully. Merrihew never saw such driving. Nor had he ever seen such shops. Coral, coral, wherever the eye roamed. Where did they get it all and to whom did they sell it? Necklaces, tiaras, rings, brooches, carved and uncarved; were there women enough in the world to buy these things?

"If I had a wife… " he began.

"Well?"

"I'd feel devilish sorry for her husband at this moment."

"But isn't the color great?" said Hillard. It was good to be in Naples again.

Indeed, on a sunny afternoon, the traveler will find no other street offering such a kaleidoscope of luxuriant colors as the Via Roma of Naples. Behold the greens, the flowers, the cheeses, the shining fish, the bakestuffs, the silver- and goldsmiths, the milliners, the curio-dens! And the people! Dark-eyed beauties on foot or driving, handsome bearded men, monks, friars, priests, an archbishop in his splendid carriage, a duke driving tandem, nuns, and children. And uniforms as thick as poppies in a wheat-field. Officers rode past in their light blue capes, their gold and scarlet braids and polished scabbards; the foot-soldiers with their flowing green cock-feathers, policemen with their short swords, the tall and dignified carabinieri (always in pairs) with their cocked hats and crimson pompons towering above the sea of hats. It seemed to Merrihew that a rainbow had been captured and trained accordingly.

"I never saw so many kids," he observed; "so many dirty ones," he added. "Herod would have had his work cut out for him here. Now, where can we get some newspapers? I must know where she is."

"Presently," said Hillard. "The Piazza dei Martin," he directed Tomass'. Then he turned to Merrihew solemnly. "My boy, if you are to travel with me, beware of the Tauchnitz edition."

"What's that?"

"It's good reading in paper-covers. It is easier to sit in the hotel all day and read Tauchnitz than it is to tramp through churches and galleries and museums."

"No Tauchnitz; I promise." And Merrihew was an inveterate novel reader.

At the book-shop in the Piazza they found the Rome and Florence papers. Hillard went through them thoroughly, but nowhere did he see anything relative to the doings of the American Comic Opera Company.

"Not a line, Dan."

"But there must be something in the Florence paper. They should be playing there yet."

"Nothing; these papers are two weeks old."

Merrihew stared blankly at the sheet. "I should like to know what it means."

"We will write to the consulate in Rome. If there has been any trouble he will certainly notify us. I'll write to-night. Now, here's Cook's next door. We'll ask if there is any mail for Kitty Killigrew."

But there wasn't, nor had there been; and the name was not on the forwarding books.

"Looks as if your Kitty were the needle in the haystack."

"Hang the luck!" Merrihew jammed his hands into his pockets and sulked with the world.

"It is evident that Kitty will not have you."

"Cut it!" savagely. Pictures and churches and museums were all well enough, but Merrihew wanted Kitty Killigrew above all the treasures of earth. It was no longer a passing fancy; he was downright in love.

When they turned down to the Via Caracciolo, with the full sweep of the magnificent bay at their feet, Merrihew's disappointment softened somewhat. It was the fashionable hour. The band was playing near-by in the Villa Nazionale. Americans were everywhere. Occasionally a stray princess or countess flashed by, inert and listless against the cushions, and invariably over-dressed. And when men accompanied them, the men (if they were husbands) lolled back, even more listless. And beggars of all sorts and descriptions besieged the "very great grand rich Americans." To the Neapolitan all Americans are rich; they are the only forestieri who are always ready to throw money about, regardless of results. The Englishman, now, when the poveretto puts out his unlovely hand, looks calmly over his head and drives on. The German (and in the spring there are more Germans in Italy than Italians!) is deep in his Koran, generally, his Karl Baedeker, or too thrifty to notice. It is to the American, then, that the beggar looks for his daily macaroni.

