The Complete Stories of Edgar Allan Poe
by Edgar Allan Poe

The Bargain Lost (1831)

“The heathen philosopher, when he had a mind to eat a grape, would open his lips when he put it into his mouth, meaning thereby that grapes were made to eat and lips to open.”

As You Like It.

At Venice, in the year —, in the street —, lived Pedro Garcia, a metaphysician. – With regard to date and residence, circumstances of a private and sacred nature forbid me to be more explicit. In all mental qualifications our hero was gigantic. Moreover, in bodily circumference, he had no cause of complaint; but, in right ascension, four feet five was the philosopher’s ne plus ultra.

Now Pedro was descended from a noble Florentine family; yet it was with little concern that, in certain boilings of the pot revolutionary, (during which, saith Machiavelli, the scum always comes uppermost) he beheld his large estates silently slipping through his fingers. Indeed, from his earliest youth, had Pedro Garcia been addicted to the most desperate abstrusities. He had studied at Padua, at Milan, at Gottingen. It is he – but let this go no farther – it is he to whom Kant is mainly indebted for his metaphysics. I have MSS. in my possession sufficient to establish what I say.

The doctrines of our friend were not very generally understood, although by no means difficult of comprehension. He was not, it is true, a Platonist – nor strictly an Aristotelian – nor did he, with Leibnitz, reconcile things irreconcileable. He was, emphatically, a Pedronist. He was Ionic and Italic. He reasoned a priori and a posteriori. His ideas were innate, or otherwise. He believed in George of Trebizond, he believed in Bossarion. Of his other propensities little is recorded. It is said that he preferred Catullus to Homer, and Sauterne to Medoc.

Yet even this comprehensive philosophy proved an insufficient protection against the shafts of calumny and malice. At Venice wicked men were not wanting to hint that the doctrines of certain people evinced neither the purity of the Academy nor the depth of the Lyceum.

The great bell of St. Mark’s had already sounded midnight, yet our hero was not in bed. He sat, alone, in the little chamber, his study, redeemed from the filth and bustle of the day. I hold minute attention to trifles unworthy the dignity of serious narrative; otherwise I might here, following the example of the novelist, dilate upon the subject of habiliment, and other mere matters of the outward man. I might say that the hair of our patrician was worn short, combed smoothly over his forehead, and surmounted with a violet-coloured, conical cap with tassels – that his green fustian jerkin was not after the fashion of those worn by the nobility of Venice at that day – that the sleeves were more deeply slashed than the reigning costume permitted – that the slashes were faced – not, as usual in that barbarous period, with parti-coloured silk, but with the beautiful red leather of Morocco – that his stiletto was a specimen piece of workmanship from the factory of Pan Ispan, of Damascus, attaghan-maker to the Effendi – that his slippers were of a bright purple, curiously filagreed, and might have been made in Japan, but for the exquisite pointing of the toes, and the fact that Baptista, the Spanish cobler on the Rialto, opined to the contrary – that his breeches were of the white, satin-like cloth called ‘celeste’ – that his sky-blue cloak, or wrapper, resembling, in form, the anomaly, a morning-gown, floated, like a mist, upon his shoulders, richly bestudded with crimson and yellow patches – and that his tout ensemble gave rise to the remarkable words of Benevenuta, the improvisatrice, to wit: – “That the paroquet, upon a certain cathedral, resembled nothing so much as Pedro, the metaphysician.” All this and more – had I been a novelist – might I have detailed. But, thanks to St. Urfino, whatever I am, that am I not. Therefore upon all these subjects I say ‘mum.’

The chamber in which sat our hero was of singular beauty. The floor was covered with a mat (for it was the summer season) of the most brilliant and glossy pale yellow, formed from the rare and valuable reeds of Siam. All around from the ceiling fell tapestry-hangings of the richest crimson velvet. The ceiling, itself, was of brown and highly-polished oak, vaulted, carved, and fretted, until all its innumerable angles were rounded into a dense mass of shadow, from whose gloomy depth, by a slender golden chain with very long links, swung a fantastic Arabesque lamp of solid silver. A black, heavy, and curiously-pannelled door, opening inwardly, was closed, after the fashion of that day, with a chased brazen bar; while a single, huge, bowed, and trelliced window glared out upon the waters of the Adriatic.

The minor furniture of the room consisted, principally, of a profusion of elegantly-bound and illuminated books scattered here and there in classical disorder, on the tables, on the floor, and on two or three luxurious settees, having every appearance of the ottomans of Mahomet.

It was a dark and stormy night. The rain fell in cataracts; and drowsy citizens started, from dreams of the deluge, to gaze upon the boisterous sea, which foamed and bellowed for admittance into the proud towers and marble palaces. Who would have thought of passions so fierce in that calm water that slumbers all day long? At a slight alabaster stand, trembling beneath the ponderous tomes which it supported, sat the hero of our story.

