In the Quarter

Robert William Chambers

Chapter 1

 

One evening in May, 1888, the Café des Écoles was even more crowded and more noisy than usual. The marble-topped tables were wet with beer and the din was appalling. Someone shouted to make himself heard.

"Any more news from the Salon?"

"Yes," said Elliott, "Thaxton's in with a number three. Rhodes is out and takes it hard. Clifford's out too, and takes it — "

A voice began to chant:

Je n'sais comment faire, Comment concillier Ma maitresse et mon père, Le Code et Bullier.

"Drop it! Oh, drop it!" growled Rhodes, and sent a handful of billiard chalk at the singer.

Mr Clifford returned a volley of the Café spoons, and continued:

Mais c'que je trouve de plus bête, C'est qu' i' faut financer Avec ma belle galette, J'aimerai mieux m'amuser.

Several other voices took up the refrain, lamenting the difficulty of reconciling their filial duties with balls at Bullier's, and protesting that they would rather amuse themselves than consider financial questions. Rhodes sipped his curaçoa sulkily.

"The longer I live in the Latin Quarter," he said to his neighbor, "the less certain I feel about a place of future punishment. It would be so tame after this." Then, reverting to his grievance, he added, "The slaughter this year at the Salon is awful."

Reginald Gethryn stirred nervously but did not speak.

"Have a game, Rex?" called Clifford, waving a cue.

Gethryn shook his head, and reaching for a soiled copy of the Figaro, glanced listlessly over its contents. He sighed and turned his paper impatiently. Rhodes echoed the sigh.

"What's at the theaters?"

"Same as last week, excepting at the Gaieté. They've put on `La Belle Hélène' there."

"Oh! Belle Hélène!" cried Clifford.

Tzing! la! la! Tzing! la! la! C'est avec ces dames qu' Oreste Fait danser l'argent de Papa!

Rhodes began to growl again.

"I shouldn't think you'd feel like gibbering that rot tonight."

Clifford smiled sweetly and patted him on the head. "Tzing! la! la! My shot, Elliott?"

"Tzing! la! la!" laughed Thaxton, "That's Clifford's biography in three words."

Clifford repeated the refrain and winked impudently at the pretty bookkeeper behind her railing. She, alas! returned it with a blush.

Gethryn rose restlessly and went over to another table where a man, young, but older than himself, sat, looking comfortable.

"Braith," he began, trying to speak indifferently, "any news of my fate?"

The other man finished his beer and then answered carelessly, "No." But catching sight of Gethryn's face he added, with a laugh:

"Look here, Rex, you've got to stop this moping."

"I'm not moping," said Rex, coloring up.

"What do you call it, then?" Braith spoke with some sharpness, but continued kindly, "You know I've been through it all. Ten years ago, when I sent in my first picture, I confess to you I suffered the torments of the damned until — "

"Until?"

"Until they sent me my card. The color was green."

"But I thought a green card meant `not admitted."'

"It does. I received three in three years."

"Do you mean you were thrown out three years in succession?"

Braith knocked the ashes out of his pipe. "I gave up smoking for those three years."

"You?"

Braith filled his pipe tenderly. "I was very poor," he said.

"If I had half your sand!" sighed Rex.

"You have, and something more that the rest of us have not. But you are very young yet."

This time Gethryn colored with surprise and pleasure. In all their long and close friendship Braith had never before given him any other encouragement than a cool, "Go ahead!"

He continued: "Your curse thus far has been want of steady application, and moreover you're too easily scared. No matter what happens this time, no knocking under!"

"Oh, I'm not going to knock under. No more is Clifford, it seems," Rex added with a laugh, as Clifford threw down his cue and took a step of the devil's quadrille.

"Oh! Elliott!" he crowed, "what's the matter with you?"

Elliott turned and punched a sleepy waiter in the ribs.

"Emile — two bocks!"

The waiter jumped up and rubbed his eyes. "What is it, monsieur?" he snapped.

Elliott repeated the order and they strolled off toward a table. As Clifford came lounging by, Carleton said, "I hear you lead with a number one at the Salon."

"Right, I'm the first to be fired."

"He's calm now," said Elliott, "but you should have seen him yesterday when the green card came."

"Well, yes. I discoursed a little in several languages."

"After he had used up his English profanity, he called the Jury names in French, German and Spanish. The German stuck, but came out at last like a cork out of a bottle — "

"Or a bung out of a barrel."

"These comparisons are as offensive as they are unjust," said Clifford.

"Quite so," said Braith. "Here's the waiter with your beer."

"What number did you get, Braith?" asked Rhodes, who couldn't keep his mind off the subject and made no pretense of trying.

"Three," answered Braith.

There was a howl, and all began to talk at once.

"There's justice for you!" "No justice for Americans!" "Serves us right for our tariff!" "Are Frenchmen going to give us all the advantages of their schools and honors besides while we do all we can to keep their pictures out of our markets?"

"No, we don't, either! Tariff only keeps out the sweepings of the studios — "

"If there were no duty on pictures the States would be flooded with trash."

"Take it off!" cried one.

"Make it higher!" shouted another.

"Idiots!" growled Rhodes. "Let 'em flood the country with bad work as well as good. It will educate the people, and the day will come when all good work will stand an equal chance — be it French or be it American."

"True," said Clifford, "Let's all have a bock. Where's Rex?"

But Gethryn had slipped out in the confusion. Quitting the Café des Écoles, he sauntered across the street, and turning through the Rue de Vaugirard, entered the rue Monsieur le Prince. He crossed the dim courtyard of his hôtel, and taking a key and a candle from the lodge of the Concierge, started to mount the six flights to his bedroom and studio. He felt irritable and fagged, and it did not make matters better when he found, on reaching his own door, that he had taken the wrong key. Nor did it ease his mind to fling the key over the banisters into the silent stone hallway below. He leaned sulkily over the railing and listened to it ring and clink down into the darkness, and then, with a brief but vigorous word, he turned and forced in his door with a crash. Two bull pups which had flown at him with portentous growls and yelps of menace now gamboled idiotically about him, writhing with anticipation of caresses, and a gray and scarlet parrot, rudely awakened, launched forth upon a musical effort resembling the song of a rusty cart-wheel.

"Oh, you infernal bird!" murmured the master, lighting his candle with one hand and fondling the pups with the other. "There, there, puppies, run away!" he added, rolling the ecstatic pups into a sort of dog divan, where they curled themselves down at last and subsided with squirms and wriggles, gurgling affection.

Gethryn lighted a lamp and then a cigarette. Then, blowing out the candle, he sat down with a sigh. His eyes fell on the parrot. It annoyed him that the parrot should immediately turn over and look at him upside down. It also annoyed him that "Satan," an evil-looking raven, was evidently preparing to descend from his perch and worry "Mrs Gummidge."

"Mrs Gummidge" was the name Clifford had given to a large sad-eyed white tabby who now lay dozing upon a panther skin.

"Satan!" said Gethryn. The bird checked his sinister preparations and eyed his master. "Don't," said the young man.

Satan weighed his chances and came to the conclusion that he could swoop down, nip Mrs Gummidge, and get back to his bust of Pallas without being caught. He tried it, but his master was too quick for him, and foiled, he lay sullenly in Gethryn's hands, his two long claws projecting helplessly between the brown fists of his master.

"Oh, you fiend!" muttered Rex, taking him toward a wicker basket, which he hated. "Solitary confinement for you, my boy."

"Double, double, toil and trouble," croaked the parrot.

Gethryn started nervously and shut him inside the cage, a regal gilt structure with "Shakespeare" printed over the door. Then, replacing the agitated Gummidge on her panther skin, he sat down once more and lighted another cigarette.

His picture. He could think of nothing else. It was a serious matter with Gethryn. Admitted to the Salon meant three more years' study in Paris. Failure, and back he must go to New York.

The personal income of Reginald Gethryn amounted to the magnificent sum of two hundred and fifty dollars. To this, his aunt, Miss Celestia Gethryn, added nine hundred and fifty dollars more. This gave him a sum of twelve hundred dollars a year to live on and study in Paris. It was not a large sum, but it was princely when compared to the amount on which many a talented fellow subsists, spending his best years in a foul atmosphere of paint and tobacco, ill fed, ill clothed, scarcely warmed at all, often sick in mind and body, attaining his first scant measure of success just as his overtaxed powers give way.

Gethryn's aunt, his only surviving relative, had recently written him one of her ponderous letters. He took it from his pocket and began to read it again, for the fourth time.

You have now been in Paris three years, and as yet I have seen no results. You should be earning your own living, but instead you are still dependent upon me. You are welcome to all the assistance I can give you, in reason, but I expect that you will have something to show for all the money I expend upon you. Why are you not making a handsome income and a splendid reputation, like Mr Spinder?

The artist named was thirty-five and had been in Paris fifteen years. Gethryn was twenty-two and had been studying three years.

Why are you not doing beautiful things, like Mr Mousely? I'm told he gets a thousand dollars for a little sketch.

Rex groaned. Mr Mousely could neither draw nor paint, but he made stories of babies' deathbeds on squares of canvas with china angels solidly suspended from the ceiling of the nursery, pointing upward, and he gave them titles out of the hymnbook, which caused them to be bought with eagerness by all the members of the congregation to which his family belonged.

The letter proceeded:

I am told by many reliable persons that three years abroad is more than enough for a thorough art education. If no results are attained at the end of that time, there is only one of two conclusions to be drawn. Either you have no talent, or you are wasting your time. I shall wait until the next Salon before I come to a decision. If then you have a picture accepted and if it shows no trace of the immorality which is rife in Paris, I will continue your allowance for three years more; this, however, on condition that you have a picture in the Salon each year. If you fail again this year, I shall insist upon your coming home at once.

Why Gethryn should want to read this letter four times, when one perusal of it had been more than enough, no one, least of all himself, could have told. He sat now crushing it in is hand, tasting all the bitterness that is stored up for a sensitive artist tied by fate to an omniscient Philistine who feeds his body with bread and his soul with instruction about art and behavior.

Presently he mastered the black mood which came near being too much for him, his face cleared and he leaned back, quietly smoking. From the rug rose a muffled rumbling where Mrs Gummidge dozed in peace. The clock ticked sharply. A mouse dropped silently from the window curtain and scuttled away unmarked.

The pups lay in a soft heap. The parrot no longer hung head downward, but rested in his cage in a normal position, one eye fixed steadily on Gethryn, the other sheathed in a bluish-white eyelid, every wrinkle of which spoke scorn of men and things.

For some time Gethryn had been half-conscious of a piano sounding on the floor below. It suddenly struck him now that the apartment under his, which had been long vacant, must have found an occupant.

"Idiots!" he grumbled. "Playing at midnight! That will have to stop. Singing too! We'll see about that!"

The singing continued, a girl's voice, only passably trained, but certainly fresh and sweet.

Gethryn began to listen, reluctantly and ungraciously. There was a pause. "Now she's going to stop. It's time," he muttered. But the piano began again — a short prelude which he knew, and the voice was soon in the midst of the Dream Song from "La Belle Hélène."

Gethryn rose and walked to his window, threw it open and leaned out. An April night, soft and delicious. The air was heavy with perfume from the pink and white chestnut blossoms. The roof dripped with moisture. Far down in the dark court the gas-jets flickered and flared. From the distance came the softened rumble of a midnight cab, which, drawing nearer and nearer and passing the hôtel with a rollicking rattle of wheels and laughing voices, died away on the smooth pavement by the Luxembourg Gardens. The voice had stopped capriciously in the middle of the song. Gethryn turned back into the room whistling the air. His eye fell on Satan sitting behind his bars in crumpled malice.

"Poor old chap," laughed the master, "want to come out and hop around a bit? Here, Gummidge, we'll remove temptation out of his way," and he lifted the docile tabby, who increased the timbre of her song to an ecstatic squeal at his touch, and opening his bedroom door, gently deposited her on his softest blankets. He then reinstated the raven on his bust of Pallas, and Satan watched him from thence warily as he fussed about the studio, sorting brushes, scraping a neglected palette, taking down a dressing gown, drawing on a pair of easy slippers, opening his door and depositing his boots outside. When he returned the music had begun again.

"What on earth does she mean by singing at a quarter to one o'clock?" he thought, and went once more to the window. "Why — that is really beautiful."

Oui! c'est un rêve, Oui! c'est un rêve doux d'amour. La nuit lui prête son mystère, Il doit finir — il doit finir avec le jour.

The song of Hélène ceased. Gethryn leaned out and gazed down at the lighted windows under his. Suddenly the light went out. He heard someone open the window, and straining his eyes, could just discern the dim outline of a head and shoulders, unmistakably those of a girl. She had perched herself on the windowsill. Presently she began to hum the air, then to sing it softly. Gethryn waited until the words came again:

Oui, c'est un rêve —

and then struck in with a very sweet baritone:

Oui, c'est un rêve —

She never moved, but her voice swelled out fresh and clear in answer to his, and a really charming duet came to a delightful finish. Then she looked up. Gethryn was reckless now.

"Shall it be, then, only a dream?" he laughed. Was it his fate that made him lean out and whisper, "Is it, then, only a dream, Hélène?"

There was nothing but the rustling of the chestnut branches to answer his folly. Not another sound. He was half inclined to shut his window and go in, well satisfied with the silence and beginning to feel sleepy. All at once from below came a faint laugh, and as he leaned out he caught the words:

"Paris, Hélène bids you good night!"

"Ah, Belle Hélène!" — he began, but was cut short by the violent opening of a window opposite.

"Bon dieu de bon dieu!" howled an injured gentleman. "To sleep is impossible, tas d'imbeciles! — "

And Hélène's window closed with a snap.

Chapter 2

 

The day broke hot and stifling. The first sunbeams which chased the fog from bridge and street also drove the mists from the cool thickets of the Luxembourg Garden, and revealed groups of dragoons picketed in the shrubbery.

"Dragoons in the Luxembourg!" cried the gamins to each other. "What for?"

But even the gamins did not know — yet.

At the great Ateliers of Messieurs Bouguereau and Lefebvre the first day of the week is the busiest — and so, this being Monday, the studios were crowded.

The heat was suffocating. The walls, smeared with the refuse of a hundred palettes, fairly sizzled as they gave off a sickly odor of paint and turpentine. Only two poses had been completed, but the tired models stood or sat, glistening with perspiration. The men drew and painted, many of them stripped to the waist. The air was heavy with tobacco smoke and the respiration of some two hundred students of half as many nationalities.

"Dieu! quel chaleur!" gasped a fat little Frenchman, mopping his clipped head and breathing hard.

"Clifford," he inquired in English, "ees eet zat you haf a so great — a — heat chez vous?"

Clifford glanced up from his easel. "Heat in New York? My dear Deschamps, this is nothing."

The other eyed him suspiciously.

"You know New York is the capital of Galveston?" said Clifford, slapping on a brush full of color and leaning back to look at it.

The Frenchman didn't know, but he nodded.

"Well, that's very far south. We suffer — yes, we suffer, but our poor poultry suffer more."

"Ze — ze pooltree? Wat eez zat?"

Clifford explained.

"In summer the fire engines are detailed to throw water on the hens to keep their feathers from singeing. Singeing spoils the flavor."

The Frenchman growled.

"One of our national institutions is the `Hen's Mutual Fire Insurance Company,' supported by the Government," added Clifford.

Deschamps snorted.

"That is why," put in Rhodes, lazily dabbing at his canvas, "why we seldom have omelets — the eggs are so apt to be laid fried."

"How, zen, does eet make ze chicken?" spluttered the Frenchman, his wrath rising.

"Our chickens are also — " a torrent of bad language from Monsieur Deschamps, and a howl of execration from all the rest, silenced Clifford.

"It's too hot for that sort of thing," pleaded Elliott.

"Idiot!" muttered the Frenchman, shooting ominous glances at the bland youth, who saw nothing.

"C'est l'heure," cried a dozen voices, and the tired model stretched his cramped limbs. Clifford rose, dropped a piece of charcoal down on his neighbor's neck, and stepping across Thaxton's easel, walked over to Gethryn.

"Rex, have you heard the latest?"

"No."

"The Ministry has fallen again, and the Place de la Concorde is filled with people yelling, A bas la Republique! Vive le General Boulanger!"

Gethryn looked serious. Clifford went on, speaking low.

"I saw a troop of cavalry going over this morning, and old Forain told me just now that the regiments at Versailles were ready to move at a minute's notice."

"I suppose things are lively across the river," said Gethryn.

"Exactly, and we're all going over to see the fun. You'll come?"

"Oh, I'll come. Hello! here's Rhodes; tell him."

Rhodes knew. Ministry fallen. Mob at it some more. Been fired on by the soldiers once. Pont Neuf and the Arc guarded by cannon. Carleton came hurrying up.

"The French students are loose and raising Cain. We're going to assist at the show. Come along."