They were nearly a week in Naples. They saw the galleries, the museums and churches; they saw underground Naples; they made the weary and useless ascent of Vesuvius; and Merrihew added a new smell to his collection every hour. Pompeii by moonlight, however, was worth a thousand ordinary dreams; and Merrihew, who had abundant imagination, but no art with which to express it—happily or unhappily—saw Lytton's story unfold in all its romantic splendor. In the dark corners he saw Glaucus, and Sallust, and Arbaces; he could hear the light step of the luxurious Julia, and the tramp of the gladiators; he could hear Ione's voice in song and the low whisper of Nydia with her roses. "To the lions! Glaucus to the lions!" It would have been perfect had Vesuvius blown off the top of its head at that moment.

They lingered at Amalfi three days, and dreamed away the hours under the white pergola. Merrihew was loath to leave; but Hillard was for going on to Sorrento, for which his heart was always longing.

A spring rain fell as they took the incline, and it followed them over the mountains and down into Sorrento. The ruddy oranges hung in clusters over the old walls which lined both sides of the road, walls so old that history stops before them doubtfully. And the perfume of the sweet rain mingling with that of the fruit was like nothing Merrihew had ever sensed before. They finally drew up in the courtyard of the Hotel de la Sirena, and the long ride was at an end. The little garden was white and pink with roses and camellias, and the tubbed mandarins were heavy with fruit.

"And this is March!" said Merrihew, his thought traveling back to his own bleak country, where winter is so long and summer is so short.

Their rooms were on the northeast corner, on the first floor; and from the windows they could look down upon the marina piccolaand the tideless sea, a sheer hundred and fifty feet below. Everybody welcomed the Signore Hillard; the hotel was his, and everything and everybody in it. Fire? It was already burning in the grate; orange wood, too, the smoke of which leaves no strong acidulous odor on the air. The Signore Hillard had only to speak, he had only to express a wish; they would scour the village to gratify it. Hillard accepted all these attentions as a matter of course, as a duke or a prince might have accepted them.

"By George!" whispered Merrihew; "they treat you like a prince here."

Later, when they were alone, Hillard began to explain.

"They remember my father; he used to live like a prince in Sorrento. Every time I come here I do the best I can to keep the luster to his name. To-morrow I shall point out to you the villa in which I was born. A Russian princess owns it now. You will know the place by the pet monkey which is always clambering about the balconies near the porter's lodge. More than that, if the princess is not on the Riviera, I'll take you there to tea some afternoon."

"A real live princess!" said Merrihew. "Is she beautiful?"

"Once upon a time," returned Hillard, laughing. "And, now, what do you say to a game of penuchle till dinner, a penny a point?"

Merrihew found two decks of cards, arranged them, and the game began. It was all very cheerful, the fire in the grate, the rain on the casement-windows, the blur on the bay, and the fragrance of two well-filled pipes.

There is very little to do in Sorrento at night; no theaters, no bands, no well-lighted cafés, nothing save wandering companies who dance the tarantella in the lobbies of the hotels, the men clumsy in their native costumes and the girls with as much grace and figure as so many heifers. It is only in Sicily that the Latin has learned to dance. But the tarantella is a novelty to the sight-seeing tourist, who believes he must see everything in order to be an authority when he gets back home.

Giovanni did not return till late that night, and on the morrow Hillard questioned him.

"I have been to see a cousin," said Giovanni, "who lives on the way to El Deserta."

"Ah! So you have a cousin here?"

"Yes, signore."

How old he looked, poor devil! Hillard had not taken particular notice of him during the past week's excursions. Giovanni had aged ten years since they landed.

"And was this cousin glad to see you? And is he to be trusted?"

"Both, signore. He had some news. She is—dancer in one of the Paris music-cafés."

Hillard kindled his pipe thoughtfully. And patiently Giovanni waited, knowing that shortly his master would offer some suggestion.

"Would you like me to give you the necessary money to go to Paris and bring her back to the Sabine Hills?" he asked softly.

"I shall go to Paris, signore—after."

"You will never find him."

"Who can say?"

"What is his name?" Hillard had never till this moment asked this question.

"I know it; that is sufficient. He is high, signore, very high; yet I shall reach him. If I told you his name—"

"There would be the possibility of my warning him."

"That is why I hesitate."

"You are a Catholic, Giovanni."

Giovanni signified that he was.

"Does not the God of all Catholics, of all Christians, in fact, does He not say that vengeance is His and that He will repay?"

