автордың кітабын онлайн тегін оқу Round-about Rambles in Lands of Fact and Fancy
ROUND-ABOUT RAMBLES
In Lands of
FACT AND FANCY
BY
FRANK R STOCKTON
NEW EDITION
NEW YORK
CHARLES SCRIBNER'S SONS
1910
Entered according to Act of Congress, in the year 1872,
BY SCRIBNER. ARMSTRONG & CO.,
In the Office of the Librarian of Congress, at Washington.
CONTENTS
page
Winter in the Woods 7 Tricks of Light 10 Saving the Toll 18 The Real King of Beasts 23 The French Soldier-boy 32 A Lively Way to Ring a Bell 34 Down in the Earth 36 The Lion 44 Bob's Hiding-place 49 The Continental Soldier 59 A Judge of Music 61 The Sensitive Plant 64 Sir Marmaduke 66 The Giraffe 69 Up in the Air 73 The Arabian Horse 87 Indian-puddings: Pumpkin-pies 90 Living in Smoke 94 The Cannon of the Palais-Royal 97 Waters, Deep and Shallow 99 Hans the Herb-gatherer 123 Some Cunning Insects 128 A First Sight of the Sea 134 The Largest Church in the World 137 The Soft Place 140 A Few Feathered Friends 146 In a Well 159 A Vegetable Gas Manufactory 163 About Bears 166 An Old Country-house 172 Far-away Forests 177 Building Ships 183 The Orang-Outang 186 Little Bridget's Bath 189 Some Novel Fishing 193 Eagles and Little Girls 203 Climbing Mountains 204 Andrew's Plan 207 The Wild Ass 212 Ancient Riding 215 Beautiful Bugs 217 A Battle on Stilts 220 Drawing the Long Bow 223 An Ancient Theatre 226 Bird Chat 229 Mummies 230 Tame Snakes 240 Gymnastics 243 Buying "the Mirror" 250 Big Game 256 The Bootblack's Dog 268 Going after the Cows 271 The Reflective Stag 274 When we must not Believe our Eyes 277 A City under the Ground 283 The Coachman 297 Geysers, and how they Work 300 A Giant Puff-ball 303 Tickled by a Straw 305 The Light in the Castle 307 The Oak Tree 311 The Sea-side 315 The Sick Pike 319 Two Kinds of Blossoms 322 About Glass 326 Carl 342 School's Out 350 Nest-builders 354 The Boomerang 368LIST OF ILLUSTRATIONS
And now, having talked enough, suppose we start.
When I was a boy, I often used to go to a green-house where there were a great many beautiful and rare plants; but I always thought that the sensitive plant was the most wonderful thing in the whole collection, and I did not know then how susceptible it was to the influence of light. I was interested in it simply because it seemed to have a sort of vegetable reason, and understood that it should shut up its leaves whenever I touched it.
There were in ancient times contrivances for riding which are at present entirely unknown, except among half-civilized nations, and which must have been exceedingly pleasant.
But this state of insensibility was passing away, and they were now in a gentle doze, and sleeping, thinking of the company they were to entertain. For these Cormorants had come to this spot to meet their cousin the Pelican to consult with him on some family matters. Upon their first arrival at the place they had set to work to get together a good supply of fish, for this is the only food of both the Cormorant and the Pelican. In a short time they landed a great number, and bestowed them in a safe place, and then they set to work catching fish for themselves and eating them greedily.
There are three kinds of gymnastics. By the first we take exercise, simply for the sake of the good we gain from it; by the second we combine pleasure with our muscular exertion; and the third kind of gymnastics is practised for the sake of making money.
WILD BOAR.
PAGE
Frontispiece. The Woodcutter 7 The Minstrel on the Wall 10 Tricks in a Church 10 The Dance of Demons 13 Nostradamus 14 The Lion's Head 15 The Theatrical Ghost 16 The Toll-bridge 18 A Royal Procession 22 An Elephant after Him 25 The Dog's Protector 27 An Elephant Nurse 29 Saving the Artillery-man 30 The Gallant Elephant 31 The French Soldier-Boy 32 On a Bell 34 Fishes found in the Mammoth Cave 36 The Bottomless Pit 41 The Lion's Home 43 The Uncaged Lion 44 A Lion's Dinner 46 A Terrible Companion 47 Off to the Kitchen 49 Blind Man's Buff 50 The Story-Teller 52 In the Cellar 54 Handing round the Apples 56 The Drummer of 1776 60 The Continental Soldier 60 The Donkey in the Parlor 61 Sir Marmaduke 66 The Giraffe 70 Above the Clouds 72 The Flying Man 74 The Parachute—shut 75 The Parachute—open 76 Le Flesseles 78 Bagnolet's Balloon 80 Coming down Roughly 80 A Balloon with Sails and Rudders 81 The Minerva 82 Safe Ballooning 84 Driven out to Sea 86 The Arabian Horse 88 In the Cornfield 90 A Big Mosquito 94 Exactly Noon 97 The Spring 99 The Brook 101 The Mill 102 The Cascade 104 The Great River 105 Falls of Gavarni 106 The Falls of Zambesi 108 Niagara 109 Fishing with a Net 110 Fishing with a Spear 111 Sponge-Fishing 113 A Pearl Oyster 114 Divers 115 Rough Water 117 The Iceberg 118 The Storm 119 The Shipwreck 120 Water-Spouts 121 A Bit of Cable 122 Hans, the Herb-Gatherer 123 Patsey 126 A Spider at Home 128 The Ant's Arch 129 The Cock-chafer's Wing 129 The Spider's Bridge 130 The Moth and the Bees 131 Learned Fleas 132 The Pacific 135 St. Peter's at Rome 137 Interior of St. Peter's 138 The Five Young Deer 141 Waking Up 142 Familiar Friends 147 The Pigeon 148 The Dove 149 The Swan 150 The Goose that Led 151 The Goose that Followed 152 The Sensible Duck 154 The Goldfinch 155 The Magpie 156 The Owl 157 Morning Singers 158 In a Well 159 The Fraxinella 163 A Company of Bears 165 The Black Bear 166 The Grizzly Bear 168 The White Bear 170 The Tame Bear 171 An old Country-House 172 Ancient Builders 174 The Pine Forest 176 Tree Ferns 177 Tropical Forest 179 The Giant Trees 181 The Great Eastern 182 The Orang-Outang 186 Bridget and the Fairies 189 Flat-Fish 193 Turbots 194 The Sea-Horse 195 The Cuttle-Fish 196 The Polypier 197 Tunnies 198 The Sword-Fish 200 The Shark 201 The Child and the Eagle 202 Climbing the Mountain 204 Andrew and Jenny 207 Wild Asses 211 The Palanquin 214 The Chariot 216 Transformation of Beetles 218 A Battle on Stilts 220 Drawing the Long Bow 223 The Colosseum 226 The Cormorants 228 The Bittern 229 The Pelican 231 The Hoopoe 232 The Falcon 234 The Mummy 236 The Stand 237 The Coffin 237 The Outside Coffin 238 The Sarcophagus 239 The Tame Snake 240 The Novel Team 241 Youngsters Fighting 242 Throwing the Hammer 243 Throwing the Stone 244 Thomas Topham 245 Venetian Acrobats 247 The Tight-Rope 249 The See-Saw 250 The Wild Boar 256 The Musk-Ox and the Sailor 258 Hunting the Brown Bear 259 A Brave Hippopotamus 261 A Rhinocerus Turning the Table 262 A Tiger-Hunt 264 A Fight with a Gorilla 265 The Boot-black's Dog 268 Going after the Cows 271 The Reflective Stag 275 The Mirage 277 Fata Morgana 280 The Spectre of the Brocken 281 A Narrow Street in Pompeii 283 A Cleared Street in Pompeii 285 The Atrium in the House of Pansa 287 Ornaments from Pompeii 290 A Pompeiian Bakery 292 The Amphitheatre of Pompeii 294 The Coachman 297 The Grand Geyser 300 The Artificial Geyser 302 A Giant Puff-ball 303 Tickled by a Straw 305 The Will-o'-the-Wisp 309 The Oak Tree 311 The Sea-Side 315 The Vessels on Shore 317 The Sick Pike 320 The Blossoms 322 Ice-Blossoms 324 Ice-Flowers 325 Ancient Bead 326 Venetian Bottle 327 German Drinking-Glass 329 Glass Jug 330 Making Bottles 332 Venetian Goblet 333 Modern Goblets 334 The Queen's Mirror 335 Bohemian Goblet 336 French Flagon 339 The Portland Vase 340 The Strange Lady 344 Carl and the Duke 348 The Dominie 351 Wrens' Nests 354 Orioles' Nest 355 Owl's Nests 357 Flamingoes' Nests 359 The little Grebe's Nest 361 The Ostrich-Nest 362 The Stork's Nest 364 A Fish's Nest 366 Throwing the Boomerang 368 The Way the Boomerang Goes 369And now, having talked enough, suppose we start.
