Roads of Destiny

O. Henry

ROADS OF DESTINY

I go to seek on many roads
        What is to be.
True heart and strong, with love to light—
Will they not bear me in the fight
To order, shun or wield or mould
        My Destiny?

Unpublished Poems of David Mignot.
 

The song was over. The words were David's; the air, one of the countryside. The company about the inn table applauded heartily, for the young poet paid for the wine. Only the notary, M. Papineau, shook his head a little at the lines, for he was a man of books, and he had not drunk with the rest.

David went out into the village street, where the night air drove the wine vapour from his head. And then he remembered that he and Yvonne had quarrelled that day, and that he had resolved to leave his home that night to seek fame and honour in the great world outside.

"When my poems are on every man's tongue," he told himself, in a fine exhilaration, "she will, perhaps, think of the hard words she spoke this day."

Except the roisterers in the tavern, the village folk were abed. David crept softly into his room in the shed of his father's cottage and made a bundle of his small store of clothing. With this upon a staff, he set his face outward upon the road that ran from Vernoy.

He passed his father's herd of sheep, huddled in their nightly pen—the sheep he herded daily, leaving them to scatter while he wrote verses on scraps of paper. He saw a light yet shining in Yvonne's window, and a weakness shook his purpose of a sudden. Perhaps that light meant that she rued, sleepless, her anger, and that morning might—But, no! His decision was made. Vernoy was no place for him. Not one soul there could share his thoughts. Out along that road lay his fate and his future.

Three leagues across the dim, moonlit champaign ran the road, straight as a ploughman's furrow. It was believed in the village that the road ran to Paris, at least; and this name the poet whispered often to himself as he walked. Never so far from Vernoy had David travelled before.

 

THE LEFT BRANCH
 

Three leagues, then, the road ran, and turned into a puzzle. It joined with another and a larger road at right angles. David stood, uncertain, for a while, and then took the road to the left.
 

Upon this more important highway were, imprinted in the dust, wheel tracks left by the recent passage of some vehicle. Some half an hour later these traces were verified by the sight of a ponderous carriage mired in a little brook at the bottom of a steep hill. The driver and postilions were shouting and tugging at the horses' bridles. On the road at one side stood a huge, black-clothed man and a slender lady wrapped in a long, light cloak.

David saw the lack of skill in the efforts of the servants. He quietly assumed control of the work. He directed the outriders to cease their clamour at the horses and to exercise their strength upon the wheels. The driver alone urged the animals with his familiar voice; David himself heaved a powerful shoulder at the rear of the carriage, and with one harmonious tug the great vehicle rolled up on solid ground. The outriders climbed to their places.

David stood for a moment upon one foot. The huge gentleman waved a hand. "You will enter the carriage," he said, in a voice large, like himself, but smoothed by art and habit. Obedience belonged in the path of such a voice. Brief as was the young poet's hesitation, it was cut shorter still by a renewal of the command. David's foot went to the step. In the darkness he perceived dimly the form of the lady upon the rear seat. He was about to seat himself opposite, when the voice again swayed him to its will. "You will sit at the lady's side."

The gentleman swung his great weight to the forward seat. The carriage proceeded up the hill. The lady was shrunk, silent, into her corner. David could not estimate whether she was old or young, but a delicate, mild perfume from her clothes stirred his poet's fancy to the belief that there was loveliness beneath the mystery. Here was an adventure such as he had often imagined. But as yet he held no key to it, for no word was spoken while he sat with his impenetrable companions.

In an hour's time David perceived through the window that the vehicle traversed the street of some town. Then it stopped in front of a closed and darkened house, and a postilion alighted to hammer impatiently upon the door. A latticed window above flew wide and a nightcapped head popped out.

"Who are ye that disturb honest folk at this time of night? My house is closed. 'Tis too late for profitable travellers to be abroad. Cease knocking at my door, and be off."

"Open!" spluttered the postilion, loudly; "open for Monsiegneur the Marquis de Beaupertuys."

"Ah!" cried the voice above. "Ten thousand pardons, my lord. I did not know—the hour is so late—at once shall the door be opened, and the house placed at my lord's disposal."

Inside was heard the clink of chain and bar, and the door was flung open. Shivering with chill and apprehension, the landlord of the Silver Flagon stood, half clad, candle in hand, upon the threshold.

David followed the Marquis out of the carriage. "Assist the lady," he was ordered. The poet obeyed. He felt her small hand tremble as he guided her descent. "Into the house," was the next command.

The room was the long dining-hall of the tavern. A great oak table ran down its length. The huge gentleman seated himself in a chair at the nearer end. The lady sank into another against the wall, with an air of great weariness. David stood, considering how best he might now take his leave and continue upon his way.

"My lord," said the landlord, bowing to the floor, "h-had I ex-expected this honour, entertainment would have been ready. T-t-there is wine and cold fowl and m-m-maybe—"

"Candles," said the marquis, spreading the fingers of one plump white hand in a gesture he had.

"Y-yes, my lord." He fetched half a dozen candles, lighted them, and set them upon the table.

"If monsieur would, perhaps, deign to taste a certain Burgundy—there is a cask—"

"Candles," said monsieur, spreading his fingers.

"Assuredly—quickly—I fly, my lord."

A dozen more lighted candles shone in the hall. The great bulk of the marquis overflowed his chair. He was dressed in fine black from head to foot save for the snowy ruffles at his wrist and throat. Even the hilt and scabbard of his sword were black. His expression was one of sneering pride. The ends of an upturned moustache reached nearly to his mocking eyes.

The lady sat motionless, and now David perceived that she was young, and possessed of pathetic and appealing beauty. He was startled from the contemplation of her forlorn loveliness by the booming voice of the marquis.

"What is your name and pursuit?"

"David Mignot. I am a poet."

The moustache of the marquis curled nearer to his eyes.

"How do you live?"

"I am also a shepherd; I guarded my father's flock," David answered, with his head high, but a flush upon his cheek.

"Then listen, master shepherd and poet, to the fortune you have blundered upon to-night. This lady is my niece, Mademoiselle Lucie de Varennes. She is of noble descent and is possessed of ten thousand francs a year in her own right. As to her charms, you have but to observe for yourself. If the inventory pleases your shepherd's heart, she becomes your wife at a word. Do not interrupt me. To-night I conveyed her to the château of the Comte de Villemaur, to whom her hand had been promised. Guests were present; the priest was waiting; her marriage to one eligible in rank and fortune was ready to be accomplished. At the alter this demoiselle, so meek and dutiful, turned upon me like a leopardess, charged me with cruelty and crimes, and broke, before the gaping priest, the troth I had plighted for her. I swore there and then, by ten thousand devils, that she should marry the first man we met after leaving the château, be he prince, charcoal-burner, or thief. You, shepherd, are the first. Mademoiselle must be wed this night. If not you, then another. You have ten minutes in which to make your decision. Do not vex me with words or questions. Ten minutes, shepherd; and they are speeding."

The marquis drummed loudly with his white fingers upon the table. He sank into a veiled attitude of waiting. It was as if some great house had shut its doors and windows against approach. David would have spoken, but the huge man's bearing stopped his tongue. Instead, he stood by the lady's chair and bowed.

"Mademoiselle," he said, and he marvelled to find his words flowing easily before so much elegance and beauty. "You have heard me say I was a shepherd. I have also had the fancy, at times, that I am a poet. If it be the test of a poet to adore and cherish the beautiful, that fancy is now strengthened. Can I serve you in any way, mademoiselle?"

The young woman looked up at him with eyes dry and mournful. His frank, glowing face, made serious by the gravity of the adventure, his strong, straight figure and the liquid sympathy in his blue eyes, perhaps, also, her imminent need of long-denied help and kindness, thawed her to sudden tears.

"Monsieur," she said, in low tones, "you look to be true and kind. He is my uncle, the brother of my father, and my only relative. He loved my mother, and he hates me because I am like her. He has made my life one long terror. I am afraid of his very looks, and never before dared to disobey him. But to-night he would have married me to a man three times my age. You will forgive me for bringing this vexation upon you, monsieur. You will, of course, decline this mad act he tries to force upon you. But let me thank you for your generous words, at least. I have had none spoken to me in so long."

There was now something more than generosity in the poet's eyes. Poet he must have been, for Yvonne was forgotten; this fine, new loveliness held him with its freshness and grace. The subtle perfume from her filled him with strange emotions. His tender look fell warmly upon her. She leaned to it, thirstily.

"Ten minutes," said David, "is given me in which to do what I would devote years to achieve. I will not say I pity you, mademoiselle; it would not be true—I love you. I cannot ask love from you yet, but let me rescue you from this cruel man, and, in time, love may come. I think I have a future; I will not always be a shepherd. For the present I will cherish you with all my heart and make your life less sad. Will you trust your fate to me, mademoiselle?"

"Ah, you would sacrifice yourself from pity!"

"From love. The time is almost up, mademoiselle."

"You will regret it, and despise me."

"I will live only to make you happy, and myself worthy of you."

Her fine small hand crept into his from beneath her cloak.

"I will trust you," she breathed, "with my life. And—and love—may not be so far off as you think. Tell him. Once away from the power of his eyes I may forget."

David went and stood before the marquis. The black figure stirred, and the mocking eyes glanced at the great hall clock.

"Two minutes to spare. A shepherd requires eight minutes to decide whether he will accept a bride of beauty and income! Speak up, shepherd, do you consent to become mademoiselle's husband?"

"Mademoiselle," said David, standing proudly, "has done me the honour to yield to my request that she become my wife."

"Well said!" said the marquis. "You have yet the making of a courtier in you, master shepherd. Mademoiselle could have drawn a worse prize, after all. And now to be done with the affair as quick as the Church and the devil will allow!"

He struck the table soundly with his sword hilt. The landlord came, knee-shaking, bringing more candles in the hope of anticipating the great lord's whims. "Fetch a priest," said the marquis, "a priest; do you understand? In ten minutes have a priest here, or—"

The landlord dropped his candles and flew.

The priest came, heavy-eyed and ruffled. He made David Mignot and Lucie de Verennes man and wife, pocketed a gold piece that the marquis tossed him, and shuffled out again into the night.

"Wine," ordered the marquis, spreading his ominous fingers at the host.

"Fill glasses," he said, when it was brought. He stood up at the head of the table in the candlelight, a black mountain of venom and conceit, with something like the memory of an old love turned to poison in his eyes, as it fell upon his niece.

"Monsieur Mignot," he said, raising his wineglass, "drink after I say this to you: You have taken to be your wife one who will make your life a foul and wretched thing. The blood in her is an inheritance running black lies and red ruin. She will bring you shame and anxiety. The devil that descended to her is there in her eyes and skin and mouth that stoop even to beguile a peasant. There is your promise, monsieur poet, for a happy life. Drink your wine. At last, mademoiselle, I am rid of you."

The marquis drank. A little grievous cry, as if from a sudden wound, came from the girl's lips. David, with his glass in his hand, stepped forward three paces and faced the marquis. There was little of a shepherd in his bearing.

"Just now," he said, calmly, "you did me the honor to call me 'monsieur.' May I hope, therefore that my marriage to mademoiselle has placed me somewhat nearer to you in—let us say, reflected rank—has given me the right to stand more as an equal to monseigneur in a certain little piece of business I have in my mind?"

"You may hope, shepherd," sneered the marquis.

"Then," said David, dashing his glass of wine into the contemptuous eyes that mocked him, "perhaps you will condescend to fight me."

The fury of the great lord outbroke in one sudden curse like a blast from a horn. He tore his sword from its black sheath; he called to the hovering landlord: "A sword there, for this lout!" He turned to the lady, with a laugh that chilled her heart, and said: "You put much labour upon me, madame. It seems I must find you a husband and make you a widow in the same night."

"I know not sword-play," said David. He flushed to make the confession before his lady.

"'I know not sword-play,'" mimicked the marquis. "Shall we fight like peasants with oaken cudgels? Hola! François, my pistols!"

A postilion brought two shining great pistols ornamented with carven silver, from the carriage holsters. The marquis tossed one upon the table near David's hand. "To the other end of the table," he cried; "even a shepherd may pull a trigger. Few of them attain the honour to die by the weapon of a De Beaupertuys."

The shepherd and the marquis faced each other from the ends of the long table. The landlord, in an ague of terror, clutched the air and stammered: "M-M-Monseigneur, for the love of Christ! not in my house!—do not spill blood—it will ruin my custom—" The look of the marquis, threatening him, paralyzed his tongue.

"Coward," cried the lord of Beaupertuys, "cease chattering your teeth long enough to give the word for us, if you can."

Mine host's knees smote the floor. He was without a vocabulary. Even sounds were beyond him. Still, by gestures he seemed to beseech peace in the name of his house and custom.

"I will give the word," said the lady, in a clear voice. She went up to David and kissed him sweetly. Her eyes were sparkling bright, and colour had come to her cheek. She stood against the wall, and the two men levelled their pistols for her count.

"Un—deux—trois!"

The two reports came so nearly together that the candles flickered but once. The marquis stood, smiling, the fingers of his left hand resting, outspread, upon the end of the table. David remained erect, and turned his head very slowly, searching for his wife with his eyes. Then, as a garment falls from where it is hung, he sank, crumpled, upon the floor.

With a little cry of terror and despair, the widowed maid ran and stooped above him. She found his wound, and then looked up with her old look of pale melancholy. "Through his heart," she whispered. "Oh, his heart!"

"Come," boomed the great voice of the marquis, "out with you to the carriage! Daybreak shall not find you on my hands. Wed you shall be again, and to a living husband, this night. The next we come upon, my lady, highwayman or peasant. If the road yields no other, then the churl that opens my gates. Out with you into the carriage!"

The marquis, implacable and huge, the lady wrapped again in the mystery of her cloak, the postilion bearing the weapons—all moved out to the waiting carriage. The sound of its ponderous wheels rolling away echoed through the slumbering village. In the hall of the Silver Flagon the distracted landlord wrung his hands above the slain poet's body, while the flames of the four and twenty candles danced and flickered on the table.

 

THE RIGHT BRANCH
 

Three leagues, then, the road ran, and turned into a puzzle. It joined with another and a larger road at right angles. David stood, uncertain, for a while, and then took the road to the right.
 

Whither it led he knew not, but he was resolved to leave Vernoy far behind that night. He travelled a league and then passed a large château which showed testimony of recent entertainment. Lights shone from every window; from the great stone gateway ran a tracery of wheel tracks drawn in the dust by the vehicles of the guests.

Three leagues farther and David was weary. He rested and slept for a while on a bed of pine boughs at the roadside. Then up and on again along the unknown way.

Thus for five days he travelled the great road, sleeping upon Nature's balsamic beds or in peasants' ricks, eating of their black, hospitable bread, drinking from streams or the willing cup of the goatherd.

At length he crossed a great bridge and set his foot within the smiling city that has crushed or crowned more poets than all the rest of the world. His breath came quickly as Paris sang to him in a little undertone her vital chant of greeting—the hum of voice and foot and wheel.

High up under the eaves of an old house in the Rue Conti, David paid for lodging, and set himself, in a wooden chair, to his poems. The street, once sheltering citizens of import and consequence, was now given over to those who ever follow in the wake of decline.

The houses were tall and still possessed of a ruined dignity, but many of them were empty save for dust and the spider. By night there was the clash of steel and the cries of brawlers straying restlessly from inn to inn. Where once gentility abode was now but a rancid and rude incontinence. But here David found housing commensurate to his scant purse. Daylight and candlelight found him at pen and paper.

One afternoon he was returning from a foraging trip to the lower world, with bread and curds and a bottle of thin wine. Halfway up his dark stairway he met—or rather came upon, for she rested on the stair—a young woman of a beauty that should balk even the justice of a poet's imagination. A loose, dark cloak, flung open, showed a rich gown beneath. Her eyes changed swiftly with every little shade of thought. Within one moment they would be round and artless like a child's, and long and cozening like a gypsy's. One hand raised her gown, undraping a little shoe, high-heeled, with its ribbons dangling, untied. So heavenly she was, so unfitted to stoop, so qualified to charm and command! Perhaps she had seen David coming, and had waited for his help there.

Ah, would monsieur pardon that she occupied the stairway, but the shoe!—the naughty shoe! Alas! it would not remain tied. Ah! if monsieur would be so gracious!

The poet's fingers trembled as he tied the contrary ribbons. Then he would have fled from the danger of her presence, but the eyes grew long and cozening, like a gypsy's, and held him. He leaned against the balustrade, clutching his bottle of sour wine.

"You have been so good," she said, smiling. "Does monsieur, perhaps, live in the house?"

"Yes, madame. I—I think so, madame."

"Perhaps in the third story, then?"

"No, madame; higher up."

The lady fluttered her fingers with the least possible gesture of impatience.

"Pardon. Certainly I am not discreet in asking. Monsieur will forgive me? It is surely not becoming that I should inquire where he lodges."

"Madame, do not say so. I live in the—"

"No, no, no; do not tell me. Now I see that I erred. But I cannot lose the interest I feel in this house and all that is in it. Once it was my home. Often I come here but to dream of those happy days again. Will you let that be my excuse?"

"Let me tell you, then, for you need no excuse," stammered the poet. "I live in the top floor—the small room where the stairs turn."

"In the front room?" asked the lady, turning her head sidewise.

"The rear, madame."

The lady sighed, as if with relief.

"I will detain you no longer then, monsieur," she said, employing the round and artless eye. "Take good care of my house. Alas! only the memories of it are mine now. Adieu, and accept my thanks for your courtesy."

She was gone, leaving but a smile and a trace of sweet perfume. David climbed the stairs as one in slumber. But he awoke from it, and the smile and the perfume lingered with him and never afterward did either seem quite to leave him. This lady of whom he knew nothing drove him to lyrics of eyes, chansons of swiftly conceived love, odes to curling hair, and sonnets to slippers on slender feet.

Poet he must have been, for Yvonne was forgotten; this fine, new loveliness held him with its freshness and grace. The subtle perfume about her filled him with strange emotions.

 

On a certain night three persons were gathered about a table in a room on the third floor of the same house. Three chairs and the table and a lighted candle upon it was all the furniture. One of the persons was a huge man, dressed in black. His expression was one of sneering pride. The ends of his upturned moustache reached nearly to his mocking eyes. Another was a lady, young and beautiful, with eyes that could be round and artless, as a child's, or long and cozening, like a gypsy's, but were now keen and ambitious, like any other conspirator's. The third was a man of action, a combatant, a bold and impatient executive, breathing fire and steel. He was addressed by the others as Captain Desrolles.

This man struck the table with his fist, and said, with controlled violence:

"To-night. To-night as he goes to midnight mass. I am tired of the plotting that gets nowhere. I am sick of signals and ciphers and secret meetings and such baragouin. Let us be honest traitors. If France is to be rid of him, let us kill in the open, and not hunt with snares and traps. To-night, I say. I back my words. My hand will do the deed. To-night, as he goes to mass."

The lady turned upon him a cordial look. Woman, however wedded to plots, must ever thus bow to rash courage. The big man stroked his upturned moustache.

"Dear captain," he said, in a great voice, softened by habit, "this time I agree with you. Nothing is to be gained by waiting. Enough of the palace guards belong to us to make the endeavour a safe one."

"To-night," repeated Captain Desrolles, again striking the table. "You have heard me, marquis; my hand will do the deed."

"But now," said the huge man, softly, "comes a question. Word must be sent to our partisans in the palace, and a signal agreed upon. Our stanchest men must accompany the royal carriage. At this hour what messenger can penetrate so far as the south doorway? Ribouet is stationed there; once a message is placed in his hands, all will go well."

"I will send the message," said the lady.

"You, countess?" said the marquis, raising his eyebrows. "Your devotion is great, we know, but—"

"Listen!" exclaimed the lady, rising and resting her hands upon the table; "in a garret of this house lives a youth from the provinces as guileless and tender as the lambs he tended there. I have met him twice or thrice upon the stairs. I questioned him, fearing that he might dwell too near the room in which we are accustomed to meet. He is mine, if I will. He writes poems in his garret, and I think he dreams of me. He will do what I say. He shall take the message to the palace."

The marquis rose from his chair and bowed. "You did not permit me to finish my sentence, countess," he said. "I would have said: 'Your devotion is great, but your wit and charm are infinitely greater.'"

While the conspirators were thus engaged, David was polishing some lines addressed to hisamorette d'escalier. He heard a timorous knock at his door, and opened it, with a great throb, to behold her there, panting as one in straits, with eyes wide open and artless, like a child's.

"Monsieur," she breathed, "I come to you in distress. I believe you to be good and true, and I know of no other help. How I flew through the streets among the swaggering men! Monsieur, my mother is dying. My uncle is a captain of guards in the palace of the king. Some one must fly to bring him. May I hope—"

"Mademoiselle," interrupted David, his eyes shining with the desire to do her service, "your hopes shall be my wings. Tell me how I may reach him."

The lady thrust a sealed paper into his hand.

"Go to the south gate—the south gate, mind—and say to the guards there, 'The falcon has left his nest.' They will pass you, and you will go to the south entrance to the palace. Repeat the words, and give this letter to the man who will reply 'Let him strike when he will.' This is the password, monsieur, entrusted to me by my uncle, for now when the country is disturbed and men plot against the king's life, no one without it can gain entrance to the palace grounds after nightfall. If you will, monsieur, take him this letter so that my mother may see him before she closes her eyes."

"Give it me," said David, eagerly. "But shall I let you return home through the streets alone so late? I—"

"No, no—fly. Each moment is like a precious jewel. Some time," said the lady, with eyes long and cozening, like a gypsy's, "I will try to thank you for your goodness."

The poet thrust the letter into his breast, and bounded down the stairway. The lady, when he was gone, returned to the room below.

The eloquent eyebrows of the marquis interrogated her.

"He is gone," she said, "as fleet and stupid as one of his own sheep, to deliver it."

The table shook again from the batter of Captain Desrolles's fist.

"Sacred name!" he cried; "I have left my pistols behind! I can trust no others."

"Take this," said the marquis, drawing from beneath his cloak a shining, great weapon, ornamented with carven silver. "There are none truer. But guard it closely, for it bears my arms and crest, and already I am suspected. Me, I must put many leagues between myself and Paris this night. To-morrow must find me in my château. After you, dear countess."

The marquis puffed out the candle. The lady, well cloaked, and the two gentlemen softly descended the stairway and flowed into the crowd that roamed along the narrow pavements of the Rue Conti.

David sped. At the south gate of the king's residence a halberd was laid to his breast, but he turned its point with the words; "The falcon has left his nest."

"Pass, brother," said the guard, "and go quickly."

On the south steps of the palace they moved to seize him, but again the mot de passecharmed the watchers. One among them stepped forward and began: "Let him strike—" but a flurry among the guards told of a surprise. A man of keen look and soldierly stride suddenly pressed through them and seized the letter which David held in his hand. "Come with me," he said, and led him inside the great hall. Then he tore open the letter and read it. He beckoned to a man uniformed as an officer of musketeers, who was passing. "Captain Tetreau, you will have the guards at the south entrance and the south gate arrested and confined. Place men known to be loyal in their places." To David he said: "Come with me."

He conducted him through a corridor and an anteroom into a spacious chamber, where a melancholy man, sombrely dressed, sat brooding in a great, leather-covered chair. To that man he said:

"Sire, I have told you that the palace is as full of traitors and spies as a sewer is of rats. You have thought, sire, that it was my fancy. This man penetrated to your very door by their connivance. He bore a letter which I have intercepted. I have brought him here that your majesty may no longer think my zeal excessive."

"I will question him," said the king, stirring in his chair. He looked at David with heavy eyes dulled by an opaque film. The poet bent his knee.

"From where do you come?" asked the king.

"From the village of Vernoy, in the province of Eure-et-Loir, sire."

"What do you follow in Paris?"

"I—I would be a poet, sire."

"What did you in Vernoy?"

"I minded my father's flock of sheep."

The king stirred again, and the film lifted from his eyes.

"Ah! in the fields!"

"Yes, sire."

"You lived in the fields; you went out in the cool of the morning and lay among the hedges in the grass. The flock distributed itself upon the hillside; you drank of the living stream; you ate your sweet, brown bread in the shade, and you listened, doubtless, to blackbirds piping in the grove. Is not that so, shepherd?"