"No," growled Braith, and looked hard at Rex.

"Oh, come along! We're all going," said Carleton, "Elliott, Gethryn, the Colossus, Thaxton, Clifford."

Braith turned sharply to Rex. "Yes, going to get your heads smashed by a bullet or carved by a saber. What for? What business is it of yours?"

"Braith thinks he looks like a Prussian and is afraid," mused Clifford.

"Come on, won't you, Braith?" said Gethryn.

"Are you going?"

"Why not?" said the other, uneasily, "and why won't you?"

"No French mob for me," answered Braith, quietly. "You fellows had better keep away. You don't know what you may get into. I saw the siege, and the man who was in Paris in '71 has seen enough."

"Oh, this is nothing serious," urged Clifford. "If they fire I shall leg it; so will the lordly Reginald; so will we all."

Braith dug his hands into the pockets of his velveteens, and shook his head.

"No," he said, "I've got some work to do. So have you, Rex."

"Come on, we're off," shouted Thaxton from the stairway.

Clifford seized Gethryn's arm, Elliott and Rhodes crowded on behind. A small earthquake shock followed as the crowd of students launched itself down the stairs.

"Braith doesn't approve of my cutting the atelier so often," said Gethryn, "and he's right. I ought to have stayed."

"Reggy going to back out?" cooed Clifford.

"No," said Rex. "Here's Rhodes with a cab."

"It's too hot to walk," gasped Rhodes. "I secured this. It was all I could get. Pile in."

Rex sprang up beside the driver.

"Allons!" he cried, "to the Obelisk!"

"But, monsieur — " expostulated the cabby, "it is today the revolution. I dare not."

"Go on, I tell you," roared Rhodes. "Clifford, take his reins away if he refuses."

Clifford made a snatch at them, but was repulsed by the indignant cabby.

"Go on, do you hear?" shouted the Colossus. The cabman looked at Gethryn.

"Go on!" laughed Rex, "there is no danger."

Jehu lifted his shoulders to the level of his shiny hat, and giving the reins a jerk, muttered, "Crazy English! — Heu — heu — Cocotte!"

In twenty minutes they had arrived at the bridge opposite the Palais Bourbon.

"By Jove!" said Gethryn, "look at that crowd! The Place de la Concorde is black with them!"

The cab stopped with a jolt. Half a dozen policemen stepped into the street. Two seized the horses' heads.

"The bridge is forbidden to vehicles, gentlemen," they said, courteously. "To cross, one must descend."

Clifford began to argue, but Elliott stopped him.

"It's only a step," said he, paying the relieved cabby. "Come ahead!"

In a moment they were across the bridge and pushing into the crowd, single file.

"What a lot of troops and police!" said Elliott, panting as he elbowed his way through the dense masses. "I tell you, the mob are bent on mischief."

The Place de la Concorde was packed and jammed with struggling, surging humanity. Pushed and crowded up to the second fountain, clinging in bunches to the Obelisk, overrunning the first fountain, and covering the pedestals of the "Cities of France," it heaved, shifted, undulated like clusters of swarming ants.

In the open space about the second fountain was the Prefect of the Seine, surrounded by a staff of officers. He looked worn and anxious as he stood mopping the perspiration from his neck and glancing nervously at his men, who were slowly and gently rolling back the mob. On the bridge a battalion of red-legged soldiers lounged, leaning on their rifles. To the right were long lines of cavalry in shining helmets and cuirasses. The men sat motionless in their saddles, their armor striking white fire in the fierce glow of the midday sun. Ever and anon the faint flutter of a distant bugle announced the approach of more regiments.

Among the shrubbery of the Gardens, a glimmer of orange and blue betrayed the lurking presence of the Guards. Down the endless vistas of the double and quadruple rows of trees stretching out to the Arc, and up the Cour la Reine, long lines of scarlet were moving toward the central point, the Place de la Concorde. The horses of a squadron of hussars pawed and champed across the avenue, the men, in their pale blue jackets, presenting a cool relief to the universal glare. The Champs Elysees was deserted, excepting by troops. Not a civilian was to be seen on the bridge. In front of the Madeleine three points of fire blazed and winked in the sun. They were three cannon.

Suddenly, over by the Obelisk, began a hoarse murmur, confused and dull at first, but growing louder, until it swelled into a deafening roar. "Long live Boulanger!" "Down with Ferry!" "Long live the Republic!" As the great wave of sound rose over the crowd and broke sullenly against the somber masses of the Palace of the Bourbons, a thin, shrill cry from the extreme right answered, "Vive la Commune!" Elliott laughed nervously.

"They'll charge those howling Belleville anarchists!"

Clifford began, in pure deviltry, to whistle the Carmagnole.

"Do you want to get us all into hot water?" whispered Thaxton.

"Monsieur is of the Commune?" inquired a little man, suavely.

And, the devil still prompting Clifford, he answered: "Because I whistled the Carmagnole? Bah!"

The man scowled.

"Look here, my friend," said Clifford, "my political principles are yours, and I will be happy to drink at your expense."

The other Americans exchanged looks, and Elliott tried to check Clifford's folly before it was too late.

"Espion!" muttered the Frenchman, adding, a little louder, "Sale Allemand!"

Gethryn looked up startled.

"Keep cool," whispered Thaxton; "if they think we're Germans we're done for."

Carleton glanced nervously about. "How they stare," he whispered. "Their eyes pop out of their heads as if they saw Bismarck."

There was an ominous movement among the throng.

"Vive l'Anarchie! A bas les Prussiens!" yelled a beetle-browed Italian. "A bas les etrangers!"

"My friend," said Clifford, pleasantly, "you've got a very vile accent yourself."

"You're a Prussian!" screamed the man.

Every one was now looking at them. Gethryn began to fume.

"I'll thrash that cur if he says Prussian again," said he.

"You'll keep quiet, that's what you'll do," growled Thaxton, looking anxiously at Rhodes.

"Yes, you will!" said the Colossus, very pale.

"Pig of a Prussian!" shouted a fearful-looking hag, planting herself in front of Clifford with arms akimbo and head thrust forward. "Pig of a Prussian spy!"

She glanced at her supporters, who promptly applauded.

"Ah—h—h!" she screamed, her little green eyes shining like a tiger's — "Spy! German spy!"

"Madam," said Clifford, politely, "go and wash yourself."

"Hold your cursed tongue, Clifford!" whispered Thaxton. "Do you want to be torn to pieces?"

Suddenly a man behind Gethryn sprang at his back, and then, amazed and terrified at his own daring, yelled lustily for help. Gethryn shook him off as he would a fly, but the last remnant of self-control went at the same time, and, wheeling, he planted a blow square in the fellow's neck. The man fell like an ox. In an instant the mob was upon them. Thaxton received a heavy kick in the ribs, which sent him reeling against Carleton. Clifford knocked two men down in as many blows, and, springing back, stood guard over Thaxton until he could struggle to his feet again. Elliott got a sounding thwack on the nose, which he neatly returned, adding one on the eye for interest. Gethryn and Carleton fought back to back. Rhodes began by half strangling a son of the Commune and then flung him bodily among his howling compatriots.

"Good Heavens," gasped Rhodes, "we can't keep this up!" And raising his voice, he cried with all the force of his lungs, "Help! This way, police!" A shot answered him, and a man, clapping his hands to his face, tilted heavily forward, the blood spurting between his fingers.

Then a terrible cry arose, a din in which the Americans caught the clanging of steel and the neighing of horses. A man was hurled violently against Gethryn, who, losing in turn his balance, staggered and fell. Rising to his knees, he saw a great foam-covered horse rearing almost over him, and a red-faced rider in steel helmet and tossing plume slashing furiously among the crowd. Next moment he was dragged to his feet and back into the flying mob.

"Look out," panted Thaxton, "the cavalry — they've charged — run!" Gethryn glanced over his shoulder. All along the edge of the frantic, panic-stricken crowd the gleaming crests of the cavalry surged and dashed like a huge wave of steel.

Cries, groans, and curses rose and were drowned in the thunder of the charging horses and the clashing of weapons.

"Spy!" screamed a voice in his ear. Gethryn turned, but the fellow was legging it for safety.

Suddenly he saw a woman who, pushed and crowded by the mob, stumbled and fell. In a moment he was by her side, bent over to raise her, was hurled upon his face, rose blinded by dust and half-stunned, but dragging her to her feet with him.

Swept onward by the rush, knocked this way and that, he still managed to support the dazed woman, and by degrees succeeded in controlling his own course, which he bent toward the Obelisk. As he neared the goal of comparative safety, exhausted, he suffered himself and the woman to be carried on by the rush. Then a blinding flash split the air in front, and the crash of musketry almost in his face hurled him back.

Men threw up their hands and sank in a heap or spun round and pitched headlong. For a moment he swayed in the drifting smoke. A blast of hot, sickening air enveloped him. Then a dull red cloud seemed to settle slowly, crushing, grinding him into the earth.

Chapter 3

 

When Gethryn unclosed his eyes the dazzling sunlight almost blinded him. A thousand grotesque figures danced before him, a hot red vapor seemed to envelop him. He felt a dull pain in his ears and a numb sensation about the legs. Gradually he recalled the scene that had just passed; the flying crowd lashed by that pitiless iron scourge; the cruel panic; the mad, suffocating rush; and then that crash of thunder which had crushed him.

He lay quite still, not offering to move. A strange languor seemed to weigh down his very heart. The air reeked with powder smoke. Not a breath was stirring.

Presently the numbness in his knees changed to a hot, pricking throb. He tried to move his legs, but found he could not. Then a sudden thought sent the blood with a rush to his heart. Perhaps he no longer had any legs! He remembered to have heard of legless men whose phantom members caused them many uncomfortable sensations. He certainly had a dull pain where his legs belonged, but the question was, had he legs also? The doubt was too much, and with a faint cry he struggled to rise.

"The devil!" exclaimed a voice close to his head, and a pair of startled eyes met his own. " The devil!" repeated the owner of the eyes, as if to a apostrophize some particular one. He was a bird-like little fellow, with thin canary-colored hair and eyebrows and colorless eyes, and he was seated upon a campstool about two feet from Gethryn's head.

He blinked at Gethryn. "These Frenchmen," said he, "have as many lives as a cat."

"Thanks!" said Gethryn, smiling faintly.

"An Englishman! The devil!" shouted the pale-eyed man, hopping in haste from his campstool and dropping a well-thumbed sketching-block as he did so.

"Don't be an ass," suggested Gethryn; "you'd much better help me to get up."

"Look here," cried the other, "how was I to know you were not done for?"

"What's the matter with me?" said Gethryn. "Are my — my legs gone?"

The little man glanced at Gethryn's shoes.

No, they're all there, unless you originally had more than the normal number — in fact I'm afraid — I think you're all right.

Gethryn stared at him.

"And what the devil am I to do with this sketch?" he continued, kicking the fallen block. "I've been at it for an hour. It isn't half bad, you know. I was going to call it `Love in Death.' It was for the London Illustrated Mirror."

Gethryn lay quite still. He had decided the little fellow was mad.

"Dead in each other's arms!" continued the stranger, sentimentally. "She so fair — he so brave — "

Gethryn sprang up impatiently, but only a little way. Something held him down and he fell back.

"Do you want to get up?" asked the stranger.

"I should rather think so."

The other bent down and placed his hands under Gethryn's arms, and — half helped, half by his own impatient efforts — Rex sat up, leaning against the other man. A sharp twinge shot through the numbness of his legs, and his eyes, seeking the cause, fell upon the body of a woman. She lay across his knees, apparently dead. Rex remembered her now for the first time.

"Lift her," he said weakly.

The little man with some difficulty succeeded in moving the body; then Gethryn, putting one arm around the other's neck, struggled up. He was stiff, and toppled about a little, but before long he was pretty steady on his feet.

"The woman," he said, "perhaps she is not dead."

"Dead she is," said the Artist of the Mirror cheerfully, gathering up his pencils, which lay scattered on the steps of the pedestal. He leaned over the little heap of crumpled clothing.

"Shot, I fancy," he muttered.

Gethryn, feeling his strength returning and the circulation restored to his limbs, went over to the place where she lay.

"Have you a flask?" he asked. The little Artist eyed him suspiciously.

"Are you a newspaperman?"

"No, an art student."

"Nothing to do with newspapers?"

"No."

"I don't drink," said the queer little person.

"I never said you did," said Gethryn. "Have you a flask, or haven't you?"

The stranger slowly produced one, and poured a few drops into his pink palm.

"We may as well try," he said, and began to chafe her forehead. "Here, take the whiskey — let it trickle, so, between her teeth. Don't spill any more than you can help," he added.

"Has she been shot?" asked Gethryn.

"Crushed, maybe."

"Poor little thing, look at her roll of music!" said Gethryn, wiping a few drops of blood from her pallid face, and glancing compassionately at the helpless, dust-covered figure.

"I'm afraid it's no use — "

"Give her some more whiskey, quick!" interrupted the stranger.

Gethryn tremblingly poured a few more drops between the parted lips. A faint color came into her temples. She moved, shivered from head to foot, and then, with a half-choked sob, opened her eyes.

"Mon Dieu, comme je souffre!"

"Where do you suffer?" said Gethryn gently.

"The arm; I think it is broken."

Gethryn stood up and looked about for help. The Place was nearly deserted. The blue-jacketed hussars were still standing over by the Avenue, and an occasional heavy, red-faced cuirassier walked his sweating horse slowly up and down the square. A few policemen lounged against the river wall, chatting with the sentries, and far down the dusty Rue Royale, the cannon winked and blinked before the Church of the Madeleine.

The rumble of wheels caused him to turn. A clumsy, blue-covered wagon drew up at the second fountain. It was a military ambulance. A red-capped trooper sprang down jingling from one of the horses, and was joined by two others who had followed the ambulance and who also dismounted. Then the three approached a group of policemen who were lifting something from the pavement. At the same moment he heard voices beside him, and turning, found that the girl had risen and was sitting on the campstool, her head leaning against the little stranger's shoulder.

An officer stood looking down at her. His boots were spotless. The band of purple on his red and gold cap showed that he was a surgeon.

"Can we be of any assistance to madame?" he inquired.

"I was looking for a cab," said Gethryn, "but perhaps she is not strong enough to be taken to her home."

A frightened look came into the girl's face and she glanced anxiously at the ambulance. The surgeon knelt quietly beside her.

"Madame is not seriously hurt," he said, after a rapid examination. "The right arm is a little strained, but it will be nothing, I assure you, Madame; a matter of a few days, that is all."

He rose and stood brushing the knees of his trousers with his handkerchief. "Monsieur is a foreigner?"

Gethryn smiled. "The accent?"

"On the contrary, I assure you, Monsieur," cried the officer with more politeness than truth. He eyed the ambulance. "The people of Paris have learned a lesson today," he said.

A trooper clattered up, leading an officer's horse, and dismounted, saluting. The young surgeon glanced at his watch.

"Picard," he said, "stop a closed cab and send it here."

The trooper wheeled his horse and galloped away across the square, and the officer turned to the others.

"Madame, I trust, will soon recover," he said courteously. "Madame, messieurs, I have the honor to salute you." And with many a clink and jingle, he sprang into the saddle and clattered away in the wake of the slowly moving ambulance.

At the corner of the Rue Royale, Gethryn saw the trooper stop a cab and point to the Obelisk. He went over and asked the canary-colored stranger, "Will you take her home, or shall I?"

"Why, you, of course; you brought her here."

"No, I didn't. I never saw her until I noticed her being pushed about by the crowd." He caught the girl's eye and colored furiously, hoping she did not suspect the nature of their discussion. Before her helplessness it seemed so brutal.

The cab drew up before the Obelisk and a gruff voice cried, "V'la! M'ssieurs! — 'dames!"

"Put your arm on my shoulder — so," said Gethryn, and the two men raised her gently. Once in the cab, she sank back, looking limp and white. Gethryn turned sharply to the other man.

"Shall I go?"

"Rather," replied the little stranger, pleasantly.

Opening his coat in haste, he produced a square of pasteboard. "My card," he said, offering one to Gethryn, who bowed and fumbled in his pockets. As usual, his card-case was in another coat.

"I'm sorry I have none," he said at length, "but my name is Reginald Gethryn, and I shall give myself the pleasure of calling to thank you for — "

"For nothing," laughed the other, "excepting for the sketch, which you may have when you come to see me."

"Thanks, and au revoir," glancing at the card. "Au revoir, Mr Bulfinch."

He was giving the signal to the cabby when his new acquaintance stopped him.

"You're quite sure — you — er — don't know any newspapermen?"

"Quite."

"All right — all right — and — er — just don't mention about my having a flask, if you do meet any of them. I — er — keep it for others. I don't drink."