This delusion is very simple indeed, and is produced by placing a card-figure on a screen, and throwing shadows from this upon another screen, by means of several lights, held by assistants. Thus each light throws its own shadow, and if the candles are moved up and down, and about, the shadows will dance, jump over each other, and do all sorts of wonderful things. Robertson, and other public exhibitors, had quite complicated arrangements of this kind, but they all acted on the same principle. But all of those who exhibit to the public the freaks of light are not as honest as Mr. Robertson. You may have heard of Nostradamus, who also lived in Paris, but long before Robertson, and who pretended to be a magician. Among other things, he asserted that he could show people pictures of their future husbands or wives. Marie de Medicis, a celebrated princess of the time, came to him on this sensible errand, and he, being very anxious to please her, showed her, in a looking-glass, the reflected image of Henry of Navarre, sitting upon the throne of France. This, of course, astonished the princess very much, but it need not astonish us, if we carefully examine the picture of that conjuring scene.
The mirror into which the lady was to look, was in a room adjoining that in which Henry was sitting on the throne. It was placed at such an angle that her face would not be reflected in it, but an aperture in the wall allowed the figure of Henry to be reflected from a looking-glass, hung near the ceiling, down upon the "magic" mirror. So, of course, she saw his picture there, and believed entirely in the old humbug, Nostradamus.
But there are much simpler methods by which the vagaries of light may be made amusing, and among the best of these are what are called "Chinese shadows." These require a little ingenuity, but they are certainly simple enough. They consist of nothing but a card or paper, upon which the lights of the picture intended to be represented are cut out. When this is held between a candle and a wall, a startling shadow-image may be produced, which one would not imagine to have any connection with the card, unless he had studied the manner in which said card was cut. Here is a picture of a company amusing themselves with these cards. No one would suppose that the card which the young man is holding in his hand bore the least resemblance to a lion's head, but there is no mistaking the shadow on the wall.
The most wonderful public exhibitions of optical illusions have been those in which a real ghost or spectre apparently moves across the stage of a theatre. This has frequently been done in late years, both in this country and Europe. The audiences were perfectly amazed to see a spirit suddenly appear, walk about the stage, and act like a regular ghost, who did not seem to be in the least disturbed when an actor fired a pistol at him, or ran him through with a sword. The method of producing this illusion is well shown in the accompanying picture. A large plate of glass is placed in front of the stage so that the audience does not perceive it. The edges of it must be concealed by curtains, which are not shown in the picture. An actor, dressed as a ghost, walks in front of the stage below its level, where he is not seen by the audience, and a strong electric light being thrown upon him, his reflected image appears to the spectator as if it were walking about on the stage. When the light is put out of course the spirit instantly vanishes.
This boy was one of the attendants of the Duke of Edinburgh, one of Queen Victoria's sons, who was hunting Elephants in Africa. The Elephants which the party were after on that particular day had got out of the sight of the hunters, and this boy, being mounted on a horse, went to look them up. It was not long before he found them, and he also found much more than he had bargained for. He found that one of the big fellows was very much inclined to hunt him and he came riding out of the forest as hard as he could go, with a great Elephant full tilt after him. Fortunately for the boy, the Duke was ready with his gun, and when the Elephant came dashing up he put two balls into his head. The great beast dropped mortally wounded, and the boy was saved. I don't believe that he was so curious about the whereabouts of Elephants after that.
For instance, an Elephant which was on exhibition in this country had a fast and true friend, a little dog. One day, when these animals were temporarily residing in a barn, while on their march from one town to another, the Elephant heard some men teasing the dog, just outside of the barn. The rough fellows made the poor little dog howl and yelp, as they persecuted him by all sorts of mean tricks and ill usage. When the Elephant heard the cries of his friend he became very much worried, and when at last he comprehended that the dog was being badly treated, he lifted up his trunk and just smashed a great hole in the side of the barn, making the stones and boards fly before him.
But few stories are quite as wonderful as that one. We have no difficulty at all in believing the account of the Elephant who took care of a little child. He did not wear a cap and apron, as the artist has shown in the picture, but he certainly was a very kind and attentive nurse. When the child fell down, the Elephant would put his trunk gently around it, and pick it up. When it got tangled among thorns or vines, the great nurse would disengage it as carefully as any one could have done it; and when it wandered too far, the Elephant would bring it back and make it play within proper limits. I do not know what would have been the consequence if this child had behaved badly, and the Elephant had thought fit to give it a box on the ear. But nothing of the kind ever happened, and the child was a great deal safer than it would have been with many ordinary nurses.
One of the most humane and thoughtful Elephants of whom I have ever heard was one which was attached, like our friend Kudabar, to an artillery train in India. He was walking, on a march, behind a wagon, when he perceived a soldier slip down in the road and fall exactly where, in another instant, the hind-wheel of the wagon would pass over him. Without being ordered, the Elephant seized the wheel with his trunk, lifted it—wagon and all—in the air, and held it up until it had passed over the fallen soldier!
A very pretty story is told of an Indian Elephant who was very gallant. His master, a young Burman lord, had recently been married, and, shortly after the wedding, he and his bride, with many of their guests and followers, were gathered together in the veranda, on the outside of his house. The Elephant, who was a great favorite with the young lord, happened to be conducted past the house as the company were thus enjoying themselves. Feeling, no doubt, that it was right to be as polite as possible on this occasion, he put his trunk over a bamboo-fence which enclosed a garden, and selecting the biggest and brightest flower he could see, he approached the veranda, and rearing himself upon his hind-legs, he stretched out his trunk, with the flower held delicately in the little finger at its end, towards the company. One of the women reached out her hand for it, but the Elephant would not give it to her. Then his master wished to take it, but the Elephant would not let him have it. But when the newly-made bride came forward the Elephant presented it to her with all the grace of which he was capable!
At first all will be dark, and then a few stars will twinkle out, and then there will be more of them, and each one will be brighter, and at last you will think you are looking up into a dark sky full of glorious shining stars! And if you look at the walls you will see thousands of stars that seem as if they were dropping from the sky; and if you cast your eyes upon the ground, you will see it covered with other thousands of stars that seem to have already fallen!
And when he has carried his prey to the spot where he chooses to have his dinner, he shows that no beast can surpass him in the meat-eating line. When he has satisfied his hunger on an ox, there is not much left for those who come to the second table. And there are often other Lions, younger and weaker than the one who has provided the dinner, who must wait until their master or father is done before they have a chance to take a bite. But, as you may see by this picture, they do not wait very patiently. They roar and growl and grumble until their turn comes.
Another of their peculiarities is their fear of traps and snares. Very often they will not spring upon an ox or a horse, simply because it is tied to a tree. They think there is some trick when they see the animal is fastened by a rope.
Bob was not a very big boy, but he was a lively little fellow and full of fun. You can see him there in the picture, riding on his brother Jim's back. One evening there happened to be a great many boys and girls at Bob's father's house. The grown-up folks were having a family party, and as they were going to stay all night—you see this was in the country—some of them brought their children with them.
There was a little light on the steps, for Bob did not shut the door quite tightly after him, and if there had been none at all, he would have been quite as well pleased. He was not afraid of the dark, and all that now filled his mind was the thought of getting somewhere where no one could possibly find him. So he groped his way under the steps, and there he squatted down in the darkness, behind two barrels which stood in a corner.
So, of course, Alice and Tom Green did not try to find him, but Bob, who could not see them, thought it was certainly some of the children come down to look for him.
"I wonder," said the little fellow to himself, "if I could find that red-apple barrel in the dark. But then I couldn't tell the red ones from the streakedy ones. But either of 'em would do. I guess I won't try, though, for I might put my hand on a rat. They run about when it's dark. I hope they won't come in this corner. But there's nothin' for 'em to eat in this corner but me, and they ain't lions. I wonder if they'll come down after more cider when that's all drunk up. If they do, I guess I'll come out and let Aunt Alice tell them all where I am. I don't like playin' this game when it's too long."
Those old gentlemen did not look like anything of that sort. Their old arms could hardly manage their old canes; their old legs could just about carry them on a march around the garden, and they were very particular indeed about heat and cold.
The ordinary giraffe measures about fifteen feet from the top of his head to the ground, but some of them have been known to be over sixteen feet high. Most of this height is owing to their long necks, but their fore-legs are also very long. The hind-legs seem much shorter, although, in reality, they are as long as the fore-legs. The legs and neck of the Giraffe are made long so that he can eat the leaves from the tops of young trees. This tender foliage is his favorite diet; but he will eat the foliage from any part of a tree, and he is content with the herbage on the ground, when there is nothing else.