"It is, sire," answered David, with a sigh; "and to the bees at the flowers, and, maybe, to the grape gatherers singing on the hill."

"Yes, yes," said the king, impatiently; "maybe to them; but surely to the blackbirds. They whistled often, in the grove, did they not?"

"Nowhere, sire, so sweetly as in Eure-et-Loir. I have endeavored to express their song in some verses that I have written."

"Can you repeat those verses?" asked the king, eagerly. "A long time ago I listened to the blackbirds. It would be something better than a kingdom if one could rightly construe their song. And at night you drove the sheep to the fold and then sat, in peace and tranquillity, to your pleasant bread. Can you repeat those verses, shepherd?"

"They run this way, sire," said David, with respectful ardour:

"'Lazy shepherd, see your lambkins
      Skip, ecstatic, on the mead;
See the firs dance in the breezes,
      Hear Pan blowing at his reed.

"Hear us calling from the tree-tops,
      See us swoop upon your flock;
Yield us wool to make our nests warm
      In the branches of the—'"

"If it please your majesty," interrupted a harsh voice, "I will ask a question or two of this rhymester. There is little time to spare. I crave pardon, sire, if my anxiety for your safety offends."

"The loyalty," said the king, "of the Duke d'Aumale is too well proven to give offence." He sank into his chair, and the film came again over his eyes.

"First," said the duke, "I will read you the letter he brought:

"'To-night is the anniversary of the dauphin's death. If he goes, as is his custom, to midnight mass to pray for the soul of his son, the falcon will strike, at the corner of the Rue Esplanade. If this be his intention, set a red light in the upper room at the southwest corner of the palace, that the falcon may take heed.'

"Peasant," said the duke, sternly, "you have heard these words. Who gave you this message to bring?"

"My lord duke," said David, sincerely, "I will tell you. A lady gave it me. She said her mother was ill, and that this writing would fetch her uncle to her bedside. I do not know the meaning of the letter, but I will swear that she is beautiful and good."

"Describe the woman," commanded the duke, "and how you came to be her dupe."

"Describe her!" said David with a tender smile. "You would command words to perform miracles. Well, she is made of sunshine and deep shade. She is slender, like the alders, and moves with their grace. Her eyes change while you gaze into them; now round, and then half shut as the sun peeps between two clouds. When she comes, heaven is all about her; when she leaves, there is chaos and a scent of hawthorn blossoms. She came to see me in the Rue Conti, number twenty-nine."

"It is the house," said the duke, turning to the king, "that we have been watching. Thanks to the poet's tongue, we have a picture of the infamous Countess Quebedaux."

"Sire and my lord duke," said David, earnestly, "I hope my poor words have done no injustice. I have looked into that lady's eyes. I will stake my life that she is an angel, letter or no letter."

The duke looked at him steadily. "I will put you to the proof," he said, slowly. "Dressed as the king, you shall, yourself, attend mass in his carriage at midnight. Do you accept the test?"

David smiled. "I have looked into her eyes," he said. "I had my proof there. Take yours how you will."

Half an hour before twelve the Duke d'Aumale, with his own hands, set a red lamp in a southwest window of the palace. At ten minutes to the hour, David, leaning on his arm, dressed as the king, from top to toe, with his head bowed in his cloak, walked slowly from the royal apartments to the waiting carriage. The duke assisted him inside and closed the door. The carriage whirled away along its route to the cathedral.

On the qui vive in a house at the corner of the Rue Esplanade was Captain Tetreau with twenty men, ready to pounce upon the conspirators when they should appear.

But it seemed that, for some reason, the plotters had slightly altered their plans. When the royal carriage had reached the Rue Christopher, one square nearer than the Rue Esplanade, forth from it burst Captain Desrolles, with his band of would-be regicides, and assailed the equipage. The guards upon the carriage, though surprised at the premature attack, descended and fought valiantly. The noise of conflict attracted the force of Captain Tetreau, and they came pelting down the street to the rescue. But, in the meantime, the desperate Desrolles had torn open the door of the king's carriage, thrust his weapon against the body of the dark figure inside, and fired.

Now, with loyal reinforcements at hand, the street rang with cries and the rasp of steel, but the frightened horses had dashed away. Upon the cushions lay the dead body of the poor mock king and poet, slain by a ball from the pistol of Monseigneur, the Marquis de Beaupertuys.

 

THE MAIN ROAD
 

Three leagues, then, the road ran, and turned into a puzzle. It joined with another and a larger road at right angles. David stood, uncertain, for a while, and then sat himself to rest upon its side.
 

Whither these roads led he knew not. Either way there seemed to lie a great world full of chance and peril. And then, sitting there, his eye fell upon a bright star, one that he and Yvonne had named for theirs. That set him thinking of Yvonne, and he wondered if he had not been too hasty. Why should he leave her and his home because a few hot words had come between them? Was love so brittle a thing that jealousy, the very proof of it, could break it? Mornings always brought a cure for the little heartaches of evening. There was yet time for him to return home without any one in the sweetly sleeping village of Vernoy being the wiser. His heart was Yvonne's; there where he had lived always he could write his poems and find his happiness.

David rose, and shook off his unrest and the wild mood that had tempted him. He set his face steadfastly back along the road he had come. By the time he had retravelled the road to Vernoy, his desire to rove was gone. He passed the sheepfold, and the sheep scurried, with a drumming flutter, at his late footsteps, warming his heart by the homely sound. He crept without noise into his little room and lay there, thankful that his feet had escaped the distress of new roads that night.

How well he knew woman's heart! The next evening Yvonne was at the well in the road where the young congregated in order that the curé might have business. The corner of her eye was engaged in a search for David, albeit her set mouth seemed unrelenting. He saw the look; braved the mouth, drew from it a recantation and, later, a kiss as they walked homeward together.

Three months afterwards they were married. David's father was shrewd and prosperous. He gave them a wedding that was heard of three leagues away. Both the young people were favourites in the village. There was a procession in the streets, a dance on the green; they had the marionettes and a tumbler out from Dreux to delight the guests.

Then a year, and David's father died. The sheep and the cottage descended to him. He already had the seemliest wife in the village. Yvonne's milk pails and her brass kettles were bright—ouf! they blinded you in the sun when you passed that way. But you must keep your eyes upon her yard, for her flower beds were so neat and gay they restored to you your sight. And you might hear her sing, aye, as far as the double chestnut tree above Père Gruneau's blacksmith forge.

But a day came when David drew out paper from a long-shut drawer, and began to bite the end of a pencil. Spring had come again and touched his heart. Poet he must have been, for now Yvonne was well-nigh forgotten. This fine new loveliness of earth held him with its witchery and grace. The perfume from her woods and meadows stirred him strangely. Daily had he gone forth with his flock, and brought it safe at night. But now he stretched himself under the hedge and pieced words together on his bits of paper. The sheep strayed, and the wolves, perceiving that difficult poems make easy mutton, ventured from the woods and stole his lambs.

David's stock of poems grew larger and his flock smaller. Yvonne's nose and temper waxed sharp and her talk blunt. Her pans and kettles grew dull, but her eyes had caught their flash. She pointed out to the poet that his neglect was reducing the flock and bringing woe upon the household. David hired a boy to guard the sheep, locked himself in the little room at the top of the cottage, and wrote more poems. The boy, being a poet by nature, but not furnished with an outlet in the way of writing, spent his time in slumber. The wolves lost no time in discovering that poetry and sleep are practically the same; so the flock steadily grew smaller. Yvonne's ill temper increased at an equal rate. Sometimes she would stand in the yard and rail at David through his high window. Then you could hear her as far as the double chestnut tree above Père Gruneau's blacksmith forge.

M. Papineau, the kind, wise, meddling old notary, saw this, as he saw everything at which his nose pointed. He went to David, fortified himself with a great pinch of snuff, and said:

"Friend Mignot, I affixed the seal upon the marriage certificate of your father. It would distress me to be obliged to attest a paper signifying the bankruptcy of his son. But that is what you are coming to. I speak as an old friend. Now, listen to what I have to say. You have your heart set, I perceive, upon poetry. At Dreux, I have a friend, one Monsieur Bril—Georges Bril. He lives in a little cleared space in a houseful of books. He is a learned man; he visits Paris each year; he himself has written books. He will tell you when the catacombs were made, how they found out the names of the stars, and why the plover has a long bill. The meaning and the form of poetry is to him as intelligent as the baa of a sheep is to you. I will give you a letter to him, and you shall take him your poems and let him read them. Then you will know if you shall write more, or give your attention to your wife and business."

"Write the letter," said David, "I am sorry you did not speak of this sooner."

At sunrise the next morning he was on the road to Dreux with the precious roll of poems under his arm. At noon he wiped the dust from his feet at the door of Monsieur Bril. That learned man broke the seal of M. Papineau's letter, and sucked up its contents through his gleaming spectacles as the sun draws water. He took David inside to his study and sat him down upon a little island beat upon by a sea of books.

Monsieur Bril had a conscience. He flinched not even at a mass of manuscript the thickness of a finger length and rolled to an incorrigible curve. He broke the back of the roll against his knee and began to read. He slighted nothing; he bored into the lump as a worm into a nut, seeking for a kernel.

Meanwhile, David sat, marooned, trembling in the spray of so much literature. It roared in his ears. He held no chart or compass for voyaging in that sea. Half the world, he thought, must be writing books.

Monsieur Bril bored to the last page of the poems. Then he took off his spectacles, and wiped them with his handkerchief.

"My old friend, Papineau, is well?" he asked.

"In the best of health," said David.

"How many sheep have you, Monsieur Mignot?"

"Three hundred and nine, when I counted them yesterday. The flock has had ill fortune. To that number it has decreased from eight hundred and fifty."

"You have a wife and home, and lived in comfort. The sheep brought you plenty. You went into the fields with them and lived in the keen air and ate the sweet bread of contentment. You had but to be vigilant and recline there upon nature's breast, listening to the whistle of the blackbirds in the grove. Am I right thus far?"

"It was so," said David.

"I have read all your verses," continued Monsieur Bril, his eyes wandering about his sea of books as if he conned the horizon for a sail. "Look yonder, through that window, Monsieur Mignot; tell me what you see in that tree."

"I see a crow," said David, looking.

"There is a bird," said Monsieur Bril, "that shall assist me where I am disposed to shirk a duty. You know that bird, Monsieur Mignot; he is the philosopher of the air. He is happy through submission to his lot. None so merry or full-crawed as he with his whimsical eye and rollicking step. The fields yield him what he desires. He never grieves that his plumage is not gay, like the oriole's. And you have heard, Monsieur Mignot, the notes that nature has given him? Is the nightingale any happier, do you think?"

David rose to his feet. The crow cawed harshly from his tree.

"I thank you, Monsieur Bril," he said, slowly. "There was not, then, one nightingale among all those croaks?"

"I could not have missed it," said Monsieur Bril, with a sigh. "I read every word. Live your poetry, man; do not try to write it any more."

"I thank you," said David, again. "And now I will be going back to my sheep."

"If you would dine with me," said the man of books, "and overlook the smart of it, I will give you reasons at length."

"No," said the poet, "I must be back in the fields cawing at my sheep."

Back along the road to Vernoy he trudged with his poems under his arm. When he reached his village he turned into the shop of one Zeigler, a Jew out of Armenia, who sold anything that came to his hand.

"Friend," said David, "wolves from the forest harass my sheep on the hills. I must purchase firearms to protect them. What have you?"

"A bad day, this, for me, friend Mignot," said Zeigler, spreading his hands, "for I perceive that I must sell you a weapon that will not fetch a tenth of its value. Only last I week I bought from a peddlar a wagon full of goods that he procured at a sale by a commissionaire of the crown. The sale was of the château and belongings of a great lord—I know not his title—who has been banished for conspiracy against the king. There are some choice firearms in the lot. This pistol—oh, a weapon fit for a prince!—it shall be only forty francs to you, friend Mignot—if I lose ten by the sale. But perhaps an arquebuse—"

"This will do," said David, throwing the money on the counter. "Is it charged?"

"I will charge it," said Zeigler. "And, for ten francs more, add a store of powder and ball."

David laid his pistol under his coat and walked to his cottage. Yvonne was not there. Of late she had taken to gadding much among the neighbours. But a fire was glowing in the kitchen stove. David opened the door of it and thrust his poems in upon the coals. As they blazed up they made a singing, harsh sound in the flue.

"The song of the crow!" said the poet.

He went up to his attic room and closed the door. So quiet was the village that a score of people heard the roar of the great pistol. They flocked thither, and up the stairs where the smoke, issuing, drew their notice.

The men laid the body of the poet upon his bed, awkwardly arranging it to conceal the torn plumage of the poor black crow. The women chattered in a luxury of zealous pity. Some of them ran to tell Yvonne.

M. Papineau, whose nose had brought him there among the first, picked up the weapon and ran his eye over its silver mountings with a mingled air of connoisseurship and grief.

"The arms," he explained, aside, to the curé, "and crest of Monseigneur, the Marquis de Beaupertuys."

THE GUARDIAN OF THE ACCOLADE

Not the least important of the force of the Weymouth Bank was Uncle Bushrod. Sixty years had Uncle Bushrod given of faithful service to the house of Weymouth as chattel, servitor, and friend. Of the colour of the mahogany bank furniture was Uncle Bushrod—thus dark was he externally; white as the uninked pages of the bank ledgers was his soul. Eminently pleasing to Uncle Bushrod would the comparison have been; for to him the only institution in existence worth considering was the Weymouth Bank, of which he was something between porter and generalissimo-in-charge.

Weymouth lay, dreamy and umbrageous, among the low foothills along the brow of a Southern valley. Three banks there were in Weymouthville. Two were hopeless, misguided enterprises, lacking the presence and prestige of a Weymouth to give them glory. The third was The Bank, managed by the Weymouths—and Uncle Bushrod. In the old Weymouth homestead—the red brick, white-porticoed mansion, the first to your right as you crossed Elder Creek, coming into town—lived Mr. Robert Weymouth (the president of the bank), his widowed daughter, Mrs. Vesey—called "Miss Letty" by every one—and her two children, Nan and Guy. There, also in a cottage on the grounds, resided Uncle Bushrod and Aunt Malindy, his wife. Mr. William Weymouth (the cashier of the bank) lived in a modern, fine house on the principal avenue.

Mr. Robert was a large, stout man, sixty-two years of age, with a smooth, plump face, long iron-gray hair and fiery blue eyes. He was high-tempered, kind, and generous, with a youthful smile and a formidable, stern voice that did not always mean what it sounded like. Mr. William was a milder man, correct in deportment and absorbed in business. The Weymouths formed The Family of Weymouthville, and were looked up to, as was their right of heritage.

Uncle Bushrod was the bank's trusted porter, messenger, vassal, and guardian. He carried a key to the vault, just as Mr. Robert and Mr. William did. Sometimes there was ten, fifteen, or twenty thousand dollars in sacked silver stacked on the vault floor. It was safe with Uncle Bushrod. He was a Weymouth in heart, honesty, and pride.

Of late Uncle Bushrod had not been without worry. It was on account of Marse Robert. For nearly a year Mr. Robert had been known to indulge in too much drink. Not enough, understand, to become tipsy, but the habit was getting a hold upon him, and every one was beginning to notice it. Half a dozen times a day he would leave the bank and step around to the Merchants and Planters' Hotel to take a drink. Mr. Robert's usual keen judgment and business capacity became a little impaired. Mr. William, a Weymouth, but not so rich in experience, tried to dam the inevitable backflow of the tide, but with incomplete success. The deposits in the Weymouth Bank dropped from six figures to five. Past-due paper began to accumulate, owing to injudicious loans. No one cared to address Mr. Robert on the subject of temperance. Many of his friends said that the cause of it had been the death of his wife some two years before. Others hesitated on account of Mr. Robert's quick temper, which was extremely apt to resent personal interference of such a nature. Miss Letty and the children noticed the change and grieved about it. Uncle Bushrod also worried, but he was one of those who would not have dared to remonstrate, although he and Marse Robert had been raised almost as companions. But there was a heavier shock coming to Uncle Bushrod than that caused by the bank president's toddies and juleps.

Mr. Robert had a passion for fishing, which he usually indulged whenever the season and business permitted. One day, when reports had been coming in relating to the bass and perch, he announced his intention of making a two or three days' visit to the lakes. He was going down, he said, to Reedy Lake with Judge Archinard, an old friend.

Now, Uncle Bushrod was treasurer of the Sons and Daughters of the Burning Bush. Every association he belonged to made him treasurer without hesitation. He stood AA1 in coloured circles. He was understood among them to be Mr. Bushrod Weymouth, of the Weymouth Bank.

The night following the day on which Mr. Robert mentioned his intended fishing-trip the old man woke up and rose from his bed at twelve o'clock, declaring he must go down to the bank and fetch the pass-book of the Sons and Daughters, which he had forgotten to bring home. The bookkeeper had balanced it for him that day, put the cancelled checks in it, and snapped two elastic bands around it. He put but one band around other pass-books.

Aunt Malindy objected to the mission at so late an hour, denouncing it as foolish and unnecessary, but Uncle Bushrod was not to be deflected from duty.

"I done told Sister Adaline Hoskins," he said, "to come by here for dat book to-morrer mawnin' at sebin o'clock, for to kyar' it to de meetin' of de bo'd of 'rangements, and dat book gwine to be here when she come."

So, Uncle Bushrod put on his old brown suit, got his thick hickory stick, and meandered through the almost deserted streets of Weymouthville. He entered the bank, unlocking the side door, and found the pass-book where he had left it, in the little back room used for consultations, where he always hung his coat. Looking about casually, he saw that everything was as he had left it, and was about to start for home when he was brought to a standstill by the sudden rattle of a key in the front door. Some one came quickly in, closed the door softly, and entered the counting-room through the door in the iron railing.

That division of the bank's space was connected with the back room by a narrow passageway, now in deep darkness.

Uncle Bushrod, firmly gripping his hickory stick, tiptoed gently up this passage until he could see the midnight intruder into the sacred precincts of the Weymouth Bank. One dim gas-jet burned there, but even in its nebulous light he perceived at once that the prowler was the bank's president.

Wondering, fearful, undecided what to do, the old coloured man stood motionless in the gloomy strip of hallway, and waited developments.

The vault, with its big iron door, was opposite him. Inside that was the safe, holding the papers of value, the gold and currency of the bank. On the floor of the vault was, perhaps, eighteen thousand dollars in silver.

The president took his key from his pocket, opened the vault and went inside, nearly closing the door behind him. Uncle Bushrod saw, through the narrow aperture, the flicker of a candle. In a minute or two—it seemed an hour to the watcher—Mr. Robert came out, bringing with him a large hand-satchel, handling it in a careful but hurried manner, as if fearful that he might be observed. With one hand he closed and locked the vault door.

With a reluctant theory forming itself beneath his wool, Uncle Bushrod waited and watched, shaking in his concealing shadow.

Mr. Robert set the satchel softly upon a desk, and turned his coat collar up about his neck and ears. He was dressed in a rough suit of gray, as if for travelling. He glanced with frowning intentness at the big office clock above the burning gas-jet, and then looked lingeringly about the bank—lingeringly and fondly, Uncle Bushrod thought, as one who bids farewell to dear and familiar scenes.

Now he caught up his burden again and moved promptly and softly out of the bank by the way he had come locking the front door behind him.

For a minute or longer Uncle Bushrod was as stone in his tracks. Had that midnight rifler of safes and vaults been any other on earth than the man he was, the old retainer would have rushed upon him and struck to save the Weymouth property. But now the watcher's soul was tortured by the poignant dread of something worse than mere robbery. He was seized by an accusing terror that said the Weymouth name and the Weymouth honour were about to be lost. Marse Robert robbing the bank! What else could it mean? The hour of the night, the stealthy visit to the vault, the satchel brought forth full and with expedition and silence, the prowler's rough dress, his solicitous reading of the clock, and noiseless departure—what else could it mean?

And then to the turmoil of Uncle Bushrod's thoughts came the corroborating recollection of preceding events—Mr. Robert's increasing intemperance and consequent many moods of royal high spirits and stern tempers; the casual talk he had heard in the bank of the decrease in business and difficulty in collecting loans. What else could it all mean but that Mr. Robert Weymouth was an absconder—was about to fly with the bank's remaining funds, leaving Mr. William, Miss Letty, little Nan, Guy, and Uncle Bushrod to bear the disgrace?

During one minute Uncle Bushrod considered these things, and then he awoke to sudden determination and action.

"Lawd! Lawd!" he moaned aloud, as he hobbled hastily toward the side door. "Sech a come-off after all dese here years of big doin's and fine doin's. Scan'lous sights upon de yearth when de Weymouth fambly done turn out robbers and 'bezzlers! Time for Uncle Bushrod to clean out somebody's chicken-coop and eben matters up. Oh, Lawd! Marse Robert, you ain't gwine do dat. 'N Miss Letty an' dem chillun so proud and talkin' 'Weymouth, Weymouth,' all de time! I'm gwine to stop you ef I can. 'Spec you shoot Mr. Nigger's head off ef he fool wid you, but I'm gwine stop you ef I can."

Uncle Bushrod, aided by his hickory stick, impeded by his rheumatism, hurried down the street toward the railroad station, where the two lines touching Weymouthville met. As he had expected and feared, he saw there Mr. Robert, standing in the shadow of the building, waiting for the train. He held the satchel in his hand.

When Uncle Bushrod came within twenty yards of the bank president, standing like a huge, gray ghost by the station wall, sudden perturbation seized him. The rashness and audacity of the thing he had come to do struck him fully. He would have been happy could he have turned and fled from the possibilities of the famous Weymouth wrath. But again he saw, in his fancy, the white reproachful face of Miss Letty, and the distressed looks of Nan and Guy, should he fail in his duty and they question him as to his stewardship.

Braced by the thought, he approached in a straight line, clearing his throat and pounding with his stick so that he might be early recognized. Thus he might avoid the likely danger of too suddenly surprising the sometimes hasty Mr. Robert.

"Is that you, Bushrod?" called the clamant, clear voice of the gray ghost.

"Yes, suh, Marse Robert."

"What the devil are you doing out at this time of night?"

For the first time in his life, Uncle Bushrod told Marse Robert a falsehood. He could not repress it. He would have to circumlocute a little. His nerve was not equal to a direct attack.

"I done been down, suh, to see ol' Aunt M'ria Patterson. She taken sick in de night, and I kyar'ed her a bottle of M'lindy's medercine. Yes, suh."

"Humph!" said Robert. "You better get home out of the night air. It's damp. You'll hardly be worth killing to-morrow on account of your rheumatism. Think it'll be a clear day, Bushrod?"

"I 'low it will, suh. De sun sot red las' night."

Mr. Robert lit a cigar in the shadow, and the smoke looked like his gray ghost expanding and escaping into the night air. Somehow, Uncle Bushrod could barely force his reluctant tongue to the dreadful subject. He stood, awkward, shambling, with his feet upon the gravel and fumbling with his stick. But then, afar off—three miles away, at the Jimtown switch—he heard the faint whistle of the coming train, the one that was to transport the Weymouth name into the regions of dishonour and shame. All fear left him. He took off his hat and faced the chief of the clan he served, the great, royal, kind, lofty, terrible Weymouth—he bearded him there at the brink of the awful thing that was about to happen.

"Marse Robert," he began, his voice quivering a little with the stress of his feelings, "you 'member de day dey-all rode de tunnament at Oak Lawn? De day, suh, dat you win in de ridin', and you crown Miss Lucy de queen?"

"Tournament?" said Mr. Robert, taking his cigar from his mouth. "Yes, I remember very well the—but what the deuce are you talking about tournaments here at midnight for? Go 'long home, Bushrod. I believe you're sleep-walking."

"Miss Lucy tetch you on de shoulder," continued the old man, never heeding, "wid a s'ord, and say: 'I mek you a knight, Suh Robert—rise up, pure and fearless and widout reproach.' Dat what Miss Lucy say. Dat's been a long time ago, but me nor you ain't forgot it. And den dar's another time we ain't forgot—de time when Miss Lucy lay on her las' bed. She sent for Uncle Bushrod, and she say: 'Uncle Bushrod, when I die, I want you to take good care of Mr. Robert. Seem like'—so Miss Lucy say—'he listen to you mo' dan to anybody else. He apt to be mighty fractious sometimes, and maybe he cuss you when you try to 'suade him but he need somebody what understand him to be 'round wid him. He am like a little child sometimes'—so Miss Lucy say, wid her eyes shinin' in her po', thin face—'but he always been'—dem was her words—'my knight, pure and fearless and widout reproach.'"