"Certainly not," began Gethryn, but Mr T. Hoppley Bulfinch had seized his campstool and trotted away across the square.

Gethryn leaned into the cab.

"Will you give me your address?" he asked gently.

"Rue Monsieur le Prince — 430 — " she whispered. "Do you know where it is?"

"Yes," said Gethryn. It was his own number.

"Rue Monsieur le Prince 430", he repeated to the driver, and stepping in, softly shut the door.

Chapter 4

 

Rain was falling steadily. The sparrows huddled under the eaves, or hopped disconsolately along the windowsills, uttering short, ill-tempered chirps. The wind was rising, blowing in quick, sharp gusts and sweeping the forest of rain spears, rank upon rank, in mad dashes against the glass-roofed studio.

Gethryn, curled up in a corner of his sofa, listlessly watched the showers of pink and white blossoms which whirled and eddied down from the rocking chestnuts, falling into the windy court in little heaps. One or two stiff-legged flies crawled rheumatically along the window glass, only to fall on their backs and lie there buzzing.

The two bull pups had silently watched the antics of these maudlin creatures, but their interest changed to indignation when one sodden insect attempted a final ascent and fell noisily upon the floor under their very noses. Then they rose as one dog and leaped madly upon the intruder, or meant to; but being pups, and uncertain in their estimation of distances, they brought up with startled yelps against the wall. Gethryn took them in his arms, where they found consolation in chewing the buttons off his coat. The parrot had driven the raven nearly crazy by turning upside down and staring at him for fifteen minutes of insulting silence. Mrs Gummidge was engaged in a matronly and sedate toilet, interrupting herself now and then to bestow a critical glance upon the parrot. She heartily approved of his attitude toward the raven, and although the old cynic cared nothing for Mrs Gummidge's opinion, he found a sour satisfaction in warning her of her enemy's hostile intentions. This he always did with a croak, causing Mrs Gummidge to look up just in time, and the raven to hop back disconcerted.

The rain beat a constant tattoo on the roof, and this, mingling with the drowsy purr of the cat, who was now marching to and fro with tail erect in front of Gethryn, exercised a soothing influence, and presently a snore so shocked the parrot that he felt obliged to relieve his mind by a series of intricate gymnastics upon his perch.

Gethryn was roused by a violent hammering on his door. The room had grown dark, and night had come on while he slept.

"All right — coming," he shouted, groping his way across the room. Slipping the bolt, he opened the door and looked out, but could see nothing in the dark hallway. Then he felt himself seized and hugged and dragged back into his studio, where he was treated to a heavy slap on the shoulder. Then someone struck a match and presently, by the light of a candle, he saw Clifford and Elliott, and farther back in the shade another form which he thought he knew.

Clifford began, "Here you are! We thought you were dead — killed through my infernal fooling." He turned very red, and stammered, "Tell him, Elliott."

"Why, you see," said Elliott, "we've been hunting for you high and low since the fight yesterday afternoon. Clifford was nearly crazy. He said it was his fault. We went to the Morgue and then to the hospitals, and finally to the police — " A knock interrupted him, and a policeman appeared at the door.

Clifford looked sheepish.

"The young gentleman who is missing — this is his room?" inquired the policeman.

"Oh, he's found — he's all right," said Clifford, hurriedly. The officer stared.

"Here he is," said Elliott, pointing to Rex.

The man transferred his stare to Gethryn, but did not offer to move.

"I am the supposed deceased," laughed Rex, with a little bow.

"But how am I to know?" said the officer.

"Why, here I am."

"But," said the man, suspiciously, "I want to know how I am to know?"

"Nonsense," said Elliott, laughing.

"But, Monsieur," expostulated the officer, politely.

"This is Reginald Gethryn, artist, I tell you!"

The policeman shrugged his shoulders. He was noncommittal and very polite.

"Messieurs," he said, "my orders are to lock up this room."

"But it's my room, I can't spare my room," laughed Gethryn. "From whom did you take your orders?"

"From Monsieur the Prefect of the Seine."

"Oh, it is all right, then," said Gethryn. "Take a seat."

He went to his desk, wrote a hasty note, and then called the man. "Read that, if you please, Monsieur Sergeant de Ville."

The man's eyes grew round. "Certainly, Monsieur, I will take the note to the Prefect," he said; "Monsieur will pardon the intrusion."

"Don't mention it," said Rex, smiling, and slipped a franc into his big red fist. The officer pocketed it with a demure "Merci, Monsieur," and presently the clank of his bayonet died away on the stairs.

"Well," said Elliott, "you're found." Clifford was beginning again with self-reproaches and self-abasement, but Rex broke in: "You fellows are awfully good — I do assure you I appreciate it. But I wasn't in any more danger than the rest of you. What about Thaxton and the Colossus and Carleton?" He grew anxious as he named them.

"We all got off with no trouble at all, only we missed you — and then the troops fired, and they chased us over the bridge and scattered us in the Quarter, and we all drifted one by one into the Café des Écoles. And then you didn't come, and we waited till after dinner, and finally came here to find your door locked — "

"Oh!" burst out Clifford, "I tell you, Rex — damn it! I will express my feelings!"

"No, you won't," said Rex; "drop 'em, old boy, don't express 'em. Here we are — that's enough, isn't it, Shakespeare?"

The bird had climbed to Gethryn's shoulder and was cocking his eye fondly at Clifford. They were dear friends. Once he had walked up Clifford's arm and had grabbed him by the ear, for which Clifford, more in sorrow than in anger, soaked him in cold water. Since that, their mutual understanding had been perfect.

"Where are you going to, you old fiend?" said Clifford, tickling the parrot's throat.

"Hell!" shrieked the bird.

"Good Heavens! I never taught him that," said Gethryn.

Clifford smiled, without committing himself.

"But where were you, Rex?" asked Elliott.

Rex flushed. "Hullo," cried Clifford, "here's Reginald blushing. If I didn't know him better I'd swear there's a woman in it." The dark figure at the end of the room rose and walked swiftly over, and Rex saw that it was Braith, as he had supposed.

"I swear I forgot him," laughed Elliott. "What a queer bird you are, Braith, squatting over there as silent as a stuffed owl!"

"He has been walking his legs off after you," began Clifford, but Braith cut him short with a brusque —

"Where were you, Rex?"

Gethryn winced. "I'd rather — I think" — he began, slowly —

"Excuse me — it's not my business," growled Braith, throwing himself into a seat and beginning to rub Mrs Gummidge the wrong way. "Confound the cat!" he added, examining some red parallel lines which suddenly decorated the back of his hand.

"She won't stand rubbing the wrong way," said Rex, smiling uneasily.

"Like the rest of us," said Elliott.

"More fool he who tries it," said Braith, and looked at Gethryn with an affectionate smile that made him turn redder than before.

"Rex," began Clifford again, with that fine tact for which he was celebrated, "own up! You spent last night warbling under the windows of Lisette."

"Or Frisette," said Elliott, "or Cosette."

"Or Babette, Lisette, Frisette, Cosette, Babette!" chanted the two young men in a sort of catch.

Braith so seldom swore, that the round oath with which he broke into their vocal exercises stopped them through sheer astonishment. But Clifford, determined on self-assertion and loving an argument, especially out of season, turned on Braith and began:

"Why should not Youth love?"

"Love! Bah!" said Braith.

"Why Bah?" he persisted, stimulated by the disgust of Braith. "Now if a man — take Elliott, for example — "

"Take yourself," cried the other.

"Well — myself, for example. Suppose when my hours of weary toil are over — returning to my lonely cell, I encounter the blue eyes of Ninette on the way, or the brown eyes of Cosette, or perhaps the black eyes of — "

Braith stamped impatiently.

"Lisette," said Clifford, sweetly. "Why should I not refresh my drooping spirits by adoring Lisette — Cos— "

"Oh, come, you said that before," said Gethryn. "You're getting to be a bore, Clifford."

"You at least can no longer reproach me," said the other, with a quick look that increased Gethryn's embarrassment.

"Let him talk his talk of bewitching grisettes, and gay students," said Braith, more angry than Rex had ever seen him. "He's never content except when he's dangling after some fool worse than himself. Damn this `Bohemian love' rot! I've been here longer than you have, Clifford," he said, suddenly softening and turning half apologetically to the latter, who nodded to intimate that he hadn't taken offense. "I've seen all that shabby romance turn into such reality as you wouldn't like to face. I've seen promising lives go out in ruin and disgrace — here in this very street — in this very house — lives that started exactly on the lines that you are finding so mighty pleasant just now."

Clifford was in danger of being silenced. That would never do.

"Papa Braith," he smiled, "is it that you too have been through the mill? Shall I present your compliments to the miller? I'm going. Come, Elliott."

Elliott took up his hat and followed.

"Braith," he said, "we'll drink your health as we go through the mill."

"Remember that the mill grinds slowly but surely," said Braith.

"He speaks in parables," laughed Clifford, halfway downstairs, and the two took up the catch they had improvised, singing, "Lisette — Cosette — Ninette — " in thirds more or less out of tune, until Gethryn shut the door on the last echoes that came up from the hall below.

Gethryn came back and sat down, and Braith took a seat beside him, but neither spoke. Braith had his pipe and Rex his cigarette.

When the former was ready, he began to speak. He could not conceal the effort it cost him, but that wore away after he had been talking a while.

"Rex," he began, "when I say that we are friends, I mean, for my own part, that you are more to me than any man alive; and now I am going to tell you my story. Don't interrupt me. I have only just courage enough; if any of it oozes out, I may not be able to go on. Well, I have been through the mill. Clifford was right. They say it is a phase through which all men must pass. I say, must or not, if you pass through it you don't come out without a stain. You're never the same man after. Don't imagine I mean that I was brutally dissolute. I don't want you to think worse of me than I deserve. I kept a clean tongue in my head — always. So do you. I never got drunk — neither do you. I kept a distance between myself and the women whom those fellows were celebrating in song just now — so do you. How much is due in both of us to principle, and how much to fastidiousness, Rex? I found out for myself at last, and perhaps your turn will not be long in coming. After avoiding entanglements for just three years — " He looked at Rex, who dropped his head — "I gave in to a temptation as coarse, vulgar and silly as any I had ever despised. Why? Heaven knows. She was as vulgar a leech as ever fastened on a calf like myself. But I didn't think so then. I was wildly in love with her. She said she was madly in love with me." Braith made a grimace of such disgust that Rex would have laughed, only he saw in time that it was self-disgust which made Braith's mouth look so set and hard.

"I wanted to marry her. She wouldn't marry me. I was not rich, but what she said was: `One hates one's husband.' When I say vulgar, I don't mean she had vulgar manners. She was as pretty and trim and clever — as the rest of them. An artist, if he sees all that really exists, sometimes also sees things which have no existence at all. Of these were the qualities with which I invested her — the moral and mental correspondencies to her blonde skin and supple figure. She justified my perspicacity one day by leaving me for a loathsome little Jew. The last time I heard of her she had been turned out of a gambling hell in his company. His name is Emanuel Pick. Is not this a shabby romance? Is it not enough to make a self-respecting man hang his head — to know that he has once found pleasure in the society of the mistress of Mr Emanuel Pick?"

A long silence followed, during which the two men smoked, looking in opposite directions. At last Braith reached over and shook the ashes out of his pipe. Rex lighted a fresh cigarette at the same time, and their eyes met with a look of mutual confidence and goodwill. Braith spoke again, firmly this time.

"God keep you out of the mire, Rex; you're all right thus far. But it is my solemn belief that an affair of that kind would be your ruin as an artist; as a man."

"The Quarter doesn't regard things in that light," said Gethryn, trying hard to laugh off the weight that oppressed him.

"The Quarter is a law unto itself. Be a law unto yourself, Rex — Good night, old chap."

"Good night, Braith," said Gethryn slowly.

Chapter 5

 

Thirion's at six pm. Madame Thirion, neat and demure, sat behind her desk; her husband, in white linen apron and cap, scuttled back and forth shouting, "Bon! Bon!" to the orders that came down the call trumpet. The waiters flew crazily about, and cries went up for "Pierre" and "Jean" and "green peas and fillet."

The noise, smoke, laughter, shouting, rattle of dishes, the penetrating odor of burnt paper and French tobacco, all proclaimed the place a Latin Quarter restaurant. The English and Americans ate like civilized beings and howled like barbarians. The Germans, when they had napkins, tucked them under their chins. The Frenchmen — well! they often agreed with the hated Teuton in at least one thing; that knives were made to eat with. But which of the four nationalities exceeded the others in turbulence and bad language would be hard to say.

Clifford was eating his chop and staring at the blonde adjunct of a dapper little Frenchman.

"Clifford," said Carleton, "stop that."

"I'm mesmerizing her," said Clifford. "It's a case of hypnotism."

The girl, who had been staring back at Clifford, suddenly shrugged her shoulders, and turning to her companion, said aloud:

"How like a monkey, that foreigner!"

Clifford withdrew his eyes in a hurry, amid a roar of laughter from the others. He was glad when Braith's entrance caused a diversion.

"Hullo, Don Juan! I see you, Lothario! Drinking again?"

Braith took it all as a matter of course, but this time failed to return as good as they gave. He took a seat beside Gethryn and said in a low tone:

"I've just come from your house. There's a letter from the Salon in your box."

Gethryn set down his wine untasted and reached for his hat.

"What's the matter, Reggy? Has Lisette gone back on you?" asked Clifford, tenderly.

"It's the Salon," said Braith, as Gethryn went out with a hasty "Good night."

"Poor Reggy, how hard he takes it!" sighed Clifford.

Gethryn hurried along the familiar streets with his heart in his boots sometimes, and sometimes in his mouth.

In his box was a letter and a note addressed in pencil. He snatched them both, and lighting a candle, mounted the stairs, unlocked his door and sank breathless upon the lounge. He tore open the first envelope. A bit of paper fell out. It was from Braith and said:

I congratulate you either way. If you are successful I shall be as glad as you are. If not, I still congratulate you on the manly courage which you are going to show in turning defeat into victory.

"He's one in a million," thought Gethryn, and opened the other letter. It contained a folded paper and a card. The card was white. The paper read:

You are admitted to the Salon with a No. 1. My compliments. J. Lefebvre

He ought to have been pleased, but instead he felt weak and giddy, and the pleasure was more like pain. He leaned against the table quite unstrung, his mind in a whirl. He got up and went to the window. Then he shook himself and walked over to his cabinet. Taking out a bunch of keys, he selected one and opened what Clifford called his "cellar."

Clifford knew and deplored the fact that Gethryn's "cellar" was no longer open to the public. Since the day when Rex returned from Julien's, tired and cross, to find a row of empty bottles on the floor and Clifford on the sofa conversing incoherently with himself, and had his questions interrupted by a maudlin squawk from the parrot — also tipsy — since that day Gethryn had carried the key. He now produced a wine glass and a dusty bottle, filled the one from the other and emptied it three times in rapid succession. Then he took the glass to the washbasin and rinsed it with great slowness and precision. Then he sat down and tried to think. Number One meant a mention, perhaps a medal. He would telegraph his aunt tomorrow. Suddenly he felt a strong desire to tell someone. He would go and see Braith. No, Braith was in the evening class at the Beaux Arts; so were the others, excepting Clifford and Elliott, and they were at a ball across the river.

Whom could he see? He thought of the garçon. He would ring him up and give him a glass of wine. Alcide was a good fellow and stole very little. The clock struck eleven.

"No, he's gone to bed. Alcide, you've missed a glass of wine and a cigar, you early bird."

His head was clear enough now. He realized his good fortune. He had never been so happy in his life. He called the pups and romped with them until an unlucky misstep sent Mrs Gummidge, with a shriek, to the top of the wardrobe, whence she glared at Gethryn and spit at the delighted raven.

The young man sat down fairly out of breath, but the pups still kept making charges at his legs and tumbled over themselves with barking. He gathered them up and carried them into his bedroom to their sleeping box. As he stooped to drop them in, there came a knock at his studio door. But when he hastened to open it, glad of company, there was no one there. Surprised, he turned back and saw on the floor before him a note. Picking it up, he took it to the lamp and read it. It was signed, "Yvonne Descartes."

When he had read it twice, he sat down to think. Presently he took something out of his waistcoat pocket and held it close to the light. It was a gold brooch in the shape of a fleur-de-lis. On the back was engraved "Yvonne." He held it in his hand a while, and then, getting up, went slowly towards the door. He opened the door, closed it behind him and moved toward the stairs. Suddenly he started.

"Braith! Is that you?"

There was no answer. His voice sounded hollow in the tiled hallway.

"Braith," he said again. "I thought I heard him say `Rex."' But he kept on to the next floor and stopped before the door of the room which was directly under his own. He paused, hesitated, looking up at a ray of light which came out from a crack in the transom.

"It's too late," he muttered, and turned away irresolutely.