This gentleman had an idea that he could fly by the aid of this ingenious machinery. You will see that his wings are arranged so that they are moved by his legs, and also by cords attached to his arms. The umbrella over his head is not intended to ward off the rain or the sun, but is to act as a sort of parachute, to keep him from falling while he is making his strokes. The basket, which hangs down low enough to be out of the way of his feet, is filled with provisions, which he expects to need in the course of his journey.
Sand is used because it can be emptied out and will not injure anybody in its descent. It would be rather dangerous, if ballooning were a common thing, for the aëronauts to throw out stones and old iron, such as are used for the ballast of a ship. If you ever feel a shower of sand coming down upon you through the air, look up, and you will probably see a balloon—that is, if you do not get some of the sand in your eyes.
It resembles, you see, a closed umbrella without a handle, and it has cords at the bottom, to which a car is attached. If we wish to come down by means of this contrivance, we must descend from the car of the balloon to that of the parachute, and then we must unfasten the rope which attaches us to the balloon. We shall then drop like a shot; but as soon as the air gets under our parachute it will spread open, and our descent will immediately begin to be much more gradual, and if nothing unusual occurs to us, we shall come gently to the ground. This picture shows the manner in which we would come down in a parachute.
But we shall penetrate space no longer in an upward direction. It is time we were going back to the world. We are all very cold, and the eyes and ears of some of us are becoming painful. More than that, our balloon is getting too large. The gas within it is expanding, on account of the rarity of the air.
There were other balloons devised by the early aëronauts, which were still stranger than that one which arose from Dijon. The Minerva, the picture of which you can examine at your leisure, was invented by a Mr. Robertson, in the beginning of this century. He wished to make a grand aerial voyage of several months, with a company of about sixty persons, and therefore he had to have a very large balloon. To procure this he desired the co-operation of the scientific men throughout Europe, and sent plans and descriptions of his projected balloon to all the learned societies.
Everything was to be provided for the safety and convenience of the passengers. Around the upper part of the balloon you will see a platform, with sentries and tents. These soldiers were to be called the "air-marines." There is a small balloon—about the common size—which could be sent off like a small boat whenever occasion required. If any one got tired of the expedition, and wanted to go home, there was a parachute by which he might descend. On the deck of the ship, near the stern, was to be a little church; small houses hung from below, reached by ladders of silk, which were to be used as medicine-rooms, gymnasiums, etc.; and under the ship would hang a great hogshead, as big as a house, which would contain provisions and stores, and keep them tight and dry. There was also a kitchen; and a cannon, with which to fire off salutes, besides a number of guns, which you see projecting from the port-holes of the ship. These, I suppose, were to be used against all enemies or pirates of the air, sea, or land.
If this is ever the case, I hope we may all be living to see it.
When the horse is finally bought and paid for, it had better be taken away as soon as possible, for the Arabs—even those who have no interest whatever in the sale—cannot endure to see a horse which once belonged to their tribe passing into the hands of strangers. And therefore, in order to soothe their wounded sensibilities, they often steal the animal, if they can get a chance, before the buyer carries him out of their reach.
After we have walked a mile or so more, we find that our noisy friend has quieted down very much indeed. It is a little wider, and it may be it is a little deeper, but it flows along very placidly between its low banks. It is doubtful if we should find any trout in it now, but there may be cat-fish and perch, and some sun-fish and eels.
What a delightful thing it would be, on a warm summer evening, to bathe in that deliciously cool water. It is deep enough for a good swim, and, if any of us want a shower-bath, it would be a splendid thing to sit on the rocks and let the spray from the fall dash over us! And there are fish here, I am sure. It is possible that, if we were to sit quietly on the bank and fish, we might soon get a string of very nice perch, and there is no knowing what else. This stream is now just about big enough and little enough to make the character of its fish doubtful. I have known pike—fellows two feet long—caught in such streams as this; and then again, in other small rivers, very much like it, you can catch nothing but cat-fish, roach, and eels.
There is no doubt, however, about the king of cataracts. That is Niagara. If you have seen it you can understand its grandeur, but you can never appreciate it from a written description. A picture will give you some idea of it, but not a perfect one, by any means.
The Indians called these falls "thundering water," and it was an admirable title. The waters thunder over the great precipice, as they have done for thousands of years before we were born, and will continue to do thousands of years after we are dead.
It seems as if the resistless torrent would some day tear away this lonely promontory, as it rushes upon and around it. It is not unlikely that in the course of ages the island may be carried away.
When we mention the subject, of making a living out of the water, we naturally think first of nets, and hooks and lines. It is true that mills, and steamships, and packet-lines, and manufactories, are far more important; but they require capital as well as water. Men fish all over the world, but on some waters vessels or saw-mills are never seen.
But sometimes it will not do for the fisherman to endeavor to draw up the treasures of the deep while he remains at the surface of the water; very often he must go down after them. In this way a great many of the most valuable fisheries are conducted. For instance, the sponge-fishers are obliged to dive down to the very bottom of the water, and tear off the sponges from the rocks to which they fasten themselves. Some of the most valuable sponge-fisheries are on the coast of Syria, and you may here see how they carry on their operations.
If we are upon a large and strong steamer, we may perhaps feel safe enough among the raging waves; but if our vessel be a fishing-boat, or a small pleasure-craft, we have good reason to be afraid Yet many a little sloop like this rides bravely and safely through the storms. But many other little vessels, as strong and as well steered, go to the bottom of the ocean every year. If the sailor escapes severe storms, or sails in a vessel which is so stout and ably managed as to bid defiance to the angry waves, he has other dangers in his path. He may, for instance, meet with icebergs. If the weather is clear and the wind favorable, he need not fear these floating mountains of ice. But if it be night, or foggy, and he cannot see them, or if, in spite of all his endeavors, the wind drives him down upon them, then is his vessel lost, and, in all probability, the lives of all upon it. Sometimes, however, the passengers and crew may escape in boats, and instances have been related where they have taken refuge on the iceberg itself, remaining there until rescued by a passing ship.
A large ship may bravely dare the dangers of an ordinary storm, but nothing that floats on the surface of the water can be safe when a whirlwind passes over the sea, driving everything straight before it Great ships are tossed about like playthings, and strong masts are snapped off as if they had been made of glass.
I have known boys who thought that it would be perfectly delightful to be shipwrecked. They felt certain that they would be cast (very gently, no doubt) upon a desert island, and there they would find everything that they needed to support life and make them comfortable; and what they did not get there they would obtain from the wreck of the ship, which would be lying on the rocks, at a convenient distance from the shore. And once on that island, they would be their own masters, and would not have to go to school or do anything which did not please them.
Sometimes, even when the crew think that they have safely battled through the storm, and have anchored in a secure place, the waves dash upon the vessel with such force that the anchor drags, the masts go by the board, and the great ship, with the hundreds of pale faces that crowd her deck, is dashed on the great rocks which loom up in the distance.
Waterspouts are other terrible enemies of the sailor. These, however dangerous they may be when they approach a ship, are not very common, and it is said that they may sometimes be entirely dispersed by firing a cannon-ball into the midst of the column of water. This statement is rather doubtful, for many instances have been related where the ball went directly through the water-spout without any effect except to scatter the spray in every direction. I have no doubt that sailors always keep as far away from water-spouts as they can, and place very little reliance on their artillery for their safety.
"I am sorry, Dame Martha," said she, "that I have nothing nice for you to-day, but I thought perhaps you would like to have some flowers, as it's Spring-time and you can't go out."
Of all, these wise insects, there is none with more intelligence and cunning than the ant. How many astonishing accounts have we had of these little creatures, who in some countries build great houses, almost large enough for a man to live in; who have a regular form of government, and classes of society—soldiers, workers, gentlemen and ladies; and who, as some naturalists have declared, even have handsome funerals on the occasion of the death of a queen! It is certain that they build, and work, and pursue their various occupations according to systems that are wisely conceived and most carefully carried out.
Some other ants once found a cockchafer's wing, which they thought would be a capital thing to dry for winter, and they endeavored to get it into the entrance of their hill. But it was too big. So they drew it out and made the hole larger. Then they tried again, but the wing was still too wide. They turned it and made several efforts to get it in sideways, and upside down, but it was impossible; so they lifted it away, and again enlarged the hole. But the wing would not yet go in. Without losing patience, they once more went to work, and, after having labored for three hours and a half, they at last had the pleasure of seeing their dried wing safely pulled into their store-room.
Now, to do this, they must show themselves to be engineers of no small ability. Sometimes they fasten one end of a thread to a twig on one side of the stream, and, hanging on the other end, swing over until they can land on the other side. But this is not always possible, for they cannot, in some places, get a chance for a fair swing. In such a case, they often wait until the wind is blowing across the stream from the side on which they are, and, weaving a long line, they let it out until the wind carries it over the stream, and it catches in the bushes or grass on the other side. Of course, after one thread is over, the spider can easily run backward and forward on it, and carry over all the rest of his lines.