Mr. Robert began to mask, as was his habit, a tendency to soft-heartedness with a spurious anger.

"You—you old windbag!" he growled through a cloud of swirling cigar smoke. "I believe you are crazy. I told you to go home, Bushrod. Miss Lucy said that, did she? Well, we haven't kept the scutcheon very clear. Two years ago last week, wasn't it, Bushrod, when she died? Confound it! Are you going to stand there all night gabbing like a coffee-coloured gander?"

The train whistled again. Now it was at the water tank, a mile away.

"Marse Robert," said Uncle Bushrod, laying his hand on the satchel that the banker held. "For Gawd's sake, don' take dis wid you. I knows what's in it. I knows where you got it in de bank. Don' kyar' it wid you. Dey's big trouble in dat valise for Miss Lucy and Miss Lucy's child's chillun. Hit's bound to destroy de name of Weymouth and bow down dem dat own it wid shame and triberlation. Marse Robert, you can kill dis ole nigger ef you will, but don't take away dis 'er' valise. If I ever crosses over de Jordan, what I gwine to say to Miss Lucy when she ax me: 'Uncle Bushrod, wharfo' didn' you take good care of Mr. Robert?'"

Mr. Robert Weymouth threw away his cigar and shook free one arm with that peculiar gesture that always preceded his outbursts of irascibility. Uncle Bushrod bowed his head to the expected storm, but he did not flinch. If the house of Weymouth was to fall, he would fall with it. The banker spoke, and Uncle Bushrod blinked with surprise. The storm was there, but it was suppressed to the quietness of a summer breeze.

"Bushrod," said Mr. Robert, in a lower voice than he usually employed, "you have overstepped all bounds. You have presumed upon the leniency with which you have been treated to meddle unpardonably. So you know what is in this satchel! Your long and faithful service is some excuse, but—go home, Bushrod—not another word!"

But Bushrod grasped the satchel with a firmer hand. The headlight of the train was now lightening the shadows about the station. The roar was increasing, and folks were stirring about at the track side.

"Marse Robert, gimme dis 'er' valise. I got a right, suh, to talk to you dis 'er' way. I slaved for you and 'tended to you from a child up. I went th'ough de war as yo' body-servant tell we whipped de Yankees and sent 'em back to de No'th. I was at yo' weddin', and I was n' fur away when yo' Miss Letty was bawn. And Miss Letty's chillun, dey watches to-day for Uncle Bushrod when he come home ever' evenin'. I been a Weymouth, all 'cept in colour and entitlements. Both of us is old, Marse Robert. 'Tain't goin' to be long till we gwine to see Miss Lucy and has to give an account of our doin's. De ole nigger man won't be 'spected to say much mo' dan he done all he could by de fambly dat owned him. But de Weymouths, dey must say dey been livin' pure and fearless and widout reproach. Gimme dis valise, Marse Robert—I'm gwine to hab it. I'm gwine to take it back to the bank and lock it up in de vault. I'm gwine to do Miss Lucy's biddin'. Turn 'er loose, Marse Robert."

The train was standing at the station. Some men were pushing trucks along the side. Two or three sleepy passengers got off and wandered away into the night. The conductor stepped to the gravel, swung his lantern and called: "Hello, Frank!" at some one invisible. The bell clanged, the brakes hissed, the conductor drawled: "All aboard!"

Mr. Robert released his hold on the satchel. Uncle Bushrod hugged it to his breast with both arms, as a lover clasps his first beloved.

"Take it back with you, Bushrod," said Mr. Robert, thrusting his hands into his pockets. "And let the subject drop—now mind! You've said quite enough. I'm going to take the train. Tell Mr. William I will be back on Saturday. Good night."

The banker climbed the steps of the moving train and disappeared in a coach. Uncle Bushrod stood motionless, still embracing the precious satchel. His eyes were closed and his lips were moving in thanks to the Master above for the salvation of the Weymouth honour. He knew Mr. Robert would return when he said he would. The Weymouths never lied. Nor now, thank the Lord! could it be said that they embezzled the money in banks.

Then awake to the necessity for further guardianship of Weymouth trust funds, the old man started for the bank with the redeemed satchel.

 

Three hours from Weymouthville, in the gray dawn, Mr. Robert alighted from the train at a lonely flag-station. Dimly he could see the figure of a man waiting on the platform, and the shape of a spring-waggon, team and driver. Half a dozen lengthy bamboo fishing-poles projected from the waggon's rear.

"You're here, Bob," said Judge Archinard, Mr. Robert's old friend and schoolmate. "It's going to be a royal day for fishing. I thought you said—why, didn't you bring along the stuff?"

The president of the Weymouth Bank took off his hat and rumpled his gray locks.

"Well, Ben, to tell you the truth, there's an infernally presumptuous old nigger belonging in my family that broke up the arrangement. He came down to the depot and vetoed the whole proceeding. He means all right, and—well, I reckon he is right. Somehow, he had found out what I had along—though I hid it in the bank vault and sneaked it out at midnight. I reckon he has noticed that I've been indulging a little more than a gentleman should, and he laid for me with some reaching arguments.

"I'm going to quit drinking," Mr. Robert concluded. "I've come to the conclusion that a man can't keep it up and be quite what he'd like to be—'pure and fearless and without reproach'—that's the way old Bushrod quoted it."

"Well, I'll have to admit," said the judge, thoughtfully, as they climbed into the waggon, "that the old darkey's argument can't conscientiously be overruled."

"Still," said Mr. Robert, with a ghost of a sigh, "there was two quarts of the finest old silk-velvet Bourbon in that satchel you ever wet your lips with."

THE DISCOUNTERS OF MONEY

The spectacle of the money-caliphs of the present day going about Bagdad-on-the-Subway trying to relieve the wants of the people is enough to make the great Al Raschid turn Haroun in his grave. If not so, then the assertion should do so, the real caliph having been a wit and a scholar and therefore a hater of puns.

How properly to alleviate the troubles of the poor is one of the greatest troubles of the rich. But one thing agreed upon by all professional philanthropists is that you must never hand over any cash to your subject. The poor are notoriously temperamental; and when they get money they exhibit a strong tendency to spend it for stuffed olives and enlarged crayon portraits instead of giving it to the instalment man.

And still, old Haroun had some advantages as an eleemosynarian. He took around with him on his rambles his vizier, Giafar (a vizier is a composite of a chauffeur, a secretary of state, and a night-and-day bank), and old Uncle Mesrour, his executioner, who toted a snickersnee. With this entourage a caliphing tour could hardly fail to be successful. Have you noticed lately any newspaper articles headed, "What Shall We Do With Our Ex-Presidents?" Well, now, suppose that Mr. Carnegie could engage him and Joe Gans to go about assisting in the distribution of free libraries? Do you suppose any town would have had the hardihood to refuse one? That caliphalous combination would cause two libraries to grow where there had been only one set of E. P. Roe's works before.

But, as I said, the money-caliphs are handicapped. They have the idea that earth has no sorrow that dough cannot heal; and they rely upon it solely. Al Raschid administered justice, rewarding the deserving, and punished whomsoever he disliked on the spot. He was the originator of the short-story contest. Whenever he succoured any chance pick-up in the bazaars he always made the succouree tell the sad story of his life. If the narrative lacked construction, style, and esprit he commanded his vizier to dole him out a couple of thousand ten-dollar notes of the First National Bank of the Bosphorus, or else gave him a soft job as Keeper of the Bird Seed for the Bulbuls in the Imperial Gardens. If the story was a cracker-jack, he had Mesrour, the executioner, whack off his head. The report that Haroun Al Raschid is yet alive and is editing the magazine that your grandmother used to subscribe for lacks confirmation.

And now follows the Story of the Millionaire, the Inefficacious Increment, and the Babes Drawn from the Wood.

Young Howard Pilkins, the millionaire, got his money ornithologically. He was a shrewd judge of storks, and got in on the ground floor at the residence of his immediate ancestors, the Pilkins Brewing Company. For his mother was a partner in the business. Finally old man Pilkins died from a torpid liver, and then Mrs. Pilkins died from worry on account of torpid delivery-waggons—and there you have young Howard Pilkins with 4,000,000; and a good fellow at that. He was an agreeable, modestly arrogant young man, who implicitly believed that money could buy anything that the world had to offer. And Bagdad-on-the-Subway for a long time did everything possible to encourage his belief.

But the Rat-trap caught him at last; he heard the spring snap, and found his heart in a wire cage regarding a piece of cheese whose other name was Alice von der Ruysling.

The Von der Ruyslings still live in that little square about which so much has been said, and in which so little has been done. To-day you hear of Mr. Tilden's underground passage, and you hear Mr. Gould's elevated passage, and that about ends the noise in the world made by Gramercy Square. But once it was different. The Von der Ruyslings live there yet, and they received the first key ever made to Gramercy Park.

You shall have no description of Alice v. d. R. Just call up in your mind the picture of your own Maggie or Vera or Beatrice, straighten her nose, soften her voice, tone her down and then tone her up, make her beautiful and unattainable—and you have a faint dry-point etching of Alice. The family owned a crumbly brick house and a coachman named Joseph in a coat of many colours, and a horse so old that he claimed to belong to the order of the Perissodactyla, and had toes instead of hoofs. In the year 1898 the family had to buy a new set of harness for the Perissodactyl. Before using it they made Joseph smear it over with a mixture of ashes and soot. It was the Von der Ruysling family that bought the territory between the Bowery and East River and Rivington Street and the Statue of Liberty, in the year 1649, from an Indian chief for a quart of passementerie and a pair of Turkey-red portières designed for a Harlem flat. I have always admired that Indian's perspicacity and good taste. All this is merely to convince you that the Von der Ruyslings were exactly the kind of poor aristocrats that turn down their noses at people who have money. Oh, well, I don't mean that; I mean people who have just money.

One evening Pilkins went down to the red brick house in Gramercy Square, and made what he thought was a proposal to Alice v. d. R. Alice, with her nose turned down, and thinking of his money, considered it a proposition, and refused it and him. Pilkins, summoning all his resources as any good general would have done, made an indiscreet references to the advantages that his money would provide. That settled it. The lady turned so cold that Walter Wellman himself would have waited until spring to make a dash for her in a dog-sled.

But Pilkins was something of a sport himself. You can't fool all the millionaires every time the ball drops on the Western Union Building.

"If, at any time," he said to A. v. d. R., "you feel that you would like to reconsider your answer, send me a rose like that."

Pilkins audaciously touched a Jacque rose that she wore loosely in her hair.

"Very well," said she. "And when I do, you will understand by it that either you or I have learned something new about the purchasing power of money. You've been spoiled, my friend. No, I don't think I could marry you. To-morrow I will send you back the presents you have given me."

"Presents!" said Pilkins in surprise. "I never gave you a present in my life. I would like to see a full-length portrait of the man that you would take a present from. Why, you never would let me send you flowers or candy or even art calendars."

"You've forgotten," said Alice v. d. R., with a little smile. "It was a long time ago when our families were neighbours. You were seven, and I was trundling my doll on the sidewalk. You have me a little gray, hairy kitten, with shoe-buttony eyes. Its head came off and it was full of candy. You paid five cents for it—you told me so. I haven't the candy to return to you—I hadn't developed a conscience at three, so I ate it. But I have the kitten yet, and I will wrap it up neatly to-night and send it to you to-morrow."

Beneath the lightness of Alice v. d. R.'s talk the steadfastness of her rejection showed firm and plain. So there was nothing left for him but to leave the crumbly red brick house, and be off with his abhorred millions.

On his way back, Pilkins walked through Madison Square. The hour hand of the clock hung about eight; the air was stingingly cool, but not at the freezing point. The dim little square seemed like a great, cold, unroofed room, with its four walls of houses, spangled with thousands of insufficient lights. Only a few loiterers were huddled here and there on the benches.

But suddenly Pilkins came upon a youth sitting brave and, as if conflicting with summer sultriness, coatless, his white shirt-sleeves conspicuous in the light from the globe of an electric. Close to his side was a girl, smiling, dreamy, happy. Around her shoulders was, palpably, the missing coat of the cold-defying youth. It appeared to be a modern panorama of the Babes in the Wood, revised and brought up to date, with the exception that the robins hadn't turned up yet with the protecting leaves.

With delight the money-caliphs view a situation that they think is relievable while you wait.

Pilkins sat on the bench, one seat removed from the youth. He glanced cautiously and saw (as men do see; and women—oh! never can) that they were of the same order.

Pilkins leaned over after a short time and spoke to the youth, who answered smilingly, and courteously. From general topics the conversation concentrated to the bed-rock of grim personalities. But Pilkins did it as delicately and heartily as any caliph could have done. And when it came to the point, the youth turned to him, soft-voiced and with his undiminished smile.

"I don't want to seem unappreciative, old man," he said, with a youth's somewhat too-early spontaneity of address, "but, you see, I can't accept anything from a stranger. I know you're all right, and I'm tremendously obliged, but I couldn't think of borrowing from anybody. You see, I'm Marcus Clayton—the Claytons of Roanoke County, Virginia, you know. The young lady is Miss Eva Bedford—I reckon you've heard of the Bedfords. She's seventeen and one of the Bedfords of Bedford County. We've eloped from home to get married, and we wanted to see New York. We got in this afternoon. Somebody got my pocketbook on the ferry-boat, and I had only three cents in change outside of it. I'll get some work somewhere to-morrow, and we'll get married."

"But, I say, old man," said Pilkins, in confidential low tones, "you can't keep the lady out here in the cold all night. Now, as for hotels—"

"I told you," said the youth, with a broader smile, "that I didn't have but three cents. Besides, if I had a thousand, we'd have to wait here until morning. You can understand that, of course. I'm much obliged, but I can't take any of your money. Miss Bedford and I have lived an outdoor life, and we don't mind a little cold. I'll get work of some kind to-morrow. We've got a paper bag of cakes and chocolates, and we'll get along all right."

"Listen," said the millionaire, impressively. "My name is Pilkins, and I'm worth several million dollars. I happen to have in my pockets about $800 or $900 in cash. Don't you think you are drawing it rather fine when you decline to accept as much of it as will make you and the young lady comfortable at least for the night?"

"I can't say, sir, that I do think so," said Clayton of Roanoke County. "I've been raised to look at such things differently. But I'm mightily obliged to you, just the same."

"Then you force me to say good night," said the millionaire.

Twice that day had his money been scorned by simple ones to whom his dollars had appeared as but tin tobacco-tags. He was no worshipper of the actual minted coin or stamped paper, but he had always believed in its almost unlimited power to purchase.

Pilkins walked away rapidly, and then turned abruptly and returned to the bench where the young couple sat. He took off his hat and began to speak. The girl looked at him with the same sprightly, glowing interest that she had been giving to the lights and statuary and sky-reaching buildings that made the old square seem so far away from Bedford County.

"Mr.—er—Roanoke," said Pilkins, "I admire your—your indepen—your idiocy so much that I'm going to appeal to your chivalry. I believe that's what you Southerners call it when you keep a lady sitting outdoors on a bench on a cold night just to keep your old, out-of-date pride going. Now, I've a friend—a lady—whom I have known all my life—who lives a few blocks from here—with her parents and sisters and aunts, and all that kind of endorsement, of course. I am sure this lady would be happy and pleased to put up—that is, to have Miss—er—Bedford give her the pleasure of having her as a guest for the night. Don't you think, Mr. Roanoke, of—er—Virginia, that you could unbend your prejudices that far?"

Clayton of Roanoke rose and held out his hand.

"Old man," he said, "Miss Bedford will be much pleased to accept the hospitality of the lady you refer to."

He formally introduced Mr. Pilkins to Miss Bedford. The girl looked at him sweetly and comfortably. "It's a lovely evening, Mr. Pilkins—don't you think so?" she said slowly.

Pilkins conducted them to the crumbly red brick house of the Von der Ruyslings. His card brought Alice downstairs wondering. The runaways were sent into the drawing-room, while Pilkins told Alice all about it in the hall.

"Of course, I will take her in," said Alice. "Haven't those Southern girls a thoroughbred air? Of course, she will stay here. You will look after Mr. Clayton, of course."

"Will I?" said Pilkins, delightedly. "Oh yes, I'll look after him! As a citizen of New York, and therefore a part owner of its public parks, I'm going to extend to him the hospitality of Madison Square to-night. He's going to sit there on a bench till morning. There's no use arguing with him. Isn't he wonderful? I'm glad you'll look after the little lady, Alice. I tell you those Babes in the Wood made my—that is, er—made Wall Street and the Bank of England look like penny arcades."

Miss Von der Ruysling whisked Miss Bedford of Bedford County up to restful regions upstairs. When she came down, she put an oblong small pasteboard box into Pilkins' hands.

"Your present," she said, "that I am returning to you."

"Oh, yes, I remember," said Pilkins, with a sigh, "the woolly kitten."

He left Clayton on a park bench, and shook hands with him heartily.

"After I get work," said the youth, "I'll look you up. Your address is on your card, isn't it? Thanks. Well, good night. I'm awfully obliged to you for your kindness. No, thanks, I don't smoke. Good night."

In his room, Pilkins opened the box and took out the staring, funny kitten, long ago ravaged of his candy and minus one shoe-button eye. Pilkins looked at it sorrowfully.

"After all," he said, "I don't believe that just money alone will—"

And then he gave a shout and dug into the bottom of the box for something else that had been the kitten's resting-place—a crushed but red, red, fragrant, glorious, promising Jacqueminot rose.

THE ENCHANTED PROFILE

There are few Caliphesses. Women are Scheherazades by birth, predilection, instinct, and arrangement of the vocal cords. The thousand and one stories are being told every day by hundreds of thousands of viziers' daughters to their respective sultans. But the bowstring will get some of 'em yet if they don't watch out.

I heard a story, though, of one lady Caliph. It isn't precisely an Arabian Nights story, because it brings in Cinderella, who flourished her dishrag in another epoch and country. So, if you don't mind the mixed dates (which seem to give it an Eastern flavour, after all), we'll get along.

In New York there is an old, old hotel. You have seen woodcuts of it in the magazines. It was built—let's see—at a time when there was nothing above Fourteenth Street except the old Indian trail to Boston and Hammerstein's office. Soon the old hostelry will be torn down. And, as the stout walls are riven apart and the bricks go roaring down the chutes, crowds of citizens will gather at the nearest corners and weep over the destruction of a dear old landmark. Civic pride is strongest in New Bagdad; and the wettest weeper and the loudest howler against the iconoclasts will be the man (originally from Terre Haute) whose fond memories of the old hotel are limited to his having been kicked out from its free-lunch counter in 1873.

At this hotel always stopped Mrs. Maggie Brown. Mrs. Brown was a bony woman of sixty, dressed in the rustiest black, and carrying a handbag made, apparently, from the hide of the original animal that Adam decided to call an alligator. She always occupied a small parlour and bedroom at the top of the hotel at a rental of two dollars per day. And always, while she was there, each day came hurrying to see her many men, sharp-faced, anxious-looking, with only seconds to spare. For Maggie Brown was said to be the third richest woman in the world; and these solicitous gentlemen were only the city's wealthiest brokers and business men seeking trifling loans of half a dozen millions or so from the dingy old lady with the prehistoric handbag.

The stenographer and typewriter of the Acropolis Hotel (there! I've let the name of it out!) was Miss Ida Bates. She was a hold-over from the Greek classics. There wasn't a flaw in her looks. Some old-timer paying his regards to a lady said: "To have loved her was a liberal education." Well, even to have looked over the black hair and neat white shirtwaist of Miss Bates was equal to a full course in any correspondence school in the country. She sometimes did a little typewriting for me, and, as she refused to take the money in advance, she came to look upon me as something of a friend and protégé. She had unfailing kindliness and a good nature; and not even a white-lead drummer or a fur importer had ever dared to cross the dead line of good behaviour in her presence. The entire force of the Acropolis, from the owner, who lived in Vienna, down to the head porter, who had been bedridden for sixteen years, would have sprung to her defence in a moment.

One day I walked past Miss Bates's little sanctum Remingtorium, and saw in her place a black-haired unit—unmistakably a person—pounding with each of her forefingers upon the keys. Musing on the mutability of temporal affairs, I passed on. The next day I went on a two weeks' vacation. Returning, I strolled through the lobby of the Acropolis, and saw, with a little warm glow of auld lang syne, Miss Bates, as Grecian and kind and flawless as ever, just putting the cover on her machine. The hour for closing had come; but she asked me in to sit for a few minutes in the dictation chair. Miss Bates explained her absence from and return to the Acropolis Hotel in words identical with or similar to these following:

"Well, Man, how are the stories coming?"

"Pretty regularly," said I. "About equal to their going."

"I'm sorry," said she. "Good typewriting is the main thing in a story. You've missed me, haven't you?"

"No one," said I, "whom I have ever known knows as well as you do how to space properly belt buckles, semi-colons, hotel guests, and hairpins. But you've been away, too. I saw a package of peppermint-pepsin in your place the other day."

"I was going to tell you all about it," said Miss Bates, "if you hadn't interrupted me.

"Of course, you know about Maggie Brown, who stops here. Well, she's worth $40,000,000. She lives in Jersey in a ten-dollar flat. She's always got more cash on hand than half a dozen business candidates for vice-president. I don't know whether she carries it in her stocking or not, but I know she's mighty popular down in the part of town where they worship the golden calf.

"Well, about two weeks ago, Mrs. Brown stops at the door and rubbers at me for ten minutes. I'm sitting with my side to her, striking off some manifold copies of a copper-mine proposition for a nice old man from Tonopah. But I always see everything all around me. When I'm hard at work I can see things through my side-combs; and I can leave one button unbuttoned in the back of my shirtwaist and see who's behind me. I didn't look around, because I make from eighteen to twenty dollars a week, and I didn't have to.

"That evening at knocking-off time she sends for me to come up to her apartment. I expected to have to typewrite about two thousand words of notes-of-hand, liens, and contracts, with a ten-cent tip in sight; but I went. Well, Man, I was certainly surprised. Old Maggie Brown had turned human.

"'Child,' says she, 'you're the most beautiful creature I ever saw in my life. I want you to quit your work and come and live with me. I've no kith or kin,' says she, 'except a husband and a son or two, and I hold no communication with any of 'em. They're extravagant burdens on a hard-working woman. I want you to be a daughter to me. They say I'm stingy and mean, and the papers print lies about my doing my own cooking and washing. It's a lie,' she goes on. 'I put my washing out, except the handkerchiefs and stockings and petticoats and collars, and light stuff like that. I've got forty million dollars in cash and stocks and bonds that are as negotiable as Standard Oil, preferred, at a church fair. I'm a lonely old woman and I need companionship. You're the most beautiful human being I ever saw,' says she. 'Will you come and live with me? I'll show 'em whether I can spend money or not,' she says.

"Well, Man, what would you have done? Of course, I fell to it. And, to tell you the truth, I began to like old Maggie. It wasn't all on account of the forty millions and what she could do for me. I was kind of lonesome in the world too. Everybody's got to have somebody they can explain to about the pain in their left shoulder and how fast patent-leather shoes wear out when they begin to crack. And you can't talk about such things to men you meet in hotels—they're looking for just such openings.

"So I gave up my job in the hotel and went with Mrs. Brown. I certainly seemed to have a mash on her. She'd look at me for half an hour at a time when I was sitting, reading, or looking at the magazines.

"One time I says to her: 'Do I remind you of some deceased relative or friend of your childhood, Mrs. Brown? I've noticed you give me a pretty good optical inspection from time to time.'

"'You have a face,' she says, 'exactly like a dear friend of mine—the best friend I ever had. But I like you for yourself, child, too,' she says.

"And say, Man, what do you suppose she did? Loosened up like a Marcel wave in the surf at Coney. She took me to a swell dressmaker and gave her a la carte to fit me out—money no object. They were rush orders, and madame locked the front door and put the whole force to work.