A clear voice called from within, "Entrez donc, Monsieur."

He opened the door and went in.

On a piano stood a shaded lamp, which threw a soft yellow light over everything. The first glance gave him a hasty impression of a white lace-covered bed and a dainty toilet table on which stood a pair of tall silver candlesticks; and then, as the soft voice spoke again, "Will Monsieur be seated?" he turned and confronted the girl whom he had helped in the Place de la Concorde. She lay in a cloud of fleecy wrappings on a lounge that was covered with a great white bearskin. Her blue eyes met Gethryn's, and he smiled faintly. She spoke again:

"Will Monsieur sit a little nearer? It is difficult to speak loudly — I have so little strength."

Gethryn walked over to the sofa and half unconsciously sank down on the rug which fell on the floor by the invalid's side. He spoke as he would to a sick child.

"I am so very glad you are better. I inquired of the concierge and she told me."

A slight color crept into the girl's face. "You are so good. Ah! what should I have done — what can I say?" She stopped; there were tears in her eyes.

"Please say nothing — please forget it."

"Forget!" Presently she continued, almost in a whisper, "I had so much to say to you, and now you are really here, I can think of nothing, only that you saved me."

"Mademoiselle — I beg!"

She lay silent a moment more; then she raised herself from the sofa and held out her hand. His hand and eyes met hers.

"I thank you," she said, "I can never forget." Then she sank back among the white fluff of lace and fur. "I only learned this morning," she went on, after a minute, " who sat beside me all that night and bathed my arm, and gave me cooling drinks."

Gethryn colored. "There was no one else to take care of you. I sent for my friend, Doctor Ducrot, but he was out of town. Then Dr Bouvier promised to come, and didn't. The concierge was ill herself — I could not leave you alone. You know, you were a little out of your head with fright and fever. I really couldn't leave you to get on by yourself."

"No," cried the girl, excitedly, "you could not leave me after carrying me out of that terrible crowd; yourself hurt, exhausted, you sat by my side all night long."

Gethryn laid his hand on her. "Hélène," he said, half jesting, "I did what anyone else would have done under the circumstances — and forgotten."

She looked at him shyly. "Don't forget," she said.

"I couldn't forget your face," he rashly answered, moved by the emotion she showed.

She brightened.

"Did you know me when you first saw me in the crowd?" She expected him to say "Yes."

"No," he replied, "I only saw you were a woman and in danger of your life."

The brightness fell from her face. "Then it was all the same to you who I was."

He nodded. "Yes — any woman, you know."

"Old and dirty and ugly?"

His hand slipped from hers. "And a woman — yes."

She shrugged her pretty shoulders. "Then I wish it had been someone else."

"So do I, for your sake," he answered gravely.

She glanced at him, half frightened; then leaning swiftly toward him:

"Forgive me; I would not change places with a queen."

"Nor I with any man!" he cried gayly. "Am I not Paris?"

"And I?"

"You are Hélène," he said, laughing. "Let me see — Paris and Hélène would not have changed — "

She interrupted him impatiently. "Words! you do not mean them. Nor do I, either," she added, hastily. After that neither spoke for a while. Gethryn, half stretched on the big rug, idly twisting bits of it into curls, felt very comfortable, without troubling to ask himself what would come next. Presently she glanced up.

"Paris, do you want to smoke?"

"You don't think I would smoke in this dainty nest?"

"Please do, I like it. We are — we will be such very good friends. There are matches on that table in the silver box."

He shook his head, laughing. "You are too indulgent."

"I am never indulgent, excepting to myself. But I have caprices and I generally die when they are not indulged. This is one. Please smoke."

"Oh, in that case, with Hélène's permission."

She laughed delightedly as he blew the rings of fragrant smoke far up to the ceiling. There was another long pause, then she began again:

"Paris, you speak French very well."

He came from where he had been standing by the table and seated himself once more among the furs at her feet.

"Do I, Hélène?"

"Yes — but you sing it divinely."

Gethryn began to hum the air of the dream song, smiling, "Yes 'tis a dream — a dream of love," he repeated, but stopped.

Yvonne's temples and throat were crimson.

"Please open the window," she cried, "it's so warm here."

"Hélène, I think you are blushing," said he, mischievously.

She turned her head away from him. He rose and opened the window, leaning out a moment; his heart was beating violently. Presently he returned.

"It's one o'clock."

No answer.

"Hélène, it's one o'clock in the morning."

"Are you tired?" she murmured.

"No."

"Nor I — don't go."

"But it's one o'clock."

"Don't go yet."

He sank down irresolutely on the rug again. "I ought to go," he murmured.

"Are we to remain friends?"

"That is for Hélène to say."

"And Hélène will leave it to Homer!"

"To whom?" said Gethryn.

"Monsieur Homer," said the girl, faintly.

"But that was a tragedy."

"But they were friends."

"In a way. Yes, in a way."

Gethryn tried to return to a light tone. "They fell in love, I believe." No answer. "Very well," said Gethryn, still trying to joke, "I will carry you off in a boat, then."

"To Troy — when?"

"No, to Meudon, when you are well. Do you like the country?"

"I love it," she said.

"Well, I'll take my easel and my paints along too."

She looked at him seriously. "You are an artist — I heard that from the concierge."

"Yes," said Gethryn, "I think I may claim the title tonight."

And then he told her about the Salon. She listened and brightened with sympathy. Then she grew silent.

"Do you paint landscapes?"

"Figures," said the young man, shortly.

"From models?"

"Of course," he answered, still more drily.

"Draped," she persisted.

"No."

"I hate models!" she cried out, almost fiercely.

"They are not a pleasing set, as a rule," he admitted. "But I know some decent ones."

She shivered and shook her curly head. "Some are very pretty, I suppose."

"Some."

"Do you know Sarah Brown?"

"Yes, I know Sarah."

"Men go wild about her."

"I never did."

Yvonne was out of humor. "Oh," she cried, petulantly, "you are very cold — you Americans — like ice."

"Because we don't run after Sarah?"

"Because you are a nation of business, and — "

"And brains," said Gethryn, drily.

There was an uncomfortable pause. Gethryn looked at the girl. She lay with her face turned from him.

"Hélène!" No answer. "Yvonne — Mademoiselle!" No answer. "It's two o'clock."

A slight impatient movement of the head.

"Good night." Gethryn rose. "Good night," he repeated. He waited for a moment. "Good night, Yvonne," he said, for the third time.

She turned slowly toward him, and as he looked down at her he felt a tenderness as for a sick child.

"Good night," he said once more, and, bending over her, gently laid the little gold clasp in her open hand. She looked at it in surprise; then suddenly she leaned swiftly toward him, rested a brief second against him, and then sank back again. The golden fleur-de-lis glittered over his heart.

"You will wear it?" she whispered.

"Yes."

"Then — good night."

Half unconsciously he stooped and kissed her forehead; then went his way. And all that night one slept until the morning broke, and one saw morning break, then fell asleep.

Chapter 6

 

It was the first day of June. In the Luxembourg Gardens a soft breeze stirred the tender chestnut leaves, and blew sparkling ripples across the water in the Fountain of Marie de Medicis.

The modest little hothouse flowers had quite recovered from the shock of recent transplanting and were ambitiously pushing out long spikes and clusters of crimson, purple and gold, filling the air with spicy perfume, and drawing an occasional battered butterfly, gaunt and seedy, from his long winter's sleep, but still remembering the flowery days of last season's brilliant debut.

Through the fresh young leaves the sunshine fell, dappling the glades and thickets, bathing the gray walls of the Palais du Sénat, and almost warming into life the queer old statues of long departed royalty, which for so many years have looked down from the great terrace to the Palace of the King.

Through every gate the people drifted into the gardens, and the winding paths were dotted and crowded with brightly-colored, slowly-moving groups.

Here a half dozen meager, black-robed priests strolled silently amid the tender verdure; here a noisy crowd of children, gamboling awkwardly in the wake of a painted rubber ball, made day hideous with their yells.

Now a slovenly company of dragoons shuffled by, their big shapeless boots covered with dust, and their whalebone plumes hanging in straight points to the middle of their backs; now a group of strutting students and cocottes passed noisily, the girls in spotless spring plumage, the students vying with each other in the display of blinking eyeglasses, huge bunchy neckties, and sleek checked trousers. Policemen, trim little grisettes (for whatever is said to the contrary, the grisette is still extant in Paris), nurse girls with turbaned heads and ugly red streamers, wheeling ugly red babies; an occasional stray zouave or turco in curt Turkish jacket and white leggings; grave old gentlemen with white mustache and military step; gay, baggy gentlemen from St Cyr, looking like newly-painted wooden soldiers; students from the Ecole Polytechnique; students from the Lycée St Louis in blue and red; students from Julien's and the Beaux Arts with a plentiful sprinkling of berets and corduroy jackets; and group after group of jingling artillery officers in scarlet and black, or hussars and chasseurs in pale turquoise, strolled and idled up and down the terrace, or watched the toy yachts braving the furies of the great fountain.

Over by the playgrounds, the Polichinel nuisance drummed and squeaked to an appreciative audience of tender years. The "Jeu de paume" was also in full swing, a truly exasperating spectacle for a modern tennis player.

The old man who feeds the sparrows in the afternoon, and beats his wife at night, was intent on the former cheerful occupation, and smiled benevolently upon the little children who watched him, open mouthed. The numerous waterfowl — mallard, teal, red-head, and dusky — waddled and dived and fought the big mouse-colored pigeons for a share of the sparrow's crumbs.

A depraved and mongrel pointer, who had tugged at his chain in a wild endeavor to point the whole heterogeneous mass of feathered creatures from sparrow to swan, lost his head and howled dismally until dragged off by the lean-legged student who was attached to the other end of the chain.

Gethryn, sprawling on a bench in the sunshine, turned up his nose. Braith grunted scornfully.

A man passed in the crowd, stopped, stared, and then hastily advanced toward Gethryn.

"You?" said Rex, smiling and shaking hands. "Mr Clifford, this is Mr Bulfinch; Mr Braith," — but Mr Bulfinch was already bowing to Braith and offering his hand, though with a curious diminution of his first beaming cordiality. Braith's constraint was even more marked. He had turned quite white. Bulfinch and Gethryn, who had risen to receive him, remained standing side by side, stranded on the shoals of an awkward situation. The little Mirror man made a grab at a topic which he thought would float them off, and laid hold instead on one which upset them altogether.

"I hope Mrs Braith is well. She met you all right at Vienna?"

Braith bowed stiffly, without answering.

Rex gave him a quick look, and turning on his heel, said carelessly:

"I see you and Mr Braith are old acquaintances, so I won't scruple to leave you with him for a moment. Bring Mr Bulfinch over to the music stand, Braith." And smiling, as if he were assisting at a charming reunion, he led Clifford away. The latter turned, as he departed, an eye of delighted intelligence upon Braith.

To renew his acquaintance with Mr Bulfinch was the last thing Braith desired, but since the meeting had been thrust upon him he thanked Gethryn's tact for removing such a witness of it as Clifford would have been. He had no intention, however, of talking with the little Mirror man, and maintained a profound silence, smoking steadily. This conduct so irritated the other that he determined to force an explanation of the matter which seemed so distasteful to his ungracious companion. He certainly thought he had his own reasons for resenting the sight of Braith upon a high horse, and he resumed the conversation with all the jaunty ease which the calling of newspaper correspondent is said to cultivate.

"I hope Mrs Braith found no difficulty in meeting you in Vienna?"

"Madame was not my wife, and we did not meet in Vienna," said Braith shortly.

Bulfinch began to stare, and to feel a little less at ease.

"She told me — that is, her courier came to me and — "

"Her courier? Mr Bulfinch, will you please explain what you are talking about?" Braith turned square around and looked at him in a way that caused a still further diminution of his jauntiness and a proportionate increase of respect.

"Oh — I'll explain, if I know what you want explained. We were at Brindisi, were we not?"

"Yes."

"On our way to Cairo?"

"Yes."

"In the same hotel?"

"Yes."

"But I had no acquaintance with madame, and had only exchanged a word or two with you, when you were suddenly summoned to Paris by a telegram."

Braith bowed. He remembered well the false dispatch that had drawn him out of the way.

"Well, and when you left you told her you would be obliged to give up going to Cairo, and asked her to meet you in Vienna, whither you would have to go from Paris?"

"Oh, did I?"

"And you recommended a courier to her whom you knew very well, and in whom you had great confidence."

"Ah! And what was that courier's name?"

"Emanuel Pick. I wasn't fond of Emanuel myself," with a sharp glance at Braith's eyes, "but I supposed you knew something in his favor, or you would not have left — er — the lady in his charge."

Braith was silent.

"I understood him to be your agent," said the little man, cautiously.

"He was not."

"Oh!"

A long silence followed, during which Mr Bulfinch sought and found an explanation of several things. After a while he said musingly:

"I should like to meet Mr Pick again."

"Why should you want to meet him?"

"I wish to wring his nose two hundred times, one for each franc I lent him."

"How was that?" said Braith, absently.

"It was this way. He came to me and told me what I have repeated to you, and that you desired madame to go on at once and wait for you in Vienna, which you expected to reach in a few days after her arrival. That you had bought tickets — one first class for madame, two second class for him and for her maid — before you left, and had told her you had placed plenty of money for the other expenses in her dressing case. But this morning, on looking for the money, none could be found. Madame was sure it had not been stolen. She thought you must have meant to put it there, and forgotten afterwards. If she only had a few francs, just to last as far as Naples! Madame was well known to the bankers on the Santa Lucia there! etc. Well, I'm not such an ass that I didn't first see madame and get her to confirm his statement. But when she did confirm it, with such a charming laugh — she was very pretty — I thought she was a lady and your wife — "

In the midst of his bitterness, Braith could not help smiling at the thought of Nina with a maid and a courier. He remembered the tiny apartment in the Latin Quarter which she had been glad to occupy with him until conducted by her courier into finer ones. He made a gesture of disgust, and his face burned with the shame of a proud man who has received an affront from an inferior — and who knows it to be his own fault.

"I can at least have the satisfaction of setting that right," he said, holding two notes toward the little Mirror man, "and I can't thank you enough for giving me the opportunity."

Bulfinch drew back and stammered, "You don't think I spoke for that! You don't think I'd have spoken at all if I had known — "

"I do not. And I'm very glad you did not know, for it gives me a chance to clear myself. You must have thought me strangely forgetful, Mr Bulfinch, when the money was not repaid in due time."

"I — I didn't relish the manner in which you met me just now, I confess, but I'm very much ashamed of myself. I am indeed."

"Shake hands," said Braith, with one of his rare smiles.

The notes were left in Mr Bulfinch's fingers, and as he thrust them hastily out of sight, as if he truly was ashamed, he said, blinking up at Braith, "Do you — er — would you — may I offer you a glass of whiskey?" adding hastily, "I don't drink myself."

"Why, yes," said Braith, "I don't mind, but I won't drink all alone."

"Coffee is my tipple," said the other, in a faint voice.

"All right; suit yourself. But I should think that rather hot for such a day."

"Oh, I'll take it iced."

"Then let us walk over to the Café by the bandstand. We shall find the others somewhere about."

They strolled through the grove, past the music-stand, and sat down at one of the little iron tables under the trees. The band of the Garde Republicaine was playing. Bulfinch ordered sugar and Eau de selz for Braith, and iced coffee for himself.

Braith looked at the program: No. 1, Faust; No. 2, La Belle Hélène.

"Rex ought to be here, he's so fond of that."

Mr Bulfinch was mixing, in a surprisingly scientific manner for a man who didn't drink himself, something which the French call a "coquetelle"; a bit of ice, a little seltzer, a slice of lemon, and some Canadian Club whiskey. Braith eyed the well-worn flask.

"I see you don't trust to the Café's supplies."

"I only keep this for medicinal purposes," said the other, blinking nervously, "and — and I don't usually produce it when there are any newspapermen around."

"But you," said Braith, sipping the mixture with relish, "do you take none yourself?"

"I don't drink," said the other, and swallowed his coffee in such a hurry as to bring on a fit of coughing. Beads of perspiration clustered above his canary-colored eyebrows as he set down the glass with a gasp.

Braith was watching the crowd. Presently he exclaimed:

"There's Rex now," and rising, waved his glass and his cane and called Gethryn's name. The people sitting at adjacent tables glanced at one another resignedly. "More crazy English!"

"Rex! Clifford!" Braith shouted, until at last they heard him. In a few moments they had made their way through the crowd and sat down, mopping their faces and protesting plaintively against the heat.

Gethryn's glance questioned Braith, who said, "Mr Bulfinch and I have had the deuce of a time to make you fellows hear. You'd have been easier to call if you knew what sort of drink he can brew."