He heeded not the clanging of the half extinguished lamp, as it rattled overhead in the currents of air; and the roar of the waters he heard not. A voluminous MSS., intended for publication on the morrow, was receiving the last touches of its author. I am sorry that our record has extracted nothing from this valuable work, which has, undoubtedly, perished in some ecclesiastical intrigue. Its title, however, I find to be “A complete exposition of things not to be exposed;” and its motto a line from Pulci, thus happily translated by a modern satirist: —

 

Brethren, I come from lands afar

To show you all what fools you are.

 

As the storm grew stronger and more terrible, Pedro, totally absorbed in his occupation, could not perceive that, while his left palm rested upon a volume in sable binding, the blue lightning fluttered among its leaves with most portentous velocity.

“I am in no hurry, Signor Pedro,” whispered a soft voice in the apartment.

“The devil!” ejaculated our hero, starting from his seat, upsetting the alabaster stand, and looking around him in astonishment.

“Very true!” calmly replied the voice.

“Very true! – What is very true? – How came you here?” vociferated the metaphysician, as his eye fell upon a man with singularly thin features, who lay, at full length, upon an ottoman in a corner of the chamber.

“I was saying,” continued the figure, without replying to Pedro’s interrogatories, “I was saying that I am in no hurry – that the business upon which I took the liberty of calling is of minor importance – that I can wait until you have finished your Exposition.”

“My Exposition! How do you know I am writing an Exposition? Good God!”

“Hush!” replied the figure in a shrill undertone; and, arising from the settee, he made a step towards our hero, while the arabesque lamp suddenly ceased its convulsive swinging and became motionless.

The philosopher’s amazement did not prevent a narrow scrutiny of the stranger’s dress and appearance. The outlines of a figure much above the common standard were blurred and rendered indefinite by the huge folds of a black Roman toga. Above his left ear he carried, after the fashion of a modern scribe, an instrument resembling the stylus of the ancients; and, from his left arm, depended a crimson bag of a material totally unknown to our hero, being luminous. There was another article of habiliment equally a mystery to the patrician. The toga, being left open at the throat, displayed the neatly folded cravat and starched shirt-collar of 1832. All these things excited little of Pedro’s attention; for his antiquarian eye had fallen upon the sandals of the intruder, and he recognised therein the exact pattern of those worn before the flood, as given, with minute accuracy, in the Ptolemaiad of the Rabbi Vathek.

I find, upon looking over certain archives in Venice, that “Garcia, the metaphysician, was an exceedingly little, yet pugnacious man.” Accordingly, when his visitor drew a chair close by the huge bowed window that looked out upon the sea, our hero silently followed his example.

“A clever book that of yours, Pedro,” said the stranger, tapping our friend, knowingly, upon the shoulder.

Pedro stared.

“It is a work after my own heart,” continued the former, “I suppose you knew Confucius.”

Our hero’s amazement redoubled.

A sad set of fools now-a-days I tell you. Philosophy is a mere trumpery. O, nous estin autos, as some one very justly observed, meaning ‘auyos.’ But, to tell the truth, it was very little better at any time. The fact is, Garcia,” here the stranger’s voice dropped to a whisper, “men know nothing about these matters. Your doctrines, however, come nearer to the point than any with which I am acquainted. I like your doctrines, Signor Pedro, and have come a long way to tell you so.”

The philosopher’s eyes sparkled, and he fumbled, in great haste, among the rubbish on the floor, for his overthrown MSS. Having found it, he took, from an ivory escrutoire, a flask of the delightful wine of Sauterne, and placing them, with the sable-bound volume, on the alabaster stand, wheeled it before the visitor, and reseated himself at his elbow.

Here, if the reader should wish to know why our hero troubled himself to place upon the stand any thing so ominous as that book in sable binding, I reply that Pedro Garcia was, by no means, a fool; no man ever accused him of being a fool. He had, accordingly, very soon arrived at the conclusion that his knowing friend was neither more nor less than his August and Satanic Majesty. Now, although persons of greater height have been frightened at less serious circumstances, and although under certain dispensations of Providence (such as the visitation of a spider, a rat, or a physician) Pedro did not always evince the philosopher, yet fear of the devil never once entered his imagination. – To tell the truth, he was rather gratified, than otherwise, at a visit from a gentleman whom he so highly respected. He flattered himself with spending an agreeable hour; and it was with the air of being ‘up to snuff’ that he accommodated his visitor with a volume best suited to his acquirements and literary taste.

“But I must say,” continued the stranger, without noticing Pedro’s arrangements, “I must say that, upon some points, you are wrong, my friend, wrong; totally out, as that rogue Sanconiathon used to say – ha! ha! ha! – poor Sanconiathon!”

“Pray, sir, how old – may – you – call yourself?” inquired the metaphysician, with a cut of his eye.