But they soon hit upon a plan to save their honey. They blocked up all the doors of the hive with wax, leaving only a little hole, just big enough for one bee to enter at a time. Then the moths were completely dumbfounded, and gave up the honey business in despair.
But when, in the beginning of the sixteenth century, Vasco Nuñez de Balboa stood upon the shore of the Pacific, and gazed over its boundless waters, the sight to him was both grand and mysterious. He saw that a vast sea lay beneath and before him—but that was all he knew. Europeans had not visited it before, and the Indians, who had acted as his guides, knew but little about it. If he had desired to sail across those vast blue waters, Balboa would have had no idea upon what shores he would land or what wonderful countries and continents he would discover.
Its dimensions are enormous. You cannot understand what a great building it is unless you could see it side by side with some house or church with which you are familiar. Several of the largest churches in this country could be stood up inside of St. Peter's without touching walls or roof, or crowding each other in the least.
He dreamed that he saw on the grass beneath the rock where he was lying five fat young deer. Three of them were sisters, and the other two were cousins. They were discussing the propriety of taking a nap on the grass by the river-bank, and one of them had already stretched herself out. "Now," thought the Jaguar in his dream, "shall I wait until they all go to sleep, and then pounce down softly and kill them all, or shall I spring on that one on the ground and make sure of a good supper at any rate?" While he was thus deliberating in his mind which it would be best for him to do, the oldest cousin cocked up her ears as if she heard something, and just as the Jaguar was going to make a big spring and get one out of the family before they took to their heels, he woke up!
What a dreadful disappointment! Not a deer, or a sign of one, to be seen, and nothing living within a mile. But no! There is something moving! It is—yes, it is a big Alligator, lying down there on the rocks! After looking for a few minutes with disgust at the ugly creature, the Jaguar said to himself, "He must have come on shore while I was asleep. But what matters it! An Alligator! Very different indeed from five fat young deer! Ah me! I wish he had not that great horny skin, and I'd see if I could make a supper off of him. Let me see! There is a soft place, as I've been told, about the alligator! If I could but manage and get a grip of that, I think that I could settle old Mr. Hardskin, in spite of his long teeth. I've a mind and a half to try. Yes, I'll do it!"
And there is no doubt but that these are among the very best feathered friends we have. Those hens are liberal with their eggs, and those little chickens that are running around like two-legged puff-balls, are so willing to grow up and be broiled and roasted and stewed, that it would now be almost impossible for us to do without them. Eggs seem to come into use on so many occasions that, if there was to be an egg-famine, it would make itself felt in every family in the land. Not only would we miss them when boiled, fried, and cooked in omelets for breakfast; not only without them would ham seem lonely, puddings and sponge-cakes go into decline, and pound-cake utterly die, but the arts and manufactures of the whole country would feel the deprivation. Merely in the photographic business hundreds of thousands of eggs are needed every year, from which to procure the albumen used in the preparation of photographic paper.
And to do without "chicken" for dinner would seem almost as impossible for some folks. To be sure, we might live along very comfortably without those delightful broils, and roasts, and fricassees, but it would be a great pity. And, if we live in the country, there is no meat which is so cheap and easily procured all the year round as chicken. I wonder what country-people would do, especially in the summer time, when they have little other fresh meat, without their chickens. Very badly, I imagine.
Pigeons are in one respect even more closely associated with man than the domestic fowls, because they live with him as readily in cities as in the country. City chickens always seem out of place, but city pigeons are as much at home as anybody else. There are few houses so small that there is not room somewhere for a pigeon-box, and there are no roofs or yards so humble that the handsomest and proudest "pouters" and "tumblers" and "fan-tails" will not willingly come and strut and coo about them as long as they receive good treatment and plenty of food.
The doves are such near relations of the pigeons that we might suppose they would resemble them in their character as much as in appearance. But they are not very much alike. Doves are not ambitious; they don't pout, or tumble, or have fan-tails. As to carrying messages, or doing anything to give themselves renown, they never think of it. They are content to be affectionate and happy.
I suppose we all have some friends whom we are always glad to see, even if they are of no particular service to us. And this is right; we should not value people's society in exact proportion to what we think we can get out of them. Now, the swan is a feathered friend, and a good one, but I must say he is of very little practical use to us. But there is something more to be desired than victuals, clothes, feather-beds, and Easter-eggs. We should love the beautiful as well as the useful. Not so much, to be sure, but still very much. The boy or man who despises a rose because it is not a cabbage is much more nearly related to the cows and hogs than he imagines. If we accustom ourselves to look for beauty, and enjoy it, we will find it, after awhile, where we never supposed it existed—in the caterpillar, for instance, and in the snakes. There is beauty as well as practical value in almost everything around us, and we are not the lords of creation that we suppose we are, unless we are able to see it.
When they reached the church, the goose would lead his mistress to her seat and then go outside and eat grass until the services were over. When the people began to come out the goose would go in, and, taking the old woman in charge, would lead her home. At other times also he was the companion of her walks, and her family knew that old blind Grandmother was all right if she had the goose with her when she went out.
We have also friends among the feathered tribes, who are not quite so intimate and sociable as those to which we have already alluded, but which still are very well deserving of our friendship and esteem. For instance, what charming little companions are the canary-birds! To be sure, they would not often stay with us, if we did not confine them in cages; but they seem perfectly at home in their little wire houses, and sing and twitter with as much glee as if they were flying about in the woods of their native land—or rather, of the native land of their forefathers, for most of our canary-birds were born in the midst of civilization and in cages.
There are some birds, however, no bigger than canaries, which seem to have an attachment for their masters and mistresses, and which do not need the restraint of a cage. There was once a gold-finch which belonged to a gentleman who lived in a town in Picardy, France, but who was often obliged to go to Paris, where he also had apartments. Whenever he was obliged to go to the great city, his gold-finch would fly on ahead of him, and, arriving there some time in advance of the carriage, the servants would know that their master was coming, in time to have the rooms ready for him. And when the gentleman drove up to the door he would generally see his little gold-finch sitting on the finger of a cook or a chamber-maid, and twittering away as if he was endeavoring to inform the good people of all the incidents of the journey.
It may not be supposed, by some, that the owl is a friend of mankind, and I am perfectly willing to admit that very often he acts very much like an enemy, especially when he kills our young chickens and turkeys. But for all that, he has his good points, and very often behaves in a commendable manner. If you have a barn or a house that is overrun with mice, there is nothing that will be more certain to drive them out than an owl. And he will not be so apt to steal your milk or kill your canary as many of the cats which you have taken into your family without a recommendation.
We once had an owl living in our house. He belonged to my young brother, who caught him in a trap, I believe. All day long, this solemn little fellow (for he was a small brown one), would sit on the back of a chair, or some such convenient place, and if any of us came near him, he would turn his head and look at us, although he could not see very well in the day-time; and if we walked behind him, or on different sides of him, he would always keep his eyes on us, turning his head around exactly as if it was set on a pivot.
I think that these little warblers and twitterers, who fill the air with their songs and frolic about on the trees and bushes, who build their nests under our eaves and in any little box that we may put up for them, who come regularly back to us every spring, although they may have been hundreds of miles away during the cold weather, and who have chosen, of their own accord, to live around our houses and to sing in our trees and bushes, ought to be called our friends, as much as the fowls in our poultry-yards.
Washington Irving tells of a hunter who accidentally fell into a deep hole, out in the prairies, and he tumbled right on top of a great grizzly bear! How the bear got down there is not stated, and I don't suppose the hunter stopped to inquire. A fight immediately commenced between these two involuntary companions, and after a long struggle, in which the man had an arm and leg broken, and was severely bitten and torn besides, he killed the bear.
There were three of these sailors, however, who were too brave to stay there and see a bear devouring the bodies of their friends, and they returned to the island.
After these stories, I think that we will all agree that when we meet a procession of bears, be they black, white, or grizzly, we will be very wise to give them the right of way, and to endeavor to drive from our minds, as far as possible, such ideas of the animals as we may have derived from those individuals which we have seen in rural menageries, nimbly climbing poles, or sedately drinking soda-water.
It is very likely, indeed, that it was built, under the supervision of an architect, by his own slaves, and that the materials came from his own estates. But he may, of course, have spent large sums on its decoration and furniture, and it is very probable, judging from the outside of his house, that he did so. Some of those old Egyptians were most luxurious fellows.
Here are ferns as large as trees—great masses of flowers that seem as if a whole garden had been emptied down before us—vast wildernesses of green, which we know extend for miles and miles, and which, although apparently so thick and impenetrable, are full of all kinds of life, vegetable and animal. The trees are enormous, but many of them are so covered with vines and creepers that we can scarcely distinguish the massive trunks and luxuriant foliage. Every color is here, rich green, royal purple, red, yellow, lilac, brown, and gray. The vines, which overrun everything, are filled with gorgeous flowers, and hang from the branches in the most graceful forms. Monkeys chatter among the trees, beautiful parrots fly from limb to limb, butterflies of the most gorgeous hues flutter about the grass-tops and the leaves near the ground, and on every log and trunk are myriads of insects, lizards and little living things of endless varieties, all strange and wonderful to us.