Clifford was already sniffing knowingly at the glass and turning looks of deep intelligence on Bulfinch, who responded gayly, "Hope you'll have some too," and with a sidelong blink at Gethryn, he produced the bottle, saying, "I don't drink myself, as Mr Gethryn knows."

Rex said, "Certainly not," not knowing what else to say. But the fondness of Clifford's gaze was ineffable.

Braith, who always hated to see Clifford look like that, turned to Gethryn. "Favorite of yours on the program."

Rex looked.

"Oh," he cried, "Belle Hélène." Next moment he flushed, and feeling as if the others saw it, crimsoned all the deeper. This escaped Clifford, however, who was otherwise occupied. But he joined in the conversation, hoping for an argument.

"Braith and Rex go in for the Meistersinger, Walküre, and all that rot — but I like some tune to my music."

"Well, you're going to get it now," said Braith; "the band are taking their places. Now for La Belle Hélène." He glanced at Gethryn, who had turned aside and leaned on the table, shading his eyes with his program.

The leader of the band stood wiping his mustache with one hand while he turned the leaves of his score with the other. The musicians came in laughing and chattering, munching their bit of biscuit or smacking their lips over lingering reminiscences of the intermission.

They hung their bayonets against the wall, and at the rat-tat of attention, came to order, standing in a circle with bugles and trombones poised and eyes fixed on the little gold-mounted baton.

A slow wave of the white-gloved hand, a few gentle tips of the wand, and then a sweep which seemed to draw out the long, rich opening chord of the Dream Song and set it drifting away among the trees till it lost itself in the rattle and clatter of the Boulevard St Michel.

Braith and Bulfinch set down their glasses and listened. Clifford silently blew long wreaths of smoke into the branches overhead. Gethryn leaned heavily on the table, one hand shading his eyes.

Oui c'est un rêve; Un rêve doux d'amour —

The music died away in one last throb. Bulfinch sighed and blinked sentimentally, first on one, then on the other of his companions.

Suddenly the little Mirror man's eyes bulged out, he stiffened and grasped Braith's arm; his fingers were like iron.

"What the deuce!" began Braith, but, following the other's eyes, he became silent and stern.

"Talk of the devil — do you see him — Pick?"

"I see," growled Braith.

"And — and excuse me, but can that be madame? So like, and yet — "

Braith leaned forward and looked steadily at a couple who were slowly moving toward them in deep conversation.

"No," he said at last; and leaning back in his seat he refused to speak again.

Bulfinch chattered on excitedly, and at last he brought his fist down on the table at his right, where Clifford sat drawing a caricature on the marble top.

"I'd like," cried Bulfinch, "to take it out of his hide!"

"Hello!" said Clifford, disturbed in his peaceful occupation, "whose hide are you going to tan?"

"Nobody's," said Braith, sternly, still watching the couple who had now almost reached their group.

Clifford's start had roused Gethryn, who stirred and slowly looked up; at the same moment, the girl, now very near, raised her head and Rex gazed full into the eyes of Yvonne.

Her glance fell and the color flew to her temples. Gethryn's face lost all its color.

"Pretty girl," drawled Clifford, "but what a dirty little beggar she lugs about with her."

Pick heard and turned, his eyes falling first on Gethryn, who met his look with one that was worse than a kick. He glanced next at Braith, and then he turned green under the dirty yellow of the skin. Braith's eyes seemed to strike fire; his mouth was close set. The Jew's eyes shifted, only to fall on the pale, revengeful glare of T. Hoppley Bulfinch, who was half rising from his chair with all sorts of possibilities written on every feature.

"Let him go," whispered Braith, and turned his back.

Bulfinch sat down, his eyes like saucers. "I'd like — but not now!" he sputtered in a weird whisper.

Clifford had missed the whole thing. He had only eyes for the girl.

Gethryn sat staring after the couple, who were at that moment passing the gate into the Boulevard St Michel. He saw Yvonne stop and hastily thrust something into the Jew's hand, then, ignoring his obsequious salute, leave him and hurry down the Rue de Medicis.

The next Gethryn knew, Braith was standing beside him.

"Rex, will you join us at the Golden Pheasant for dinner?" was what he said, but his eyes added, "Don't let people see you look like that."

"I — I — don't know," said Gethryn. "Yes, I think so," with an effort.

"Come along, then!" said Braith to the others, and hurried them away.

Rex sat still till they were out of sight, then he got up and turned into the Avenue de l'Observatoire. He stopped and drank some cognac at a little café, and then started on, but he had no idea where he was going.

Presently he found himself crossing a bridge, and looked up. The great pile of Notre Dame de Paris loomed on his right. He crossed the Seine and wandered on without any aim — but passing the Tour St Jacques, and wishing to avoid the Boulevard, he made a sharp detour to the right, and after long wandering through byways and lanes, he crossed the foul, smoky Canal St Martin, and bore again to the right — always aimlessly.

Twilight was falling when his steps were arrested by fatigue. Looking up, he found himself opposite the gloomy mass of La Roquette prison. Sentinels slouched and dawdled up and down before the little painted sentry boxes under the great gate.

Over the archway was some lettering, and Gethryn stopped to read it:

La Roquette Prison of the Condemned

He looked up and down the cheerless street. It was deserted save by the lounging sentinels and one wretched child, who crouched against the gateway.

"Fiche moi le camp! Allons! En route!" growled one of the sentinels, stamping his foot and shaking his fist at the bundle of rags.

Gethryn walked toward him.

"What's the matter with the little one?" he asked.

The soldier dropped the butt of his rifle with a ring, and said deferentially:

"Pardon, Monsieur, but the gamin has been here every day and all day for two weeks. It's disgusting."

"Is he hungry?"

"Ma foi? I can't tell you," laughed the sentry, shifting his weight to his right foot and leaning on the cross of his bayonet.

"Are you hungry, little one?" called Gethryn, pleasantly.

The child raised his head, with a wolfish stare, then sank it again and murmured: "I have seen him and touched him."

Gethryn turned to the soldier.

"What does he mean by that?" he demanded.

The sentry shrugged his shoulders. "He means he saw a hunchback. They say when one sees a hunchback and touches him, it brings good luck, if the hunchback is neither too old nor too young. Dame! I don't say there's nothing in it, but it can't save Henri Rigaud."

"And who is Henri Rigaud?"

"What! Monsieur has not heard of the affair Rigaud? Rigaud who did the double murder!"

"Oh, yes! In the Faubourg du Temple."

The sentry nodded. "He dies this week."

"And the child?"

"Is his."

Gethryn looked at the dirty little bundle of tatters.

"No one knows the exact day set for the affair, but," the sentry sank his voice to a whisper, "between you and me, I saw the widow going into the yard just before dinner, and Monsieur de Paris is here. That means tomorrow morning — click!"

"The — the widow?" repeated Gethryn.

"The guillotine. It will be over before this time tomorrow and the gamin there, who thinks the bossu will give him back his father — he'll find out his mistake, all in good time — all in good time!" and shouldering his rifle, the sentry laughed and resumed his slouching walk before the gateway.

Gethryn nodded to the soldier's salute and went up to the child, who stood leaning sullenly against the wall.

"Do you know what a franc is?" he asked.

The gamin eyed him doggedly.

"But I saw him," he said.

"Saw what?" said Gethryn, gently.

"The bossu," repeated the wretched infant vacantly.

"See here," said Gethryn, "listen to me. What would you do with twenty francs?"

"Eat, all day long, forever!"

Rex slipped two twenty-franc pieces into the filthy little fist.

"Eat," he murmured, and turned away.

Chapter 7

 

Next morning, when Clifford arrived at the Atelier of MM. Boulanger and Lefebvre, he found the students more excited than usual over the advent of a "Nouveau."

Hazing at Julien's has assumed, of late, a comparatively mild form. Of course there are traditions of serious trouble in former years and a few fights have taken place, consequent upon the indignant resistance of new men to the ridiculous demands forced upon them by their ingenious tormentors. Still, the hazing of today is comparatively inoffensive, and there is not much of it. In the winter the students are too busy to notice a newcomer, except to make him feel strange and humble by their lofty scorn. But in the autumn, when the men have returned from their long out-of-door rest, with brush and palette, a certain amount of friskiness is developed, which sometimes expends itself upon the luckless "nouveau." A harmless search for the time-honored "grand reflecteur," an enforced song and dance, a stern command to tread the mazes of the shameless quadrille with an equally shameless model, is usually the extent of the infliction. Occasionally the stranger is invited to sit on a high stool and read aloud to the others while they work, as he would like to do himself. But sometimes, if a man resists these reasonable demands in a contumacious manner, he is "crucified." This occurs so seldom, however, that Clifford, on entering the barn-like studios that morning, was surprised to see that a "crucifixion" was in progress.

A stranger was securely strapped to the top rungs of a twenty-foot ladder which a crowd of Frenchmen were preparing to raise and place in a slanting position against the wall.

"Who is it that those fellows are fooling with?" he asked.

"An Englishman, and it's about time we put a stop to it," answered Elliott.

When Americans or Englishmen are hazed by the French students, they make common cause in keeping watch that the matter does not go too far.

"How many of us are here this morning?" said Clifford.

"Fourteen who can fight," said Elliott; "they only want someone to give the word."

Clifford buttoned his jacket and shouldered his way into the middle of the crowd. "That's enough. He's been put through enough for today," he said coolly.

A Frenchman, who had himself only entered the Atelier the week previous, laughed and replied, "We'll put you on, if you say anything."

There was an ominous pause. Every old student there knew Clifford to be one of the most skillful and dangerous boxers in the school.

They looked with admiration upon their countryman. It didn't cost anything to admire him. They urged him on, and he didn't need much urging, for he remembered his own recent experience as a new man, and he didn't know Clifford.

"Go ahead," cried this misguided student, "he's a nouveau, and he's going up!"

Clifford laughed in his face. "Come along," he called, as some dozen English and American students pushed into the circle and gathered round the prostrate Englishman.

"See here, Clifford, what's the use of interrupting?" urged a big Frenchman.

Clifford began loosening the straps. "You know, Bonin, that we always do interfere when it goes as far as this against an Englishman or an American." He laughed good naturedly. "There's always been a fight over it before, but I hope there won't be any today."

Bonin grinned and shrugged his shoulders.

After vainly fussing with the ropes, Clifford and the others finally cut them and the "nouveau" scrambled to his feet and took an attitude which may be seen engraved in any volume of instruction in the noble art of self-defense. He was an Englishman of the sandy variety. Orange-colored whiskers decorated a carefully scrubbed face, terminating in a red-brown mustache. He had blue eyes, now lighted to a pale green by the fire of battle, reddish-brown hair, and white hands spattered with orange-colored freckles. All this, together with a well made suit of green and yellow checks, and the seesaw accent of the British Empire, answered, when politely addressed, to the name of Cholmondeley Rowden, Esq.

"I say," he began, "I'm awfully obliged, you know, and all that; but I'd jolly well like to give some of these cads a jolly good licking, you know."

"Go in, my friend, go in!" laughed Clifford; "but next time we'll leave you to hang in the air for an hour or two, that's all."

"Damn their cheek!" began the Englishman.

"See here," cried Elliott sharply, "you're only a nouveau, and you'd better shut up till you've been here long enough to talk."

"In other words," said Clifford, "don't buck against custom."

"But I cahn't see it," said the nouveau, brushing his dusty trousers. "I don't see it at all, you know. Damn their cheek!"

At this moment the week-weaned Frenchman shoved up to Clifford.

"What did you mean by interfering? Eh! You English pig."

Clifford looked at him with contempt. "What do you want, my little Nouveau?"

"Nouveau!" spluttered the Gaul, "Nouveau, eh!" and he made a terrific lunge at the American, who was sent stumbling backward, and slipping, fell heavily.

The Frenchman gazed around in triumph, but his grin was not reflected on the faces of his compatriots. None of them would have changed places with him.

Clifford picked himself up deliberately. His face was calm and mild as he walked up to his opponent, who hurriedly put himself into an attitude of self-defense.

"Monsieur Nouveau, you are not wise. But some day you will learn better, when you are no longer a nouveau," said Clifford, kindly. The man looked puzzled, but kept his fists up.

"Now I am going to punish you a little," proceeded Clifford, in even tones, "not harshly, but with firmness, for your good," he added, walking straight up to the Frenchman.

The latter struck heavily at Clifford's head, but he ducked like a flash, and catching his antagonist around the waist, carried him, kicking, to the water-basin, where he turned on the water and shoved the squirming Frenchman under. The scene was painful, but brief; when one of the actors in it emerged from under the water-spout, he no longer asked for anybody's blood.

"Go and dry yourself," said Clifford, cheerfully; and walking over to his easel, sat down and began to work.

In ten minutes, all trace of the row had disappeared, excepting that one gentleman's collar looked rather limp and his hair was uncommonly sleek. The men worked steadily. Snatches of song and bits of whistling rose continuously from easel and taboret, all blending in a drowsy hum. Gethryn and Elliott caught now and then, from behind them, words of wisdom which Clifford was administering to the now subdued Rowden.

"Yes," he was saying, "many a man has been injured for life by these Frenchmen for a mere nothing. I had two brothers," he paused, "and my golden-haired boy — " he ceased again, apparently choking with emotion.

"But — I say — you're not married, you know," said the Englishman.

"Hush," sighed Clifford, "I — I — married the daughter of an African duke. She was brought to the States by a slave trader in infancy."

"Black?" gasped Mr Rowden.

"Very black, but beautiful. I could not keep her. She left me, and is singing with Haverley's Minstrels now."

Like the majority of his countrymen, Mr Rowden was ready to believe anything he heard of social conditions in the States, but one point required explanation.

"You said the child had golden hair."

"Yes, his mother's hair was red," sighed Clifford.

Gethryn, glancing round, saw the Englishman's jaw drop, as he said, "How extraordinary!" Then he began to smile as if suspecting a joke. But Clifford's eye met his in gentle rebuke.

"C'est l'heure! Rest!" Down jumped the model. The men leaned back noisily. Clifford rose, bowed gravely to the Englishman, and stepped across the taborets to join his friends.

Gethryn was cleaning his brushes with turpentine and black soap.

"Going home, Rex?" inquired Clifford, picking up a brush and sending a fine spray of turpentine over Elliott, who promptly returned the attention.

"Quit that," growled Gethryn, "don't ruin those brushes."

"What's the nouveau like, Clifford?" asked Elliott. "We heard you instructing him a little. He seems to have the true Englishman's sense of humor."

"Oh, he's not a bad sort," said Clifford. "Come and be introduced. I'm half ashamed of myself for guying him, for he's really a very decent, plucky fellow, a bit stiff and pig-headed, as many of 'em are at first, and as for humor, I suppose they know their own kind, but they do get a little confused between fact and fancy when they converse with us."

The two strolled off with friendly intent, to seek out and ameliorate the loneliness of Cholmondeley Rowden, Esq.

Gethryn tied up his brushes, closed his color box and, flinging on his hat, hurried down the stairs and into the court, nodding to several students who passed with canvas and paint-boxes tucked under their arms. He reached the street, and, going through the Passage Brady, emerged upon the Boulevard Sebastopol.

A car was passing and he boarded it, climbing up to the imperiale. The only vacant seat was between a great, red-faced butcher, and a market woman from the Halles, and although the odors of raw beef and fish were unpleasantly perceptible, he settled himself back and soon became lost in his own thoughts. The butcher had a copy of the Petit Journal and every now and then he imparted bits of it across Gethryn, to the market woman, lingering with relish over the criminal items.

"Dites donc," he cried, "here is the affair Rigaud!"

Gethryn roused up and listened.

"This morning, I knew it," cackled the woman, folding her fat hands across her apron. "I said to Sophie, `Voyons Sophie,' I said — "

"Shut up," interrupted the butcher, "I'm going to read."

"I was sure of it," said the woman, addressing Gethryn, "`Voyons, Sophie,' said — " but the butcher interrupted her, again reading aloud:

"The condemned struggled fearfully, and it required the united efforts of six gendarmes — "

"Cochon!" said the woman.

"Listen, will you!" cried the man. "Some disturbance was caused by a gamin who broke from the crowd and attacked a soldier. But the miserable was seized and carried off, screaming. Two gold pieces of 20 francs each fell from some hiding-place in his ragged clothes and were taken charge of by the police."

The man paused and gloated over the column. "Here," he cried, "Listen — `Even under the knife the condemned — "'

Gethryn rose roughly and, crowding past the man, descended the steps and, entering the car below, sat down there.

"Butor!" roared the butcher. "Cochon! He trod on my foot!"

"He is an English pig!" sneered the woman, reaching for the newspaper. "Let me read it now," she whined.

"Hands off," growled the man, "I'll read you what I think good."

"But it's my paper."

"It's mine now — shut up."