“Old? Sir? Eh? Oh! a mere trifle. As I was saying, you have certain very outre notions in that book of yours. Now, what do you mean by all that humbug about the soul? Pray, sir, what is the soul?”

“The soul,” replied Pedro, referring to his MSS., “is undoubtedly —”

“No, sir!”

“Indubitably —”

“No, sir!”

“Evidently —”

“No, sir!”

“And beyond all question —”

“No, sir! – the soul is no such thing.”

“Then what is it?”

“That is neither here nor there, Signor Pedro,” replied the stranger, musing, “I have tasted – that is I mean I have known some very bad souls and some pretty good ones.”

Here the stranger licked his lips; and having, unconsciously, let fall his hand upon the sable volume, was seized with a violent fit of sneezing upon which our hero, reaching his common-place book, inserted the follow memorandum: —

N. B. – Divorum inferorum cachinnatio sternutamentis mortalium verisimillima est.

The stranger continued. “There was the soul of Cratinus – passable! Aristophanes – racy! Plato – exquisite! Not your Plato, but Plato the comic poet – your Plato would have turned the stomach of Cerberus – faugh! Then – let me see – there were Catullus, and Naso, and Plautus, and Quinty – dear Quinty, as I called him when he sung a ‘seculare’ for my amusement, while I toasted him good-humouredly on a fork. But they want flavour, these Romans, one fat Greek is worth a dozen of them, and, besides, will keep, which cannot be said of a Quirite. – Terence, however, was an exception – firm as an Esquimaux, and juicy as a German – the very recollection of the dog makes my mouth water. – Let us taste your Sauterne.”

Our hero had, by this time, made up his mind to the ‘nil admirari,’ and merely filled his visitor’s glass. He was, however, conscious of a strange sound in the chamber, like the wagging of a tail, but of this he took no notice, simply kicking the large water-dog that lay asleep under his chair, and requesting him to be quiet. – The stranger proceeded.

“But, if I have a penchant, Signor Pedro, if I have a penchant, it is for a philosopher. Yet let me tell you, sir, it is not every dev – I mean every gentleman who knows how to choose a philosopher. Long ones are not good, and the best, if not very carefully shelled, are apt to be a little rancid on account of the gall.

“Shelled?”

“I mean taken out of the body.”

“What do you think of a physician?”

“Don’t mention them,” here the stranger retched violently, “ugh! I never tried but one, that rascal – (ugh!) – Hippocrates. Smelt of asafetida – (ugh! ugh!) – took particular pains with the villain too – caught a wretched cold washing him in the Styx – and, after all, he gave me the cholera morbus.”

“The wretch! the abortion of a pill box!” ejaculated Pedro, dropping a tear, and, reaching another bottle of Sauterne, he swallowed three bumpers in rapid succession. The stranger followed his example.

“After all, Signor Pedro,” said he, “if a dev – if a gentleman wishes to live, he must have more talents than one or two, and, with us, a fat face is an evidence of diplomacy.”

“How so?”

“Why we are, sometimes, exceedingly pushed for provisions. You ought to know that, in a climate so sultry as mine, it is frequently impossible to keep a soul alive for more than two or three hours; and after death, unless pickled immediately, (and a pickled spirit is not good) they will smell – you understand – eh? Putrefaction is always to be apprehended when the spirits are consigned to us in the usual way.”

“Good God! how do you manage?”

Here the Arabesque lamp commenced swinging with redoubled violence, and the stranger half started from his seat; however, with a slight sigh, he recovered his composure; merely saying to our hero, in a low tone: – “I tell you what, Pedro Garcia, once for all, we must have no more swearing.”

Pedro swallowed another bumper, and his visitor continued.

“Why there are several ways of managing. – The most of us starve. Some put up with the pickle. For my part, I purchase my spirits vivente corpore, in which case I find they keep very well.”

“But the body, my dear sir, the body!” vociferated the philosopher, for the wine had gotten a little into his head. Here he reached another bottle of Sauterne.

“The body! – well, what of the body? oh! ah! I perceive – why the body is not all affected by the transaction. I have made innumerable purchases of the kind in my day, and the parties never experience any inconvenience. There was Cain, and Nimrod, and Nero, and Caligula, and Dionysius, and Pisistratus, and – and the Jew – and – and a thousand others, all very good men in their way, who never knew what a soul was during the latter part of their lives. Yet these men adorned society. Why isn’t there V—, now? – whom you know as well as I – is he not in full possession of his faculties, mental and corporeal? Who writes a keener epigram? Who reasons more wittily? Who – but I have his agreement in my pocket book.” Thus saying, he drew, from the luminous bag, a book with clasps of cornelian, and, from the book, a bundle of papers, upon some of which Pedro caught a glimpse of the letters MACHIA, MAZA, RICHEL, and the words DOMITIAN and ELIZABETH. From these papers he selected a narrow slip of parchment, and, from it, read aloud the following words: —

In consideration of certain mental endowments, which it would be unnecessary to specify, and in farther consideration of the sum of one thousand Louis d’or, I, being aged one year and one month, do, hereby, from this date, make over, to the bearer of this bond, all my right, title, and appurtenance in the shadow called ‘my soul.’

