From time to time, casually interrupting the girl, a grown-up Jean Louise — a clever, mischievous woman who clearly did not lose her independent judgment, joins the story. This “flexible” angle sight allows the writer, without applying to the worn out modern novel method of “different narrators”, to go outside the framework of the child’s perception and, at the same time, to talk about the most serious and amusing things, preserving the charming ingenuousness.