"But there are so many of us, signore, so many of us small and of slight importance, that, likely enough, God with all His larger cares has not the time to remember us. What may happen to him in the hereafter does not concern me; for he will certainly be in the purgatory of the rich and I in the purgatory of the poor. It must be now, now!"

"Go your own way," said Hillard, dismissing him; "I shall never urge you again."

Giovanni gone, Hillard leaned against the casement. The sun was bright this morning and the air was clear. He could see Naples distinctly. Below, the fishermen and their wives, their bare feet plowing in the wet sands, were drawing in the nets, swaying their bodies gracefully. Presently the men in the boat landed the catch, and the net sparkled with living silver. So long as Giovanni was with him, he would be morally responsible for his actions. He would really be glad when the grim old Roman took himself off on his impossible quest.

How the sight of this beach recalled his boyhood! How many times had he and his brilliant mother wandered over these sands, picking up the many-colored stones, or baiting a young star-fish, or searching the caverns of the piratical Saracens that honeycombed the clifts, or yet, again, taking a hand at the nets! Sometimes he grew very lonely; for without a woman, either of one's blood or of one's choice, life holds little. Ah, that woman in the mask, that chimera of a night, that fancy of an hour!

And then Merrihew burst in upon him, wildly excited, and flourished the hotel register.

"Look at this!" he cried breathlessly. He flung the book on the table and pointed with shaking finger.

Hillard came forward, and this is what he saw:

Thomas O'Mally

James Smith

Arthur Worth

La Signorina Capricciosa

Kitty Killigrew

Am. Comic Opera Co., N.Y.

"Kitty has been here!"

"Perfectly true. But I wonder."

"Wonder about what?" asked Merrihew.

"Who La Signorina Capricciosa is. Whimsical indeed. She must be the mysterious prima donna."

He studied the easy-flowing hand, and ran his fingers through his hair thoughtfully. Then he frowned.

"What is it?" asked Merrihew curiously.

"Nothing; only I am wondering where I have seen that handwriting before."

Chapter 9 MRS. SANDFORD WINKS

A week in Sorrento, during which Merrihew saw all the beautiful villas, took tea with the Russian princess, made a martyr of himself trying to acquire a taste for the sour astringent wines of the country, and bought inlaid-wood paper-cutters and silk socks and neckties and hat-bands, enough, in truth, to last him for several generations; another week in Capri, where, at the Zum Kater Hidigeigei, he exchanged compliments with the green parrot, drank good beer, played batseka (a game of billiards) with the exiles (for Capri has as many as Cairo!) and beat them out of sundry lire, toiled up to the ledge where the playful Tiberius (see guide-books) tipped over his whilom favorites, bought a marine daub; and then back to Naples and the friendly smells. His constant enthusiasm and refreshing observations were a tonic to Hillard.

At the hotel in Naples they found a batch of mail. There was a letter which held particular interest to Merrihew. It was from the consul at Rome, a reply to Millard's inquiries regarding the American Comic Opera Company.

"We'll now find out where your charming Kitty is," Hillard said, breaking the seal.

But they didn't. On the contrary, the writer hadn't the slightest idea where the play-actors were or had gone. They had opened a two weeks' engagement at the Teatro Quirino. There had been a good house on the opening night; the remainder of the week did not show the sale of a hundred tickets. It was a fallacy that traveling Americans had any desire to witness American productions in Italy. So, then, the managers of the theater had abruptly canceled the engagement. The American manager had shown neither foresight nor common sense. He had, in the first place, come with his own scenery and costumes, upon which he had to pay large duties, and would have to pay further duties each time he entered a large city. His backer withdrew his support; and the percentage demanded by the managers in Florence, Genoa, Milan and Venice was so exorbitant (although they had agreed to a moderate term in the beginning) that it would have been nothing short of foolhardiness to try to fill the bookings. The singing of the prima donna, however, had created a highly favorable impression among the critics; but she was unknown, and to be unknown was next to positive failure, financially. This information, the writer explained, had been obtained by personal investigation. The costumes and scenery had been confiscated; and the manager and his backer had sailed for America, leaving the members of the company to get back the best way they could. As none of the players had come to the consulate for assistance, their whereabouts were unknown. The writer also advised Mr. Hillard not to put his money in any like adventure. Italy was strongly against any foreign invasion, aside from the American trolley-car.