The first thing Gethryn did on reaching home was to write a note to his friend, the Prefect of the Seine, telling him how the child of Rigaud came by the gold pieces. Then he had a quiet smoke, and then he went out and lunched at the Café des Écoles, frugally, on a sandwich and a glass of beer. After that he returned to his studio and sat down to his desk again. He opened a small memorandum book and examined some columns of figures. They were rather straggling, not very well kept, but they served to convince him that his accounts were forty francs behind, and he would have to economize a little for the next week or two. After this, he sat and thought steadily. Finally he took a sheet of his best cream laid note paper, dipped his pen in the ink, and began to write. The note was short, but it took him a long while to compose it, and when it was sealed and directed to "Miss Ruth Deane, Lung' Arno Guicciardini, Florence, Italy," he sat holding it in his hand as if he did not know what to do with it.

Two o'clock struck. He started up, and quickly rolling up the shades from the glass roof and pulling out his easel, began to squeeze tube after tube of color upon his palette. The parrot came down and tiptoed about the floor, peering into color boxes, pastel cases, and pots of black soap, with all the curiosity of a regulation studio bore. Steps echoed on the tiles outside.

Gethryn opened the door quickly. "Ah, Elise! Bon jour!" he said, pleasantly. "Entrez donc!"

"Merci, Monsieur Gethryn," smiled his visitor, a tall, well-shaped girl with dark eyes and red cheeks.

"Ten minutes late," Elise, said Gethryn, laughing, "my time's worth a franc a minute; so prepare to pay up."

"Very well," retorted the girl, also laughing and showing her pretty teeth, "but I have decided to charge twenty francs an hour from today. Now, what do you owe me, Monsieur?"

Gethryn shook his brushes at her. "You are spoiled, Elise — you used to pose very well and were never late."

"And I pose well now!" she cried, her professional pride piqued. "Monsieur Bonnat and Monsieur Constant have praised me all this week. Voila," she finished, throwing off her waist and letting her skirts fall in a circle to her feet.

"Oh, you can pose if you will," answered Gethryn, pleasantly. "Come, we begin?"

The girl stepped daintily out of the pile of discarded clothes, and picking her way across the room with her bare feet, sprang lightly upon the model stand.

"The same as last week?" she asked, smiling frankly.

"Yes, that's it," he replied, shifting his easel and glancing up at the light; "only drop the left elbow a bit — there, that's it; now a little to the left — the knee — that will do."

The girl settled herself into the pose, glanced at the clock, and then turning to Gethryn said, "And I am to look at you, am I not?"

"Where could you find a more charming object?" murmured he, sorting his brushes.

"Thank you," she pouted, stealing a glance at him; "than you?"

"Except Mademoiselle Elise. There, now we begin!"

The rest of the hour was disturbed only by the sharp rattle of brushes and the scraping of the palette knife.

"Are you tired?" asked Gethryn, looking at the clock; "you have ten minutes more."

"No," said the girl, "continue."

Finally Gethryn rose and stepped back.

"Time," he said, still regarding his work. "Come and give me a criticism, Elise."

The girl stretched her limbs, and then, stepping down, trotted over to Gethryn.

"What do you say?" he demanded, anxiously.

Artists often pay more serious attention to the criticisms of their models than to those of a brother artist. For, although models may be ignorant of method — which, however, is not always the case — from seeing so much good work they acquire a critical acumen which often goes straight to the mark.

It was for one of these keen criticisms that the young man was listening now.

"I like it very much — very much," answered the girl, slowly; "but, you see — I am not so cold in the face — am I?"

"Hit it, as usual," muttered the artist, biting his lip; "I've got more greens and blues in there than there are in a peacock's tail. You're right," he added, aloud, "I must warm that up a bit — there in the shadows, and keep the high lights pure and cold."

Elise nodded seriously. "Monsieur Chaplain and I have finished our picture," she announced, after a pause.

It is a naïve way models have of appropriating work in which, truly enough, they have no small share. They often speak of "our pictures" and "our success."

"How do you like it?" asked the artist, absently.

"Good," — she shrugged her shoulders — "but not truth."

"Right again," murmured Gethryn.

"I prefer Dagnan," added the pretty critic.

"So do I — rather!" laughed Gethryn.

"Or you," said the girl.

"Come, come," cried the young man, coloring with pleasure, "you don't mean it, Elise!"

"I say what I mean — always," she replied, marching over to the pups and gathering them into her arms.

"I'm going to take a cigarette," she announced, presently.

"All right," said Gethryn, squeezing more paint on his palette, "you'll find some mild ones on the bookcase."

Elise gave the pups a little hug and kiss, and stepped lightly over to the bookcase. Then she lighted a cigarette and turned and surveyed herself in the mirror.

"I'm thinner than I was last year. What do you think?" she demanded, studying her pretty figure in the glass.

"Perhaps a bit, but it's all the better. Those corsets simply ruined you as a model last year."

Elise looked serious and shook her head.

"I do feel so much better without them. I won't wear them again."

"No, you have a pretty, slender figure, and you don't want them. That's why I always get you when I can. I hate to draw or paint from a girl whose hips are all discolored with ugly red creases from her confounded corset."

The girl glanced contentedly at her supple, clean-limbed figure, and then, with a laugh, jumped upon the model stand.

"It's not time," said Gethryn, "you have five minutes yet."

"Go on, all the same." And soon the rattle of the brushes alone broke the silence.

At last Gethryn rose and backed off with a sigh.

"How's that, Elise?" he called.

She sprang down and stood looking over his shoulder.

"Now I'm like myself!" she cried, frankly; "it's delicious! But hurry and block in the legs, why don't you?"

"Next pose," said the young man, squeezing out more color.

And so the afternoon wore away, and at six o'clock Gethryn threw down his brushes with a long-drawn breath.

"That's all for today. Now, Elise, when can you give me the next pose? I don't want a week at a time on this; I only want a day now and then."

The model went over to her dress and rummaged about in the pockets.

"Here," she said, handing him a notebook and diary.

He selected a date, and wrote his name and the hour.

"Good," said the girl, reading it; and replacing the book, picked up her stockings and slowly began to dress.

Gethryn lay back on the lounge, thoroughly tired out. Elise was humming a Normandy fishing song. When, at last, she stood up and drew on her gloves, he had fallen into a light sleep.

She stepped softly over to the lounge and listened to the quiet breathing of the young man.

"How handsome — and how good he is!" she murmured, wistfully.

She opened the door very gently.

"So different, so different from the rest!" she sighed, and noiselessly went her way.

Chapter 8

 

Although the sound of the closing door was hardly perceptible, it was enough to wake Gethryn.

"Elise!" he called, starting up, "Elise!"

But the girl was beyond earshot.

"And she went away without her money, too; I'll drop around tomorrow and leave it; she may need it," he muttered, rubbing his eyes and staring at the door.

It was dinner time, and past, but he had little appetite.

"I'll just have something here," he said to himself, and catching up his hat ran down stairs. In twenty minutes he was back with eggs, butter, bread, a paté, a bottle of wine and a can of sardines. The spirit lamp was lighted and the table deftly spread.

"I'll have a cup of tea, too," he thought, shaking the blue tea canister, and then, touching a match to the well-filled grate, soon had the kettle fizzling and spluttering merrily.

The wind had blown up cold from the east and the young man shivered as he closed and fastened the windows. Then he sat down, his chin on his hands, and gazed into the glowing grate. Mrs Gummidge, who had smelled the sardines, came rubbing up against his legs, uttering a soft mew from sheer force of habit. She was not hungry — in fact, Gethryn knew that the concierge, whose duty it was to feed all the creatures, overdid it from pure kindness of heart — at Gethryn's expense.

"Gummidge, you're stuffed up to your eyes, aren't you?" he said.

At the sound of his voice the cat hoisted her tail, and began to march in narrowing circles about her master's chair, making gentle observations in the cat language.

Gethryn placed a bit of sardine on a fork and held it out, but the little humbug merely sniffed at it daintily, and then rubbed against her master's hand.

He laughed and tossed the bit of fish into the fire, where it spluttered and blazed until the parrot woke up with a croak of annoyance. Gethryn watched the kettle in silence.

Faces he could never see among the coals, but many a time he had constructed animals and reptiles from the embers, and just now he fancied he could see a resemblance to a shark among the bits of blazing coal.

He watched the kettle dreamily. The fire glowed and flashed and sank, and glowed again. Now he could distinctly see a serpent twisting among the embers. The clock ticked in measured unison with the slow oscillation of the flame serpent. The wind blew hard against the panes and sent a sudden chill creeping to his feet.

Bang! Bang! went the blinds. The hallway was full of strange noises. He thought he heard a step on the threshold; he imagined that his door creaked, but he did not turn around from his study of the fire; it was the wind, of course.

The sudden hiss of the kettle, boiling over, made him jump and seize it. As he turned to set it down, there was a figure standing beside the table. Neither spoke. The kettle burnt his hand and he set it back on the hearth; then he remained standing, his eyes fixed on the fire.

After a while Yvonne broke the silence — speaking very low: "Are you angry?"

"Why?"

"I don't know," said the girl, with a sigh.

The silence was too strained to last, and finally Gethryn said, "Won't you sit down?"

She did so silently.

"You see I'm — I'm about to do a little cooking," he said, looking at the eggs.

The girl spoke again, still very low.

"Won't you tell me why you are angry?"

"I'm not," began Gethryn, but he sat down and glanced moodily at the girl.

"For two weeks you have not been to see me."

"You are mistaken, I have been — " he began, but stopped.

"When?"

"Saturday."

"And I was not at home?"

"And you were at home," he said grimly. "You had a caller — it was easy to hear his voice, so I did not knock."

She winced, but said quietly, "Don't you think that is rude?"

"Yes," said Gethryn, "I beg pardon."

Presently she continued: "You and — and he — are the only two men who have been in my room."

"I'm honored, I'm sure," he answered, drily.

The girl threw back her mackintosh and raised her veil.

"I ask your pardon again," he said; "allow me to relieve you of your waterproof."

She rose, suffering him to aid her with her cloak, and then sat down and looked into the fire in her turn.

"It has been so long — I — I — hoped you would come."

"Whom were you with in the Luxembourg Gardens?" he suddenly broke out.

She did not misunderstand or evade the question, and Gethryn, watching her face, thought perhaps she had expected it. But she resented his tone.

"I was with a friend," she said, simply.

He came and sat down opposite her.

"It is not my business," he said, sulkily; "excuse me."

She looked at him for some moments in silence.

"It was Mr Pick," she said at length.

Gethryn could not repress a gesture of disgust.

"And that — Jew was in your rooms? That Jew!"

"Yes." She sat nervously rolling and unrolling her gloves. "Why do you care?" she asked, looking into the fire.

"I don't."

"You do."

There was a pause.

"Rex," she said, very low, "will you listen?"

"Yes, I'll listen."

"He is a — a friend of my sister's. He came from her to — to — "

"To what!"

"To — borrow a little money. I distrusted him the first time he came — the time you heard him in my room — and I refused him. Saturday he stopped me in the street, and, hoping to avoid a chance of meeting — you, I walked through the park."

"And you gave him the money — I saw you!"

"I did — all I could spare."

"Is he — is your sister married?"

"No," she whispered.

"And why — " began Gethryn, angrily, "Why does that scoundrel come to beg money — " He stopped, for the girl was in evident distress.

"Ah! You know why," she said in a scarce audible voice.

The young man was silent.

"And you will come again?" she asked timidly.

No answer.

She moved toward the door.

"We were such very good friends."

Still he was silent.

"Is it au revoir?" she whispered, and waited for a moment on the threshold.

"Then it is adieu."

"Yes," he said, huskily, "that is better."

She trembled a little and leaned against the doorway.

"Adieu, mon ami — " She tried to speak, but her voice broke and ended in a sob.

Then, all at once, and neither knew just how it was, she was lying in his arms, sobbing passionately.

 

"Rex," said Yvonne, half an hour later, as she stood before the mirror arranging her disordered curls, "are you not the least little bit ashamed of yourself?"

The answer appeared to be satisfactory, but the curly head was in a more hopeless state of disorder than before, and at last the girl gave a little sigh and exclaimed, "There! I'm all rumpled, but its your fault. Will you oblige me by regarding my hair?"

"Better let it alone; I'll only rumple it some more!" he cried, ominously.

"You mustn't! I forbid you!"

"But I want to!"

"Not now, then — "

"Yes — immediately!"

"Rex — you mustn't. O, Rex — I — I — "

"What?" he laughed, holding her by her slender wrists.

She flushed scarlet and struggled to break away.

"Only one."

"No."

"One."

"None."

"Shall I let you go?"

"Yes," she said, but catching sight of his face, stopped short.

He dropped her hands with a laugh and looked at her. Then she came slowly up to him, and flushing crimson, pulled his head down to hers.

"Yvonne, do you love me? Truthfully?"

"Rex, can you ask?" Her warm little head lay against his throat, her heart beat against his, her breath fell upon his cheek, and her curls clustered among his own.

"Yvonne — Yvonne," he murmured, "I love you — once and forever."

"Once and forever," she repeated, in a half whisper.

"Forever," he said.

 

An hour later they were seated tete-à-tete at Gethryn's little table. She had not permitted him to poach the eggs, and perhaps they were better on that account.

"Bachelor habits must cease," she cried, with a little laugh, and Gethryn smiled in doubtful acquiescence.

"Do you like grilled sardines on toast?" she asked.

"I seem to," he smiled, finishing his fourth; "they are delicious — yours," he added.

"Oh, that tea!" she cried, "and not one bit of sugar. What a hopelessly careless man!"

But Gethryn jumped up, crying, "Wait a moment!" and returned triumphantly with a huge mass of rock-candy — the remains of one of Clifford's abortive attempts at "rye-and-rock."

They each broke off enough for their cups, and Gethryn, tasting his, declared the tea "delicious." Yvonne sat, chipping an egg and casting sidelong glances at Gethryn, which were always met and returned with interest.

"Yvonne, I want to tell you a secret."

"What, Rex?"

"I love you."

"Oh!"

"And you?"

"No — not at all!" cried the girl, shaking her pretty head. Presently she gave him a swift glance from beneath her drooping lashes.

"Rex?"

"What, Yvonne?"

"I want to tell you a secret."

"What, Yvonne?"

"If you eat so many sardines — "

"Oh!" cried Gethryn, half angrily, but laughing, "you must pay for that!"

"What?" she said, innocently, but jumped up and kept the table between him and herself.

"You know!" he cried, chasing her into a corner.

"We are two babies," she said, very red, following him back to the table. The paté was eaten in comparative quiet.

"Now," she said, with great dignity, setting down her glass, "behave and get me some hot water."

Gethryn meekly brought it.

"If you touch me while I am washing these dishes!"

"But let me help?"

"No, go and sit down instantly."

He fled in affected terror and ensconced himself upon the sofa. Presently he inquired, in a plaintive voice: "Have you nearly finished?"

"No," said the girl, carefully drying and arranging the quaint Egyptian tea-set, "and I won't for ages."

"But you're not going to wash all those things? The concierge does that."

"No, only the wine-glasses and the tea-set. The idea of trusting such fragile cups to a concierge! What a boy!"

But she was soon ready to dry her slender hands, and caught up a towel with a demure glance at Gethryn.

"Which do you think most of — your dogs, or me?"

"Pups."

"That parrot, or me?"

"Poll."

"The raven, or me? The cat, or me?"

"Bird and puss."

She stole over to his side and knelt down.

"Rex, if you ever tire of me — if you ever are unkind — if you ever leave me — I think I shall die."

He drew her to him. "Yvonne," he whispered, "we can't always be together."

"I know it — I'm foolish," she faltered.

"I shall not always be a student. I shall not always be in Paris, dear Yvonne."

She leaned closer to him.

"I must go back to America someday."

"And — and marry?" she whispered, chokingly.

"No — not to marry," he said, "but it is my home."

"I — I know it, Rex, but don't let us think of it. Rex," she said, some moments after, "are you like all students?"

"How do you mean?"

"Have you ever loved — before — a girl, here in Paris — like me?"

"There are none — like you."

"Answer me, Rex."

"No, I never have," he said, truthfully. Presently he added, "And you, Yvonne?"

She put her warm little hand across his mouth.

"Don't ask," she murmured.

"But I do!" he cried, struggling to see her eyes, "won't you tell me?"

She hid her face tight against his breast.

"You know I have; that is why I am alone here, in Paris."

"You loved him?"

"Yes — not as I love you."

Presently she raised her eyes to his.

"Shall I tell you all? I am like so many — so many others. When you know their story, you know mine."

He leaned down and kissed her.

"Don't tell me," he said.

But she went on.

"I was only seventeen — I am nineteen now. He was an officer at — at Chartres, where we lived. He took me to Paris."

"And left you."

"He died of the fever in Tonquin."

"When?"

"Three weeks ago."

"And you heard?"

