Chords. Golden steps of harmony. Part 2. Self-study guide to music theory for all instruments
Қосымшада ыңғайлырақҚосымшаны жүктеуге арналған QRRuStore · Samsung Galaxy Store
Huawei AppGallery · Xiaomi GetApps

автордың кітабын онлайн тегін оқу  Chords. Golden steps of harmony. Part 2. Self-study guide to music theory for all instruments

Sergei Alekseevich Mikheyev

Chords. Golden steps of harmony. Part 2

Self-study guide to music theory for all instruments






Contents

Machine translation from Russian

Mikheyev Sergei Alekseevich

Chords. Golden steps of harmony

Part 2 of 3

Self-study Guide to Music Theory for all instruments

Start

(The author has the right to all materials in the book.)

Table of Contents for Part 2 of 3

SECTION 1. MUSICAL NOTATION

Chapter 1. Notes, intervals, symbols.

Chapter 2. Abbreviated notations of chords and keys.

Chapter 3. Scales and keys.

SECTION 2. HARMONY

Chapter 1. Chords.

Chapter 2. Table of chord degrees.

Chapter 3. Table of fourths of keys.

Chapter 4. Table of fourths of chords.

Chapter 5. How to determine the key.

Chapter 6. Harmonic moves.

Chapter 7. Transferring harmony to another key.

SECTION 3. RHYTHMICS

Chapter 1. Formation of rhythm.

Chapter 2. Syncopations.

Chapter 3. Reading rhythms.

Chapter 4. Complexity of rhythm and shifting of pulsation.

Chapter 5. Time organization of works.

SECTION 4. MELODICA AND CHORDS

Chapter 1. Basic rules of melody.

Chapter 2. Combination of melody, harmony and rhythm.

Notes: Autumn (song).

Chapter 3. Determining harmony from the text of the melody.

Chapter 4. Complicating melody and harmony.

Chapter 5. Transferring the melody to another key.


Working with the Colored Insert.

COLOR INSERT

1. Universal Quart Table of Chords and Keys.

Three Quart Tables of Chords for G//Em, C//Am, F//Dm.


2. Quart Table of Chords with Notes for Keys C//Am.

Harmony Moves in C//Am.


3. Quart Table of Chords with Notes for Keys F//Dm.

Harmony Moves in Symbols.


4. Quart Table of Chords with Notes for Keys G//Em.

Harmony Moves in G//Em.


This is where part 2 ends.

Of course, the author did not write this book for himself. Not as if for himself. When the author started making music a long time ago, he looked for and saw many books. But the author and his fellow musicians wanted another book, which did not exist then. Simple, understandable and about all music at once. And now the author has tried to create exactly the kind of book that he and his comrades would have liked to see in those distant times.


The book was written to help all beginning musicians. Children, students of regular and music schools. And also ordinary adults, students of any non-musical educational institutions, drivers and carpenters, saleswomen and office workers, soldiers and sailors.


Some of them need the beginning, but what comes next — they do not need. But others already know the beginning, they are not interested in it. — They are interested in what comes next. Let everyone find exactly what they need. The main thing is that everyone finds and understands what they were looking for. And how deeply you will study and apply it, how much time and effort you will devote — this is your business, dear reader.


Nowadays there are such programs on computers that it is not necessary to overstrain your hands. You can program music. But in order to program it, you need to understand — MUSIC THEORY.

Section 1. MUSICAL NOTATION

Chapter 1. Notes, intervals, signs

Notes

Remember very well the location of the notes “do”. And count up or down from them. If you still have difficulty finding any note on the staff.

The notes should be exactly one “step”: on the first additional line below, under the first large line. On the first, between the first and second, on the second, etc.

Intervals


INTERVAL is the distance between any two notes. The unit of measurement of a musical interval is a tone. A tone is the difference in pitch between two adjacent notes, for example: DO and RE. G and A.

Exception: between the notes MI — FA and SI — DO the interval is equal to a semitone.


Let’s single out “pure” notes, i.e. notes without signs (sharps or flats). On the piano, they are on the white keys. Black keys are used to play notes raised or lowered by a semitone. “D — SHARP” is “D” raised by a semitone, this is the black key to the right on the keyboard, between “D” and “MI”. The note “MI — FLAT” is played with the same key, but is designated differently. Let’s say this: they are practically equal, but theoretically different.


...