But we shall not find it easy to walk through all these beauties. As I said before, we shall often be obliged to cut a path with our hatchets, and even then we may be unable to penetrate very far into this jungle of beauties. The natives of these countries, when they are compelled to pass through these dense forests, often take to the small streams and wade along in the water, which is sometimes up to their shoulders, occasionally finding shallower places, or a little space on the banks where they can pick their way along for a few hundred yards before they are obliged to take to the stream again.
But there are some fish which would not only gratify but astonish most of us, if we could be so fortunate as to pull them out of the water. For instance, here are some fish with both their eyes on one side of their heads.
These are Turbots, and are accounted most excellent eating. They resemble, in their conformation but not in their color, our flounders or flat-fish, which some of you may have caught, and many of you have eaten. These fish lie on one side, at the very bottom of the water in which they live, and consequently one eye would be buried in the mud and would be of no use, if they were formed like common fish. But as their enemies and their food must come from above them, they need both their eyes placed so that they can always look upwards. In the picture at the head of this article, you will see some Soles lying together at the bottom. These are formed in the same way. They are white on one side, which is always down except when they are swimming about, and a very dark green on the other, so that they can scarcely be distinguished from the mud when they are lying at the bottom. The Turbot, however, as you see, is very handsomely spotted.
This is a Hippocampus, or sea-horse. He is a little fellow, only a few inches in length, but he is certainly a curiosity. With a head and neck very much like those of a horse, he seems to take pleasure in keeping himself in such a position as will enable him to imitate a high mettled charger to the greatest advantage. He curves his neck and holds up his head in a manner which few horses adopt, unless they are reined up very tightly. I have seen these little fellows in aquariums, and have always regarded them as the most interesting of fishes.
This fellow you will probably recognize as the Cuttle-fish. Some persons call it the Devil-fish, but the name is misapplied. The Devil-fish is a different kind of a sea monster. But the Cuttle-fish is bad enough to have the very worst name that could be bestowed upon him. Those great arms, which sometimes grow to a length of several feet, he uses to wrap around his prey, and they are strong and tough. He has two eyes and a little mouth, and is about as pugnacious a fish as is to be found anywhere. If I should ever haul a Cuttle-fish into my boat, I think I should feel very much like getting out, no matter how deep the water might be.
But while we are hauling strange things up from the deep, suppose we take something that is not exactly a fish, but which is alive and lives in the water. What do you think of a living thing like this?
Some of the fishers that live in the sea are terrible fellows, and are by no means content with such small game as herring. The Sword-fish, for instance, always appears to prefer large victims, and he has such strong tastes of that kind, that he has been known to attack ships, driving his long sword clean through the bottom of the vessel. But he generally comes off second best on such occasions, for his sword is very often broken off and left sticking fast in the thick hull.
The Shark, as you all know, is the most ferocious and dangerous of all the fishers in the sea. He considers anything suitable for a meal which will go into his mouth; he will eagerly snap at a man, a mouse, or even a tin coffee-pot, or a band-box. So savage and relentless is this "tiger of the sea" as he is sometimes called, that it is gratifying to think that he occasionally goes out fishing and gets caught himself. Many instances have been related of natives of the Pacific Islands, who are accustomed to bathe so much in the ocean that they swim almost like fishes themselves, who have successfully given battle to Sharks which have pursued them. The Shark is unable, from the peculiar formation of his mouth, to seize the man, unless he can turn partially over. Therefore the man takes care to keep below the Shark, and a few stabs with his long knife are generally sufficient to finish the combat, and to slay the monster.
Riding in these chariots was not a very great luxury, especially to those who were not accustomed to that kind of carriage exercise. There were no seats, nor any springs. The riders were obliged to stand up, and take all the bumps that stones and roots chose to give them, and as they generally drove at full speed, these were doubtless many and hard. There was in general no back to these Chariots, and a sudden jerk of the horses would shoot the rider out behind, unless he knew how to avoid such accidents.
But all this should not make us despise the bugs any more than they deserve, particularly as they are just as beautiful as the birds, if we only look at them in the right way. A microscope will reveal beauties in some of the commonest insects, which will positively astonish those who have never before studied bugs as they ought to be studied. The most brilliant colors, the most delicate tracery and lace-work over the wings and bodies; often the most graceful forms and beautifully-contrived limbs and bodies and wing-cases and antennæ, are to be seen in many bugs when they are placed beneath the glasses of the microscope.
Our two Cormorants opened their eyes when they heard a slight splashing in the water. Something was about to invade their retreat. They had not long to wait. Slowly into the stream waded a Bittern. Seeing the Cormorants there he stopped; and, drawing himself up into as small a compass as possible, he sunk his head in his shoulders, and nothing could be seen of his long neck, while his bill was thrust up in the air as if he cared nothing for his neighbors or their affairs. The Cormorants heartily wished he would go away, and they kept their eyes open and watched him, for fear he would spy the fish they had carefully hidden in the wet grass, for the Bittern also lives on fish. So the Cormorants winked and blinked, and thought how different the Bittern looked when on the alert for his prey, or calling his mate.
Neither the Hoopoe nor Pelican had ever before seen him, but the Cormorants knew him very well. He was the Peregrine Falcon. And they knew him because, like them, he chose rocky ledges, high and inaccessible, for his nest. And although his nests were usually on loftier crags than theirs, they were quite neighborly, especially as they did not chase the same prey, the Cormorants drawing theirs from the sea, and the Falcons finding theirs in the air.
When we consider the care and skill with which the dead Egyptians used to be embalmed and encased in their sarcophagi, it is not surprising that their poor bodies have been so well preserved. At the head of this article you see a mummy as it appears when it has been embalmed and wrapped in its bandages. Here is the stand on which it is then placed.
This coffin was very handsomely ornamented, and then, in order to make everything very secure indeed, it was enclosed in another or exterior coffin, which was also decorated in the highest style known to Egyptian artists.
Then, if the inmate had ever done anything wonderful (or sometimes, no doubt, if he had not been famous for anything in particular), the history of his great achievements, real or fancied, was sculptured on the stone. These hieroglyphics have been deciphered in several instances, and we have learned from them a great deal of Egyptian history.
A French writer relates that he knew a lady who had a snake which was so tame that it came when it was called, followed its mistress about, climbed up into her lap, and gave many signs of knowing and liking her. It would even swim after her when she threw it into the water from a boat. But this last feat proved fatal to it, for once swimming thus and endeavoring to keep up with the boat, the tide became too strong for it, and it was carried away and drowned.
There are three kinds of gymnastics. By the first we take exercise, simply for the sake of the good we gain from it; by the second we combine pleasure with our muscular exertion; and the third kind of gymnastics is practised for the sake of making money.
Out-door sports differ very much in different countries. In the United States the great game is, at present, base-ball; in England cricket is preferred, and Scotland has athletic amusements peculiar to itself In the latter country a very popular game among the strong folks is called "throwing the hammer."
Another game, very much of this order, consists in tossing a heavy stone, instead of a hammer. The Scotch call this game "putting the stone," sometimes using stones that might be called young rocks, and they "put" or throw them in a different way from the people of other countries where the game is popular. In some of the mountainous regions of the continent of Europe the game is played in the manner shown in the accompanying engraving.
He had a platform built for this performance, which was constructed in such a way that he could use the whole power of his body and limbs. In this feat, however, he has been surpassed by Dr. Winship, of Boston, who has lifted, in public, heavier weights than Topham ever attempted.
One of the most popular, and at the same time dangerous, of all public gymnastic exhibitions, is that of rope-walking, and most marvellous feats on the tight-rope have been performed in many parts of the world. Even in Greece and Rome, men practised this form of gymnastics. In later days no one has become more famous than Blondin, who crossed the Niagara River on a tight-rope, performing all sorts of eccentric feats while balanced on his slender support. He carried a man over on his shoulders; he wheeled a wheelbarrow across; he walked the rope blindfolded, and did many other things which would be very difficult to most people, even if they were standing on solid ground instead of being poised on a slender rope stretched high above the waters of a rapid river. In this country, however, the taste for out-door and dangerous rope-walking is not so general as it is in some countries of Europe, where it is quite common to see acrobats walking on ropes stretched from the top of one high building, or steeple, to another. In Venice, for instance, rope-dancers have often skipped and played on ropes reaching from the summits of two of the loftiest towers of that beautiful city.
WILD BOAR.