"Then we moved to—where do you think?—no; guess again—that's right—the Hotel Bonton. We had a six-room apartment; and it cost $100 a day. I saw the bill. I began to love that old lady.

"And then, Man, when my dresses began to come in—oh, I won't tell you about 'em! you couldn't understand. And I began to call her Aunt Maggie. You've read about Cinderella, of course. Well, what Cinderella said when the prince fitted that 3½ A on her foot was a hard-luck story compared to the things I told myself.

"Then Aunt Maggie says she is going to give me a coming-out banquet in the Bonton that'll make moving Vans of all the old Dutch families on Fifth Avenue.

"'I've been out before, Aunt Maggie,' says I. 'But I'll come out again. But you know,' says I, 'that this is one of the swellest hotels in the city. And you know—pardon me—that it's hard to get a bunch of notables together unless you've trained for it.'

"'Don't fret about that, child,' says Aunt Maggie. 'I don't send out invitations—I issue orders. I'll have fifty guests here that couldn't be brought together again at any reception unless it were given by King Edward or William Travers Jerome. They are men, of course, and all of 'em either owe me money or intend to. Some of their wives won't come, but a good many will.'

"Well, I wish you could have been at that banquet. The dinner service was all gold and cut glass. There were about forty men and eight ladies present besides Aunt Maggie and I. You'd never have known the third richest woman in the world. She had on a new black silk dress with so much passementerie on it that it sounded exactly like a hailstorm I heard once when I was staying all night with a girl that lived in a top-floor studio.

"And my dress!—say, Man, I can't waste the words on you. It was all hand-made lace—where there was any of it at all—and it cost $300. I saw the bill. The men were all bald-headed or white-whiskered, and they kept up a running fire of light repartee about 3-per cents. and Bryan and the cotton crop.

"On the left of me was something that talked like a banker, and on my right was a young fellow who said he was a newspaper artist. He was the only—well, I was going to tell you.

"After the dinner was over Mrs. Brown and I went up to the apartment. We had to squeeze our way through a mob of reporters all the way through the halls. That's one of the things money does for you. Say, do you happen to know a newspaper artist named Lathrop—a tall man with nice eyes and an easy way of talking? No, I don't remember what paper he works on. Well, all right.

"When we got upstairs Mrs. Brown telephones for the bill right away. It came, and it was $600. I saw the bill. Aunt Maggie fainted. I got her on a lounge and opened the bead-work.

"'Child,' says she, when she got back to the world, 'what was it? A raise of rent or an income-tax?'

"'Just a little dinner,' says I. 'Nothing to worry about—hardly a drop in the bucket-shop. Sit up and take notice—a dispossess notice, if there's no other kind.'

"But say, Man, do you know what Aunt Maggie did? She got cold feet! She hustled me out of that Hotel Bonton at nine the next morning. We went to a rooming-house on the lower West Side. She rented one room that had water on the floor below and light on the floor above. After we got moved all you could see in the room was about $1,500 worth of new swell dresses and a one-burner gas-stove.

"Aunt Maggie had had a sudden attack of the hedges. I guess everybody has got to go on a spree once in their life. A man spends his on highballs, and a woman gets woozy on clothes. But with forty million dollars—say, I'd like to have a picture of—but, speaking of pictures, did you ever run across a newspaper artist named Lathrop—a tall—oh, I asked you that before, didn't I? He was mighty nice to me at the dinner. His voice just suited me. I guess he must have thought I was to inherit some of Aunt Maggie's money.

"Well, Mr. Man, three days of that light-housekeeping was plenty for me. Aunt Maggie was affectionate as ever. She'd hardly let me get out of her sight. But let me tell you. She was a hedger from Hedgersville, Hedger County. Seventy-five cents a day was the limit she set. We cooked our own meals in the room. There I was, with a thousand dollars' worth of the latest things in clothes, doing stunts over a one-burner gas-stove.

"As I say, on the third day I flew the coop. I couldn't stand for throwing together a fifteen-cent kidney stew while wearing, at the same time, a $150 house-dress, with Valenciennes lace insertion. So I goes into the closet and puts on the cheapest dress Mrs. Brown had bought for me—it's the one I've got on now—not so bad for $75, is it? I'd left all my own clothes in my sister's flat in Brooklyn.

"'Mrs. Brown, formerly "Aunt Maggie,"' says I to her, 'I'm going to extend my feet alternately, one after the other, in such a manner and direction that this tenement will recede from me in the quickest possible time. I am no worshipper of money,' says I, 'but there are some things I can't stand. I can stand the fabulous monster that I've read about that blows hot birds and cold bottles with the same breath. But I can't stand a quitter,' says I. 'They say you've got forty million dollars—well, you'll never have any less. And I was beginning to like you, too,' says I.

"Well, the late Aunt Maggie kicks till the tears flow. She offers to move into a swell room with a two-burner stove and running water.

"'I've spent an awful lot of money, child,' says she. 'We'll have to economize for a while. You're the most beautiful creature I ever laid eyes on,' she says, 'and I don't want you to leave me.'

"Well, you see me, don't you? I walked straight to the Acropolis and asked for my job back, and I got it. How did you say your writings were getting along? I know you've lost out some by not having me to type 'em. Do you ever have 'em illustrated? And, by the way, did you ever happen to know a newspaper artist—oh, shut up! I know I asked you before. I wonder what paper he works on? It's funny, but I couldn't help thinking that he wasn't thinking about the money he might have been thinking I was thinking I'd get from old Maggie Brown. If I only knew some of the newspaper editors I'd—"

The sound of an easy footstep came from the doorway. Ida Bates saw who it was with her back-hair comb. I saw her turn pink, perfect statue that she was—a miracle that I share with Pygmalion only.

"Am I excusable?" she said to me—adorable petitioner that she became. "It's—it's Mr. Lathrop. I wonder if it really wasn't the money—I wonder, if after all, he—"

Of course, I was invited to the wedding. After the ceremony I dragged Lathrop aside.

"You are an artist," said I, "and haven't figured out why Maggie Brown conceived such a strong liking for Miss Bates—that was? Let me show you."

The bride wore a simple white dress as beautifully draped as the costumes of the ancient Greeks. I took some leaves from one of the decorative wreaths in the little parlour, and made a chaplet of them, and placed them on née Bates' shining chestnut hair, and made her turn her profile to her husband.

"By jingo!" said he. "Isn't Ida's a dead ringer for the lady's head on the silver dollar?"

"NEXT TO READING MATTER"

He compelled my interest as he stepped from the ferry at Desbrosses Street. He had the air of being familiar with hemispheres and worlds, and of entering New York as the lord of a demesne who revisited it in after years of absence. But I thought that, with all his air, he had never before set foot on the slippery cobblestones of the City of Too Many Caliphs.

He wore loose clothes of a strange bluish drab colour, and a conservative, round Panama hat without the cock-a-loop indentations and cants with which Northern fanciers disfigure the tropic head-gear. Moreover, he was the homeliest man I have ever seen. His ugliness was less repellent than startling—arising from a sort of Lincolnian ruggedness and irregularity of feature that spellbound you with wonder and dismay. So may have looked afrites or the shapes metamorphosed from the vapour of the fisherman's vase. As he afterward told me, his name was Judson Tate; and he may as well be called so at once. He wore his green silk tie through a topaz ring; and he carried a cane made of the vertebræ of a shark.

Judson Tate accosted me with some large and casual inquiries about the city's streets and hotels, in the manner of one who had but for the moment forgotten the trifling details. I could think of no reason for disparaging my own quiet hotel in the downtown district; so the mid-morning of the night found us already victualed and drinked (at my expense), and ready to be chaired and tobaccoed in a quiet corner of the lobby.

There was something on Judson Tate's mind, and, such as it was, he tried to convey it to me. Already he had accepted me as his friend; and when I looked at his great, snuff-brown first-mate's hand, with which he brought emphasis to his periods, within six inches of my nose, I wondered if, by any chance, he was as sudden in conceiving enmity against strangers.

When this man began to talk I perceived in him a certain power. His voice was a persuasive instrument, upon which he played with a somewhat specious but effective art. He did not try to make you forget his ugliness; he flaunted it in your face and made it part of the charm of his speech. Shutting your eyes, you would have trailed after this rat-catcher's pipes at least to the walls of Hamelin. Beyond that you would have had to be more childish to follow. But let him play his own tune to the words set down, so that if all is too dull, the art of music may bear the blame.

"Women," said Judson Tate, "are mysterious creatures."

My spirits sank. I was not there to listen to such a world-old hypothesis—to such a time-worn, long-ago-refuted, bald, feeble, illogical, vicious, patent sophistry—to an ancient, baseless, wearisome, ragged, unfounded, insidious, falsehood originated by women themselves, and by them insinuated, foisted, thrust, spread, and ingeniously promulgated into the ears of mankind by underhanded, secret and deceptive methods, for the purpose of augmenting, furthering, and reinforcing their own charms and designs.

"Oh, I don't know!" said I, vernacularly.

"Have you ever heard of Oratama?" he asked.

"Possibly," I answered. "I seem to recall a toe dancer—or a suburban addition—or was it a perfume?—of some such name."

"It is a town," said Judson Tate, "on the coast of a foreign country of which you know nothing and could understand less. It is a country governed by a dictator and controlled by revolutions and insubordination. It was there that a great life-drama was played, with Judson Tate, the homeliest man in America, and Fergus McMahan, the handsomest adventurer in history or fiction, and Señorita Anabela Zamora, the beautiful daughter of the alcalde of Oratama, as chief actors. And, another thing—nowhere else on the globe except in the department of Trienta y tres in Uruguay does the chuchula plant grow. The products of the country I speak of are valuable woods, dyestuffs, gold, rubber, ivory, and cocoa."

"I was not aware," said I, "that South America produced any ivory."

"There you are twice mistaken," said Judson Tate, distributing the words over at least an octave of his wonderful voice. "I did not say that the country I spoke of was in South America—I must be careful, my dear man; I have been in politics there, you know. But, even so—I have played chess against its president with a set carved from the nasal bones of the tapir—one of our native specimens of the order of perissodactyle ungulates inhabiting the Cordilleras—which was as pretty ivory as you would care to see.

"But is was of romance and adventure and the ways of women that was I going to tell you, and not of zoölogical animals.

"For fifteen years I was the ruling power behind old Sancho Benavides, the Royal High Thumbscrew of the republic. You've seen his picture in the papers—a mushy black man with whiskers like the notes on a Swiss music-box cylinder, and a scroll in his right hand like the ones they write births on in the family Bible. Well, that chocolate potentate used to be the biggest item of interest anywhere between the colour line and the parallels of latitude. It was three throws, horses, whether he was to wind up in the Hall of Fame or the Bureau of Combustibles. He'd have been sure called the Roosevelt of the Southern Continent if it hadn't been that Grover Cleveland was President at the time. He'd hold office a couple of terms, then he'd sit out for a hand—always after appointing his own successor for the interims.

"But it was not Benavides, the Liberator, who was making all this fame for himself. Not him. It was Judson Tate. Benavides was only the chip over the bug. I gave him the tip when to declare war and increase import duties and wear his state trousers. But that wasn't what I wanted to tell you. How did I get to be It? I'll tell you. Because I'm the most gifted talker that ever made vocal sounds since Adam first opened his eyes, pushed aside the smelling-salts, and asked: 'Where am I?'

"As you observe, I am about the ugliest man you ever saw outside the gallery of photographs of the New England early Christian Scientists. So, at an early age, I perceived that what I lacked in looks I must make up in eloquence. That I've done. I get what I go after. As the back-stop and still small voice of old Benavides I made all the great historical powers-behind-the-throne, such as Talleyrand, Mrs. de Pompadour, and Loeb, look as small as the minority report of a Duma. I could talk nations into or out of debt, harangue armies to sleep on the battlefield, reduce insurrections, inflammations, taxes, appropriations or surpluses with a few words, and call up the dogs of war or the dove of peace with the same bird-like whistle. Beauty and epaulettes and curly moustaches and Grecian profiles in other men were never in my way. When people first look at me they shudder. Unless they are in the last stages of angina pectoris they are mine in ten minutes after I begin to talk. Women and men—I win 'em as they come. Now, you wouldn't think women would fancy a man with a face like mine, would you?"

"Oh, yes, Mr. Tate," said I. "History is bright and fiction dull with homely men who have charmed women. There seems—"

"Pardon me," interrupted Judson Tate, "but you don't quite understand. You have yet to hear my story.

"Fergus McMahan was a friend of mine in the capital. For a handsome man I'll admit he was the duty-free merchandise. He had blond curls and laughing blue eyes and was featured regular. They said he was a ringer for the statue they call Herr Mees, the god of speech and eloquence resting in some museum at Rome. Some German anarchist, I suppose. They are always resting and talking.

"But Fergus was no talker. He was brought up with the idea that to be beautiful was to make good. His conversation was about as edifying as listening to a leak dropping in a tin dish-pan at the head of the bed when you want to go to sleep. But he and me got to be friends—maybe because we was so opposite, don't you think? Looking at the Hallowe'en mask that I call my face when I'm shaving seemed to give Fergus pleasure; and I'm sure that whenever I heard the feeble output of throat noises that he called conversation I felt contented to be a gargoyle with a silver tongue.

"One time I found it necessary to go down to this coast town of Oratama to straighten out a lot of political unrest and chop off a few heads in the customs and military departments. Fergus, who owned the ice and sulphur-match concessions of the republic, says he'll keep me company.

"So, in a jangle of mule-train bells, we gallops into Oratama, and the town belonged to us as much as Long Island Sound doesn't belong to Japan when T. R. is at Oyster Bay. I say us; but I mean me. Everybody for four nations, two oceans, one bay and isthmus, and five archipelagoes around had heard of Judson Tate. Gentleman adventurer, they called me. I had been written up in five columns of the yellow journals, 40,000 words (with marginal decorations) in a monthly magazine, and a stickful on the twelfth page of the New York Times. If the beauty of Fergus McMahan gained any part of our reception in Oratama, I'll eat the price-tag in my Panama. It was me that they hung out paper flowers and palm branches for. I am not a jealous man; I am stating facts. The people were Nebuchadnezzars; they bit the grass before me; there was no dust in the town for them to bite. They bowed down to Judson Tate. They knew that I was the power behind Sancho Benavides. A word from me was more to them than a whole deckle-edged library from East Aurora in sectional bookcases was from anybody else. And yet there are people who spend hours fixing their faces—rubbing in cold cream and massaging the muscles (always toward the eyes) and taking in the slack with tincture of benzoin and electrolyzing moles—to what end? Looking handsome. Oh, what a mistake! It's the larynx that the beauty doctors ought to work on. It's words more than warts, talk more than talcum, palaver more than powder, blarney more than bloom that counts—the phonograph instead of the photograph. But I was going to tell you.

"The local Astors put me and Fergus up at the Centipede Club, a frame building built on posts sunk in the surf. The tide's only nine inches. The Little Big High Low Jack-in-the-game of the town came around and kowtowed. Oh, it wasn't to Herr Mees. They had heard about Judson Tate.

"One afternoon me and Fergus McMahan was sitting on the seaward gallery of the Centipede, drinking iced rum and talking.

"'Judson,' says Fergus, 'there's an angel in Oratama.'

"'So long,' says I, 'as it ain't Gabriel, why talk as if you had heard a trump blow?'

"'It's the Señorita Anabela Zamora,' says Fergus. 'She's—she's—she's as lovely as—as hell!'

"'Bravo!' says I, laughing heartily. 'You have a true lover's eloquence to paint the beauties of your inamorata. You remind me,' says I, 'of Faust's wooing of Marguerite—that is, if he wooed her after he went down the trap-door of the stage.'

"'Judson,' says Fergus, 'you know you are as beautiless as a rhinoceros. You can't have any interest in women. I'm awfully gone in Miss Anabela. And that's why I'm telling you.'

"'Oh, seguramente,' says I. 'I know I have a front elevation like an Aztec god that guards a buried treasure that never did exist in Jefferson County, Yucatan. But there are compensations. For instance, I am It in this country as far as the eye can reach, and then a few perches and poles. And again,' says I, 'when I engage people in a set-to of oral, vocal, and laryngeal utterances, I do not usually confine my side of the argument to what may be likened to a cheap phonographic reproduction of the ravings of a jellyfish.'

"'Oh, I know,' says Fergus, amiable, 'that I'm not handy at small talk. Or large, either. That's why I'm telling you. I want you to help me.'

"'How can I do it?' I asked.

"'I have subsidized,' says Fergus, 'the services of Señorita Anabela's duenna, whose name is Francesca. You have a reputation in this country, Judson,' says Fergus, 'of being a great man and a hero.'

"'I have,' says I. 'And I deserve it.'

"'And I,' says Fergus, 'am the best-looking man between the arctic circle and antarctic ice pack.'

"'With limitations,' says I, 'as to physiognomy and geography, I freely concede you to be.'

"'Between the two of us,' says Fergus, 'we ought to land the Señorita Anabela Zamora. The lady, as you know, is of an old Spanish family, and further than looking at her driving in the family carruaje of afternoons around the plaza, or catching a glimpse of her through a barred window of evenings, she is as unapproachable as a star.'

"'Land her for which one of us?' says I.

"'For me, of course,' says Fergus. 'You've never seen her. Now, I've had Francesca point me out to her as being you on several occasions. When she sees me on the plaza, she thinks she's looking at Don Judson Tate, the greatest hero, statesman, and romantic figure in the country. With your reputation and my looks combined in one man, how can she resist him? She's heard all about your thrilling history, of course. And she's seen me. Can any woman want more?' asks Fergus McMahan.

"'Can she do with less?' I ask. 'How can we separate our mutual attractions, and how shall we apportion the proceeds?'

"Then Fergus tells me his scheme.

"The house of the alcalde, Don Luis Zamora, he says, has a patio, of course—a kind of inner courtyard opening from the street. In an angle of it is his daughter's window—as dark a place as you could find. And what do you think he wants me to do? Why, knowing my freedom, charm, and skilfulness of tongue, he proposes that I go into the patio at midnight, when the hobgoblin face of me cannot be seen, and make love to her for him—for the pretty man that she has seen on the plaza, thinking him to be Don Judson Tate.

"Why shouldn't I do it for him—for my friend, Fergus McMahan? For him to ask me was a compliment—an acknowledgment of his own shortcomings.

"'You little, lily white, fine-haired, highly polished piece of dumb sculpture,' says I, 'I'll help you. Make your arrangements and get me in the dark outside her window and my stream of conversation opened up with the moonlight tremolo stop turned on, and she's yours.'

"'Keep your face hid, Jud,' says Fergus. 'For heaven's sake, keep your face hid. I'm a friend of yours in all kinds of sentiment, but this is a business deal. If I could talk I wouldn't ask you. But seeing me and listening to you I don't see why she can't be landed.'

"'By you?' says I.

"'By me,' says Fergus.

"Well, Fergus and the duenna, Francesca, attended to the details. And one night they fetched me a long black cloak with a high collar, and led me to the house at midnight. I stood by the window in the patio until I heard a voice as soft and sweet as an angel's whisper on the other side of the bars. I could see only a faint, white clad shape inside; and, true to Fergus, I pulled the collar of my cloak high up, for it was July in the wet seasons, and the nights were chilly. And, smothering a laugh as I thought of the tongue-tied Fergus, I began to talk.

"Well, sir, I talked an hour at the Señorita Anabela. I say 'at' because it was not 'with.' Now and then she would say: 'Oh, Señor,' or 'Now, ain't you foolin'?' or 'I know you don't mean that,' and such things as women will when they are being rightly courted. Both of us knew English and Spanish; so in two languages I tried to win the heart of the lady for my friend Fergus. But for the bars to the window I could have done it in one. At the end of the hour she dismissed me and gave me a big, red rose. I handed it over to Fergus when I got home.

"For three weeks every third or fourth night I impersonated my friend in the patio at the window of Señorita Anabela. At last she admitted that her heart was mine, and spoke of having seen me every afternoon when she drove in the plaza. It was Fergus she had seen, of course. But it was my talk that won her. Suppose Fergus had gone there, and tried to make a hit in the dark with his beauty all invisible, and not a word to say for himself!

"On the last night she promised to be mine—that is, Fergus's. And she put her hand between the bars for me to kiss. I bestowed the kiss and took the news to Fergus.

"'You might have left that for me to do,' says he.

"'That'll be your job hereafter,' says I. 'Keep on doing that and don't try to talk. Maybe after she thinks she's in love she won't notice the difference between real conversation and the inarticulate sort of droning that you give forth.'

"Now, I had never seen Señorita Anabela. So, the next day Fergus asks me to walk with him through the plaza and view the daily promenade and exhibition of Oratama society, a sight that had no interest for me. But I went; and children and dogs took to the banana groves and mangrove swamps as soon as they had a look at my face.

"'Here she comes,' said Fergus, twirling his moustache—'the one in white, in the open carriage with the black horse.'

"I looked and felt the ground rock under my feet. For Señorita Anabela Zamora was the most beautiful woman in the world, and the only one from that moment on, so far as Judson Tate was concerned. I saw at a glance that I must be hers and she mine forever. I thought of my face and nearly fainted; and then I thought of my other talents and stood upright again. And I had been wooing her for three weeks for another man!

"As Señorita Anabela's carriage rolled slowly past, she gave Fergus a long, soft glance from the corners of her night-black eyes, a glance that would have sent Judson Tate up into heaven in a rubber-tired chariot. But she never looked at me. And that handsome man only ruffles his curls and smirks and prances like a lady-killer at my side.

"'What do you think of her, Judson?' asks Fergus, with an air.

"'This much,' says I. 'She is to be Mrs. Judson Tate. I am no man to play tricks on a friend. So take your warning.'

"I thought Fergus would die laughing.

"'Well, well, well,' said he, 'you old doughface! Struck too, are you? That's great! But you're too late. Francesca tells me that Anabela talks of nothing but me, day and night. Of course, I'm awfully obliged to you for making that chin-music to her of evenings. But, do you know, I've an idea that I could have done it as well myself.'

"'Mrs. Judson Tate,' says I. 'Don't forget the name. You've had the use of my tongue to go with your good looks, my boy. You can't lend me your looks; but hereafter my tongue is my own. Keep your mind on the name that's to be on the visiting cards two inches by three and a half—"Mrs. Judson Tate." That's all.'

"'All right,' says Fergus, laughing again. 'I've talked with her father, the alcalde, and he's willing. He's to give a baile to-morrow evening in his new warehouse. If you were a dancing man, Jud, I'd expect you around to meet the future Mrs. McMahan.'

"But on the next evening, when the music was playing loudest at the Alcade Zamora's baile, into the room steps Judson Tate in new white linen clothes as if he were the biggest man in the whole nation, which he was.

"Some of the musicians jumped off the key when they saw my face, and one or two of the timidest señoritas let out a screech or two. But up prances the alcalde and almost wipes the dust off my shoes with his forehead. No mere good looks could have won me that sensational entrance.

"'I hear much, Señor Zamora,' says I, 'of the charm of your daughter. It would give me great pleasure to be presented to her.'

"There were about six dozen willow rocking-chairs, with pink tidies tied on to them, arranged against the walls. In one of them sat Señorita Anabela in white Swiss and red slippers, with pearls and fireflies in her hair. Fergus was at the other end of the room trying to break away from two maroons and a claybank girl.

"The alcalde leads me up to Anabela and presents me. When she took the first look at my face she dropped her fan and nearly turned her chair over from the shock. But I'm used to that.

"I sat down by her, and began to talk. When she heard me speak she jumped, and her eyes got as big as alligator pears. She couldn't strike a balance between the tones of my voice and face I carried. But I kept on talking in the key of C, which is the ladies' key; and presently she sat still in her chair and a dreamy look came into her eyes. She was coming my way. She knew of Judson Tate, and what a big man he was, and the big things he had done; and that was in my favour. But, of course, it was some shock to her to find out that I was not the pretty man that had been pointed out to her as the great Judson. And then I took the Spanish language, which is better than English for certain purposes, and played on it like a harp of a thousand strings. I ranged from the second G below the staff up to F-sharp above it. I set my voice to poetry, art, romance, flowers, and moonlight. I repeated some of the verses that I had murmured to her in the dark at her window; and I knew from a sudden soft sparkle in her eye that she recognized in my voice the tones of her midnight mysterious wooer.