Done at Paris, this – day of —, in the year of our Lord —, FRANCOIS MARIE AROUET.

“A clever fellow that,” resumed the stranger, “but he was wrong about the shadow – the soul a shadow! – no such nonsense, Signor Pedro. – Only think of a fricaseed shadow!”

“Only think of a fricaseed s – h – a – d – o – w!” echoed our hero, whose faculties were becoming gloriously illuminated, “now, damme,” continued he, “Mr. – humph! – damme! (hiccup) if I would have been such a nincompoop. My soul, Mr. – humph! – yes, sir, my soul.”

“Your soul, Signor Pedro?”

“Yes, sir, my soul is – is – is – no shadow, damme!”

“I should be sorry to suppose, Signor Pedro —”

“Yes, sir, my soul is peculiarly calculated for – for – a stew, damme!”

“Ha!”

“A ragout —”

“Eh?”

“A fricasee —”

“Ah!”

“Or (hiccup) a cotelette – and I’ll let you have it a bargain.”

“Couldn’t think of such a thing,” said the stranger, calmly, at the same time arising from his seat.

Pedro stared.

“Am supplied at present —”

“Eh?”

“Have no cash on hand —”

“What?”

“Very ungentlemanly in me —”

“Humph!”

“To take advantage of —”

“Sir!”

“Your peculiar situation.”

Here the stranger bowed and withdrew, in what manner our philosopher could not exactly ascertain; but, in a well concerted effort to discharge a bottle at the scoundrel, the slender chain was severed that hung from the ceiling, and the metaphysician prostrated by the downfall of the lamp.

THE END

Loss of Breath (1850)
A Tale Neither In Or Out Of “Blackwood”

O Breathe not, etc.

Moore’s Melodies

THE MOST notorious ill-fortune must in the end yield to the untiring courage of philosophy – as the most stubborn city to the ceaseless vigilance of an enemy. Shalmanezer, as we have it in holy writings, lay three years before Samaria; yet it fell. Sardanapalus – see Diodorus – maintained himself seven in Nineveh; but to no purpose. Troy expired at the close of the second lustrum; and Azoth, as Aristaeus declares upon his honour as a gentleman, opened at last her gates to Psammetichus, after having barred them for the fifth part of a century….

“Thou wretch! – thou vixen! – thou shrew!” said I to my wife on the morning after our wedding; “thou witch! – thou hag! – thou whippersnapper – thou sink of iniquity! – thou fiery-faced quintessence of all that is abominable! – thou – thou-” here standing upon tiptoe, seizing her by the throat, and placing my mouth close to her ear, I was preparing to launch forth a new and more decided epithet of opprobrium, which should not fail, if ejaculated, to convince her of her insignificance, when to my extreme horror and astonishment I discovered that I had lost my breath.

The phrases “I am out of breath,” “I have lost my breath,” etc., are often enough repeated in common conversation; but it had never occurred to me that the terrible accident of which I speak could bona fide and actually happen! Imagine – that is if you have a fanciful turn – imagine, I say, my wonder – my consternation – my despair!

There is a good genius, however, which has never entirely deserted me. In my most ungovernable moods I still retain a sense of propriety, et le chemin des passions me conduit – as Lord Edouard in the “Julie” says it did him – a la philosophie veritable.

Although I could not at first precisely ascertain to what degree the occurence had affected me, I determined at all events to conceal the matter from my wife, until further experience should discover to me the extent of this my unheard of calamity. Altering my countenance, therefore, in a moment, from its bepuffed and distorted appearance, to an expression of arch and coquettish benignity, I gave my lady a pat on the one cheek, and a kiss on the other, and without saying one syllable (Furies! I could not), left her astonished at my drollery, as I pirouetted out of the room in a Pas de Zephyr.

Behold me then safely ensconced in my private boudoir, a fearful instance of the ill consequences attending upon irascibility – alive, with the qualifications of the dead – dead, with the propensities of the living – an anomaly on the face of the earth – being very calm, yet breathless.

Yes! breathless. I am serious in asserting that my breath was entirely gone. I could not have stirred with it a feather if my life had been at issue, or sullied even the delicacy of a mirror. Hard fate! – yet there was some alleviation to the first overwhelming paroxysm of my sorrow. I found, upon trial, that the powers of utterance which, upon my inability to proceed in the conversation with my wife, I then concluded to be totally destroyed, were in fact only partially impeded, and I discovered that had I, at that interesting crisis, dropped my voice to a singularly deep guttural, I might still have continued to her the communication of my sentiments; this pitch of voice (the guttural) depending, I find, not upon the current of the breath, but upon a certain spasmodic action of the muscles of the throat.