"That's hard luck," growled Merrihew, who saw his hopes go down the horizon.

"But it makes me out a pretty good prophet," was Hillard's rejoinder. "The Angel's money gave out. Too many obstacles. To conquer a people and a government by light opera—it can't be done here. And so the American Comic Opera Company at the present moment is vegetating in some little pensione, waiting for money from home."

Merrihew gnawed the end of his cane. All his pleasant dreams had burst like soap-bubbles. Had they not always done so? There would be no jaunts with Kitty, no pleasant little excursions, no little suppers after the performance. And what's a Michelangelo or a Titian when a man's in love?

"Brace up, Dan. Who knows? Kitty may be on the high seas, that is, if she has taken my advice and got a return-ticket. I'll give you a dinner at the Bertolini to-night, and you may have the magnum of any vintage you like. We'll have Tomass' drive us down the Via Caracciolo. It will take some of the disappointment out of your system."

"Any old place," was the joyless response. "Seems to me that Italy has all the cards when it comes to graft."

"America, my boy, is only in the primary department. Kitty's manager forgot the most important thing of the whole outfit."

"What's that?"

"The Itching Palm. Evidently it had not been properly soothed. Come on; we may run across some of our ship-acquaintances. To-morrow we'll start for Rome, and then we shall add our own investigations to those of the consul."

They had ridden up and down the Via Caracciolo twice when they espied a huge automobile, ultramarine blue. It passed with a cloud of dust and a rumble which was thunderous. Hillard half rose from his seat.

"Somebody you know?" asked Merrihew.

"The man at the wheel looked a bit like Sandford."

"Sandford? By George, that would be jolly!"

"Perhaps they will come this way again. Tomass', follow that motor."

Sure enough, when the car reached the Largo Vittoria, it wheeled and came rumbling back. This time Hillard had no doubts. He stood up and waved his arms. The automobile barked and groaned and came to a stand.

"Hello, Sandford!"

"Jack Hillard, as I live, and Dan Merrihew! Nell?" turning to one of the three pretty women in the tonneau. "What did I tell you? I felt it in my bones that we would run across some one we knew."

"Or over them," his wife laughed.

In a foreign land one's flag is no longer eyed negligently and carelessly, as though it possessed no significance; it now becomes a symbol of the soil wherein our hearts first took root. A popular tune we have once scorned, now, when heard, catches us by the throat; the merest acquaintance becomes a long-lost brother; and persons to whom we nod indifferently at home now take the part of tried and true friends. But when we meet an old friend, one who has accepted our dinners and with whom we have often dined, what is left but to fall on his neck and weep? There was, then, over this meeting, much ado with handshaking and compliments, handshaking and questions; and, as in all cases like this, every one talked at once. How was old New York? How was the winter in Cairo? And so forth and so on, till a policeman politely told them that this was not a private thoroughfare, and that they were blocking the way. So they parted, the two young men having promised to dine with the Sandford party that evening.

"What luck, Dan!" Hillard was exuberant.

"Saves you the price of a dinner."

"I wasn't thinking of that. But I shall find out all about her to-night."

"Who?"

"The Lady in the Fog, the masquerading lady!"

"Bah! I should prefer something more solid than a vanishing lady."

"Look here, Dan, I never throw cold water on you."

"There have been times when it would have done my head good."

Sandford knew how to order a dinner; and so by the time that Merrihew had emptied his second glass of Burgundy and his first of champagne, he was in the haze of golden confidence. He would find Kitty, and when he found her he would find her heart as well.

"Say, Jack," said Sandford, "what did you mean by that fool cable, anyhow?"

Hillard had been patiently waiting for an opening of this sort. "And what did you mean by hoaxing me?"

"Hoaxing you?"

"That's the word. I was in your house that night; I was there as surely as I am here to-night."

"Nell, am I crazy, or is it Jack?"