In the fall and winter the flesh of the musk-ox is very good indeed, but in the spring it is not so nice. It then smells like your sister's glove-box (if she uses musk), only about one hundred times as strong. If we were to cut up one of these animals when his flesh is in this condition, we would find it almost impossible to get the smell off of our knives. The winter is certainly the time to shoot this game, for then not only is his flesh very good, but his skin is covered with very long and warm hair, and we would find it even better, to keep us warm, than a buffalo robe.
So now for a brown bear. He, too, is found in the regions of ice and snow, and in the North of Europe he is hunted by the peasants in a way which we will not imitate. When they find a den or cave in the rocks in which they think a bear is concealed, these sturdy hunters make all sorts of noises to worry him out, and when at last the bear comes forth to see what is the matter, he finds a man standing in front of his den, armed with a short lance with a long sharp head, and a bar of iron placed crosswise on the handle just below the head. Now, a full-grown brown bear is not afraid of a man who is armed with a little weapon like this, and so he approaches the hunter, and rearing on his hind legs, reaches forth his arms to give the man a good hug, if he comes any nearer.
The hippopotamus is naturally a timid animal, and seldom turns on its hunters, but sometimes it shows a courageous disposition. Some hunters, having shot a young but apparently a tolerably well-grown hippopotamus, were running up to their prize, when they were astounded by the old mother beast coming up out of the water and charging towards them with tremendous roars.
If, during our night-watches on the river-banks, we are so fortunate as to shoot a hippopotamus, we shall find that we have a good supply of very fine meat And what we cannot eat the natives will be delighted to get. They consider a hippopotamus a most valuable prize, and as the meat is good and there is so very much of it, their joy when they kill one is not at all surprising. The only thing that troubles them after a successful hunt is that there are so few hippopotami killed, and so many negroes to eat them.
There is no animal more graceful in its movements, handsomer in shape and color, or more bloody and ferocious in its nature, than the Royal Bengal tiger. Even in a cage he is a magnificent creature. When I go to a menagerie, I always look first for the Bengal tigers.
When we are well in the jungle, we must be careful. It is sometimes very difficult to see a tiger, even if you are quite near to him, for the stripes on his skin are very much like the reeds and leaves of the jungle, and we must keep a very sharp look-out, and as soon as we see one we must be ready with our rifles, for a tiger is very apt to begin the fight, and he will think nothing of springing on the back of an elephant and dragging one of us to the ground. Sometimes the elephants are not used to hunting tigers, and when they see the savage beasts they turn and run. In that case there is often great danger, for no one can fire coolly and with certain aim from the back of a bounding elephant.
Therefore it is that, when he is hunted, he avoids running through thick bushes, where his scent would remain on the foliage; and, if possible, he dashes into the water, and runs along the beds of shallow streams, where the hounds often lose all trace of him. When this is impossible, he bounds over the ground, making as wide gaps as he can between his tracks. Sometimes, too, he runs into a herd of cattle, and so confuses the dogs; and he has been known to jump up on the back of an ox, and take a ride on the frightened creature, in order to get his own feet partly off of the ground for a time, and thus to break the line of his scent. When very hard pressed, a stag has suddenly dropped on the ground, and when most of the dogs, unable to stop themselves, dash over him, he springs to his feet, and darts off in an opposite direction.
People used to believe in a fairy called Fata Morgana. Wonderful things were said of her, and her dominions were in the air, where she had large cities which she sometimes amused herself by turning into a variety of shapes. The cities were often seen by dwellers on the Mediterranean sea-coast. Sometimes one of them would be like an earthly city, with houses and churches, and nearly always with a background of mountains. In a moment it would change into a confused mass of long colonnades, lofty towers, and battlements waving with flags, and then the mountains reeling and falling, a long row of windows would appear glowing with rainbow colors, and perhaps, in another instant, all this would be swept away, and nothing be seen but gloomy cypress trees.
These things can be seen now occasionally, as of old, but they are no longer in Fairyland. Now we know that they are the images of cities and mountains on the coast, and the reason they assume these fantastic forms is that the layers of air through which the rays of light pass are curved and irregular.
The excavations are conducted in this manner. Among the trees, and in the cultivated fields there can be traced little hillocks, which are pretty regular in form and size. These indicate the blocks of houses in the buried city, and, of course, the streets run between them. After the land is bought from the owners, these streets are carefully marked out, the vines are cleared away, the trees cut down, and the digging out of these streets is commenced from the top. The work is carried on pretty steadily at present, but it is only within the last few years that it has been conducted with any degree of enterprise and skill.
Vesuvius, the volcano so near them, but which had been silent so many years that they had ceased to dread it, suddenly woke into activity, and threw out of its summit a torrent of burning lava and ashes, and in a few short hours buried the two cities of Herculaneum and Pompeii so completely that two centuries after no one could tell the precise place where they had stood, and men built houses and cultivated farms over the spot, never dreaming that cities lay beneath them.
A bronze statuette of a Dancing Faun, with head and arms uplifted; every muscle seems to be in motion, and the whole body dancing. Another of a boy with head bent forward, and the whole body in the attitude of listening. Then there is a fine group of statuary representing the mighty Hercules holding a stag bent over his knee; another of the beautiful Apollo with his lyre in his hand leaning against a pillar. There are figures of huntsmen in full chase, and of fishermen sitting patiently and quietly "waiting for a bite." A very celebrated curiosity is the large urn or vase of blue glass, with figures carved on it in half relief, in white. (For the ancients knew how to carve glass.) These white figures look as if made of the finest ivory instead of being carved in glass. They represent masks enveloped in festoons of vine tendrils, loaded with clusters of grapes, mingled with other foliage, on which birds are swinging, children plucking grapes or treading them under foot, or blowing on flutes, or tumbling over each other in frolicsome glee. This superb urn, which is like nothing we have nowadays, is supposed to have been intended to hold the ashes of the dead. For it was a custom of ancient days to burn the bodies of the dead, and place the urns containing their ashes in magnificent tombs.
Lovely and graceful as were these pictures, the floors of the houses are much more wonderful. They are marvels of art. Not only are flowers and running vines and complicated designs there laid in mosaics, but pictures that startle with their life-like beauty. There are many of these, but perhaps the finest of all is the one found in the same house with the Dancing Faun. It represents a battle. A squadron of victorious Greeks is rushing upon part of a Persian army. The latter are turning to flee. Those around the vanquished Persian king think only of their safety, but the king, with his hand extended towards his dying general, turns his back upon his flying forces, and invites death. Every figure in it seems to be in motion. You seem to hear the noise of battle, and to see the rage, fear, triumph, and pity expressed by the different faces. Think of such wonderful effects being produced by putting together pieces of glass and marble, colored enamel, and various stones! But, leaving all these beauties, and descending to homely everyday life, we will go into a bakery. Here is one in a good state of preservation.
The seats arose from this arena, tier above tier. There were three divisions of them, separating the rich from the middle class, and these again from the slaves. It was well arranged for the comfort of the audience, having wide aisles and plenty of places of exit. The whole was covered with an awning. In the wall around the arena are the holes where thick iron bars were inserted as a precaution against the bounds of the panthers. To the right of the principal entrance are two square rooms with gratings where the wild beasts were kept. This amphitheatre would hold twenty thousand persons!
Water having gradually accumulated in vast underground crevices and cavities, is heated by the fires, which, in volcanic regions, are not very far from the surface of the earth. If there is a channel or tube from the reservoir to the surface, the water will expand and rise until it fills the basin which is generally found at the mouth of hot springs. But the water beneath, being still further heated, will be changed into steam, which will at times burst out with great force, carrying with it a column of water high into the air. When this water falls back into the basin it is much cooler, on account of its contact with the air, and it cools the water in the basin, and also condenses the steam in the tube or channel leading from the reservoir. The spring is then quiet until enough steam is again formed to cause another eruption. A celebrated German chemist named Bunsen constructed an apparatus for the purpose of showing the operations of Geysers. Here it is.
"Why, it's only a Jack-o'-lantern!" said Hubert. "Let's go home, Hulda."
The doctor now stooped to examine it, and to his surprise the fish remained perfectly quiet in his hands. He found that the skull was fractured and one eye was injured by the violence with which the fish had struck the post. With a silver tooth-pick (he had not his instruments with him) the doctor arranged the broken portion of the pike's skull, and when the operation was completed he placed the fish in the water. For a minute or two the Pike seemed satisfied, but then it jumped out of the water on to the bank again. The doctor put the fish back, but it jumped out again, and repeated this performance several times. It seemed to know (and how, I am sure I have not the least idea) that that man was a doctor, and it did not intend to leave him until it had been properly treated—just as if it was one of his best patients.
The birds that are flying among the branches do not think much about the apples that are to come, I reckon, and neither do the early butterflies that flutter about, looking very much like falling blossoms themselves. And, for that matter, we ourselves need not think too much about the coming apple crop. We ought sometimes to think of and enjoy beauty for its own sake, without reference to what it may do in the future for our pockets and our stomachs.