"Anyhow, I had Fergus McMahan going. Oh, the vocal is the true art—no doubt about that. Handsome is as handsome palavers. That's the renovated proverb.

"I took Señorita Anabela for a walk in the lemon grove while Fergus, disfiguring himself with an ugly frown, was waltzing with the claybank girl. Before we returned I had permission to come to her window in the patio the next evening at midnight and talk some more.

"Oh, it was easy enough. In two weeks Anabela was engaged to me, and Fergus was out. He took it calm, for a handsome man, and told me he wasn't going to give in.

"'Talk may be all right in its place, Judson,' he says to me, 'although I've never thought it worth cultivating. But,' says he, 'to expect mere words to back up successfully a face like yours in a lady's good graces is like expecting a man to make a square meal on the ringing of a dinner-bell.'

"But I haven't begun on the story I was going to tell you yet.

"One day I took a long ride in the hot sunshine, and then took a bath in the cold waters of a lagoon on the edge of the town before I'd cooled off.

"That evening after dark I called at the alcalde's to see Anabela. I was calling regular every evening then, and we were to be married in a month. She was looking like a bulbul, a gazelle, and a tea-rose, and her eyes were as soft and bright as two quarts of cream skimmed off from the Milky Way. She looked at my rugged features without any expression of fear or repugnance. Indeed, I fancied that I saw a look of deep admiration and affection, such as she had cast at Fergus on the plaza.

"I sat down, and opened my mouth to tell Anabela what she loved to hear—that she was a trust, monopolizing all the loveliness of earth. I opened my mouth, and instead of the usual vibrating words of love and compliment, there came forth a faint wheeze such as a baby with croup might emit. Not a word—not a syllable—not an intelligible sound. I had caught cold in my laryngeal regions when I took my injudicious bath.

"For two hours I sat trying to entertain Anabela. She talked a certain amount, but it was perfunctory and diluted. The nearest approach I made to speech was to formulate a sound like a clam trying to sing 'A Life on the Ocean Wave' at low tide. It seemed that Anabela's eyes did not rest upon me as often as usual. I had nothing with which to charm her ears. We looked at pictures and she played the guitar occasionally, very badly. When I left, her parting manner seemed cool—or at least thoughtful.

"This happened for five evenings consecutively.

"On the sixth day she ran away with Fergus McMahan.

"It was known that they fled in a sailing yacht bound for Belize. I was only eight hours behind them in a small steam launch belonging to the Revenue Department.

"Before I sailed, I rushed into the botica of old Manuel Iquito, a half-breed Indian druggist. I could not speak, but I pointed to my throat and made a sound like escaping steam. He began to yawn. In an hour, according to the customs of the country, I would have been waited on. I reached across the counter, seized him by the throat, and pointed again to my own. He yawned once more, and thrust into my hand a small bottle containing a black liquid.

"'Take one small spoonful every two hours,' says he.

"I threw him a dollar and skinned for the steamer.

"I steamed into the harbour at Belize thirteen seconds behind the yacht that Anabela and Fergus were on. They started for the shore in a dory just as my skiff was lowered over the side. I tried to order my sailormen to row faster, but the sounds died in my larynx before they came to the light. Then I thought of old Iquito's medicine, and I got out his bottle and took a swallow of it.

"The two boats landed at the same moment. I walked straight up to Anabela and Fergus. Her eyes rested upon me for an instant; then she turned them, full of feeling and confidence, upon Fergus. I knew I could not speak, but I was desperate. In speech lay my only hope. I could not stand beside Fergus and challenge comparison in the way of beauty. Purely involuntarily, my larynx and epiglottis attempted to reproduce the sounds that my mind was calling upon my vocal organs to send forth.

"To my intense surprise and delight the words rolled forth beautifully clear, resonant, exquisitely modulated, full of power, expression, and long-repressed emotion.

"'Señorita Anabela,' says I, 'may I speak with you aside for a moment?'

"You don't want details about that, do you? Thanks. The old eloquence had come back all right. I led her under a cocoanut palm and put my old verbal spell on her again.

"'Judson,' says she, 'when you are talking to me I can hear nothing else—I can see nothing else—there is nothing and nobody else in the world for me.'

"Well, that's about all of the story. Anabela went back to Oratama in the steamer with me. I never heard what became of Fergus. I never saw him any more. Anabela is now Mrs. Judson Tate. Has my story bored you much?"

"No," said I. "I am always interested in psychological studies. A human heart—and especially a woman's—is a wonderful thing to contemplate."

"It is," said Judson Tate. "And so are the trachea and bronchial tubes of man. And the larynx too. Did you ever make a study of the windpipe?"

"Never," said I. "But I have taken much pleasure in your story. May I ask after Mrs. Tate, and inquire of her present health and whereabouts?"

"Oh, sure," said Judson Tate. "We are living in Bergen Avenue, Jersey City. The climate down in Oratama didn't suit Mrs. T. I don't suppose you ever dissected the arytenoid cartilages of the epiglottis, did you?"

"Why, no," said I, "I am no surgeon."

"Pardon me," said Judson Tate, "but every man should know enough of anatomy and therapeutics to safeguard his own health. A sudden cold may set up capillary bronchitis or inflammation of the pulmonary vesicles, which may result in a serious affection of the vocal organs."

"Perhaps so," said I, with some impatience; "but that is neither here nor there. Speaking of the strange manifestations of the affection of women, I—"

"Yes, yes," interrupted Judson Tate; "they have peculiar ways. But, as I was going to tell you: when I went back to Oratama I found out from Manuel Iquito what was in that mixture he gave me for my lost voice. I told you how quick it cured me. He made that stuff from thechuchula plant. Now, look here."

Judson Tate drew an oblong, white pasteboard box from his pocket.

"For any cough," he said, "or cold, or hoarseness, or bronchial affection whatsoever, I have here the greatest remedy in the world. You see the formula, printed on the box. Each tablet contains licorice, 2 grains; balsam tolu, 1/10 grain; oil of anise, 1/20 minim; oil of tar, 1/60 minim; oleo-resin of cubebs, 1/60 minim; fluid extract of chuchula, 1/10 minim.

"I am in New York," went on Judson Tate, "for the purpose of organizing a company to market the greatest remedy for throat affections ever discovered. At present I am introducing the lozenges in a small way. I have here a box containing four dozen, which I am selling for the small sum of fifty cents. If you are suffering—"

 

I got up and went away without a word. I walked slowly up to the little park near my hotel, leaving Judson Tate alone with his conscience. My feelings were lacerated. He had poured gently upon me a story that I might have used. There was a little of the breath of life in it, and some of the synthetic atmosphere that passes, when cunningly tinkered, in the marts. And, at the last it had proven to be a commercial pill, deftly coated with the sugar of fiction. The worst of it was that I could not offer it for sale. Advertising departments and counting-rooms look down upon me. And it would never do for the literary. Therefore I sat upon a bench with other disappointed ones until my eyelids drooped.

I went to my room, and, as my custom is, read for an hour stories in my favourite magazines. This was to get my mind back to art again.

And as I read each story, I threw the magazines sadly and hopelessly, one by one, upon the floor. Each author, without one exception to bring balm to my heart, wrote liltingly and sprightly a story of some particular make of motor-car that seemed to control the sparking plug of his genius.

And when the last one was hurled from me I took heart.

"If readers can swallow so many proprietary automobiles," I said to myself, "they ought not to strain at one of Tate's Compound Magic Chuchula Bronchial Lozenges."

And so if you see this story in print you will understand that business is business, and that if Art gets very far ahead of Commerce, she will have to get up and hustle.

I may as well add, to make a clean job of it, that you can't buy the chuchula plant in the drug stores.

ART AND THE BRONCO

Out of the wilderness had come a painter. Genius, whose coronations alone are democratic, had woven a chaplet of chaparral for the brow of Lonny Briscoe. Art, whose divine expression flows impartially from the fingertips of a cowboy or a dilettante emperor, had chosen for a medium the Boy Artist of the San Saba. The outcome, seven feet by twelve of besmeared canvas, stood, gilt-framed, in the lobby of the Capitol.

The legislature was in session; the capital city of that great Western state was enjoying the season of activity and profit that the congregation of the solons bestowed. The boarding-houses were corralling the easy dollars of the gamesome lawmakers. The greatest state in the West, an empire in area and resources, had arisen and repudiated the old libel or barbarism, lawbreaking, and bloodshed. Order reigned within her borders. Life and property were as safe there, sir, as anywhere among the corrupt cities of the effete East. Pillow-shams, churches, strawberry feasts and habeas corpus flourished. With impunity might the tenderfoot ventilate his "stovepipe" or his theories of culture. The arts and sciences received nurture and subsidy. And, therefore, it behooved the legislature of this great state to make appropriation for the purchase of Lonny Briscoe's immortal painting.

Rarely has the San Saba country contributed to the spread of the fine arts. Its sons have excelled in the solider graces, in the throw of the lariat, the manipulation of the esteemed .45, the intrepidity of the one-card draw, and the nocturnal stimulation of towns from undue lethargy; but, hitherto, it had not been famed as a stronghold of æsthetics. Lonny Briscoe's brush had removed that disability. Here, among the limestone rocks, the succulent cactus, and the drought-parched grass of that arid valley, had been born the Boy Artist. Why he came to woo art is beyond postulation. Beyond doubt, some spore of the afflatus must have sprung up within him in spite of the desert soil of San Saba. The tricksy spirit of creation must have incited him to attempted expression and then have sat hilarious among the white-hot sands of the valley, watching its mischievous work. For Lonny's picture, viewed as a thing of art, was something to have driven away dull care from the bosoms of the critics.

The painting—one might almost say panorama—was designed to portray a typical Western scene, interest culminating in a central animal figure, that of a stampeding steer, life-size, wild-eyed, fiery, breaking away in a mad rush from the herd that, close-ridden by a typical cowpuncher, occupied a position somewhat in the right background of the picture. The landscape presented fitting and faithful accessories. Chaparral, mesquit, and pear were distributed in just proportions. A Spanish dagger-plant, with its waxen blossoms in a creamy aggregation as large as a water-bucket, contributed floral beauty and variety. The distance was undulating prairie, bisected by stretches of the intermittent streams peculiar to the region lined with the rich green of live-oak and water-elm. A richly mottled rattlesnake lay coiled beneath a pale green clump of prickly pear in the foreground. A third of the canvas was ultramarine and lake white—the typical Western sky and the flying clouds, rainless and feathery.

Between two plastered pillars in the commodious hallway near the door of the chamber of representatives stood the painting. Citizens and lawmakers passed there by twos and groups and sometimes crowds to gaze upon it. Many—perhaps a majority of them—had lived the prairie life and recalled easily the familiar scene. Old cattlemen stood, reminiscent and candidly pleased, chatting with brothers of former camps and trails of the days it brought back to mind. Art critics were few in the town, and there was heard none of that jargon of colour, perspective, and feeling such as the East loves to use as a curb and a rod to the pretensions of the artist. 'Twas a great picture, most of them agreed, admiring the gilt frame—larger than any they had ever seen.

Senator Kinney was the picture's champion and sponsor. It was he who so often stepped forward and asserted, with the voice of a bronco-buster, that it would be a lasting blot, sir, upon the name of this great state if it should decline to recognize in a proper manner the genius that had so brilliantly transferred to imperishable canvas a scene so typical of the great sources of our state's wealth and prosperity, land—and—er—live-stock.

Senator Kinney represented a section of the state in the extreme West—400 miles from the San Saba country—but the true lover of art is not limited by metes and bounds. Nor was Senator Mullens, representing the San Saba country, lukewarm in his belief that the state should purchase the painting of his constituent. He was advised that the San Saba country was unanimous in its admiration of the great painting by one of its own denizens. Hundreds of connoisseurs had straddled their broncos and ridden miles to view it before its removal to the capital. Senator Mullens desired reëlection, and he knew the importance of the San Saba vote. He also knew that with the help of Senator Kinney—who was a power in the legislature—the thing could be put through. Now, Senator Kinney had an irrigation bill that he wanted passed for the benefit of his own section, and he knew Senator Mullens could render him valuable aid and information, the San Saba country already enjoying the benefits of similar legislation. With these interests happily dovetailed, wonder at the sudden interest in art at the state capital must, necessarily, be small. Few artists have uncovered their first picture to the world under happier auspices than did Lonny Briscoe.

Senators Kinney and Mullens came to an understanding in the matter of irrigation and art while partaking of long drinks in the café of the Empire Hotel.

"H'm!" said Senator Kinney, "I don't know. I'm no art critic, but it seems to me the thing won't work. It looks like the worst kind of a chromo to me. I don't want to cast any reflections upon the artistic talent of your constituent, Senator, but I, myself, wouldn't give six bits for the picture—without the frame. How are you going to cram a thing like that down the throat of a legislature that kicks about a little item in the expense bill of six hundred and eighty-one dollars for rubber erasers for only one term? It's wasting time. I'd like to help you, Mullens, but they'd laugh us out of the Senate chamber if we were to try it."

"But you don't get the point," said Senator Mullens, in his deliberate tones, tapping Kinney's glass with his long forefinger. "I have my own doubts as to what the picture is intended to represent, a bullfight or a Japanese allegory, but I want this legislature to make an appropriation to purchase. Of course, the subject of the picture should have been in the state historical line, but it's too late to have the paint scraped off and changed. The state won't miss the money and the picture can be stowed away in a lumber-room where it won't annoy any one. Now, here's the point to work on, leaving art to look after itself—the chap that painted the picture is the grandson of Lucien Briscoe."

"Say it again," said Kinney, leaning his head thoughtfully. "Of the old, original Lucien Briscoe?"

"Of him. 'The man who,' you know. The man who carved the state out of the wilderness. The man who settled the Indians. The man who cleaned out the horse thieves. The man who refused the crown. The state's favourite son. Do you see the point now?"

"Wrap up the picture," said Kinney. "It's as good as sold. Why didn't you say that at first, instead of philandering along about art. I'll resign my seat in the Senate and go back to chain-carrying for the county surveyor the day I can't make this state buy a picture calcimined by a grandson of Lucien Briscoe. Did you ever hear of a special appropriation for the purchase of a home for the daughter of One-Eyed Smothers? Well, that went through like a motion to adjourn, and old One-Eyed never killed half as many Indians as Briscoe did. About what figure had you and the calciminer agreed upon to sandbag the treasury for?"

"I thought," said Mullens, "that maybe five hundred—"

"Five hundred!" interrupted Kinney, as he hammered on his glass for a lead pencil and looked around for a waiter. "Only five hundred for a red steer on the hoof delivered by a grandson of Lucien Briscoe! Where's your state pride, man? Two thousand is what it'll be. You'll introduce the bill and I'll get up on the floor of the Senate and wave the scalp of every Indian old Lucien ever murdered. Let's see, there was something else proud and foolish he did, wasn't there? Oh, yes; he declined all emoluments and benefits he was entitled to. Refused his head-right and veteran donation certificates. Could have been governor, but wouldn't. Declined a pension. Now's the state's chance to pay up. It'll have to take the picture, but then it deserves some punishment for keeping the Briscoe family waiting so long. We'll bring this thing up about the middle of the month, after the tax bill is settled. Now, Mullens, you send over, as soon as you can, and get me the figures on the cost of those irrigation ditches and the statistics about the increased production per acre. I'm going to need you when that bill of mine comes up. I reckon we'll be able to pull along pretty well together this session and maybe others to come, eh, Senator?"

Thus did fortune elect to smile upon the Boy Artist of the San Saba. Fate had already done her share when she arranged his atoms in the cosmogony of creation as the grandson of Lucien Briscoe.

The original Briscoe had been a pioneer both as to territorial occupation and in certain acts prompted by a great and simple heart. He had been one of the first settlers and crusaders against the wild forces of nature, the savage and the shallow politician. His name and memory were revered, equally with any upon the list comprising Houston, Boone, Crockett, Clark, and Green. He had lived simply, independently, and unvexed by ambition. Even a less shrewd man than Senator Kinney could have prophesied that his state would hasten to honour and reward his grandson, come out of the chaparral at even so late a day.

And so, before the great picture by the door of the chamber of representatives at frequent times for many days could be found the breezy, robust form of Senator Kinney and be heard his clarion voice reciting the past deeds of Lucien Briscoe in connection with the handiwork of his grandson. Senator Mullens's work was more subdued in sight and sound, but directed along identical lines.

Then, as the day for the introduction of the bill for appropriation draws nigh, up from the San Saba country rides Lonny Briscoe and a loyal lobby of cowpunchers, bronco-back, to boost the cause of art and glorify the name of friendship, for Lonny is one of them, a knight of stirrup and chaparreras, as handy with the lariat and .45 as he is with brush and palette.

On a March afternoon the lobby dashed, with a whoop, into town. The cowpunchers had adjusted their garb suitably from that prescribed for the range to the more conventional requirements of town. They had conceded their leather chaparreras and transferred their six-shooters and belts from their persons to the horns of their saddles. Among them rode Lonny, a youth of twenty-three, brown, solemn-faced, ingenuous, bowlegged, reticent, bestriding Hot Tamales, the most sagacious cow pony west of the Mississippi. Senator Mullens had informed him of the bright prospects of the situation; had even mentioned—so great was his confidence in the capable Kinney—the price that the state would, in all likelihood, pay. It seemed to Lonny that fame and fortune were in his hands. Certainly, a spark of the divine fire was in the little brown centaur's breast, for he was counting the two thousand dollars as but a means to future development of his talent. Some day he would paint a picture even greater than this—one, say, twelve feet by twenty, full of scope and atmosphere and action.

During the three days that yet intervened before the coming of the date fixed for the introduction of the bill, the centaur lobby did valiant service. Coatless, spurred, weather-tanned, full of enthusiasm expressed in bizarre terms, they loafed in front of the painting with tireless zeal. Reasoning not unshrewdly, they estimated that their comments upon its fidelity to nature would be received as expert evidence. Loudly they praised the skill of the painter whenever there were ears near to which such evidence might be profitably addressed. Lem Perry, the leader of the claque, had a somewhat set speech, being uninventive in the construction of new phrases.

"Look at that two-year-old, now," he would say, waving a cinnamon-brown hand toward the salient point of the picture. "Why, dang my hide, the critter's alive. I can jest hear him, 'lumpety-lump,' a-cuttin' away from the herd, pretendin' he's skeered. He's a mean scamp, that there steer. Look at his eyes a-wallin' and his tail a-wavin'. He's true and nat'ral to life. He's jest hankerin' fur a cow pony to round him up and send him scootin' back to the bunch. Dang my hide! jest look at that tail of his'n a-wavin'. Never knowed a steer to wave his tail any other way, dang my hide ef I did."

Jud Shelby, while admitting the excellence of the steer, resolutely confined himself to open admiration of the landscape, to the end that the entire picture receive its meed of praise.

"That piece of range," he declared, "is a dead ringer for Dead Hoss Valley. Same grass, same lay of land, same old Whipperwill Creek skallyhootin' in and out of them motts of timber. Them buzzards on the left is circlin' 'round over Sam Kildrake's old paint hoss that killed hisself over-drinkin' on a hot day. You can't see the hoss for that mott of ellums on the creek, but he's thar. Anybody that was goin' to look for Dead Hoss Valley and come across this picture, why, he'd just light off'n his bronco and hunt a place to camp."

Skinny Rogers, wedded to comedy, conceived a complimentary little piece of acting that never failed to make an impression. Edging quite near to the picture, he would suddenly, at favourable moments emit a piercing and awful "Yi-yi!" leap high and away, coming down with a great stamp of heels and whirring of rowels upon the stone-flagged floor.

"Jeeming Cristopher!"—so ran his lines—"thought that rattler was a gin-u-ine one. Ding baste my skin if I didn't. Seemed to me I heard him rattle. Look at the blamed, unconverted insect a-layin' under that pear. Little more, and somebody would a-been snake-bit."

With these artful dodges, contributed by Lonney's faithful coterie, with the sonorous Kinney perpetually sounding the picture's merits, and with the solvent prestige of the pioneer Briscoe covering it like a precious varnish, it seemed that the San Saba country could not fail to add a reputation as an art centre to its well-known superiority in steer-roping contests and achievements with the precarious busted flush. Thus was created for the picture an atmosphere, due rather to externals than to the artist's brush, but through it the people seemed to gaze with more of admiration. There was a magic in the name of Briscoe that counted high against faulty technique and crude colouring. The old Indian fighter and wolf slayer would have smiled grimly in his happy hunting grounds had he known that his dilettante ghost was thus figuring as an art patron two generations after his uninspired existence.

Came the day when the Senate was expected to pass the bill of Senator Mullens appropriating two thousand dollars for the purchase of the picture. The gallery of the Senate chamber was early preempted by Lonny and the San Saba lobby. In the front row of chairs they sat, wild-haired, self-conscious, jingling, creaking, and rattling, subdued by the majesty of the council hall.

The bill was introduced, went to the second reading, and then Senator Mullens spoke for it dryly, tediously, and at length. Senator Kinney then arose, and the welkin seized the bellrope preparatory to ringing. Oratory was at that time a living thing; the world had not quite come to measure its questions by geometry and the multiplication table. It was the day of the silver tongue, the sweeping gesture, the decorative apostrophe, the moving peroration.

The Senator spoke. The San Saba contingent sat, breathing hard, in the gallery, its disordered hair hanging down to its eyes, its sixteen-ounce hats shifted restlessly from knee to knee. Below, the distinguished Senators either lounged at their desks with the abandon of proven statesmanship or maintained correct attitudes indicative of a first term.

Senator Kinney spoke for an hour. History was his theme—history mitigated by patriotism and sentiment. He referred casually to the picture in the outer hall—it was unnecessary, he said, to dilate upon its merits—the Senators had seen for themselves. The painter of the picture was the grandson of Lucien Briscoe. Then came the word-pictures of Briscoe's life set forth in thrilling colours. His rude and venturesome life, his simple-minded love for the commonwealth he helped to upbuild, his contempt for rewards and praise, his extreme and sturdy independence, and the great services he had rendered the state. The subject of the oration was Lucien Briscoe; the painting stood in the background serving simply as a means, now happily brought forward, through which the state might bestow a tardy recompense upon the descendent of its favourite son. Frequent enthusiastic applause from the Senators testified to the well reception of the sentiment.

The bill passed without an opening vote. To-morrow it would be taken up by the House. Already was it fixed to glide through that body on rubber tires. Blandford, Grayson, and Plummer, all wheel-horses and orators, and provided with plentiful memoranda concerning the deeds of pioneer Briscoe, had agreed to furnish the motive power.

The San Saba lobby and its protégé stumbled awkwardly down the stairs and out into the Capitol yard. Then they herded closely and gave one yell of triumph. But one of them—Buck-Kneed Summers it was—hit the key with the thoughtful remark:

"She cut the mustard," he said, "all right. I reckon they're goin' to buy Lon's steer. I ain't right much on the parlyment'ry, but I gather that's what the signs added up. But she seems to me, Lonny, the argyment ran principal to grandfather, instead of paint. It's reasonable calculatin' that you want to be glad you got the Briscoe brand on you, my son."

That remarked clinched in Lonny's mind an unpleasant, vague suspicion to the same effect. His reticence increased, and he gathered grass from the ground, chewing it pensively. The picture as a picture had been humiliatingly absent from the Senator's arguments. The painter had been held up as a grandson, pure and simple. While this was gratifying on certain lines, it made art look little and slab-sided. The Boy Artist was thinking.

The hotel Lonny stopped at was near the Capitol. It was near to the one o'clock dinner hour when the appropriation had been passed by the Senate. The hotel clerk told Lonny that a famous artist from New York had arrived in town that day and was in the hotel. He was on his way westward to New Mexico to study the effect of sunlight upon the ancient walls of the Zuñis. Modern stones reflect light. Those ancient building materials absorb it. The artist wanted this effect in a picture he was painting, and was traveling two thousand miles to get it.

Lonny sought this man out after dinner and told his story. The artist was an unhealthy man, kept alive by genius and indifference to life. He went with Lonny to the Capitol and stood there before the picture. The artist pulled his beard and looked unhappy.

"Should like to have your sentiments," said Lonny, "just as they run out of the pen."