"Tonight."

"Then he did leave you."

"Don't, Rex — he never loved me, and I — I never really loved him. I found that out."

"When did you find it out?"

"One day — you know when — in a — a cab."

"Dear Yvonne," he whispered, "can't you go back to — to your family?"

"No, Rex."

"Never?"

"I don't wish to, now. No, don't ask me why! I can't tell you. I am like all the rest — all the rest. The Paris fever is only cured by death. Don't ask me, Rex; I am content — indeed I am."

Suddenly a heavy rapping at the door caused Gethryn to spring hurriedly to his feet.

"Rex!"

It was Braith's voice.

"What!" cried Gethryn, hoarsely.

There was a pause.

"Aren't you going to let me in?"

"I can't, old man; I — I'm not just up for company tonight," stammered Gethryn.

"Company be damned — are you ill?"

"No."

There was a silence.

"I'm sorry," began Gethryn, but was cut short by a gruff:

"All right; good night!" and Braith went away.

Yvonne looked inquiringly at him.

"It was nothing," he murmured, very pale, and then threw himself at her feet, crying, "Oh, Yvonne — Yvonne!"

Outside the storm raged furiously.

Presently she whispered, "Rex, shall I light the candle? It is midnight."

"Yes," he said.

She slipped away, and after searching for some time, cried, "the matches are all gone, but here is a piece of paper — a letter; do you want it? I can light it over the lamp."

She held up an envelope to him.

"I can light it over the lamp," she repeated.

"What is the address?"

"It is very long; I can't read it all, only `Florence, Italy."'

"Burn it," he said, in a voice so low she could scarcely hear him.

Presently she came over and knelt down by his side. Neither spoke or moved.

"The candle is lighted," she whispered, at last.

"And the lamp?"

"Is out."

Chapter 9

 

Cholmondeley Rowden had invited a select circle of friends to join him in a "petit diner a la stag," as he expressed it.

Eight months of Paris and the cold, cold world had worked a wonderful change in Mr Rowden. For one thing, he had shaved his whiskers and now wore only a mustache. For another, he had learned to like and respect a fair portion of the French students, and in consequence was respected and liked in return.

He had had two fights, in both of which he had contributed to the glory of the British Empire and prize ring.

He was a better sparrer than Clifford and was his equal in the use of the foils. Like Clifford, he was a capital banjoist, but he insisted that cricket was far superior to baseball, and this was the only bone of contention that ever fell between the two.

Clifford played his shameless jokes as usual, accompanied by the enthusiastic applause of Rowden. Clifford also played "The Widow Nolan's Goat" upon his banjo, accompanied by the intricate pizzicatos of Rowden.

Clifford drank numerous bottles of double X with Rowden, and Rowden consumed uncounted egg-flips with Clifford. They were inseparable; in fact, the triumvirate, Clifford, Elliott and Rowden, even went so far as to dress alike, and mean-natured people hinted that they had but one common style in painting. But they did not make the remark to any of the triumvirate. They were very fond of each other, these precious triumvirs, but they did not address each other by nicknames, and perhaps it was because they respected each other enough to refrain from familiarities that this alliance lasted as long as they lived.

It was a beautiful sight, that of the three youths, when they sallied forth in company, hatted, clothed, and gloved alike, and each followed by a murderous-looking bulldog. The animals were of the brindled variety, and each was garnished with a steel spiked collar. Timid people often crossed to the other side of the street on meeting this procession.

Braith laughed at the whole performance, but secretly thought that a little of their spare energy and imagination might have been spent to advantage upon their artistic productions.

Braith was doing splendidly. His last year's picture had been hung on the line and, in spite of his number three, he had received a third class medal and had been praised — even generously — by artists and critics, including Albert Wolff. He was hard at work on a large canvas for the coming International Exhibition at Paris; he had sold a number of smaller studies, and besides had pictures well hung in Munich and in more than one gallery at home.

At last, after ten years of hard work, struggles, and disappointments, he began to enjoy a measure of success. He and Gethryn saw little of each other this winter, excepting at Julien's. That last visit to the Rue Monsieur le Prince was never mentioned between them. They were as cordial when they met as ever, but Braith did not visit his young friend any more, and Gethryn never spoke to him of Yvonne.

"Good-bye, old chap!" Braith would say when they parted, gripping Rex's hand and smiling at him. But Rex did not see Braith's face as he walked away.

Braith felt helpless. The thing he most dreaded for Rex had happened; he believed he could see the end of it all, and yet he could prevent nothing. If he should tell Rex that he was being ruined, Rex would not listen, and — who was he that he should preach to another man for the same fault by which he had wasted his own life? No, Rex would never listen to him, and he dreaded a rupture of their friendship.

Gethryn had made his debut in the Salon with a certain amount of éclat. True, he had been disappointed in his expectations of a medal, but a first mention had soothed him a little, and, what was more important, it proved to be the needed sop to his discontented aunt. But somehow or other his new picture did not progress rapidly, or in a thoroughly satisfactory manner. In bits and spots it showed a certain amount of feverish brilliancy, yes, even mature solidity; in fact, it was nowhere bad, but still it was not Gethryn and he knew that.

"Confound it!" he would mutter, standing back from his canvas; but even at such times he could hardly help wondering at his own marvelous technique.

"Technique be damned! Give me stupidity in a pupil every time, rather than cleverness," Harrington had said to one of his pupils, and the remark often rang in Gethryn's ears even when his eyes were most blinded by his own wonderful facility.

"Some fools would medal this," he thought; "but what pleasure could a medal bring me when I know how little I deserve it?"

Perhaps he was his own hardest critic, but it was certain that the old, simple honesty, the subtle purity, the almost pathetic effort to tell the truth with paint and brush, had nearly disappeared from Gethryn's canvases during the last eight months, and had given place to a fierce and almost startling brilliancy, never, perhaps, hitting, but always threatening some brutal note of discord.

Even Elise looked vaguely troubled, though she always smiled brightly at Gethryn's criticism of his own work.

"It is so very wonderful and dazzling, but — but the color seems to me — unkind."

And he would groan and answer, "Yes, yes, Elise, you're right; oh, I can never paint another like the one of last June!"

"Ah, that!" she would cry, "that was delicious — " but checking herself, she would add, "Courage, let us try again; I am not tired, indeed I am not."

Yvonne never came into the studio when Gethryn had models, but often, after the light was dim and the models had taken their leave, she would slip in, and, hanging lightly over his shoulder, her cheek against his, would stand watching the touches and retouches with which the young artist always eked out the last rays of daylight. And when his hand drooped and she could hardly distinguish his face in the gathering gloom, he would sigh and turn to her, smoothing the soft hair from her forehead, saying: "Are you happy, Yvonne?" And Yvonne always answered, "Yes, Rex, when you are."

Then he would laugh, and kiss her and tell her he was always happy with La Belle Hélène, and they would stand in the gathering twilight until a gurgle from the now well-grown pups would warn them that the hour of hunger had arrived.

The triumvirate, with Thaxton, Rhodes, Carleton, and the rest, had been frequent visitors all winter at the "Ménagerie," as Clifford's bad pun had named Gethryn's apartment; but, of late, other social engagements and, possibly, a small amount of work, had kept them away. Clifford was a great favorite with Yvonne. Thaxton and Elliott she liked. Rowden she tormented, and Carleton she endured. She captured Clifford by suffering him to play his banjo to her piano. Rowden liked her because she was pretty and witty, though he never got used to her quiet little digs at his own respected and dignified person. Clifford openly avowed his attachment and spent many golden hours away from work, listening to her singing. She had been taught by a good master and her voice was pure and pliant, although as yet only half developed. The little concerts they gave their friends were really charming — with Clifford's banjo, Gethryn's guitar, Thaxton's violin, Yvonne's voice and piano. Clifford made the programs. They were profusely illustrated, and he spent a great deal of time rehearsing, writing verses, and rehashing familiar airs (he called it "composing") which would have been as well devoted to his easel.

In Rowden, Yvonne was delighted to find a cultivated musician. Clifford listened to their talk of chords and keys, went and bought a "Musical Primer" on the Quai d'Orsay, spent a wretched hour groping over it, swore softly, and closed the book forever.

But neither the triumvirate nor the others had been to the "Ménagerie" for over a fortnight, when Rowden, feeling it incumbent upon him to return some of Gethryn's hospitality, issued very proper cards — indeed they were very swell cards for the Latin Quarter — for a "dinner," to be followed by a "quiet evening" at the Bal Masqué at the Opera.

The triumvirate had accordingly tied up their brindled bulldogs, "Spit," "Snap" and "Tug"; had donned their white ties and collars of awful altitude, and were fully prepared to please and to be pleased. Although it was nominally a "stag" party, the triumvirate would as soon have cut off their tender mustaches as have failed to invite Yvonne. But she had replied to Rowden's invitation by a dainty little note, ending:

and I am sure that you will understand when I say that this time I will leave you gentlemen in undisturbed possession of the evening, for I know how dearly men love to meet and behave like bears all by themselves. But I shall see you all afterward at the Opera. Au revoir then — at the Bal Masqué. Y.D.

The first sensation to the young men was one of disappointment. But the second was that Mademoiselle Descartes' tact had not failed her.

The triumvirate were seated upon the sideboard swinging their legs. Rowden cast a satisfied glance at the table laid for fifteen and flicked an imaginary speck from his immaculate shirt front.

"I think it's all right," said Elliott, noticing his look, "eh, Clifford?"

"Is there enough champagne?" asked that youth, calculating four quart bottles to each person.

Rowden groaned.

"Of course there is. What are you made of?"

"Human flesh," acknowledged the other meekly.

At eleven the guests began to arrive, welcomed by the triumvirs with great state and dignity. Rowden, looking about, missed only one — Gethryn, and he entered at the same moment.

"Just in time," said Rowden, and made the move to the table. As Gethryn sat down, he noticed that the place on Rowden's right was vacant, and before it stood a huge bouquet of white violets.

"Too bad she isn't here," said Rowden, glancing at Gethryn and then at the vacant place.

"That's awfully nice of you, Rowden," cried Gethryn, with a happy smile; "she will have a chance to thank you tonight."

He leaned over and touched his face to the flowers. As he raised his head again, his eyes met Braith's.

"Hello!" cried Braith, cordially.

Rex did not notice how pale he was, and called back, "Hello!" with a feeling of relief at Braith's tone. It was always so. When they were apart for days, there weighed a cloud of constraint on Rex's mind, which Braith's first greeting always dispelled. But it gathered again in the next interval. It rose from a sullen deposit of self-reproach down deep in Gethryn's own heart. He kept it covered over; but he could not prevent the ghost-like exhalations that gathered there and showed where it was hidden.

Speeches began rather late. Elliott made one — and offered a toast to "la plus jolie demoiselle de Paris," which was drunk amid great enthusiasm and responded to by Gethryn, ending with a toast to Rowden. Rowden's response was stiff, but most correct. The same could not be said of Clifford's answer to the toast, "The struggling Artist — Heaven help him!"

Towards 1 am Mr Clifford's conversation had become incoherent. But he continued to drink toasts. He drank Yvonne's health five times, he pledged Rowden and Gethryn and everybody else he could think of, down to Mrs Gummidge and each separate kitten, and finally pledged himself. By that time he had reached the lachrymose state. Tears, it seemed, did him good. A heart-rending sob was usually the sign of reviving intelligence.

"Well," said Gethryn, buttoning his greatcoat, "I'll see you all in an hour — at the Opera."

Braith was not coming with them to the Ball, so Rex shook hands and said "Good night," and calling "Au revoir" to Rowden and the rest, ran down stairs three at a time. He hurried into the court and after spending five minutes shouting "Cordon!" succeeded in getting out of the door and into the Rue Michelet. From there he turned into the Avenue de l'Observatoire, and cutting through into the Boulevard, came to his hôtel.

Yvonne was standing before the mirror, tying the hood of a white silk domino under her chin. Hearing Gethryn's key in the door, she hurriedly slipped on her little white mask and confronted him.

"Why, who is this?" cried Gethryn. "Yvonne, come and tell me who this charming stranger is!"

"You see before you the Princess Hélène, Monsieur, she said, gravely bending the little masked head."

"Oh, in that case, you needn't come, Yvonne, as I have an engagement with the Princess Hélène of Troy."

"But you mustn't kiss me!" she cried, hastily placing the table between herself and Gethryn; "you have not yet been presented. Oh, Rex! Don't be so — so idiotic; you spoil my dress — there — yes, only one, but don't you dare to try — Oh Rex! Now I am all in wrinkles — you — you bear!"

"Bears hug — that's a fact," he laughed. "Come, are you ready — or I'll just — "

"Don't you dare!" she cried, whipping off her mask and attempting an indignant frown. She saw the big bunch of white violets in his hand and made a diversion by asking what those were. He told her, and she declared, delightedly, that she should carry them with Rex's roses to the Ball.

"They shall have the preference, Monsieur," she said, teasingly. "Oh, Rex! don't — please — " she entreated.

"All right, I won't," he said, drawing her wrap around her; and Yvonne, replacing the mask and gathering up her fluffy skirts, slipped one small gloved hand through his arm and danced down the stairs.

On the corner of the Vaugirard and the Rue de Medicis one always finds a line of cabs, and presently they were bumping and bouncing away down the Rue de Seine to the river.

Je fais ce que sa fantaisie Veut m'ordonner, Et je puis, s'il lui faut ma vie La lui donner

sang Yvonne, deftly thrusting tierce and quarte with her fan to make Gethryn keep his distance.

"Do you know it is snowing?" he said presently, peering out of the window as the cab rattled across the Pont Neuf.

"Tant mieux!" cried the girl; "I shall make a snowball — a — " she opened her blue eyes impressively, "a very, very large one, and — "

"And?"

"Drop it on the head of Mr Rowden," she announced, with cheerful decision.

"I'll warn poor Rowden of your intention," he laughed, as the cab rolled smoothly up the Avenue de l'Opera, across the Boulevard des Italiens, and stopped before the glittering pile of the great Opera.

She sprang lightly to the curbstone and stood tapping her little feet against the pavement while Gethryn fumbled about for his fare.

The steps of the Opera and the Plaza were covered with figures in dominoes, blue, red or black, many grotesque and bizarre costumes, and not a few sober claw hammers. The great flare of yellow light which bathed and flooded the shifting, many-colored throng, also lent a strangely weird effect to the now heavily falling snowflakes. Carriages and cabs kept arriving in countless numbers. It was half past two, and nobody who wanted to be considered anybody thought of arriving before that hour. The people poured in a steady stream through the portals. Groups of English and American students in their irreproachable evening attire, groups of French students in someone else's doubtful evening attire, crowds of rustling silken dominoes, herds of crackling muslin dominoes, countless sad-faced Pierrots, fewer sad-faced Capuchins, now and then a slim Mephistopheles, now and then a fat, stolid Turk, 'Arry, Tom, and Billy, redolent of plum pudding and Seven Dials, Gontran, Gaston and Achille, savoring of brasseries and the Sorbonne. And then, from the carriages and fiacres: Mademoiselle Patchouli and good old Monsieur Bonvin, Mademoiselle Nitouche and bad young Monsieur de Sacrebleu, Mademoiselle Moineau and Don Cæsar Imberbe; and the pink silk domino of "La Pataude" — mais n'importe!

Allons, Messieurs, Mesdames, to the cloak room — to the foyer! To the escalier! or you, Madame la Comtesse, to your box, and smooth out your crumpled domino; as for "La Pataude," she is going to dance tonight.

Gethryn, with Yvonne clinging tightly to his arm, entered the great vestibule and passed through the railed lanes to the broad inclined aisle which led to the floor.

"Do you want to take a peep before we go to our box?" he asked, leading her to the doorway.

Yvonne's little heart beat faster as she leaned over and glanced at the dazzling spectacle.

"Come, hurry — let us go to the box!" she whispered, dragging Gethryn after her up the stairway.

He followed, laughing at her excitement, and in a few minutes they found the door of their lodge and slipped in.

Gethryn lighted a cigarette and began to unstrap his field glasses.

"Take these, Yvonne," he said, handing them to her while he adjusted her own tiny gold ones.

Yvonne's cheeks flushed and her eyes sparkled under the little mask, as she leaned over the velvet railing and gazed at the bewildering spectacle below. Great puffs of hot, perfumed air bore the crash of two orchestras to their ears, mixed with the distant clatter and whirl of the dancers, and the shouts and cries of the maskers.

At the end of the floor, screened by banks of palms, sat the musicians, and round about, rising tier upon tier, the glittering boxes were filled with the elite of the demimonde, who ogled and gossiped and sighed, entirely content with the material and social barriers which separate those who dance for ten francs from those who look on for a hundred.

But there were others there who should not by any means be confounded with their sisters of the "half-world."