These curious formations, some of which appear like stars, others like very simple blossoms, while others are very complex; and some of which take the form of fern-leaves, are caused to appear in the centre of a block of ice by means of concentrated rays of lights which are directed through the ice by means of mirrors and lenses. Sometimes they are observed by means of a magnifying-glass, and in other experiments their images are thrown upon a white screen.
Here you see the bead, and the funny little pictures on it. The pictures mean this: "The good Queen Ramaka, the loved of Athor, protectress of Thebes." This Queen Ramaka was the wife of a king who reigned in Thebes more than three thousand years ago, which is certainly a very long time for a little glass bead to remain unbroken! The great city of Thebes, where it was made, has been in ruins for hundreds of years. No doubt this bead was part of a necklace that Queen Ramaka wore, and esteemed as highly as ladies now value their rubies. It was found in the ruins of Thebes by an Englishman.
In almost any part of the world to which you may chance to go you will find Silica. You may not know it by that name, but it is that shining, flinty substance you see in sand and rock-crystal. It is found in a very great number of things besides these two, but these are the most common.
The old Egyptians made glass bottles, and so did the early Romans, and used them just as we do for a very great variety of things. Their wine-bottles were of glass, sealed and labelled like ours. We might suppose that, having once had them, people would never be without glass bottles. But history tells a different story. There evidently came a time when glass bottles vanished from the face of the earth; for we read of wooden bottles and those of goat-skin and leather, but there is no mention of glass. And men were satisfied with these clumsy contrivances, because in process of time it had been forgotten that any other were ever made.
This is how glass bottles, vases, etc., are made. When the substances mentioned above are melted together properly, a man dips a long, hollow iron tube into a pot filled with the boiling liquid glass, and takes up a little on the end of it. This he passes quickly to another man, who dips it once more, and, having twirled the tube around so as to lengthen the glass ball at the end, gives it to a third man, who places this glass ball in an earthen mould, and blows into the other end of the tube, and soon the shapeless mass of glass becomes a bottle. But it is not quite finished, for the bottom has to be completed, and the neck to have the glass band put around it. The bottom is finished by pressing it with a cone-shaped instrument as soon as it comes out of the mould. A thick glass thread is wound around the neck. And, if a name is to be put on, fresh glass is added to the side, and stamped with a seal.
I will now show you an old Venetian goblet, but you will have to handle it very carefully, or you will certainly break off one of the delicate leaves, or snap the stem of that curious flower.
And now we will look at some goblets intended for use. They are of modern manufacture, and are plain and simple, but have a beauty of their own. The right-hand one is of a very graceful shape, and the one in the middle is odd-looking, and ingeniously made with rollers, and all of them have a transparent clearness, and are almost as thin as the fragile soap-bubbles that children blow out of pipe-bowls. They do not look unlike these, and one can easily fancy that, like them, they will melt into air at a touch.
Because the ancients by some means discovered that the union of silica, lime, and soda made a perfectly transparent and hard substance it by no means follows that they knew how to make looking-glasses For this requires something behind the glass to throw back the image. But vanity is not of modern invention, and people having from the beginning of time had a desire to look at themselves, they were not slow in providing the means.
But even after the comparatively cheap process of founding came into use, looking-glasses were very expensive, and happy was the rich family that possessed one. A French countess sold a farm to buy a mirror! Queens had theirs ornamented in the most costly manner. Here is a picture of one that belonged to a queen of France, the frame of which is entirely composed of precious stones.
It seems almost a pity that so much time and labor, skill and genius should be given to a thing so easily broken. And yet we have seen that a good many glass articles have been preserved for centuries. The engraving on the Bohemian goblet is ingenious, and curious, and faithful in detail, but the flowers on this modern French flagon are really more graceful and beautiful.
About four hundred years ago there was found in a marble coffin, in a tomb near Rome, a glass vase which is now famous throughout the world. There is good reason for supposing it to have been made one hundred and thirty-eight years before Christ, consequently it is now about two thousand years old. For many years this was in the Barberini palace in Rome, and was called the Barberini Vase. Then it was bought by the Duchess of Portland, of England, for nine thousand dollars, and since then has been known as the Portland Vase.
One evening when they arrived at home, they found in their humble little cottage one of the gay-looking cavaliers they had sometimes seen on the forest road, and with him was a very beautiful lady. Old Nurse Heine was getting the spare room ready by beating up the great feather bed, and laying down on the floor the few strips of carpet they possessed. Their father was talking with the strangers, and he told them that Carl and Greta were his children; but they took no notice of them, for they were completely taken up with each other, for the gentleman, it appeared, was going away, and to leave the lady there. Carl greatly admired this cavalier, and had no doubt he was the noblest-looking man in the world, and studied him so closely that he would have known him among a thousand. Presently the forester led his children out of the cottage, and soon after the cavalier came out, and springing upon his horse, galloped away among the dark pines.
Carl was somewhat afraid of the horse, for he was not used to such a high-mettled steed; but, on the whole, he was glad he was mounted on it. For if the woods had seemed lonely in the daylight they were ten times more so in the night. And the noises seemed more fearful than before. And Carl thought if any furious beast or robber should dart upon him, he could make the horse carry him swiftly away. As it was he let the horse do as he pleased, and as Carl sat quietly and did not worry him in any way, he pleased to go along very smoothly, and rather slowly, so it was past midnight when they reached home.
What a welcome and joyful sound! In the winter, when the days are short, and the sun, near the end of the six school hours, sinks so low that the light in the room grows dim and gray, with what impatience, my dear child, do you wait for this signal! But it is in the long summer days that you find school most tiresome. The air in the room is hot and drowsy, and outside you can see there is a breeze blowing, for the trees are gently tossing their green boughs as if to twit you with having to work out sums in such glorious weather. And there come to your ears the pleasant sounds of the buzzing of insects and twittering of birds, and the brook splashing over the stones. Then the four walls of the school-room look very dreary, and the maps glare at you, and the black-boards frown darkly, and the benches seem very hard, and the ink-bespattered desks appear more grimy than ever.
The Wren, although a very common little bird with us, does not build a common nest. She makes it round, like a ball, or a woolly orange, with a little hole at one side for a door. Inside, it is just as soft and comfortable as anything can be. Being such a little bird herself, she could not cover and protect her young ones from cold and danger so well as the larger cat-birds and robins, and her nest is contrived so that there will not be much covering to do.
But, for all the apparent security of this nest, so deep, so warm, so firmly secured to the twigs and branches, the little orioles are not entirely safe. Their mother may protect them from rain and cold; from winged enemies and creeping serpents, but she cannot defend them against the attacks of boys and men. An oriole's nest is such a curious structure, and the birds are known to be of such fine form and gorgeous plumage, that many boys cannot resist the temptation of climbing up after them and, if there are young ones within, of carrying the whole affair away in order to try and "raise" the young birds. Sometimes the nest is put in a cage, where the old bird can come and feed its young, and in other cases the captor undertakes to do the feeding himself. I have seen experiments of this kind tried, but never knew the slightest success to follow them, and the attempt, generally useless, is always cruel.
There is a bird—and it is a Flamingo—which builds a nest which looks to me as if it must be very unpleasant to sit upon. And yet it suits the bird very well. In fact, on any other kind of a nest, the flamingo might not know what to do with its legs.
It seems to me that these birds must have a very pleasant time during the setting season. To start out some fine morning, after it has had its breakfast of bugs and things, to gently push its nest from shore; to jump on board; to sit down comfortably on the eggs, and sticking out its web-footed legs on each side, to paddle away among the water-lilies and the beautiful green rushes, in company with other little grebes, all uniting business and pleasure in the same way, must be, indeed, quite charming to an appreciative duck.
A pair of storks will select, as a site for their nest, a lofty place among the rocks; the top of some old ruins; or, when domesticated, as they often are, the top of a chimney. But when there are a number of storks living together in a community, they very often settle in a grove of tall trees and build their nests on the highest branches.
That is true. I did say so, and this next one is not a bird's nest but a fish's nest.
And yet there is nothing at all wonderful in the appearance of the real boomerang. It is simply a bent club, about two feet long, smooth on one side and slightly hollowed out on the other. No one would imagine, merely from looking at it, that it could behave in any way differently from any other piece of stick of its size and weight.
PREFACE
Come along, boys and girls! We are off on our rambles. But please do not ask me where we are going. It would delay us very much if I should postpone our start until I had drawn you a map of the route, with all the stopping-places set down.
We have far to go, and a great many things to see, and it may be that some of you will be very tired before we get through.
If so, I shall be sorry; but it will be a comfort to think that none of us need go any farther than we choose.