"Sometimes," said Mrs. Sandford, "when you put the chauffeur in the tonneau, I'm inclined to think that it is you."

Hillard looked straight into the placid grey eyes of his hostess. Very slowly one of the white lids drooped. His heart bounded.

"But really," continued Sandford seriously, "unless you bribed the caretaker, you could not possibly have entered the house. You have been dreaming."

"Very well, then; it begins to look as if I had." It was apparent to Hillard that Sandford was not in his wife's confidence in all things. He also saw the wisdom of dropping the subject while at the table. To take up the thread of that romance again! He needed no wine to tingle his blood.

They took coffee and liqueur in the glass-inclosed balcony. All Naples sparkled at their feet, and the young moon rose over the Sorrentine Hills. Sandford and Merrihew and the other two ladies began an animated exchange of experiences. Hillard found a quiet nook, not far from the lift. He saw that Mrs. Sandford's chair was placed so that she could get a good view of the superb night. He sat down himself, sipped his liqueur meditatively, drank his coffee, and, as she nodded, lighted a cigarette.

"Well?" she said, smiling into his brown eyes. She was rather fond of Hillard; a gentleman always, and one of excellent taste. There was never any wearisome innuendo in his wit nor suggestion in his stories.

"You deliberately winked at me," he began.

"I deliberately did."

"Sandford is in the dark; I suspected as much."

"Regarding the wink?"

"Regarding the mysterious woman who occupied your house by your express authority, and who rode the hunter in the park."

"Was there ever a more beautiful picture?" sweeping her hands toward the city.

"The beauty of it will last several hours yet. Who and what was she?"

"I wish I could find you a wife; you would make a good husband."

"Thank you. I am even willing, with your assistance, to prove it. Who was she, and how came she in your house?"

"She wished that favor, and that her presence in New York should not be known. Now, describe to me exactly what happened. I am worrying about the plate and the silver."

He laughed. "And you will meet me half-way?"

"I promise to tell you all I … dare."

"There is a mystery?"

"Yes. So begin with your side of it."

He was a capital story-teller. He recounted the adventure in all its color; the voice under his window, the personals in the paper, the interchange of letters, the extraordinary dinner, the mask in the envelope. She followed him with breathless interest.

"Charming, charming!" She clapped her hands. "And how well you tell it! You have told it just as it happened."

"Just as it happened!" confounded for a moment.

"Exactly. I have had a letter, two, in fact. You did not see her face?"

"Only the chin and mouth. But if I ever meet her again I shall know her by her teeth."

"Heavens! And how?"

"Two lower ones are gone; otherwise they would be beautiful."

"Poor man! You have builded your house upon the sands. Her teeth are perfect. She has fooled you."

"But I saw with these two eyes!"

"There is a preparation which theatrical people use; a kind of gum. She mentioned the trick. Isn't she clever?"

"Yet I shall know her hair," doggedly.

She put her hands swiftly to her head. "Now, you have known me for years. What is the color of my hair?"

"Why, it is blond."

"Nothing of the kind. It is auburn. If you can not tell mine, how will you tell hers?"

"I shall probably run after every red-headed woman in Europe till I find her," humorously.

"If you can keep out of jail long enough."

"I shall at any rate remember her voice."

"That is better. Our ears never deceive half so often as our eyes."

"Her face is not scarred, is it?"

"Scarred!" indignantly. "She is as beautiful as a Raphael, as lovely as a Bouguereau. If I were a man I should gladly journey round the world for the sight of her."

"I am willing, even anxious."

"I should fall in love with her."

"I believe I have."

"And I should marry her, too."

"Even that."

"Come, Mr. Hillard; I am just fooling. You are too sensible a man to fall in love with a shadow, a mask. Your fancy has been trapped, that is all. One does not fall in love that way."

"You ought to know," with a sidelong glance at Sandford.

As her glance followed his, hers grew warm and kindly. Sandford, by chance meeting the look, smiled back across the room. This little by-play filled Hillard with a sense of envy and loneliness. At three-and-thirty a bachelor realizes that there is something else in life besides business and travel.