"It's the way they'll come," said the painter man. "I took three different kinds of medicine before dinner—by the tablespoonful. The taste still lingers. I am primed for telling the truth. You want to know if the picture is, or if it isn't?"

"Right," said Lonny. "Is it wool or cotton? Should I paint some more or cut it out and ride herd a-plenty?"

"I heard a rumour during pie," said the artist, "that the state is about to pay you two thousand dollars for this picture."

"It's passed the Senate," said Lonny, "and the House rounds it up to-morrow."

"That's lucky," said the pale man. "Do you carry a rabbit's foot?"

"No," said Lonny, "but it seems I had a grandfather. He's considerable mixed up in the colour scheme. It took me a year to paint that picture. Is she entirely awful or not? Some says, now, that the steer's tail ain't badly drawed. They think it's proportioned nice. Tell me."

The artist glanced at Lonny's wiry figure and nut-brown skin. Something stirred him to a passing irritation.

"For Art's sake, son," he said, fractiously, "don't spend any more money for paint. It isn't a picture at all. It's a gun. You hold up the state with it, if you like, and get your two thousand, but don't get in front of any more canvas. Live under it. Buy a couple of hundred ponies with the money—I'm told they're that cheap—and ride, ride, ride. Fill your lungs and eat and sleep and be happy. No more pictures. You look healthy. That's genius. Cultivate it." He looked at his watch. "Twenty minutes to three. Four capsules and one tablet at three. That's all you wanted to know, isn't it?"

At three o'clock the cowpunchers rode up for Lonny, bringing Hot Tamales, saddled. Traditions must be observed. To celebrate the passage of the bill by the Senate the gang must ride wildly through the town, creating uproar and excitement. Liquor must be partaken of, the suburbs shot up, and the glory of the San Saba country vociferously proclaimed. A part of the programme had been carried out in the saloons on the way up.

Lonny mounted Hot Tamales, the accomplished little beast prancing with fire and intelligence. He was glad to feel Lonny's bowlegged grip against his ribs again. Lonny was his friend, and he was willing to do things for him.

"Come on, boys," said Lonny, urging Hot Tomales into a gallop with his knees. With a whoop, the inspired lobby tore after him through the dust. Lonny led his cohorts straight for the Capitol. With a wild yell, the gang endorsed his now evident intention of riding into it. Hooray for San Saba!

Up the six broad, limestone steps clattered the broncos of the cowpunchers. Into the resounding hallway they pattered, scattering in dismay those passing on foot. Lonny, in the lead, shoved Hot Tamales direct for the great picture. At that hour a downpouring, soft light from the second-story windows bathed the big canvas. Against the darker background of the hall the painting stood out with valuable effect. In spite of the defects of the art you could almost fancy that you gazed out upon a landscape. You might well flinch a step from the convincing figure of the life-size steer stampeding across the grass. Perhaps it seemed thus to Hot Tamales. The scene was in his line. Perhaps he only obeyed the will of his rider. His ears pricked up; he snorted. Lonny leaned forward in the saddle and elevated his elbows, wing-like. Thus signals the cowpuncher to his steed to launch himself full speed ahead. Did Hot Tamales fancy he saw a steer, red and cavorting, that should be headed off and driven back to the herd? There was a fierce clatter of hoofs, a rush, a gathering of steely flank muscles, a leap to the jerk of the bridle rein, and Hot Tamales, with Lonny bending low in the saddle to dodge the top of the frame, ripped through the great canvas like a shell from a mortar, leaving the cloth hanging in ragged shreds about a monstrous hole.

Quickly Lonny pulled up his pony, and rounded the pillars. Spectators came running, too astounded to add speech to the commotion. The sergeant-at-arms of the House came forth, frowned, looked ominous, and then grinned. Many of the legislators crowded out to observe the tumult. Lonny's cowpunchers were stricken to silent horror by his mad deed.

Senator Kinney happened to be among the earliest to emerge. Before he could speak Lonny leaned in his saddle as Hot Tamales pranced, pointed his quirt at the Senator, and said, calmly:

"That was a fine speech you made to-day, mister, but you might as well let up on that 'propriation business. I ain't askin' the state to give me nothin'. I thought I had a picture to sell to it, but it wasn't one. You said a heap of things about Grandfather Briscoe that makes me kind of proud I'm his grandson. Well, the Briscoes ain't takin' presents from the state yet. Anybody can have the frame that wants it. Hit her up, boys."

Away scuttled the San Saba delegation out of the hall, down the steps, along the dusty street.

Halfway to the San Saba country they camped that night. At bedtime Lonny stole away from the campfire and sought Hot Tamales, placidly eating grass at the end of his stake rope. Lonny hung upon his neck, and his art aspirations went forth forever in one long, regretful sigh. But as he thus made renunciation his breath formed a word or two.

"You was the only one, Tamales, what seen anything in it. It did look like a steer, didn't it, old hoss?"

PHŒBE

"You are a man of many novel adventures and varied enterprises," I said to Captain Patricio Maloné. "Do you believe that the possible element of good luck or bad luck—if there is such a thing as luck—has influenced your career or persisted for or against you to such an extent that you were forced to attribute results to the operation of the aforesaid good luck or bad luck?"

This question (of almost the dull insolence of legal phraseology) was put while we sat in Rousselin's little red-tiled café near Congo Square in New Orleans.

Brown-faced, white-hatted, finger-ringed captains of adventure came often to Rousselin's for the cognac. They came from sea and land, and were chary of relating the things they had seen—not because they were more wonderful than the fantasies of the Ananiases of print, but because they were so different. And I was a perpetual wedding-guest, always striving to cast my buttonhole over the finger of one of these mariners of fortune. This Captain Maloné was a Hiberno-Iberian creole who had gone to and fro in the earth and walked up and down in it. He looked like any other well-dressed man of thirty-five whom you might meet, except that he was hopelessly weather-tanned, and wore on his chain an ancient ivory-and-gold Peruvian charm against evil, which has nothing at all to do with this story.

"My answer to your question," said the captain, smiling, "will be to tell you the story of Bad-Luck Kearny. That is, if you don't mind hearing it."

My reply was to pound on the table for Rousselin.

"Strolling along Tchoupitoulas Street one night," began Captain Maloné, "I noticed, without especially taxing my interest, a small man walking rapidly toward me. He stepped upon a wooden cellar door, crashed through it, and disappeared. I rescued him from a heap of soft coal below. He dusted himself briskly, swearing fluently in a mechanical tone, as an underpaid actor recites the gypsy's curse. Gratitude and the dust in his throat seemed to call for fluids to clear them away. His desire for liquidation was expressed so heartily that I went with him to a café down the street where we had some vile vermouth and bitters.

"Looking across that little table I had my first clear sight of Francis Kearny. He was about five feet seven, but as tough as a cypress knee. His hair was darkest red, his mouth such a mere slit that you wondered how the flood of his words came rushing from it. His eyes were the brightest and lightest blue and the hopefulest that I ever saw. He gave the double impression that he was at bay and that you had better not crowd him further.

"'Just in from a gold-hunting expedition on the coast of Costa Rica,' he explained. 'Second mate of a banana steamer told me the natives were panning out enough from the beach sands to buy all the rum, red calico, and parlour melodeons in the world. The day I got there a syndicate named Incorporated Jones gets a government concession to all minerals from a given point. For a next choice I take coast fever and count green and blue lizards for six weeks in a grass hut. I had to be notified when I was well, for the reptiles were actually there. Then I shipped back as third cook on a Norwegian tramp that blew up her boiler two miles below Quarantine. I was due to bust through that cellar door here to-night, so I hurried the rest of the way up the river, roustabouting on a lower coast packet that made up a landing for every fisherman that wanted a plug of tobacco. And now I'm here for what comes next. And it'll be along, it'll be along,' said this queer Mr. Kearny; 'it'll be along on the beams of my bright but not very particular star.'

"From the first the personality of Kearny charmed me. I saw in him the bold heart, the restless nature, and the valiant front against the buffets of fate that make his countrymen such valuable comrades in risk and adventure. And just then I was wanting such men. Moored at a fruit company's pier I had a 500-ton steamer ready to sail the next day with a cargo of sugar, lumber, and corrugated iron for a port in—well, let us call the country Esperando—it has not been long ago, and the name of Patricio Maloné is still spoken there when its unsettled politics are discussed. Beneath the sugar and iron were packed a thousand Winchester rifles. In Aguas Frias, the capital, Don Rafael Valdevia, Minister of War, Esperando's greatest-hearted and most able patriot, awaited my coming. No doubt you have heard, with a smile, of the insignificant wars and uprisings in those little tropic republics. They make but a faint clamour against the din of great nations' battles; but down there, under all the ridiculous uniforms and petty diplomacy and senseless countermarching and intrigue, are to be found statesmen and patriots. Don Rafael Valdevia was one. His great ambition was to raise Esperando into peace and honest prosperity and the respect of the serious nations. So he waited for my rifles in Aguas Frias. But one would think I am trying to win a recruit in you! No; it was Francis Kearny I wanted. And so I told him, speaking long over our execrable vermouth, breathing the stifling odour from garlic and tarpaulins, which, as you know, is the distinctive flavour of cafés in the lower slant of our city. I spoke of the tyrant President Cruz and the burdens that his greed and insolent cruelty laid upon the people. And at that Kearny's tears flowed. And then I dried them with a picture of the fat rewards that would be ours when the oppressor should be overthrown and the wise and generous Valdevia in his seat. Then Kearny leaped to his feet and wrung my hand with the strength of a roustabout. He was mine, he said, till the last minion of the hated despot was hurled from the highest peaks of the Cordilleras into the sea.

"I paid the score, and we went out. Near the door Kearny's elbow overturned an upright glass showcase, smashing it into little bits. I paid the storekeeper the price he asked.

"'Come to my hotel for the night,' I said to Kearny. 'We sail to-morrow at noon.'

"He agreed; but on the sidewalk he fell to cursing again in the dull monotonous way that he had done when I pulled him out of the coal cellar.

"'Captain,' said he, 'before we go any further, it's no more than fair to tell you that I'm known from Baffin's Bay to Terra del Fuego as "Bad-Luck" Kearny. And I'm It. Everything I get into goes up in the air except a balloon. Every bet I ever made I lost except when I coppered it. Every boat I ever sailed on sank except the submarines. Everything I was ever interested in went to pieces except a patent bombshell that I invented. Everything I ever took hold of and tried to run I ran into the ground except when I tried to plough. And that's why they call me Bad-Luck Kearny. I thought I'd tell you.'

"'Bad luck,' said I, 'or what goes by that name, may now and then tangle the affairs of any man. But if it persists beyond the estimate of what we may call the "averages" there must be a cause for it.'

"'There is,' said Kearny emphatically, 'and when we walk another square I will show it to you.'

"Surprised, I kept by his side until we came to Canal Street and out into the middle of its great width.

"Kearny seized me by an arm and pointed a tragic forefinger at a rather brilliant star that shone steadily about thirty degrees above the horizon.

"'That's Saturn,' said he, 'the star that presides over bad luck and evil and disappointment and nothing doing and trouble. I was born under that star. Every move I make, up bobs Saturn and blocks it. He's the hoodoo planet of the heavens. They say he's 73,000 miles in diameter and no solider of body than split-pea soup, and he's got as many disreputable and malignant rings as Chicago. Now, what kind of a star is that to be born under?'

"I asked Kearny where he had obtained all this astonishing knowledge.

"'From Azrath, the great astrologer of Cleveland, Ohio,' said he. 'That man looked at a glass ball and told me my name before I'd taken a chair. He prophesied the date of my birth and death before I'd said a word. And then he cast my horoscope, and the sidereal system socked me in the solar plexus. It was bad luck for Francis Kearny from A to Izard and for his friends that were implicated with him. For that I gave up ten dollars. This Azrath was sorry, but he respected his profession too much to read the heavens wrong for any man. It was night time, and he took me out on a balcony and gave me a free view of the sky. And he showed me which Saturn was, and how to find it in different balconies and longitudes.

"'But Saturn wasn't all. He was only the man higher up. He furnishes so much bad luck that they allow him a gang of deputy sparklers to help hand it out. They're circulating and revolving and hanging around the main supply all the time, each one throwing the hoodoo on his own particular district.

"'You see that ugly little red star about eight inches above and to the right of Saturn?' Kearny asked me. 'Well, that's her. That's Phœbe. She's got me in charge. "By the day of your birth," says Azrath to me, "your life is subjected to the influence of Saturn. By the hour and minute of it you must dwell under the sway and direct authority of Phœbe, the ninth satellite." So said this Azrath.' Kearny shook his fist violently skyward. 'Curse her, she's done her work well,' said he. 'Ever since I was astrologized, bad luck has followed me like my shadow, as I told you. And for many years before. Now, Captain, I've told you my handicap as a man should. If you're afraid this evil star of mine might cripple your scheme, leave me out of it.'

"I reassured Kearny as well as I could. I told him that for the time we would banish both astrology and astronomy from our heads. The manifest valour and enthusiasm of the man drew me. 'Let us see what a little courage and diligence will do against bad luck,' I said. 'We will sail to-morrow for Esperando.'

"Fifty miles down the Mississippi our steamer broke her rudder. We sent for a tug to tow us back and lost three days. When we struck the blue waters of the Gulf, all the storm clouds of the Atlantic seemed to have concentrated above us. We thought surely to sweeten those leaping waves with our sugar, and to stack our arms and lumber on the floor of the Mexican Gulf.

"Kearny did not seek to cast off one iota of the burden of our danger from the shoulders of his fatal horoscope. He weathered every storm on deck, smoking a black pipe, to keep which alight rain and sea-water seemed but as oil. And he shook his fist at the black clouds behind which his baleful star winked its unseen eye. When the skies cleared one evening, he reviled his malignant guardian with grim humour.

"'On watch, aren't you, you red-headed vixen? Out making it hot for little Francis Kearny and his friends, according to Hoyle. Twinkle, twinkle, little devil! You're a lady, aren't you?—dogging a man with your bad luck just because he happened to be born while your boss was floorwalker. Get busy and sink the ship, you one-eyed banshee. Phœbe! H'm! Sounds as mild as a milkmaid. You can't judge a woman by her name. Why couldn't I have had a man star? I can't make the remarks to Phœbe that I could to a man. Oh, Phœbe, you be—blasted!'

"For eight days gales and squalls and waterspouts beat us from our course. Five days only should have landed us in Esperando. Our Jonah swallowed the bad credit of it with appealing frankness; but that scarcely lessened the hardships our cause was made to suffer.

"At last one afternoon we steamed into the calm estuary of the little Rio Escondido. Three miles up this we crept, feeling for the shallow channel between the low banks that were crowded to the edge with gigantic trees and riotous vegetation. Then our whistle gave a little toot, and in five minutes we heard a shout, and Carlos—my brave Carlos Quintana—crashed through the tangled vines waving his cap madly for joy.

"A hundred yards away was his camp, where three hundred chosen patriots of Esperando were awaiting our coming. For a month Carlos had been drilling them there in the tactics of war, and filling them with the spirit of revolution and liberty.

"'My Captain—compadre mio!' shouted Carlos, while yet my boat was being lowered. 'You should see them in the drill by companies—in the column wheel—in the march by fours—they are superb! Also in the manual of arms—but, alas! performed only with sticks of bamboo. The guns, capitan—say that you have brought the guns!'

"'A thousand Winchesters, Carlos,' I called to him. 'And two Gatlings.'

"'Valgame Dios!' he cried, throwing his cap in the air. 'We shall sweep the world!'

"At that moment Kearny tumbled from the steamer's side into the river. He could not swim, so the crew threw him a rope and drew him back aboard. I caught his eye and his look of pathetic but still bright and undaunted consciousness of his guilty luck. I told myself that although he might be a man to shun, he was also one to be admired.

"I gave orders to the sailing-master that the arms, ammunition, and provisions were to be landed at once. That was easy in the steamer's boats, except for the two Gatling guns. For their transportation ashore we carried a stout flatboat, brought for the purpose in the steamer's hold.

"In the meantime I walked with Carlos to the camp and made the soldiers a little speech in Spanish, which they received with enthusiasm; and then I had some wine and a cigarette in Carlos's tent. Later we walked back to the river to see how the unloading was being conducted.

"The small arms and provisions were already ashore, and the petty officers and squads of men conveying them to camp. One Gatling had been safely landed; the other was just being hoisted over the side of the vessel as we arrived. I noticed Kearny darting about on board, seeming to have the ambition of ten men, and doing the work of five. I think his zeal bubbled over when he saw Carlos and me. A rope's end was swinging loose from some part of the tackle. Kearny leaped impetuously and caught it. There was a crackle and a hiss and a smoke of scorching hemp, and the Gatling dropped straight as a plummet through the bottom of the flatboat and buried itself in twenty feet of water and five feet of river mud.

"I turned my back on the scene. I heard Carlos's loud cries as if from some extreme grief too poignant for words. I heard the complaining murmur of the crew and the maledictions of Torres, the sailing master—I could not bear to look.

"By night some degree of order had been restored in camp. Military rules were not drawn strictly, and the men were grouped about the fires of their several messes, playing games of chance, singing their native songs, or discussing with voluble animation the contingencies of our march upon the capital.

"To my tent, which had been pitched for me close to that of my chief lieutenant, came Kearny, indomitable, smiling, bright-eyed, bearing no traces of the buffets of his evil star. Rather was his aspect that of a heroic martyr whose tribulations were so high-sourced and glorious that he even took a splendour and a prestige from them.

"'Well, Captain,' said he, 'I guess you realize that Bad-Luck Kearny is still on deck. It was a shame, now, about that gun. She only needed to be slewed two inches to clear the rail; and that's why I grabbed that rope's end. Who'd have thought that a sailor—even a Sicilian lubber on a banana coaster—would have fastened a line in a bow-knot? Don't think I'm trying to dodge the responsibility, Captain. It's my luck.'

"'There are men, Kearny,' said I gravely, 'who pass through life blaming upon luck and chance the mistakes that result from their own faults and incompetency. I do not say that you are such a man. But if all your mishaps are traceable to that tiny star, the sooner we endow our colleges with chairs of moral astronomy, the better.'

"'It isn't the size of the star that counts,' said Kearny; 'it's the quality. Just the way it is with women. That's why they give the biggest planets masculine names, and the little stars feminine ones—to even things up when it comes to getting their work in. Suppose they had called my star Agamemnon or Bill McCarty or something like that instead of Phœbe. Every time one of those old boys touched their calamity button and sent me down one of their wireless pieces of bad luck, I could talk back and tell 'em what I thought of 'em in suitable terms. But you can't address such remarks to a Phœbe.'

"'It pleases you to make a joke of it, Kearny,' said I, without smiling. 'But it is no joke to me to think of my Gatling mired in the river ooze.'

"'As to that,' said Kearny, abandoning his light mood at once, 'I have already done what I could. I have had some experience in hoisting stone in quarries. Torres and I have already spliced three hawsers and stretched them from the steamer's stern to a tree on shore. We will rig a tackle and have the gun on terra firma before noon to-morrow.'

"One could not remain long at outs with Bad-Luck Kearny.

"'Once more,' said I to him, 'we will waive this question of luck. Have you ever had experience in drilling raw troops?'

"'I was first sergeant and drill-master,' said Kearny, 'in the Chilean army for one year. And captain of artillery for another.'

"'What became of your command?' I asked.

"'Shot down to a man,' said Kearny, 'during the revolutions against Balmaceda.'

"Somehow the misfortunes of the evil-starred one seemed to turn to me their comedy side. I lay back upon my goat's-hide cot and laughed until the woods echoed. Kearny grinned. 'I told you how it was,' he said.

"'To-morrow,' I said, 'I shall detail one hundred men under your command for manual-of-arms drill and company evolutions. You will rank as lieutenant. Now, for God's sake, Kearny,' I urged him, 'try to combat this superstition if it is one. Bad luck may be like any other visitor—preferring to stop where it is expected. Get your mind off stars. Look upon Esperando as your planet of good fortune.'

"'I thank you, Captain,' said Kearny quietly. 'I will try to make it the best handicap I ever ran.'

"By noon the next day the submerged Gatling was rescued, as Kearny had promised. Then Carlos and Manuel Ortiz and Kearny (my lieutenants) distributed Winchesters among the troops and put them through an incessant rifle drill. We fired no shots, blank or solid, for of all coasts Esperando is the stillest; and we had no desire to sound any warnings in the ear of that corrupt government until they should carry with them the message of Liberty and the downfall of Oppression.

"In the afternoon came a mule-rider bearing a written message to me from Don Rafael Valdevia in the capital, Aguas Frias.

"Whenever that man's name comes to my lips, words of tribute to his greatness, his noble simplicity, and his conspicuous genius follow irrepressibly. He was a traveller, a student of peoples and governments, a master of sciences, a poet, an orator, a leader, a soldier, a critic of the world's campaigns and the idol of the people in Esperando. I had been honoured by his friendship for years. It was I who first turned his mind to the thought that he should leave for his monument a new Esperando—a country freed from the rule of unscrupulous tyrants, and a people made happy and prosperous by wise and impartial legislation. When he had consented he threw himself into the cause with the undivided zeal with which he endowed all of his acts. The coffers of his great fortune were opened to those of us to whom were entrusted the secret moves of the game. His popularity was already so great that he had practically forced President Cruz to offer him the portfolio of Minister of War.

"The time, Don Rafael said in his letter, was ripe. Success, he prophesied, was certain. The people were beginning to clamour publicly against Cruz's misrule. Bands of citizens in the capital were even going about of nights hurling stones at public buildings and expressing their dissatisfaction. A bronze statue of President Cruz in the Botanical Gardens had been lassoed about the neck and overthrown. It only remained for me to arrive with my force and my thousand rifles, and for himself to come forward and proclaim himself the people's saviour, to overthrow Cruz in a single day. There would be but a half-hearted resistance from the six hundred government troops stationed in the capital. The country was ours. He presumed that by this time my steamer had arrived at Quintana's camp. He proposed the eighteenth of July for the attack. That would give us six days in which to strike camp and march to Aguas Frias. In the meantime Don Rafael remained my good friend and compadre en la causa de la libertad.

"On the morning of the 14th we began our march toward the sea-following range of mountains, over the sixty-mile trail to the capital. Our small arms and provisions were laden on pack mules. Twenty men harnessed to each Gatling gun rolled them smoothly along the flat, alluvial lowlands. Our troops, well-shod and well-fed, moved with alacrity and heartiness. I and my three lieutenants were mounted on the tough mountain ponies of the country.

"A mile out of camp one of the pack mules, becoming stubborn, broke away from the train and plunged from the path into the thicket. The alert Kearny spurred quickly after it and intercepted its flight. Rising in his stirrups, he released one foot and bestowed upon the mutinous animal a hearty kick. The mule tottered and fell with a crash broadside upon the ground. As we gathered around it, it walled its great eyes almost humanly towards Kearny and expired. That was bad; but worse, to our minds, was the concomitant disaster. Part of the mule's burden had been one hundred pounds of the finest coffee to be had in the tropics. The bag burst and spilled the priceless brown mass of the ground berries among the dense vines and weeds of the swampy land. Mala suerte! When you take away from an Esperandan his coffee, you abstract his patriotism and 50 per cent. of his value as a soldier. The men began to rake up the precious stuff; but I beckoned Kearny back along the trail where they would not hear. The limit had been reached.

"I took from my pocket a wallet of money and drew out some bills.

"'Mr. Kearny,' said I, 'here are some funds belonging to Don Rafael Valdevia, which I am expending in his cause. I know of no better service it can buy for him than this. Here is one hundred dollars. Luck or no luck, we part company here. Star or no star, calamity seems to travel by your side. You will return to the steamer. She touches at Amotapa to discharge her lumber and iron, and then puts back to New Orleans. Hand this note to the sailing-master, who will give you passage.' I wrote on a leaf torn from my book, and placed it and the money in Kearny's hand.

"'Good-bye,' I said, extending my own. 'It is not that I am displeased with you; but there is no place in this expedition for—let us say, the Señorita Phœbe.' I said this with a smile, trying to smooth the thing for him. 'May you have better luck, companero.'

"Kearny took the money and the paper.