The Faubourg St Germain, the Champs Elysées, and the Parc Monceau were possibly represented among those muffled and disguised beauties, who began the evening with their fans so handy in case of need. Ah, well — now they lay their fans down quite out of reach in case of emergency, and who shall say if disappointment lurks under these dainty dominoes, that there is so little to bring a blush to modest cheeks — alas! few emergencies.

And you over there — you of the "American Colony," who are tossed like shuttlecocks in the social whirl, you, in your well-appointed masks and silks, it is all very new and exciting — yes, but why should you come? American women, brought up to think clean thoughts and see with innocent eyes, to exact a respectful homage from men and enjoy a personal dignity and independence unknown to women anywhere else — why do you want to come here? Do you not know that the foundations of that liberty which makes you envied in the old world are laid in the respect and confidence of men? Undermine that, become wise and cynical, learn the meaning of doubtful words and gestures whose significance you never need have suspected, meet men on the same ground where they may any day meet fast women of the continent, and fix at that moment on your free limbs the same chains which corrupt society has forged for the women of Europe.

Yvonne leaned back in her box with a little gasp.

"But I can't make out anyone at all," she said; "it's all a great, sparkling sea of color."

"Try the field glasses," replied Gethryn, giving them to her again, at the same time opening her big plumy fan and waving it to and fro beside the flushed cheek.

Presently she cried out, "Oh, look! There is Mr Elliott and Mr Rowden, and I think Mr Clifford — but I hope not."

He leaned forward and swept the floor with the field glass.

"It's Clifford, sure enough," he muttered; "what on earth induces him to dance in that set?"

It was Clifford.

At that moment he was addressing Elliott in pleading, though hazy, phrases.

"Come 'long, Elliott, don't be so — so uncomf't'ble 'n' p'tic'lar! W't's use of be'ng shnobbish?" he urged, clinging hilariously to his partner, a pigeon-toed ballet girl. But Elliott only laughed and said:

"No; waltzes are all I care for. No quadrille for me — "

The crash of the orchestra drowned his voice, and Clifford, turning and bowing gravely to his partner, and then to his vis-à-vis, began to perform such antics and cut such pigeonwings that his pigeon-toed partner glared at him through the slits of her mask in envious astonishment. The door was dotted with numerous circles of maskers, ten or fifteen deep, all watching and applauding the capers of the hilarious couples in the middle.

But Clifford's set soon attracted a large and enthusiastic audience, who were connoisseurs enough to distinguish a voluntary dancer from a hired one; and when the last thundering chords of Offenbach's "March into Hell" scattered the throng into a delirious waltz, Clifford reeled heavily into the side scenes and sat down, rather unexpectedly, in the lap of Mademoiselle Nitouche, who had crept in there with the Baron Silberstein for a nice, quiet view of a genuine cancan.

Mademoiselle did not think it funny, but the Baron did, and when she boxed Clifford's ears he thought it funnier still.

Rowden and Elliot, who were laboriously waltzing with a twin pair of flat-footed Watteau Shepherdesses, immediately ran to his assistance; and later, with a plentiful application of cold water and still colder air, restored Mr Clifford to his usual spirits.

"You're not a beauty, you know," said Rowden, looking at Clifford's hair, which was soaked into little points and curls; "you're certainly no beauty, but I think you're all right now — don't you, Elliott? "

"Certainly," laughed the triumvir, producing a little silver pocket-comb and presenting it to the woebegone Clifford, who immediately brought out a hand glass and proceeded to construct a "bang" of wonderful seductiveness.

In ten minutes they sallied forth from the dressing room and wended their way through the throngs of masks to the center of the floor. They passed Thaxton and Rhodes, who, each with a pretty nun upon his arm, were trying to persuade Bulfinch into taking the third nun, who might have been the Mother Superior or possibly a resuscitated 14th century abbess.

"No," he was saying, while he blinked painfully at the ci-devant abbess, "I can't go that; upon my word, don't ask me, fellows — I — I can't."

"Oh, come," urged Rhodes, "what's the odds?"

"You can take her and I'll take yours," began the wily little man, but neither Rhodes nor Thaxton waited to argue longer.

"No catacombs for me," growled Bulfinch, eyeing the retreating nuns, but catching sight of the triumvirate, his face regained its bird-like felicity of expression.

"Glad to see you — indeed I am! That Colossus is too disinterested in securing partners for his friends; he is, I assure you. If you're looking for a Louis Quatorze partner, warranted genuine, go to Rhodes."

"Rex ought to be here by this time," said Rowden; "look in the boxes on that side and Clifford and I will do the same on this."

"No need," cried Elliott, "I see him with a white domino there in the second tier. Look! he's waving his hand to us and so is the domino."

"Come along," said Clifford, pushing his way toward the foyer, "I'll find them in a moment. Let me see," — a few minutes later, pausing outside a row of white and gilt doors — "let me see, seventh box, second tier — here we are," he added, rapping loudly.

Yvonne ran and opened the door.

"Bon soir, Messieurs," she said, with a demure curtsy.

Clifford gallantly kissed the little glove and then shook hands with Gethryn.

"How is it on the floor?" asked the latter, as Elliott and Rowden came forward to the edge of the box. "I want to take Yvonne out for a turn and perhaps a waltz, if it isn't too crowded."

"Oh, it's pretty rough just now, but it will be better in half an hour," replied Rowden, barricading the champagne from Clifford.

"We saw you dancing, Mr Clifford," observed Yvonne, with a wicked glance at him from under her mask.

Clifford blushed.

"I — I don't make an ass of myself but once a year, you know," he said, with a deprecatory look at Elliott.

"Oh," murmured the latter, doubtfully, "glad to hear it."

Clifford gazed at him in meek reproof and then made a flank movement upon the champagne, but was again neatly foiled by Rowden.

Yvonne looked serious, but presently leaned over and filled one of the long-stemmed goblets.

"Only one, Mr Clifford; one for you to drink my health, but you must promise me truthfully not to take any more wine this evening!"

Clifford promised with great promptness, and taking the glass from her hand with a low bow, sprang recklessly upon the edge of the box and raised the goblet.

"A la plus belle demoiselle de Paris!" he cried, with all the strength of his lungs, and drained the goblet.

A shout from the crowd below answered his toast. A thousand faces were turned upward, and people leaned over their boxes, and looked at the party from all parts of the house.

Mademoiselle Nitouche turned to Monsieur de Sacrebleu.

"What audacity!" she murmured.

Mademoiselle Goujon smiled at the Baron Silberstein.

"Tiens!" she cried, "the gayety has begun, I hope."

Little Miss Ducely whispered to Lieutenant Faucon:

"Those are American students," she sighed; "how jolly they seem to be, especially Mr Clifford! I wonder if she is so pretty!"

Half a dozen riotous Frenchmen in the box opposite jumped to their feet and waved their goblets at Clifford.

"A la plus jolie femme du monde!" they roared.

Clifford seized another glass and filled it.

"She is here!" he shouted, and sprang to the edge again. But Gethryn pulled him down.

"That's too dangerous," he laughed; "you could easily fall."

"Oh, pshaw!" cried Clifford, draining the glass, and shaking it at the opposite box.

Yvonne put her hand on Gethryn's arm.

"Don't let him have any more," she whispered.

"Give us the goblet!" yelled the Frenchmen.

"Le voila!" shouted Clifford, and stepping back, hurled the glass with all his strength across the glittering gulf. It fell with a crash in the box it was aimed at, and a howl of applause went up from the floor.

Yvonne laughed nervously, but coming to the edge of the box buried her mask in her bouquet and looked down.

"A rose! A rose!" cried the maskers below; "a rose from the most charming demoiselle in Paris!"

She half turned to Gethryn, but suddenly stepping forward, seized a handful of flowers from the middle of the bouquet and flung them into the crowd.

There was a shout and a scramble, and then she tore the bouquet end from end, sending a shower of white buds into the throng.

"None for me?" sighed Clifford, watching the fast-dwindling bouquet.

She laughed brightly as she tossed the last handful below, and then turned and leaned over Gethryn's chair.

"You destructive little wretch!" he laughed, "this is not the season for the Battle of Flowers. But white roses mean nothing, so I'm not jealous."

"Ah, mon ami, I saved the red rose for you," she whispered; and fastened it upon his breast.

And at his whispered answer her cheeks flushed crimson under the white mask. But she sprang up laughing.

"I would so like to go onto the floor," she cried, pulling him to his feet, and coaxing him with a simply irresistible look; "don't you think we might — just for a minute, Mr Rowden?" she pleaded. "I don't mind a crowd — indeed I don't, and I am masked so perfectly."

"What's the harm, Rex?" said Rowden; "she is well masked."

"And when we return it will be time for supper, won't it?"

"Yes, I should think so!" murmured Clifford.

"Where do we go then?"

"Maison Dorée."

"Come along, then, Mademoiselle Destructiveness!" cried Gethryn, tossing his mask and field glass onto a chair, where they were appropriated by Clifford, who spent the next half hour in staring across at good old Colonel Toddlum and his frisky companion — an attention which drove the poor old gentleman almost frantic with suspicion, for he was a married man, bless his soul! — and a pew-holder in the American Church.

"My love," said the frisky one, "who is the gentleman in the black mask who stares?"

"I don't know," muttered the dear old man, in a cold sweat, "I don't know, but I wish I did."

And the frisky one shrugged her shoulders and smiled at the mask.

"What are they looking at?" whispered Yvonne, as she tripped along, holding very tightly to Gethryn's arm.

"Only a quadrille — `La Pataude' is dancing. Do you want to see it?"

She nodded, and they approached the circle in the middle of which `La Pataude' and `Grille d'Egout' were holding high carnival. At every ostentatious display of hosiery the crowd roared.

"Brava! Bis!" cried an absinthe-soaked old gentleman; "vive La Pataude!"

For answer the lady dexterously raised his hat from his head with the point of her satin slipper.

The crowd roared again. "Brava! Brava, La Pataude!"

Yvonne turned away.

"I don't like it. I don't find it amusing," she said, faintly.

Gethryn's hand closed on hers.

"Nor I," he said.

"But you and your friends used to go to the students' ball at `Bullier's,"' she began, a little reproachfully.

"Only as Nouveaux, and then, as a rule, the high-jinks are pretty genuine there — at least, with the students. We used to go to keep cool in spring and hear the music; to keep warm in winter; and amuse ourselves at Carnival time."

"But — Mr Clifford knows all the girls at `Bullier's.' Do — do you?"

"Some."

"How many?" she said, pettishly.

"None — now."

A pause. Yvonne was looking down.

"See here, little goose, I never cared about any of that crowd, and I haven't been to the Bullier since — since last May."

She turned her face up to his; tears were stealing down from under her mask.

"Why, Yvonne!" he began, but she clung to his shoulder, as the orchestra broke into a waltz.

"Don't speak to me, Rex — but dance! Dance!"

They danced until the last bar of music ceased with a thundering crash.

"Tired?" he asked, still holding her.

She smiled breathlessly and stepped back, but stopped short, with a little cry.

"Oh! I'm caught — there, on your coat!"

He leaned over her to detach the shred of silk.

"Where is it? Oh! Here!"

And they both laughed and looked at each other, for she had been held by the little golden clasp, the fleur-de-lis.

"You see," he said, "it will always draw me to you."

But a shadow fell on her fair face, and she sighed as she gently took his arm.

When they entered their box, Clifford was still tormenting the poor Colonel.

"Old dog thinks I know him," he grinned, as Yvonne and Rex came in. Yvonne flung off her mask and began to fan herself.

"Time for supper, you know," suggested Clifford.

Yvonne lay back in her chair, smiling and slowly waving the great plumes to and fro.

"Who are those people in the next box?" she asked him. "They do make such a noise."

"There are only two, both masked."

"But they have unmasked now. There are their velvets on the edge of the box. I'm going to take a peep," she whispered, rising and leaning across the railing.

"Don't; I wouldn't — " began Gethryn, but he was too late.

Yvonne leaned across the gilded cornice and instantly fell back in her chair, deathly pale.

"My God! Are you ill, Yvonne?"

"Oh, Rex, Rex, take me away — home — "

Then came a loud hammering on the box door. A harsh, strident voice called, "Yvonne! Yvonne!"

Clifford thoughtlessly threw it open, and a woman in evening dress, very decolletée, swept by him into the box, with a waft of sickly scented air.

Yvonne leaned heavily on Gethryn's shoulder; the woman stopped in front of them.

"Ah! here you are, then!"

Yvonne's face was ghastly.

"Nina," she whispered, "why did you come?"

"Because I wanted to make you a little surprise," sneered the woman; "a pleasant little surprise. We love each other enough, I hope." She stamped her foot.

"Go," said Yvonne, looking half dead.

"Go!" mimicked the other. "But certainly! Only first you must introduce me to these gentlemen who are so kind to you."

"You will leave the box," said Gethryn, in a low voice, holding open the door.

The woman turned on him. She was evidently in a prostitute's tantrum of malicious deviltry. Presently she would begin to lash herself into a wild rage.

"Ah! this is the one!" she sneered, and raising her voice, she called, "Mannie, Mannie, come in here, quick!"

A sidling step approached from the next box, and the face of Mr Emanuel Pick appeared at the door.

"This is the one," cried the woman, shrilly. "Isn't he pretty?"

Mr Pick looked insolently at Gethryn and opened his mouth, but he did not say anything, for Rex took him by the throat and kicked him headlong into his own box. Then he locked the door, and taking out the key, returned and presented it to the woman.

"Follow him!" he said, and quietly, but forcibly, urged her toward the lobby.

"Mannie! Mannie!" she shrieked, in a voice choked by rage and dissipation, "come and kill him! He's insulting me!"

Getting no response, she began to pour forth shriek upon shriek, mingled with oaths and ravings. "I shall speak to my sister! Who dares prevent me from speaking to my sister! You — " she glared at Yvonne and ground her teeth. "You, the good one. You! the mother's pet! Ran away from home! Took up with an English hog!"

Yvonne sprang to her feet again.

"Leave the box," she gasped.

"Ha! ha! Mais oui! leave the box! and let her dance while her mother lies dying!"

Yvonne gave a cry.

"Ah! Ah!" said her sister, suddenly speaking very slowly, nodding at every word. "Ah! Ah! go back to your room and see what is there — in the room of your lover — the little letter from Vernon. She wants you. She wants you. That is because you are so good. She does not want me. No, it is you who must come to see her die. I — I dance at the Carnival!"

Then, suddenly turning on Gethryn with a devilish grin, "You! tell your mistress her mother is dying!" She laughed hatefully, but preserved her pretense of calm, walked to the door, and as she reached it swung round and made an insulting gesture to Gethryn.

"You! I will remember you!"

The door slammed and a key rattled in the next box.

Clinging to Gethryn, Yvonne passed down the long corridor to the vestibule, while Elliott and Rowden silently gathered up the masks and opera glasses. Clifford stood holding her crushed and splintered fan. He looked at Elliott, who looked gloomily back at him, as Braith entered hurriedly.

"What's the matter? I saw something was wrong from the floor. Rex ill?"

"Ill at ease," said Clifford, grimly. "There's a sister turned up. A devil of a sister."

Braith spoke very low. "Yvonne's sister?"

"Yes, a she-devil."

"Did you hear her name?"

"Name's Nina."

Braith went quietly out again. Passing blindly down the lobby, he ran against Mr Bulfinch. Mr Bulfinch was in charge of a policeman.

"Hello, Braith!" he called, hilariously.

Braith was going on with a curt nod when the other man added:

"I've taken it out of Pick," and he stopped short. "I got my two hundred francs worth," the artist of the London Mirror proceeded, "and now I shall feel bound to return you yours — the first time I have it," he ended, vaguely.

Braith made an impatient gesture.

"Are you under arrest?"

"Yes, I am. He couldn't help it," smiling agreeably at the Sergeant de Ville. "He saw me hit him."

The policeman looked stolid.

"But what excuse?" began Braith.

"Oh! none! Pick just passed me, and I felt as if I couldn't stand it any longer, so I pitched in."

"Well, and now you're in for fine and imprisonment."

"I suppose so," said Bulfinch, beaming.

"Have you any money with you?"

"No, unless I have some in your pocket?" said the little man, with a mixture of embarrassment and bravado that touched Braith, who saw what the confession cost him.

"Lots!" said he, cordially. "But first let us try what we can do with Bobby. Do you ever drink a petit verre, Monsieur le Sergeant de Ville?" with a winning smile to the wooden policeman.

The latter looked at the floor.

"No," said he.

"Never?"

"Never!"

"Well, I was only thinking that over on the Corner of the Rue Taitbout one finds excellent wine at twenty francs."

The officer now gazed dreamily at the ceiling.

"Mine costs forty," he said.

And a few minutes later the faithful fellow stood in front of the Opera house quite alone.