Throwing myself upon a chair, I remained for some time absorbed in meditation. My reflections, be sure, were of no consolatory kind. A thousand vague and lachrymatory fancies took possesion of my soul-and even the idea of suicide flitted across my brain; but it is a trait in the perversity of human nature to reject the obvious and the ready, for the far-distant and equivocal. Thus I shuddered at self-murder as the most decided of atrocities while the tabby cat purred strenuously upon the rug, and the very water dog wheezed assiduously under the table, each taking to itself much merit for the strength of its lungs, and all obviously done in derision of my own pulmonary incapacity.

Oppressed with a tumult of vague hopes and fears, I at length heard the footsteps of my wife descending the staircase. Being now assured of her absence, I returned with a palpitating heart to the scene of my disaster.

Carefully locking the door on the inside, I commenced a vigorous search. It was possible, I thought, that, concealed in some obscure corner, or lurking in some closet or drawer, might be found the lost object of my inquiry. It might have a vapory – it might even have a tangible form. Most philosophers, upon many points of philosophy, are still very unphilosophical. William Godwin, however, says in his “Mandeville,” that “invisible things are the only realities,” and this, all will allow, is a case in point. I would have the judicious reader pause before accusing such asseverations of an undue quantum of absurdity. Anaxagoras, it will be remembered, maintained that snow is black, and this I have since found to be the case.

Long and earnestly did I continue the investigation: but the contemptible reward of my industry and perseverance proved to be only a set of false teeth, two pair of hips, an eye, and a bundle of billets-doux from Mr. Windenough to my wife. I might as well here observe that this confirmation of my lady’s partiality for Mr. W. occasioned me little uneasiness. That Mrs. Lackobreath should admire anything so dissimilar to myself was a natural and necessary evil. I am, it is well known, of a robust and corpulent appearance, and at the same time somewhat diminutive in stature. What wonder, then, that the lath-like tenuity of my acquaintance, and his altitude, which has grown into a proverb, should have met with all due estimation in the eyes of Mrs. Lackobreath. But to return.

My exertions, as I have before said, proved fruitless. Closet after closet – drawer after drawer – corner after corner – were scrutinized to no purpose. At one time, however, I thought myself sure of my prize, having, in rummaging a dressing-case, accidentally demolished a bottle of Grandjean’s Oil of Archangels – which, as an agreeable perfume, I here take the liberty of recommending.

With a heavy heart I returned to my boudoir – there to ponder upon some method of eluding my wife’s penetration, until I could make arrangements prior to my leaving the country, for to this I had already made up my mind. In a foreign climate, being unknown, I might, with some probability of success, endeavor to conceal my unhappy calamity – a calamity calculated, even more than beggary, to estrange the affections of the multitude, and to draw down upon the wretch the well-merited indignation of the virtuous and the happy. I was not long in hesitation. Being naturally quick, I committed to memory the entire tragedy of “Metamora.” I had the good fortune to recollect that in the accentuation of this drama, or at least of such portion of it as is allotted to the hero, the tones of voice in which I found myself deficient were altogether unnecessary, and the deep guttural was expected to reign monotonously throughout.

I practised for some time by the borders of a well frequented marsh;—herein, however, having no reference to a similar proceeding of Demosthenes, but from a design peculiarly and conscientiously my own. Thus armed at all points, I determined to make my wife believe that I was suddenly smitten with a passion for the stage. In this, I succeeded to a miracle; and to every question or suggestion found myself at liberty to reply in my most frog-like and sepulchral tones with some passage from the tragedy – any portion of which, as I soon took great pleasure in observing, would apply equally well to any particular subject. It is not to be supposed, however, that in the delivery of such passages I was found at all deficient in the looking asquint – the showing my teeth – the working my knees – the shuffling my feet – or in any of those unmentionable graces which are now justly considered the characteristics of a popular performer. To be sure they spoke of confining me in a strait-jacket – but, good God! they never suspected me of having lost my breath.

Having at length put my affairs in order, I took my seat very early one morning in the mail stage for —, giving it to be understood, among my acquaintances, that business of the last importance required my immediate personal attendance in that city.

The coach was crammed to repletion; but in the uncertain twilight the features of my companions could not be distinguished. Without making any effectual resistance, I suffered myself to be placed between two gentlemen of colossal dimensions; while a third, of a size larger, requesting pardon for the liberty he was about to take, threw himself upon my body at full length, and falling asleep in an instant, drowned all my guttural ejaculations for relief, in a snore which would have put to blush the roarings of the bull of Phalaris. Happily the state of my respiratory faculties rendered suffocation an accident entirely out of the question.