"'It was just a little touch,' said he, 'just a little lift with the toe of my boot—but what's the odds?—that blamed mule would have died if I had only dusted his ribs with a powder puff. It was my luck. Well, Captain, I would have liked to be in that little fight with you over in Aguas Frias. Success to the cause. Adios!'

"He turned around and set off down the trail without looking back. The unfortunate mule's pack-saddle was transferred to Kearny's pony, and we again took up the march.

"Four days we journeyed over the foot-hills and mountains, fording icy torrents, winding around the crumbling brows of ragged peaks, creeping along the rocky flanges that overlooked awful precipices, crawling breathlessly over tottering bridges that crossed bottomless chasms.

"On the evening of the seventeenth we camped by a little stream on the bare hills five miles from Aguas Frias. At daybreak we were to take up the march again.

"At midnight I was standing outside my tent inhaling the fresh cold air. The stars were shining bright in the cloudless sky, giving the heavens their proper aspect of illimitable depth and distance when viewed from the vague darkness of the blotted earth. Almost at its zenith was the planet Saturn; and with a half-smile I observed the sinister red sparkle of his malignant attendant—the demon star of Kearny's ill luck. And then my thoughts strayed across the hills to the scene of our coming triumph where the heroic and noble Don Rafael awaited our coming to set a new and shining star in the firmament of nations.

"I heard a slight rustling in the deep grass to my right. I turned and saw Kearny coming toward me. He was ragged and dew-drenched and limping. His hat and one boot were gone. About one foot he had tied some makeshift of cloth and grass. But his manner as he approached was that of a man who knows his own virtues well enough to be superior to rebuffs.

"'Well, sir,' I said, staring at him coldly, 'if there is anything in persistence, I see no reason why you should not succeed in wrecking and ruining us yet.'

"'I kept half a day's journey behind,' said Kearny, fishing out a stone from the covering of his lame foot, 'so the bad luck wouldn't touch you. I couldn't help it, Captain; I wanted to be in on this game. It was a pretty tough trip, especially in the department of the commissary. In the low grounds there were always bananas and oranges. Higher up it was worse; but your men left a good deal of goat meat hanging on the bushes in the camps. Here's your hundred dollars. You're nearly there now, captain. Let me in on the scrapping to-morrow.'

"'Not for a hundred times a hundred would I have the tiniest thing go wrong with my plans now,' I said, 'whether caused by evil planets or the blunders of mere man. But yonder is Aguas Frias, five miles away, and a clear road. I am of the mind to defy Saturn and all his satellites to spoil our success now. At any rate, I will not turn away to-night as weary a traveller and as good a soldier as you are, Lieutenant Kearny. Manuel Ortiz's tent is there by the brightest fire. Rout him out and tell him to supply you with food and blankets and clothes. We march again at daybreak.'

"Kearny thanked me briefly but feelingly and moved away.

"He had gone scarcely a dozen steps when a sudden flash of bright light illumined the surrounding hills; a sinister, growing, hissing sound like escaping steam filled my ears. Then followed a roar as of distant thunder, which grew louder every instant. This terrifying noise culminated in a tremendous explosion, which seemed to rock the hills as an earthquake would; the illumination waxed to a glare so fierce that I clapped my hands over my eyes to save them. I thought the end of the world had come. I could think of no natural phenomenon that would explain it. My wits were staggering. The deafening explosion trailed off into the rumbling roar that had preceded it; and through this I heard the frightened shouts of my troops as they stumbled from their resting-places and rushed wildly about. Also I heard the harsh tones of Kearny's voice crying: 'They'll blame it on me, of course, and what the devil it is, it's not Francis Kearny that can give you an answer.'

"I opened my eyes. The hills were still there, dark and solid. It had not been, then, a volcano or an earthquake. I looked up at the sky and saw a comet-like trail crossing the zenith and extending westward—a fiery trail waning fainter and narrower each moment.

"'A meteor!' I called aloud. 'A meteor has fallen. There is no danger.'

"And then all other sounds were drowned by a great shout from Kearny's throat. He had raised both hands above his head and was standing tiptoe.

"'PHŒBE'S GONE!' he cried, with all his lungs. 'She's busted and gone to hell. Look, Captain, the little red-headed hoodoo has blown herself to smithereens. She found Kearny too tough to handle, and she puffed up with spite and meanness till her boiler blew up. It's be Bad-Luck Kearny no more. Oh, let us be joyful!

"'Humpty Dumpty sat on a wall;
  Humpty busted, and that'll be all!'

"I looked up, wondering, and picked out Saturn in his place. But the small red twinkling luminary in his vicinity, which Kearny had pointed out to me as his evil star, had vanished. I had seen it there but half an hour before; there was no doubt that one of those awful and mysterious spasms of nature had hurled it from the heavens.

"I clapped Kearny on the shoulder.

"'Little man,' said I, 'let this clear the way for you. It appears that astrology has failed to subdue you. Your horoscope must be cast anew with pluck and loyalty for controlling stars. I play you to win. Now, get to your tent, and sleep. Daybreak is the word.'

"At nine o'clock on the morning of the eighteenth of July I rode into Aguas Frias with Kearny at my side. In his clean linen suit and with his military poise and keen eye he was a model of a fighting adventurer. I had visions of him riding as commander of President Valdevia's body-guard when the plums of the new republic should begin to fall.

"Carlos followed with the troops and supplies. He was to halt in a wood outside the town and remain concealed there until he received the word to advance.

"Kearny and I rode down the Calle Ancha toward the residencia of Don Rafael at the other side of the town. As we passed the superb white buildings of the University of Esperando, I saw at an open window the gleaming spectacles and bald head of Herr Bergowitz, professor of the natural sciences and friend of Don Rafael and of me and of the cause. He waved his hand to me, with his broad, bland smile.

"There was no excitement apparent in Aguas Frias. The people went about leisurely as at all times; the market was thronged with bare-headed women buying fruit and carne; we heard the twang and tinkle of string bands in the patios of the cantinas. We could see that it was a waiting game that Don Rafael was playing.

"His residencia was a large but low building around a great courtyard in grounds crowed with ornamental trees and tropic shrubs. At his door an old woman who came informed us that Don Rafael had not yet arisen.

"'Tell him,' said I, 'that Captain Maloné and a friend wish to see him at once. Perhaps he has overslept.'

"She came back looking frightened.

"'I have called,' she said, 'and rung his bell many times, but he does not answer.'

"I knew where his sleeping-room was. Kearny and I pushed by her and went to it. I put my shoulder against the thin door and forced it open.

"In an armchair by a great table covered with maps and books sat Don Rafael with his eyes closed. I touched his hand. He had been dead many hours. On his head above one ear was a wound caused by a heavy blow. It had ceased to bleed long before.

"I made the old woman call a mozo, and dispatched him in haste to fetch Herr Bergowitz.

"He came, and we stood about as if we were half stunned by the awful shock. Thus can the letting of a few drops of blood from one man's veins drain the life of a nation.

"Presently Herr Bergowitz stooped and picked up a darkish stone the size of an orange which he saw under the table. He examined it closely through his great glasses with the eye of science.

"'A fragment,' said he, 'of a detonating meteor. The most remarkable one in twenty years exploded above this city a little after midnight this morning.'

"The professor looked quickly up at the ceiling. We saw the blue sky through a hole the size of an orange nearly above Don Rafael's chair.

"I heard a familiar sound, and turned. Kearny had thrown himself on the floor and was babbling his compendium of bitter, blood-freezing curses against the star of his evil luck.

"Undoubtedly Phœbe had been feminine. Even when hurtling on her way to fiery dissolution and everlasting doom, the last word had been hers."

 

Captain Maloné was not unskilled in narrative. He knew the point where a story should end. I sat reveling in his effective conclusion when he aroused me by continuing:

"Of course," said he, "our schemes were at an end. There was no one to take Don Rafael's place. Our little army melted away like dew before the sun.

"One day after I had returned to New Orleans I related this story to a friend who holds a professorship in Tulane University.

"When I had finished he laughed and asked whether I had any knowledge of Kearny's luck afterward. I told him no, that I had seen him no more; but that when he left me, he had expressed confidence that his future would be successful now that his unlucky star had been overthrown.

"'No doubt,' said the professor, 'he is happier not to know one fact. If he derives his bad luck from Phœbe, the ninth satellite of Saturn, that malicious lady is still engaged in overlooking his career. The star close to Saturn that he imagined to be her was near that planet simply by the chance of its orbit—probably at different times he has regarded many other stars that happened to be in Saturn's neighbourhood as his evil one. The real Phœbe is visible only through a very good telescope.'

"About a year afterward," continued Captain Maloné, "I was walking down a street that crossed the Poydras Market. An immensely stout, pink-faced lacy in black satin crowded me from the narrow sidewalk with a frown. Behind her trailed a little man laden to the gunwales with bundles and bags of goods and vegetables.

"It was Kearny—but changed. I stopped and shook one of his hands, which still clung to a bag of garlic and red peppers.

"'How is the luck, old companero?' I asked him. I had not the heart to tell him the truth about his star.

"'Well,' said he, 'I am married, as you may guess.'

"'Francis!' called the big lady, in deep tones, 'are you going to stop in the street talking all day?'

"'I am coming, Phœbe dear,' said Kearny, hastening after her."

Captain Maloné ceased again.

"After all, do you believe in luck?" I asked.

"Do you?" answered the captain, with his ambiguous smile shaded by the brim of his soft straw hat.

A DOUBLE-DYED DECEIVER

The trouble began in Laredo. It was the Llano Kid's fault, for he should have confined his habit of manslaughter to Mexicans. But the Kid was past twenty; and to have only Mexicans to one's credit at twenty is to blush unseen on the Rio Grande border.

It happened in old Justo Valdos's gambling house. There was a poker game at which sat players who were not all friends, as happens often where men ride in from afar to shoot Folly as she gallops. There was a row over so small a matter as a pair of queens; and when the smoke had cleared away it was found that the Kid had committed an indiscretion, and his adversary had been guilty of a blunder. For, the unfortunate combatant, instead of being a Greaser, was a high-blooded youth from the cow ranches, of about the Kid's own age and possessed of friends and champions. His blunder in missing the Kid's right ear only a sixteenth of an inch when he pulled his gun did not lessen the indiscretion of the better marksman.

The Kid, not being equipped with a retinue, nor bountifully supplied with personal admirers and supporters—on account of a rather umbrageous reputation, even for the border—considered it not incompatible with his indisputable gameness to perform that judicious tractional act known as "pulling his freight."

Quickly the avengers gathered and sought him. Three of them overtook him within a rod of the station. The Kid turned and showed his teeth in that brilliant but mirthless smile that usually preceded his deeds of insolence and violence, and his pursuers fell back without making it necessary for him even to reach for his weapon.

But in this affair the Kid had not felt the grim thirst for encounter that usually urged him on to battle. It had been a purely chance row, born of the cards and certain epithets impossible for a gentleman to brook that had passed between the two. The Kid had rather liked the slim, haughty, brown-faced young chap whom his bullet had cut off in the first pride of manhood. And now he wanted no more blood. He wanted to get away and have a good long sleep somewhere in the sun on the mesquit grass with his handkerchief over his face. Even a Mexican might have crossed his path in safety while he was in this mood.

The Kid openly boarded the north-bound passenger train that departed five minutes later. But at Webb, a few miles out, where it was flagged to take on a traveller, he abandoned that manner of escape. There were telegraph stations ahead; and the Kid looked askance at electricity and steam. Saddle and spur were his rocks of safety.

The man whom he had shot was a stranger to him. But the Kid knew that he was of the Coralitos outfit from Hidalgo; and that the punchers from that ranch were more relentless and vengeful than Kentucky feudists when wrong or harm was done to one of them. So, with the wisdom that has characterized many great fighters, the Kid decided to pile up as many leagues as possible of chaparral and pear between himself and the retaliation of the Coralitos bunch.

Near the station was a store; and near the store, scattered among the mesquits and elms, stood the saddled horses of the customers. Most of them waited, half asleep, with sagging limbs and drooping heads. But one, a long-legged roan with a curved neck, snorted and pawed the turf. Him the Kid mounted, gripped with his knees, and slapped gently with the owner's own quirt.

If the slaying of the temerarious card-player had cast a cloud over the Kid's standing as a good and true citizen, this last act of his veiled his figure in the darkest shadows of disrepute. On the Rio Grande border if you take a man's life you sometimes take trash; but if you take his horse, you take a thing the loss of which renders him poor, indeed, and which enriches you not—if you are caught. For the Kid there was no turning back now.

With the springing roan under him he felt little care or uneasiness. After a five-mile gallop he drew in to the plainsman's jogging trot, and rode northeastward toward the Nueces River bottoms. He knew the country well—its most tortuous and obscure trails through the great wilderness of brush and pear, and its camps and lonesome ranches where one might find safe entertainment. Always he bore to the east; for the Kid had never seen the ocean, and he had a fancy to lay his hand upon the mane of the great Gulf, the gamesome colt of the greater waters.

So after three days he stood on the shore at Corpus Christi, and looked out across the gentle ripples of a quiet sea.

Captain Boone, of the schooner Flyaway, stood near his skiff, which one of his crew was guarding in the surf. When ready to sail he had discovered that one of the necessaries of life, in the parallelogrammatic shape of plug tobacco, had been forgotten. A sailor had been dispatched for the missing cargo. Meanwhile the captain paced the sands, chewing profanely at his pocket store.

A slim, wiry youth in high-heeled boots came down to the water's edge. His face was boyish, but with a premature severity that hinted at a man's experience. His complexion was naturally dark; and the sun and wind of an outdoor life had burned it to a coffee brown. His hair was as black and straight as an Indian's; his face had not yet been upturned to the humiliation of a razor; his eyes were a cold and steady blue. He carried his left arm somewhat away from his body, for pearl-handled .45s are frowned upon by town marshals, and are a little bulky when placed in the left armhole of one's vest. He looked beyond Captain Boone at the gulf with the impersonal and expressionless dignity of a Chinese emperor.

"Thinkin' of buyin' that'ar gulf, buddy?" asked the captain, made sarcastic by his narrow escape from a tobaccoless voyage.

"Why, no," said the Kid gently, "I reckon not. I never saw it before. I was just looking at it. Not thinking of selling it, are you?"

"Not this trip," said the captain. "I'll send it to you C.O.D. when I get back to Buenas Tierras. Here comes that capstanfooted lubber with the chewin'. I ought to've weighed anchor an hour ago."

"Is that your ship out there?" asked the Kid.

"Why, yes," answered the captain, "if you want to call a schooner a ship, and I don't mind lyin'. But you better say Miller and Gonzales, owners, and ordinary plain, Billy-be-damned old Samuel K. Boone, skipper."

"Where are you going to?" asked the refugee.

"Buenas Tierras, coast of South America—I forgot what they called the country the last time I was there. Cargo—lumber, corrugated iron, and machetes."

"What kind of a country is it?" asked the Kid—"hot or cold?"

"Warmish, buddy," said the captain. "But a regular Paradise Lost for elegance of scenery and be-yooty of geography. Ye're wakened every morning by the sweet singin' of red birds with seven purple tails, and the sighin' of breezes in the posies and roses. And the inhabitants never work, for they can reach out and pick steamer baskets of the choicest hothouse fruit without gettin' out of bed. And there's no Sunday and no ice and no rent and no troubles and no use and no nothin'. It's a great country for a man to go to sleep with, and wait for somethin' to turn up. The bananys and oranges and hurricanes and pineapples that ye eat comes from there."

"That sounds to me!" said the Kid, at last betraying interest. "What'll the expressage be to take me out there with you?"

"Twenty-four dollars," said Captain Boone; "grub and transportation. Second cabin. I haven't got a first cabin."

"You've got my company," said the Kid, pulling out a buckskin bag.

With three hundred dollars he had gone to Laredo for his regular "blowout." The duel in Valdos's had cut short his season of hilarity, but it had left him with nearly $200 for aid in the flight that it had made necessary.

"All right, buddy," said the captain. "I hope your ma won't blame me for this little childish escapade of yours." He beckoned to one of the boat's crew. "Let Sanchez lift you out to the skiff so you won't get your feet wet."

 

Thacker, the United States consul at Buenas Tierras, was not yet drunk. It was only eleven o'clock; and he never arrived at his desired state of beatitude—a state wherein he sang ancient maudlin vaudeville songs and pelted his screaming parrot with banana peels—until the middle of the afternoon. So, when he looked up from his hammock at the sound of a slight cough, and saw the Kid standing in the door of the consulate, he was still in a condition to extend the hospitality and courtesy due from the representative of a great nation. "Don't disturb yourself," said the Kid, easily. "I just dropped in. They told me it was customary to light at your camp before starting in to round up the town. I just came in on a ship from Texas."

"Glad to see you, Mr.—" said the consul.

The Kid laughed.

"Sprague Dalton," he said. "It sounds funny to me to hear it. I'm called the Llano Kid in the Rio Grande country."

"I'm Thacker," said the consul. "Take that cane-bottom chair. Now if you've come to invest, you want somebody to advise you. These dingies will cheat you out of the gold in your teeth if you don't understand their ways. Try a cigar?"

"Much obliged," said the Kid, "but if it wasn't for my corn shucks and the little bag in my back pocket I couldn't live a minute." He took out his "makings," and rolled a cigarette.

"They speak Spanish here," said the consul. "You'll need an interpreter. If there's anything I can do, why, I'd be delighted. If you're buying fruit lands or looking for a concession of any sort, you'll want somebody who knows the ropes to look out for you."

"I speak Spanish," said the Kid, "about nine times better than I do English. Everybody speaks it on the range where I come from. And I'm not in the market for anything."

"You speak Spanish?" said Thacker thoughtfully. He regarded the kid absorbedly.

"You look like a Spaniard, too," he continued. "And you're from Texas. And you can't be more than twenty or twenty-one. I wonder if you've got any nerve."

"You got a deal of some kind to put through?" asked the Texan, with unexpected shrewdness.

"Are you open to a proposition?" said Thacker.

"What's the use to deny it?" said the Kid. "I got into a little gun frolic down in Laredo and plugged a white man. There wasn't any Mexican handy. And I come down to your parrot-and-monkey range just for to smell the morning-glories and marigolds. Now, do you sabe?"

Thacker got up and closed the door.

"Let me see your hand," he said.

He took the Kid's left hand, and examined the back of it closely.

"I can do it," he said excitedly. "Your flesh is as hard as wood and as healthy as a baby's. It will heal in a week."

"If it's a fist fight you want to back me for," said the Kid, "don't put your money up yet. Make it gun work, and I'll keep you company. But no barehanded scrapping, like ladies at a tea-party, for me."

"It's easier than that," said Thacker. "Just step here, will you?"

Through the window he pointed to a two-story white-stuccoed house with wide galleries rising amid the deep-green tropical foliage on a wooded hill that sloped gently from the sea.

"In that house," said Thacker, "a fine old Castilian gentleman and his wife are yearning to gather you into their arms and fill your pockets with money. Old Santos Urique lives there. He owns half the gold-mines in the country."

"You haven't been eating loco weed, have you?" asked the Kid.

"Sit down again," said Thacker, "and I'll tell you. Twelve years ago they lost a kid. No, he didn't die—although most of 'em here do from drinking the surface water. He was a wild little devil, even if he wasn't but eight years old. Everybody knows about it. Some Americans who were through here prospecting for gold had letters to Señor Urique, and the boy was a favorite with them. They filled his head with big stories about the States; and about a month after they left, the kid disappeared, too. He was supposed to have stowed himself away among the banana bunches on a fruit steamer, and gone to New Orleans. He was seen once afterward in Texas, it was thought, but they never heard anything more of him. Old Urique has spent thousands of dollars having him looked for. The madam was broken up worst of all. The kid was her life. She wears mourning yet. But they say she believes he'll come back to her some day, and never gives up hope. On the back of the boy's left hand was tattooed a flying eagle carrying a spear in his claws. That's old Urique's coat of arms or something that he inherited in Spain."

The Kid raised his left hand slowly and gazed at it curiously.

"That's it," said Thacker, reaching behind the official desk for his bottle of smuggled brandy. "You're not so slow. I can do it. What was I consul at Sandakan for? I never knew till now. In a week I'll have the eagle bird with the frog-sticker blended in so you'd think you were born with it. I brought a set of the needles and ink just because I was sure you'd drop in some day, Mr. Dalton."

"Oh, hell," said the Kid. "I thought I told you my name!"

"All right, 'Kid,' then. It won't be that long. How does Señorito Urique sound, for a change?"

"I never played son any that I remember of," said the Kid. "If I had any parents to mention they went over the divide about the time I gave my first bleat. What is the plan of your round-up?"

Thacker leaned back against the wall and held his glass up to the light.

"We've come now," said he, "to the question of how far you're willing to go in a little matter of the sort."

"I told you why I came down here," said the Kid simply.

"A good answer," said the consul. "But you won't have to go that far. Here's the scheme. After I get the trademark tattooed on your hand I'll notify old Urique. In the meantime I'll furnish you with all of the family history I can find out, so you can be studying up points to talk about. You've got the looks, you speak the Spanish, you know the facts, you can tell about Texas, you've got the tattoo mark. When I notify them that the rightful heir has returned and is waiting to know whether he will be received and pardoned, what will happen? They'll simply rush down here and fall on your neck, and the curtain goes down for refreshments and a stroll in the lobby."

"I'm waiting," said the Kid. "I haven't had my saddle off in your camp long, pardner, and I never met you before; but if you intend to let it go at a parental blessing, why, I'm mistaken in my man, that's all."

"Thanks," said the consul. "I haven't met anybody in a long time that keeps up with an argument as well as you do. The rest of it is simple. If they take you in only for a while it's long enough. Don't give 'em time to hunt up the strawberry mark on your left shoulder. Old Urique keeps anywhere from $50,000 to $100,000 in his house all the time in a little safe that you could open with a shoe buttoner. Get it. My skill as a tattooer is worth half the boddle. We go halves and catch a tramp steamer for Rio Janeiro. Let the United States go to pieces if it can't get along without my services. Que dice, señor?"

"It sounds to me!" said the Kid, nodding his head. "I'm out for the dust."

"All right, then," said Thacker. "You'll have to keep close until we get the bird on you. You can live in the back room here. I do my own cooking, and I'll make you as comfortable as a parsimonious Government will allow me."

Thacker had set the time at a week, but it was two weeks before the design that he patiently tattooed upon the Kid's hand was to his notion. And then Thacker called a muchacho, and dispatched this note to the intended victim:

El Señor Don Santos Urique,
La Casa Blanca,

My Dear Sir:

I beg permission to inform you that there is in my house as a temporary guest a young man who arrived in Buenas Tierras from the United States some days ago. Without wishing to excite any hopes that may not be realized, I think there is a possibility of his being your long-absent son. It might be well for you to call and see him. If he is, it is my opinion that his intention was to return to his home, but upon arriving here, his courage failed him from doubts as to how he would be received. Your true servant,

Thompson Thacker.

Half an hour afterward—quick time for Buenas Tierras—Señor Urique's ancient landau drove to the consul's door, with the barefooted coachman beating and shouting at the team of fat, awkward horses.

A tall man with a white moustache alighted, and assisted to the ground a lady who was dressed and veiled in unrelieved black.

The two hastened inside, and were met by Thacker with his best diplomatic bow. By his desk stood a slender young man with clear-cut, sun-browned features and smoothly brushed black hair.

Señora Urique threw back her black veil with a quick gesture. She was past middle age, and her hair was beginning to silver, but her full, proud figure and clear olive skin retained traces of the beauty peculiar to the Basque province. But, once you had seen her eyes, and comprehended the great sadness that was revealed in their deep shadows and hopeless expression, you saw that the woman lived only in some memory.

She bent upon the young man a long look of the most agonized questioning. Then her great black eyes turned, and her gaze rested upon his left hand. And then with a sob, not loud, but seeming to shake the room, she cried "Hijo mio!" and caught the Llano Kid to her heart.

A month afterward the Kid came to the consulate in response to a message sent by Thacker.

He looked the young Spanish caballero. His clothes were imported, and the wiles of the jewellers had not been spent upon him in vain. A more than respectable diamond shone on his finger as he rolled a shuck cigarette.

"What's doing?" asked Thacker.