There will be considerable variety in our rambles. We shall walk about familiar places, and we shall explore streets and houses that have been buried for centuries. We shall go down deep into the earth, and we shall float in a balloon, high up into the air. We shall see many beasts of the forest; some that are bloody and cruel, and others that are gentle and wise. We will meet with birds, fishes, grand old buildings, fleas, vast woods, bugs, mummies, snakes, tight-rope dancers, gorillas, will-o'-the-wisps, beautiful blossoms, boomerangs, oceans, birds' nests, and I cannot tell you what all besides. We will also have some adventures, hear some stories, and have a peep at a fairy or two before we are done.
I shall not, however, be able to go with you everywhere. When you are enjoying a "Bird Chat;" "Buying the Mirror;" learning when "We must not Believe our Eyes;" visiting "A City under the Ground;" hearing of "The Coachman's" troubles; sitting under "The Oak-tree;" finding out wonderful things "About Glass;" watching what happens when "School's Out;" or following the fortunes of "Carl," your guide will be a lady, and I think that you will all agree that she knows very well where she ought to go, and how to get there. The rest of the time you will be with me.
And now, having talked enough, suppose we start.
WINTER IN THE WOODS
What can be more delightful, to a boy of spirit, than a day in the woods when there has been a good snow! If he also happens to have a good friend or two, and some good dogs (who are just as likely to be friends as his boy-companions), he ought to be much happier than an ordinary king. A forest is a fine place at any time, but when the ground is well covered with snow—especially if there is a hard crust upon it—the woods seem to possess a peculiar charm. You can go anywhere then.
In the summer, the thick undergrowth, the intertwining vines, and the heavy lower branches of the trees, make it difficult even to see into the dark recesses of the forest. But in the winter all is open. The low wet places, the deep holes, the rotten bogs, everything on the ground that is in the way of a good run and a jump, is covered up. You do not walk a hundred yards under the bare branches of the trees before up starts a rabbit, or a hare, if you would rather call him by his right name,—and away go the dogs, and away you go—all of you tearing along at the top of your speed!
But poor Bunny has a small chance, when a hard snow is on the ground. His hiding-places are all covered up, and before he knows it the dogs have caught him, and your mother will have stewed rabbit for supper. It seems a hard fate for the poor little fellow, but he was born partly for that purpose.
When you have caught your rabbit, and come back to where the men are cutting wood, you will be just as proud to tell the boy who is cutting up the branches all about your splendid hunt, as if you had chased and killed a stag.
"There's where we started him!" you will cry, "and away he scudded, over there among the chestnuts, and Rover right at his heels, and when we got down there to the creek, Rover turned heels-over-head on the ice, he was going so fast; but I gave one slide right across, and just up there, by the big walnut, the other two dogs got him!"
That boy is almost as much excited as you are, and he would drop his axe in one minute, and be off with you on another chase, if his father were not there.
And now you find that you have reached the wood-cutters exactly in time, for that great tree is just about to come down.
There go the top-branches, moving slowly along through the tops of the other trees, and now they move faster, and everything begins to crack; and, with a rush and a clatter of breaking limbs, the great oak comes crashing down; jarring the very earth beneath your feet, and making the snow fly about like a sparkling cloud, while away run the dogs, with their tails between their legs.
The tree is down now, and you will want to be home in time for dinner. Farmer Brown's sled has just passed, and if you will cut across the woods you can catch up with him, and have a ride home, and tell him all about the rabbit-hunt, on the way.
If it is Saturday, and a holiday, you will be out again this afternoon, with some of the other boys, perhaps, and have a grand hunt.
Suppose it is snowing, what will you care? You will not mind the snow any more than if it were a shower of blossoms from the apple-trees in May.
TRICKS OF LIGHT.
There is nothing more straightforward in its ways than light—when we let it alone. But, like many of us, when it is introduced to the inventions and contrivances of the civilized world, it often becomes exceedingly fond of vagaries and extravagances.
Of all the companions of light which endeavor to induce it to forsake its former simple habits, there is not one which has the influence possessed by glass. When light and glass get together it is difficult to divine what tricks they are going to perform. But some of these are very interesting, if they are a little wild, and there are very few of us who do not enjoy them.
For instance, what a delight to any company, be it composed of young folks or old, is a magic-lantern! The most beautiful and the most absurd pictures may be made to appear upon the wall or screen. But there is an instrument, called the phantasmagoria, which is really nothing but an improved magic-lantern, which is capable of producing much more striking effects. It is a much larger instrument than the other, and when it is exhibited a screen is placed between it and the spectators, so that they do not see how the pictures are produced. It is mounted on castors, so that at times it can be brought nearer and nearer to the screen, until the picture seems to enlarge and grow in a wonderful manner. Then, when it is drawn back, the image diminishes and recedes far into the distance. The lenses and other mechanism of the phantasmagoria can also be moved in various directions, making the action of the pictures still more wonderful. Sometimes, when the instrument is exhibited in public, the screen is not used, but the pictures are thrown upon a cloud of smoke, which is itself almost invisible in the dim light of the room. In such a case the figures seem as if they were floating in the air.
A man, named Robertson, once gave exhibitions in Paris, in an old chapel, and at the close of his performances he generally caused a great skeleton figure of Death to appear among the pillars and arches. Many of the audience were often nearly scared to death by this apparition. The more ignorant people of Paris who attended these exhibitions, could not be persuaded, when they saw men, women, and animals walking about in the air between the arches of the chapel, that Robertson was not a magician, although he explained to them that the images were nothing but the effect of a lantern and some glass lenses. When these people could see that the figures were produced on a volume of smoke, they were still more astonished and awed, for they thought that the spirits arose from the fire which caused the smoke.
But Robertson had still other means of exhibiting the tricks of light. Opposite is a picture of the "Dance of Demons."
This delusion is very simple indeed, and is produced by placing a card-figure on a screen, and throwing shadows from this upon another screen, by means of several lights, held by assistants. Thus each light throws its own shadow, and if the candles are moved up and down, and about, the shadows will dance, jump over each other, and do all sorts of wonderful things. Robertson, and other public exhibitors, had quite complicated arrangements of this kind, but they all acted on the same principle. But all of those who exhibit to the public the freaks of light are not as honest as Mr. Robertson. You may have heard of Nostradamus, who also lived in Paris, but long before Robertson, and who pretended to be a magician. Among other things, he asserted that he could show people pictures of their future husbands or wives. Marie de Medicis, a celebrated princess of the time, came to him on this sensible errand, and he, being very anxious to please her, showed her, in a looking-glass, the reflected image of Henry of Navarre, sitting upon the throne of France. This, of course, astonished the princess very much, but it need not astonish us, if we carefully examine the picture of that conjuring scene.
The mirror into which the lady was to look, was in a room adjoining that in which Henry was sitting on the throne. It was placed at such an angle that her face would not be reflected in it, but an aperture in the wall allowed the figure of Henry to be reflected from a looking-glass, hung near the ceiling, down upon the "magic" mirror. So, of course, she saw his picture there, and believed entirely in the old humbug, Nostradamus.
But there are much simpler methods by which the vagaries of light may be made amusing, and among the best of these are what are called "Chinese shadows." These require a little ingenuity, but they are certainly simple enough. They consist of nothing but a card or paper, upon which the lights of the picture intended to be represented are cut out. When this is held between a candle and a wall, a startling shadow-image may be produced, which one would not imagine to have any connection with the card, unless he had studied the manner in which said card was cut. Here is a picture of a company amusing themselves with these cards. No one would suppose that the card which the young man is holding in his hand bore the least resemblance to a lion's head, but there is no mistaking the shadow on the wall.
The most wonderful public exhibitions of optical illusions have been those in which a real ghost or spectre apparently moves across the stage of a theatre. This has frequently been done in late years, both in this country and Europe. The audiences were perfectly amazed to see a spirit suddenly appear, walk about the stage, and act like a regular ghost, who did not seem to be in the least disturbed when an actor fired a pistol at him, or ran him through with a sword. The method of producing this illusion is well shown in the accompanying picture. A large plate of glass is placed in front of the stage so that the audience does not perceive it. The edges of it must be concealed by curtains, which are not shown in the picture. An actor, dressed as a ghost, walks in front of the stage below its level, where he is not seen by the audience, and a strong electric light being thrown upon him, his reflected image appears to the spectator as if it were walking about on the stage. When the light is put out of course the spirit instantly vanishes.
A very amusing account is given of a man who was hired to do some work about a theatre. He had finished his work for the present, and wishing to eat his supper, which he had brought with him, he chose a nice quiet place under the stage, where he thought he would not be disturbed. Not knowing that everything was prepared for the appearance of a ghost, he sat down in front of the electric lamp, and as soon as it was lighted the audience was amazed to see, sitting very comfortably in the air above the stage, a man in his shirt-sleeves, eating bread and cheese! Little did he think, when he heard the audience roaring with laughter, that they were laughing at his ghost!
Light plays so many tricks with
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