As, however, the day broke more distinctly in our approach to the outskirts of the city, my tormentor, arising and adjusting his shirt-collar, thanked me in a very friendly manner for my civility. Seeing that I remained motionless (all my limbs were dislocated and my head twisted on one side), his apprehensions began to be excited; and arousing the rest of the passengers, he communicated, in a very decided manner, his opinion that a dead man had been palmed upon them during the night for a living and responsible fellow-traveller; here giving me a thump on the right eye, by way of demonstrating the truth of his suggestion.

Hereupon all, one after another (there were nine in company), believed it their duty to pull me by the ear. A young practising physician, too, having applied a pocket-mirror to my mouth, and found me without breath, the assertion of my persecutor was pronounced a true bill; and the whole party expressed a determination to endure tamely no such impositions for the future, and to proceed no farther with any such carcasses for the present.

I was here, accordingly, thrown out at the sign of the “Crow” (by which tavern the coach happened to be passing), without meeting with any farther accident than the breaking of both my arms, under the left hind wheel of the vehicle. I must besides do the driver the justice to state that he did not forget to throw after me the largest of my trunks, which, unfortunately falling on my head, fractured my skull in a manner at once interesting and extraordinary.

The landlord of the “Crow,” who is a hospitable man, finding that my trunk contained sufficient to indemnify him for any little trouble he might take in my behalf, sent forthwith for a surgeon of his acquaintance, and delivered me to his care with a bill and receipt for ten dollars.

The purchaser took me to his apartments and commenced operations immediately. Having cut off my ears, however, he discovered signs of animation. He now rang the bell, and sent for a neighboring apothecary with whom to consult in the emergency. In case of his suspicions with regard to my existence proving ultimately correct, he, in the meantime, made an incision in my stomach, and removed several of my viscera for private dissection.

The apothecary had an idea that I was actually dead. This idea I endeavored to confute, kicking and plunging with all my might, and making the most furious contortions – for the operations of the surgeon had, in a measure, restored me to the possession of my faculties. All, however, was attributed to the effects of a new galvanic battery, wherewith the apothecary, who is really a man of information, performed several curious experiments, in which, from my personal share in their fulfillment, I could not help feeling deeply interested. It was a course of mortification to me, nevertheless, that although I made several attempts at conversation, my powers of speech were so entirely in abeyance, that I could not even open my mouth; much less, then, make reply to some ingenious but fanciful theories of which, under other circumstances, my minute acquaintance with the Hippocratian pathology would have afforded me a ready confutation.

Not being able to arrive at a conclusion, the practitioners remanded me for farther examination. I was taken up into a garret; and the surgeon’s lady having accommodated me with drawers and stockings, the surgeon himself fastened my hands, and tied up my jaws with a pocket-handkerchief – then bolted the door on the outside as he hurried to his dinner, leaving me alone to silence and to meditation.

I now discovered to my extreme delight that I could have spoken had not my mouth been tied up with the pocket-handkerchief. Consoling myself with this reflection, I was mentally repeating some passages of the “Omnipresence of the Deity,” as is my custom before resigning myself to sleep, when two cats, of a greedy and vituperative turn, entering at a hole in the wall, leaped up with a flourish a la Catalani, and alighting opposite one another on my visage, betook themselves to indecorous contention for the paltry consideration of my nose.

But, as the loss of his ears proved the means of elevating to the throne of Cyrus, the Magian or Mige-Gush of Persia, and as the cutting off his nose gave Zopyrus possession of Babylon, so the loss of a few ounces of my countenance proved the salvation of my body. Aroused by the pain, and burning with indignation, I burst, at a single effort, the fastenings and the bandage. Stalking across the room I cast a glance of contempt at the belligerents, and throwing open the sash to their extreme horror and disappointment, precipitated myself, very dexterously, from the window this moment passing from the city jail to the scaffold erected for his execution in the suburbs. His extreme infirmity and long continued ill health had obtained him the privilege of remaining unmanacled; and habited in his gallows costume – one very similar to my own, – he lay at full length in the bottom of the hangman’s cart (which happened to be under the windows of the surgeon at the moment of my precipitation) without any other guard than the driver, who was asleep, and two recruits of the sixth infantry, who were drunk.

As ill-luck would have it, I alit upon my feet within the vehicle immediately, he bolted out behind, and turning down an alley, was out of sight in the twinkling of an eye. The recruits, aroused by the bustle, could not exactly comprehend the merits of the transaction. Seeing, however, a man, the precise counterpart of the felon, standing upright in the cart before their eyes, they were of (so they expressed themselves,) and, having communicated this opinion to one another, they took each a dram, and then knocked me down with the butt-ends of their muskets.

It was not long ere we arrived at the place of destination. Of course nothing could be said in my defence. Hanging was my inevitable fate. I resigned myself thereto with a feeling half stupid, half acrimonious. Being little of a cynic, I had all the sentiments of a dog. The hangman, however, adjusted the noose about my neck. The drop fell.