"Nothing much," said the Kid calmly. "I eat my first iguana steak to-day. They're them big lizards, you sabe? I reckon, though, that frijoles and side bacon would do me about as well. Do you care for iguanas, Thacker?"

"No, nor for some other kinds of reptiles," said Thacker.

It was three in the afternoon, and in another hour he would be in his state of beatitude.

"It's time you were making good, sonny," he went on, with an ugly look on his reddened face. "You're not playing up to me square. You've been the prodigal son for four weeks now, and you could have had veal for every meal on a gold dish if you'd wanted it. Now, Mr. Kid, do you think it's right to leave me out so long on a husk diet? What's the trouble? Don't you get your filial eyes on anything that looks like cash in the Casa Blanca? Don't tell me you don't. Everybody knows where old Urique keeps his stuff. It's U.S. currency, too; he don't accept anything else. What's doing? Don't say 'nothing' this time."

"Why, sure," said the Kid, admiring his diamond, "there's plenty of money up there. I'm no judge of collateral in bunches, but I will undertake for to say that I've seen the rise of $50,000 at a time in that tin grub box that my adopted father calls his safe. And he lets me carry the key sometimes just to show me that he knows I'm the real little Francisco that strayed from the herd a long time ago."

"Well, what are you waiting for?" asked Thacker, angrily. "Don't you forget that I can upset your apple-cart any day I want to. If old Urique knew you were an imposter, what sort of things would happen to you? Oh, you don't know this country, Mr. Texas Kid. The laws here have got mustard spread between 'em. These people here'd stretch you out like a frog that had been stepped on, and give you about fifty sticks at every corner of the plaza. And they'd wear every stick out, too. What was left of you they'd feed to alligators."

"I might just as well tell you now, pardner," said the Kid, sliding down low on his steamer chair, "that things are going to stay just as they are. They're about right now."

"What do you mean?" asked Thacker, rattling the bottom of his glass on his desk.

"The scheme's off," said the Kid. "And whenever you have the pleasure of speaking to me address me as Don Francisco Urique. I'll guarantee I'll answer to it. We'll let Colonel Urique keep his money. His little tin safe is as good as the time-locker in the First National Bank of Laredo as far as you and me are concerned."

"You're going to throw me down, then, are you?" said the consul.

"Sure," said the Kid cheerfully. "Throw you down. That's it. And now I'll tell you why. The first night I was up at the colonel's house they introduced me to a bedroom. No blankets on the floor—a real room, with a bed and things in it. And before I was asleep, in comes this artificial mother of mine and tucks in the covers. 'Panchito,' she says, 'my little lost one, God has brought you back to me. I bless His name forever.' It was that, or some truck like that, she said. And down comes a drop or two of rain and hits me on the nose. And all that stuck by me, Mr. Thacker. And it's been that way ever since. And it's got to stay that way. Don't you think that it's for what's in it for me, either, that I say so. If you have any such ideas, keep 'em to yourself. I haven't had much truck with women in my life, and no mothers to speak of, but here's a lady that we've got to keep fooled. Once she stood it; twice she won't. I'm a low-down wolf, and the devil may have sent me on this trail instead of God, but I'll travel it to the end. And now, don't forget that I'm Don Francisco Urique whenever you happen to mention my name."

"I'll expose you to-day, you—you double-dyed traitor," stammered Thacker.

The Kid arose and, without violence, took Thacker by the throat with a hand of steel, and shoved him slowly into a corner. Then he drew from under his left arm his pearl-handled .45 and poked the cold muzzle of it against the consul's mouth.

"I told you why I come here," he said, with his old freezing smile. "If I leave here, you'll be the reason. Never forget it, pardner. Now, what is my name?"

"Er—Don Francisco Urique," gasped Thacker.

From outside came a sound of wheels, and the shouting of some one, and the sharp thwacks of a wooden whipstock upon the backs of fat horses.

The Kid put up his gun, and walked toward the door. But he turned again and came back to the trembling Thacker, and held up his left hand with its back toward the consul.

"There's one more reason," he said slowly, "why things have got to stand as they are. The fellow I killed in Laredo had one of them same pictures on his left hand."

Outside, the ancient landau of Don Santos Urique rattled to the door. The coachman ceased his bellowing. Señora Urique, in a voluminous gay gown of white lace and flying ribbons, leaned forward with a happy look in her great soft eyes.

"Are you within, dear son?" she called, in the rippling Castilian.

"Madre mia, yo vengo [mother, I come]," answered the young Don Francisco Urique.

THE PASSING OF BLACK EAGLE

For some months of a certain year a grim bandit infested the Texas border along the Rio Grande. Peculiarly striking to the optic nerve was this notorious marauder. His personality secured him the title of "Black Eagle, the Terror of the Border." Many fearsome tales are on record concerning the doings of him and his followers. Suddenly, in the space of a single minute, Black Eagle vanished from earth. He was never heard of again. His own band never even guessed the mystery of his disappearance. The border ranches and settlements feared he would come again to ride and ravage the mesquite flats. He never will. It is to disclose the fate of Black Eagle that this narrative is written.

The initial movement of the story is furnished by the foot of a bartender in St. Louis. His discerning eye fell upon the form of Chicken Ruggles as he pecked with avidity at the free lunch. Chicken was a "hobo." He had a long nose like the bill of a fowl, an inordinate appetite for poultry, and a habit of gratifying it without expense, which accounts for the name given him by his fellow vagrants.

Physicians agree that the partaking of liquids at meal times is not a healthy practice. The hygiene of the saloon promulgates the opposite. Chicken had neglected to purchase a drink to accompany his meal. The bartender rounded the counter, caught the injudicious diner by the ear with a lemon squeezer, led him to the door and kicked him into the street.

Thus the mind of Chicken was brought to realize the signs of coming winter. The night was cold; the stars shone with unkindly brilliancy; people were hurrying along the streets in two egotistic, jostling streams. Men had donned their overcoats, and Chicken knew to an exact percentage the increased difficulty of coaxing dimes from those buttoned-in vest pockets. The time had come for his annual exodus to the south.

A little boy, five or six years old, stood looking with covetous eyes in a confectioner's window. In one small hand he held an empty two-ounce vial; in the other he grasped tightly something flat and round, with a shining milled edge. The scene presented a field of operations commensurate to Chicken's talents and daring. After sweeping the horizon to make sure that no official tug was cruising near, he insidiously accosted his prey. The boy, having been early taught by his household to regard altruistic advances with extreme suspicion, received the overtures coldly.

Then Chicken knew that he must make one of those desperate, nerve-shattering plunges into speculation that fortune sometimes requires of those who would win her favour. Five cents was his capital, and this he must risk against the chance of winning what lay within the close grasp of the youngster's chubby hand. It was a fearful lottery, Chicken knew. But he must accomplish his end by strategy, since he had a wholesome terror of plundering infants by force. Once, in a park, driven by hunger, he had committed an onslaught upon a bottle of peptonized infant's food in the possession of an occupant of a baby carriage. The outraged infant had so promptly opened its mouth and pressed the button that communicated with the welkin that help arrived, and Chicken did his thirty days in a snug coop. Wherefore he was, as he said, "leary of kids."

Beginning artfully to question the boy concerning his choice of sweets, he gradually drew out the information he wanted. Mamma said he was to ask the drug store man for ten cents' worth of paregoric in the bottle; he was to keep his hand shut tight over the dollar; he must not stop to talk to anyone in the street; he must ask the drug-store man to wrap up the change and put it in the pocket of his trousers. Indeed, they had pockets—two of them! And he liked chocolate creams best.

Chicken went into the store and turned plunger. He invested his entire capital in C.A.N.D.Y. stocks, simply to pave the way to the greater risk following.

He gave the sweets to the youngster, and had the satisfaction of perceiving that confidence was established. After that it was easy to obtain leadership of the expedition; to take the investment by the hand and lead it to a nice drug store he knew of in the same block. There Chicken, with a parental air, passed over the dollar and called for the medicine, while the boy crunched his candy, glad to be relieved of the responsibility of the purchase. And then the successful investor, searching his pockets, found an overcoat button—the extent of his winter trousseau—and, wrapping it carefully, placed the ostensible change in the pocket of confiding juvenility. Setting the youngster's face homeward, and patting him benevolently on the back—for Chicken's heart was as soft as those of his feathered namesakes—the speculator quit the market with a profit of 1,700 per cent. on his invested capital.

Two hours later an Iron Mountain freight engine pulled out of the railroad yards, Texas bound, with a string of empties. In one of the cattle cars, half buried in excelsior, Chicken lay at ease. Beside him in his nest was a quart bottle of very poor whisky and a paper bag of bread and cheese. Mr. Ruggles, in his private car, was on his trip south for the winter season.

For a week that car was trundled southward, shifted, laid over, and manipulated after the manner of rolling stock, but Chicken stuck to it, leaving it only at necessary times to satisfy his hunger and thirst. He knew it must go down to the cattle country, and San Antonio, in the heart of it, was his goal. There the air was salubrious and mild; the people indulgent and long-suffering. The bartenders there would not kick him. If he should eat too long or too often at one place they would swear at him as if by rote and without heat. They swore so drawlingly, and they rarely paused short of their full vocabulary, which was copious, so that Chicken had often gulped a good meal during the process of the vituperative prohibition. The season there was always spring-like; the plazas were pleasant at night, with music and gaiety; except during the slight and infrequent cold snaps one could sleep comfortably out of doors in case the interiors should develop inhospitability.

At Texarkana his car was switched to the I. and G. N. Then still southward it trailed until, at length, it crawled across the Colorado bridge at Austin, and lined out, straight as an arrow, for the run to San Antonio.

When the freight halted at that town Chicken was fast asleep. In ten minutes the train was off again for Laredo, the end of the road. Those empty cattle cars were for distribution along the line at points from which the ranches shipped their stock.

When Chicken awoke his car was stationary. Looking out between the slats he saw it was a bright, moonlit night. Scrambling out, he saw his car with three others abandoned on a little siding in a wild and lonesome country. A cattle pen and chute stood on one side of the track. The railroad bisected a vast, dim ocean of prairie, in the midst of which Chicken, with his futile rolling stock, was as completely stranded as was Robinson with his land-locked boat.

A white post stood near the rails. Going up to it, Chicken read the letters at the top, S. A. 90. Laredo was nearly as far to the south. He was almost a hundred miles from any town. Coyotes began to yelp in the mysterious sea around him. Chicken felt lonesome. He had lived in Boston without an education, in Chicago without nerve, in Philadelphia without a sleeping place, in New York without a pull, and in Pittsburg sober, and yet he had never felt so lonely as now.

Suddenly through the intense silence, he heard the whicker of a horse. The sound came from the side of the track toward the east, and Chicken began to explore timorously in that direction. He stepped high along the mat of curly mesquit grass, for he was afraid of everything there might be in this wilderness—snakes, rats, brigands, centipedes, mirages, cowboys, fandangoes, tarantulas, tamales—he had read of them in the story papers. Rounding a clump of prickly pear that reared high its fantastic and menacing array of rounded heads, he was struck to shivering terror by a snort and a thunderous plunge, as the horse, himself startled, bounded away some fifty yards, and then resumed his grazing. But here was the one thing in the desert that Chicken did not fear. He had been reared on a farm; he had handled horses, understood them, and could ride.

Approaching slowly and speaking soothingly, he followed the animal, which, after its first flight, seemed gentle enough, and secured the end of the twenty-foot lariat that dragged after him in the grass. It required him but a few moments to contrive the rope into an ingenious nose-bridle, after the style of the Mexican borsal. In another he was upon the horse's back and off at a splendid lope, giving the animal free choice of direction. "He will take me somewhere," said Chicken to himself.

It would have been a thing of joy, that untrammelled gallop over the moonlit prairie, even to Chicken, who loathed exertion, but that his mood was not for it. His head ached; a growing thirst was upon him; the "somewhere" whither his lucky mount might convey him was full of dismal peradventure.

And now he noted that the horse moved to a definite goal. Where the prairie lay smooth he kept his course straight as an arrow's toward the east. Deflected by hill or arroyo or impractical spinous brakes, he quickly flowed again into the current, charted by his unerring instinct. At last, upon the side of a gentle rise, he suddenly subsided to a complacent walk. A stone's cast away stood a little mott of coma trees; beneath it a jacal such as the Mexicans erect—a one-room house of upright poles daubed with clay and roofed with grass or tule reeds. An experienced eye would have estimated the spot as the headquarters of a small sheep ranch. In the moonlight the ground in the nearby corral showed pulverized to a level smoothness by the hoofs of the sheep. Everywhere was carelessly distributed the paraphernalia of the place—ropes, bridles, saddles, sheep pelts, wool sacks, feed troughs, and camp litter. The barrel of drinking water stood in the end of the two-horse wagon near the door. The harness was piled, promiscuous, upon the wagon tongue, soaking up the dew.

Chicken slipped to earth, and tied the horse to a tree. He halloed again and again, but the house remained quiet. The door stood open, and he entered cautiously. The light was sufficient for him to see that no one was at home. The room was that of a bachelor ranchman who was content with the necessaries of life. Chicken rummaged intelligently until he found what he had hardly dared hope for—a small, brown jug that still contained something near a quart of his desire.

Half an hour later, Chicken—now a gamecock of hostile aspect—emerged from the house with unsteady steps. He had drawn upon the absent ranchman's equipment to replace his own ragged attire. He wore a suit of coarse brown ducking, the coat being a sort of rakish bolero, jaunty to a degree. Boots he had donned, and spurs that whirred with every lurching step. Buckled around him was a belt full of cartridges with a big six-shooter in each of its two holsters.

Prowling about, he found blankets, a saddle and bridle with which he caparisoned his steed. Again mounting, he rode swiftly away, singing a loud and tuneless song.

 

Bud King's band of desperadoes, outlaws and horse and cattle thieves were in camp at a secluded spot on the bank of the Frio. Their depredations in the Rio Grande country, while no bolder than usual, had been advertised more extensively, and Captain Kinney's company of rangers had been ordered down to look after them. Consequently, Bud King, who was a wise general, instead of cutting out a hot trail for the upholders of the law, as his men wished to do, retired for the time to the prickly fastnesses of the Frio valley.

Though the move was a prudent one, and not incompatible with Bud's well-known courage, it raised dissension among the members of the band. In fact, while they thus lay ingloriouslyperdu in the brush, the question of Bud King's fitness for the leadership was argued, with closed doors, as it were, by his followers. Never before had Bud's skill or efficiency been brought to criticism; but his glory was waning (and such is glory's fate) in the light of a newer star. The sentiment of the band was crystallizing into the opinion that Black Eagle could lead them with more lustre, profit, and distinction.

This Black Eagle—sub-titled the "Terror of the Border"—had been a member of the gang about three months.

One night while they were in camp on the San Miguel water-hole a solitary horseman on the regulation fiery steed dashed in among them. The newcomer was of a portentous and devastating aspect. A beak-like nose with a predatory curve projected above a mass of bristling, blue-black whiskers. His eye was cavernous and fierce. He was spurred, sombreroed, booted, garnished with revolvers, abundantly drunk, and very much unafraid. Few people in the country drained by the Rio Bravo would have cared thus to invade alone the camp of Bud King. But this fell bird swooped fearlessly upon them and demanded to be fed.

Hospitality in the prairie country is not limited. Even if your enemy pass your way you must feed him before you shoot him. You must empty your larder into him before you empty your lead. So the stranger of undeclared intentions was set down to a mighty feast.

A talkative bird he was, full of most marvellous loud tales and exploits, and speaking a language at times obscure but never colourless. He was a new sensation to Bud King's men, who rarely encountered new types. They hung, delighted, upon his vainglorious boasting, the spicy strangeness of his lingo, his contemptuous familiarity with life, the world, and remote places, and the extravagant frankness with which he conveyed his sentiments.

To their guest the band of outlaws seemed to be nothing more than a congregation of country bumpkins whom he was "stringing for grub" just as he would have told his stories at the back door of a farmhouse to wheedle a meal. And, indeed, his ignorance was not without excuse, for the "bad man" of the Southwest does not run to extremes. Those brigands might justly have been taken for a little party of peaceable rustics assembled for a fish-fry or pecan gathering. Gentle of manner, slouching of gait, soft-voiced, unpicturesquely clothed; not one of them presented to the eye any witness of the desperate records they had earned.

For two days the glittering stranger within the camp was feasted. Then, by common consent, he was invited to become a member of the band. He consented, presenting for enrollment the prodigious name of "Captain Montressor." This name was immediately overruled by the band, and "Piggy" substituted as a compliment to the awful and insatiate appetite of its owner.

Thus did the Texas border receive the most spectacular brigand that ever rode its chaparral.

For the next three months Bud King conducted business as usual, escaping encounters with law officers and being content with reasonable profits. The band ran off some very good companies of horses from the ranges, and a few bunches of fine cattle which they got safely across the Rio Grande and disposed of to fair advantage. Often the band would ride into the little villages and Mexican settlements, terrorizing the inhabitants and plundering for the provisions and ammunition they needed. It was during these bloodless raids that Piggy's ferocious aspect and frightful voice gained him a renown more widespread and glorious than those other gentle-voiced and sad-faced desperadoes could have acquired in a lifetime.

The Mexicans, most apt in nomenclature, first called him The Black Eagle, and used to frighten the babes by threatening them with tales of the dreadful robber who carried off little children in his great beak. Soon the name extended, and Black Eagle, the Terror of the Border, became a recognized factor in exaggerated newspaper reports and ranch gossip.

The country from the Nueces to the Rio Grande was a wild but fertile stretch, given over to the sheep and cattle ranches. Range was free; the inhabitants were few; the law was mainly a letter, and the pirates met with little opposition until the flaunting and garish Piggy gave the band undue advertisement. Then Kinney's ranger company headed for those precincts, and Bud King knew that it meant grim and sudden war or else temporary retirement. Regarding the risk to be unnecessary, he drew off his band to an almost inaccessible spot on the bank of the Frio. Wherefore, as has been said, dissatisfaction arose among the members, and impeachment proceedings against Bud were premeditated, with Black Eagle in high favour for the succession. Bud King was not unaware of the sentiment, and he called aside Cactus Taylor, his trusted lieutenant, to discuss it.

"If the boys," said Bud, "ain't satisfied with me, I'm willing to step out. They're buckin' against my way of handlin' 'em. And 'specially because I concludes to hit the brush while Sam Kinney is ridin' the line. I saves 'em from bein' shot or sent up on a state contract, and they up and says I'm no good."

"It ain't so much that," explained Cactus, "as it is they're plum locoed about Piggy. They want them whiskers and that nose of his to split the wind at the head of the column."

"There's somethin' mighty seldom about Piggy," declared Bud, musingly. "I never yet see anything on the hoof that he exactly grades up with. He can shore holler a plenty, and he straddles a hoss from where you laid the chunk. But he ain't never been smoked yet. You know, Cactus, we ain't had a row since he's been with us. Piggy's all right for skearin' the greaser kids and layin' waste a cross-roads store. I reckon he's the finest canned oyster buccaneer and cheese pirate that ever was, but how's his appetite for fightin'? I've knowed some citizens you'd think was starvin' for trouble get a bad case of dyspepsy the first dose of lead they had to take."

"He talks all spraddled out," said Cactus, "'bout the rookuses he's been in. He claims to have saw the elephant and hearn the owl."

"I know," replied Bud, using the cowpuncher's expressive phrase of skepticism, "but it sounds to me!"

This conversation was held one night in camp while the other members of the band—eight in number—were sprawling around the fire, lingering over their supper. When Bud and Cactus ceased talking they heard Piggy's formidable voice holding forth to the others as usual while he was engaged in checking, though never satisfying, his ravening appetite.

"Wat's de use," he was saying, "of chasin' little red cowses and hosses 'round for t'ousands of miles? Dere ain't nuttin' in it. Gallopin' t'rough dese bushes and briers, and gettin' a t'irst dat a brewery couldn't put out, and missin' meals! Say! You know what I'd do if I was main finger of dis bunch? I'd stick up a train. I'd blow de express car and make hard dollars where you guys get wind. Youse makes me tired. Dis sook-cow kind of cheap sport gives me a pain."

Later on, a deputation waited on Bud. They stood on one leg, chewed mesquit twigs and circumlocuted, for they hated to hurt his feelings. Bud foresaw their business, and made it easy for them. Bigger risks and larger profits was what they wanted.

The suggestion of Piggy's about holding up a train had fired their imagination and increased their admiration for the dash and boldness of the instigator. They were such simple, artless, and custom-bound bush-rangers that they had never before thought of extending their habits beyond the running off of live-stock and the shooting of such of their acquaintances as ventured to interfere.

Bud acted "on the level," agreeing to take a subordinate place in the gang until Black Eagle should have been given a trial as leader.

After a great deal of consultation, studying of time-tables, and discussion of the country's topography, the time and place for carrying out their new enterprise was decided upon. At that time there was a feedstuff famine in Mexico and a cattle famine in certain parts of the United States, and there was a brisk international trade. Much money was being shipped along the railroads that connected the two republics. It was agreed that the most promising place for the contemplated robbery was at Espina, a little station on the I. and G. N., about forty miles north of Laredo. The train stopped there one minute; the country around was wild and unsettled; the station consisted of but one house in which the agent lived.

Black Eagle's band set out, riding by night. Arriving in the vicinity of Espina they rested their horses all day in a thicket a few miles distant.

The train was due at Espina at 10.30 p.m. They could rob the train and be well over the Mexican border with their booty by daylight the next morning.

To do Black Eagle justice, he exhibited no signs of flinching from the responsible honours that had been conferred upon him.

He assigned his men to their respective posts with discretion, and coached them carefully as to their duties. On each side of the track four of the band were to lie concealed in the chaparral. Gotch-Ear Rodgers was to stick up the station agent. Bronco Charlie was to remain with the horses, holding them in readiness. At a spot where it was calculated the engine would be when the train stopped, Bud King was to lie hidden on one side, and Black Eagle himself on the other. The two would get the drop on the engineer and fireman, force them to descend and proceed to the rear. Then the express car would be looted, and the escape made. No one was to move until Black Eagle gave the signal by firing his revolver. The plan was perfect.

At ten minutes to train time every man was at his post, effectually concealed by the thick chaparral that grew almost to the rails. The night was dark and lowering, with a fine drizzle falling from the flying gulf clouds. Black Eagle crouched behind a bush within five yards of the track. Two six-shooters were belted around him. Occasionally he drew a large black bottle from his pocket and raised it to his mouth.

A star appeared far down the track which soon waxed into the headlight of the approaching train. It came on with an increasing roar; the engine bore down upon the ambushing desperadoes with a glare and a shriek like some avenging monster come to deliver them to justice. Black Eagle flattened himself upon the ground. The engine, contrary to their calculations, instead of stopping between him and Bud King's place of concealment, passed fully forty yards farther before it came to a stand.

The bandit leader rose to his feet and peered through the bush. His men all lay quiet, awaiting the signal. Immediately opposite Black Eagle was a thing that drew his attention. Instead of being a regular passenger train it was a mixed one. Before him stood a box car, the door of which, by some means, had been left slightly open. Black Eagle went up to it and pushed the door farther open. An odour came forth—a damp, rancid, familiar, musty, intoxicating, beloved odour stirring strongly at old memories of happy days and travels. Black Eagle sniffed at the witching smell as the returned wanderer smells of the rose that twines his boyhood's cottage home. Nostalgia seized him. He put his hand inside. Excelsior—dry, springy, curly, soft, enticing, covered the floor. Outside the drizzle had turned to a chilling rain.

The train bell clanged. The bandit chief unbuckled his belt and cast it, with its revolvers, upon the ground. His spurs followed quickly, and his broad sombrero. Black Eagle was moulting. The train started with a rattling jerk. The ex-Terror of the Border scrambled into the box car and closed the door. Stretched luxuriously upon the excelsior, with the black bottle clasped closely to his breast, his eyes closed, and a foolish, happy smile upon his terrible features Chicken Ruggles started upon his return trip.

Undisturbed, with the band of desperate bandits lying motionless, awaiting the signal to attack, the train pulled out from Espina. As its speed increased, and the black masses of chaparral went whizzing past on either side, the express messenger, lighting his pipe, looked through his window and remarked, feelingly:

"What a jim-dandy place for a hold-up!"