"It is quite useless to ask who she is?" he inquired of his hostess.

"Quite useless."

"She is married?"

"Certainly I have not said so."

He flicked the ash from his cigarette. What was the use of trying to trap a woman into saying what she did not propose to say?

"Have you those letters?"

"One of them I'll show you."

"Why not the other?"

"It would be wasting time. It merely relates to your adventure. She sailed the day after you dined with her."

"That accounts for the shutters. The police and the caretaker were bribed."

"I suspect they were."

"If I were a vain man, and you know I am not, I might ask you if she spoke well of me in this letter. Understand, I am not inquiring."

"But you put the question as adroitly as a woman. We are sure of vanity always. Yes, she spoke of you. She found you to be an agreeable gentleman. But," with gentle malice, "she did not say that she wished she had met you years ago, under more favorable circumstances, or that she liked your eyes, which are really fine ones."

He had to join in her laughter.

"Come, give me the death-stroke and have done with it. Tell me what you dare, and I'll be content with it."

She opened her handkerchief purse and delved among the various articles therein.

"I expected that you would be asking questions, so I came prepared. I did not tell my husband for that very reason. He would have insisted upon knowing everything. Here, read this. It is only a glimpse."

He searched eagerly for the signature.

"Don't bother," she said. "The name is only a nickname we gave her at school."

"School? Do you mean to tell me that you went to school with her? Where?"

"In Pennsylvania first; then in Milan. Read."

O Cara Mia—If only you knew how sorry I am to miss you! Why must you sail at once? Why not come to my beautiful Venice? True, I could not entertain you as in the days of my good father. But I have so much to say to you that can not be written. You ask about the adventure. Pouf! goes my little dream of greatness. It was a blank failure. Much as I knew about Italy I could not know everything. The officials put unheard-of obstacles in our path. The contracts were utterly disregarded. In the first place, we had not purchased our costumes and scenery in Italy.

"Costumes and scenery?" Hillard sought the signature again. Mrs. Sandford was staring at the moonlit bay.

That poor manager! And that poor man who advanced the money! They forgot that the booking is as nothing, the incidentals everything. The base of all the trouble was a clerk in the consulate at Naples. He wrote us that there would be no duties on costumes and scenery. Alas! the manager and his backer are on the way to America, sadder and wiser men. We surrendered our return tickets to the chorus and sent them home. The rest of us are stranded—is not that the word?—here in Venice, waiting for money from home. If I were alone, it would be highly amusing; but these poor people with me! There is only one way I can help them, but that, never. You recollect that my personal income is quarterly, and it will be two months before I shall have funds. I could get it advanced, but I dare not. There are persons moving Heaven and earth to find me. My companions haven't the least idea who I am; to them I am one of the profession. So here we all are, wandering about the Piazza San Marco, calling at Cook's every day in hopes of money, and occasionally risking a penny in corn for the doves. I am staying with my nurse, my mother's maid, in the Canipo Santa Maria Formosa, near our beloved Santa Barbara. Very quietly I have guaranteed the credit of my unfortunate companions, and they believe that Venetians are very generous people. Generous! Think of it! Come to Venice, dear; it is all nonsense that you must return to America. Perhaps you will wonder how I dared appear on the stage in Italy. A black wig and a theatrical make-up; these were sufficient. A duke sent me an invitation to take supper with him, as if I were a ballerina! I sent one of the American chorus girls, a little minx for mischief. She ate his supper, and then ran away. I understand that he was furious. Only a few months more, Nell, and then I may come and go as I please. Come to Venice. Capricciosa.

Hillard did not stir. Another labyrinth to this mystery! Capricciosa; Kitty Killigrew's unknown prima donna; and all he had to do was to take the morning train for Venice, and twenty-four hours later he would be prowling through the Campo Santa Maria Formosa. Though his mind was busy with a hundred thoughts, his head was still bent and his eyes riveted upon the page.

Mrs. Sandford observed him curiously, even sadly. Why couldn't his fancy have been charmed by an every-day, sensible girl, and not by this whimsical, extraordinary woman who fooled diplomats, flaunted dukes, and kept a king at arm's length as a pastime? And yet—!