I forbear to depict my sensations upon the gallows; although here, undoubtedly, I could speak to the point, and it is a topic upon which nothing has been well said. In fact, to write upon such a theme it is necessary to have been hanged. Every author should confine himself to matters of experience. Thus Mark Antony composed a treatise upon getting drunk.

I may just mention, however, that die I did not. My body was, but I had no breath to be, suspended; and but for the knot under my left ear (which had the feel of a military stock) I dare say that I should have experienced very little inconvenience. As for the jerk given to my neck upon the falling of the drop, it merely proved a corrective to the twist afforded me by the fat gentleman in the coach.

For good reasons, however, I did my best to give the crowd the worth of their trouble. My convulsions were said to be extraordinary. My spasms it would have been difficult to beat. The populace encored. Several gentlemen swooned; and a multitude of ladies were carried home in hysterics. Pinxit availed himself of the opportunity to retouch, from a sketch taken upon the spot, his admirable painting of the “Marsyas flayed alive.”

When I had afforded sufficient amusement, it was thought proper to remove my body from the gallows;—this the more especially as the real culprit had in the meantime been retaken and recognized, a fact which I was so unlucky as not to know.

Much sympathy was, of course, exercised in my behalf, and as no one made claim to my corpse, it was ordered that I should be interred in a public vault.

Here, after due interval, I was deposited. The sexton departed, and I was left alone. A line of Marston’s “Malcontent”-

Death’s a good fellow and keeps open house—struck me at that moment as a palpable lie.

I knocked off, however, the lid of my coffin, and stepped out. The place was dreadfully dreary and damp, and I became troubled with ennui. By way of amusement, I felt my way among the numerous coffins ranged in order around. I lifted them down, one by one, and breaking open their lids, busied myself in speculations about the mortality within.

“This,” I soliloquized, tumbling over a carcass, puffy, bloated, and rotund—“this has been, no doubt, in every sense of the word, an unhappy – an unfortunate man. It has been his terrible lot not to walk but to waddle – to pass through life not like a human being, but like an elephant – not like a man, but like a rhinoceros.

“His attempts at getting on have been mere abortions, and his circumgyratory proceedings a palpable failure. Taking a step forward, it has been his misfortune to take two toward the right, and three toward the left. His studies have been confined to the poetry of Crabbe. He can have no idea of the wonder of a pirouette. To him a pas de papillon has been an abstract conception. He has never ascended the summit of a hill. He has never viewed from any steeple the glories of a metropolis. Heat has been his mortal enemy. In the dog-days his days have been the days of a dog. Therein, he has dreamed of flames and suffocation – of mountains upon mountains – of Pelion upon Ossa. He was short of breath – to say all in a word, he was short of breath. He thought it extravagant to play upon wind instruments. He was the inventor of self-moving fans, wind-sails, and ventilators. He patronized Du Pont the bellows-maker, and he died miserably in attempting to smoke a cigar. His was a case in which I feel a deep interest – a lot in which I sincerely sympathize.

“But here,”—said I—“here”—and I dragged spitefully from its receptacle a gaunt, tall and peculiar-looking form, whose remarkable appearance struck me with a sense of unwelcome familiarity—“here is a wretch entitled to no earthly commiseration.” Thus saying, in order to obtain a more distinct view of my subject, I applied my thumb and forefinger to its nose, and causing it to assume a sitting position upon the ground, held it thus, at the length of my arm, while I continued my soliloquy.

–“Entitled,” I repeated, “to no earthly commiseration. Who indeed would think of compassioning a shadow? Besides, has he not had his full share of the blessings of mortality? He was the originator of tall monuments – shot-towers – lightning-rods – Lombardy poplars. His treatise upon “Shades and Shadows” has immortalized him. He edited with distinguished ability the last edition of “South on the Bones.” He went early to college and studied pneumatics. He then came home, talked eternally, and played upon the French-horn. He patronized the bagpipes. Captain Barclay, who walked against Time, would not walk against him. Windham and Allbreath were his favorite writers, – his favorite artist, Phiz. He died gloriously while inhaling gas – levique flatu corrupitur, like the fama pudicitae in Hieronymus. He was indubitably a”-