"Capricciosa," he mused aloud. "That is not her name."

"And I shall not tell it you."

"But her given name? Just a straw; something to hold on; I'm a drowning man." Hillard's pleadings would have melted a heart of stone.

"It is Hilda."

"That is German."

"She prefers it to Sonia."

"Sonia Hilda; it begins well. May I keep this letter?"

"Certainly not. With that cara mia? Give it to me."

He did so. "Shall I seek her?"

"This is my advice: don't think of her after to-night. If you ever see or recognize her, avoid her. It may sound theatrical, but she is the innocent cause of two deaths. These men sought her openly, too."

"What has she done?"

"She made a great, though common, mistake."

"Political?"

Her lips closed firmly, but a smile lurked in the corners.

He sighed.

"Don't be foolish. I am sorry I let you see the letter. I forgot that she told me her hiding-place."

"Her hiding-place?"

"Mr. Hillard, she is as far removed from your orbit as Mars' is from Jupiter's. Forget her."

"My orbit is not limited. I shall seek her; when I find her I shall … marry her."

But her lips closed again.

"Sphinx!" he murmured with reproach.

"I like you too much, Mr. Hillard, to stand by and see you break your heart against a stone wall."

"Don't you see, the deeper the mystery is the more powerful the attraction becomes?"

The door to the lift opened and closed noisily, and Hillard turned negligently. A man sauntered through the room. The moment he came into the light Hillard's interest became lively enough: It was the handsome Italian with the scar.

"Who is that man?" he whispered. "Only a few weeks ago I bumped into him on coming out of the club."

A swift glance, then her eyes grew unfriendly, her shoulders rigid and repellent.

"Do not attract his attention," she answered in a low tone. "Yes, I know him, and I do not wish him to see me."

"Who is he?" he repeated.

"A Venetian officer, and a profligate. I entertained him once, but I learned from him that I had been ill-advised."

Hillard saw that this subject would admit of no further questions. The man with the scar had committed some inexcusable offense, and Mrs. Sandford had crossed him off the list. He knew that the Italian officer is, more or less, a lady's man; and the supreme confidence he has in the power of brass buttons and gold lace makes him at times insufferable.

It was after ten when Hillard and his friend took their leave. They would not see their host and hostess again till they reached New York. Upon coming out on the Corso, Hillard whistled merrily.

"Pleasant evening," was Merrihew's comment.

Hillard continued to whistle.

"Good dinner, too."

The whistle went on serenely, in spite of Merrihew's obvious attempts to choke it off.

"You seemed to have a good deal to say to Mrs. Sandford. She knows the lady who was in the house?"

Still the whistle.

"Say, wake up!" cried Merrihew impatiently.

"We shall leave in the morning for Venice," said Hillard, taking up the tune again.

"Venice? How about Rome and Florence?"

"Which would you prefer: Rome and the antiquities, or Venice and—Kitty Killigrew?"

"Kitty in Venice? Are you sure?"

"She is there with La Signorina Capricciosa. Oh, this is a fine world, after all, and I was wrong to speak ill of it this morning."

"If Kitty's in Venice, I'm an ungrateful beggar, too. But I do not see why Kitty's being in Venice excites you."

"No? Well, fate writes that Kitty's mysterious prima donna and my Lady of the Mask are one and the same person."

"No!"

The two, without further words, marched along the middle of the Corso to the hotel, which was only a few steps away. They entered. The concierge started toward them as if he desired to impart some valuable information, but suddenly reconsidered, and retreated to his bandbox of an office and busied himself with the ever-increasing debours. The strangeness of his movements passed unnoticed by the two men, who continued on through the lobby, turning into the first corridor. Hillard inserted his key in the door of his room, unlocked it, and swung it inward. This done, he paused irresolutely on the threshold, and with good cause.

"What the devil can this mean?" he whispered to Merrihew, who peered over his shoulder.

Two dignified carabinieri rose quickly and approached Hillard. There was something in the flashing eyes and set jaws that made him realize that the safest thing for him to do at that moment was to stand perfectly still!