“How can you? – how – can – you?”—interrupted the object of my animadversions, gasping for breath, and tearing off, with a desperate exertion, the bandage around its jaws—“how can you, Mr. Lackobreath, be so infernally cruel as to pinch me in that manner by the nose? Did you not see how they had fastened up my mouth – and you must know – if you know any thing – how vast a superfluity of breath I have to dispose of! If you do not know, however, sit down and you shall see. In my situation it is really a great relief to be able to open ones mouth – to be able to expatiate – to be able to communicate with a person like yourself, who do not think yourself called upon at every period to interrupt the thread of a gentleman’s discourse. Interruptions are annoying and should undoubtedly be abolished – don’t you think so? – no reply, I beg you, – one person is enough to be speaking at a time. – I shall be done by and by, and then you may begin. – How the devil sir, did you get into this place? – not a word I beseech you – been here some time myself – terrible accident! – heard of it, I suppose? – awful calamity! – walking under your windows – some short while ago – about the time you were stage-struck – horrible occurrence! – heard of “catching one’s breath,” eh? – hold your tongue I tell you! – I caught somebody elses! – had always too much of my own-met Blab at the corner of the street – wouldn’t give me a chance for a word – couldn’t get in a syllable edgeways – attacked, consequently, with epilepsis – Blab made his escape – damn all fools! – they took me up for dead, and put me in this place – pretty doings all of them! – heard all you said about me – every word a lie – horrible! – wonderful-outrageous! – hideous! – incomprehensible! – et cetera – et cetera – et cetera – et cetera-“

It is impossible to conceive my astonishment at so unexpected a discourse, or the joy with which I became gradually convinced that the breath so fortunately caught by the gentleman (whom I soon recognized as my neighbor Windenough) was, in fact, the identical expiration mislaid by myself in the conversation with my wife. Time, place, and circumstances rendered it a matter beyond question. I did not at least during the long period in which the inventor of Lombardy poplars continued to favor me with his explanations.

In this respect I was actuated by that habitual prudence which has ever been my predominating trait. I reflected that many difficulties might still lie in the path of my preservation which only extreme exertion on my part would be able to surmount. Many persons, I considered, are prone to estimate commodities in their possession – however valueless to the then proprietor – however troublesome, or distressing – in direct ratio with the advantages to be derived by others from their attainment, or by themselves from their abandonment. Might not this be the case with Mr. Windenough? In displaying anxiety for the breath of which he was at present so willing to get rid, might I not lay myself open to the exactions of his avarice? There are scoundrels in this world, I remembered with a sigh, who will not scruple to take unfair opportunities with even a next door neighbor, and (this remark is from Epictetus) it is precisely at that time when men are most anxious to throw off the burden of their own calamities that they feel the least desirous of relieving them in others.

Upon considerations similar to these, and still retaining my grasp upon the nose of Mr. W., I accordingly thought proper to model my reply.

“Monster!” I began in a tone of the deepest indignation—“monster and double-winded idiot! – dost thou, whom for thine iniquities it has pleased heaven to accurse with a twofold respimtion – dost thou, I say, presume to address me in the familiar language of an old acquaintance? – ‘I lie,’ forsooth! and ‘hold my tongue,’ to be sure! – pretty conversation indeed, to a gentleman with a single breath! – all this, too, when I have it in my power to relieve the calamity under which thou dost so justly suffer – to curtail the superfluities of thine unhappy respiration.”

Like Brutus, I paused for a reply – with which, like a tornado, Mr. Windenough immediately overwhelmed me. Protestation followed upon protestation, and apology upon apology. There were no terms with which he was unwilling to comply, and there were none of which I failed to take the fullest advantage.

Preliminaries being at length arranged, my acquaintance delivered me the respiration; for which (having carefully examined it) I gave him afterward a receipt.

I am aware that by many I shall be held to blame for speaking in a manner so cursory, of a transaction so impalpable. It will be thought that I should have entered more minutely, into the details of an occurrence by which – and this is very true – much new light might be thrown upon a highly interesting branch of physical philosophy.

To all this I am sorry that I cannot reply. A hint is the only answer which I am permitted to make. There were circumstances – but I think it much safer upon consideration to say as little as possible about an affair so delicate – so delicate, I repeat, and at the time involving the interests of a third party whose sulphurous resentment I have not the least desire, at this moment, of incurring.

We were not long after this necessary arrangement in effecting an escape from the dungeons of the sepulchre. The united strength of our resuscitated voices was soon sufficiently apparent. Scissors, the Whig editor, republished a treatise upon “the nature and origin of subterranean noises.” A reply – rejoinder – confutation – and justification – followed in the columns of a Democratic Gazette. It was not until the opening of the vault to decide the controversy, that the appearance of Mr. Windenough and myself proved both parties to have been decidedly in the wrong.

I cannot conclude these details of some very singular passages in a life at all times sufficiently eventful, without again recalling to the attention of the reader the merits of that indiscriminate philosophy which is a sure and ready shield against those shafts of calamity which can neither be seen, felt nor fully understood. It was in the spirit of this wisdom that, among the ancient Hebrews, it was believed the gates of Heaven would be inevitably opened to that sinner, or saint, who, with good lungs and implicit confidence, should vociferate the word “Amen!” It was in the spirit of this wisdom that, when a great plague raged at Athens, and every means had been in vain attempted for its removal, Epimenides, as Laertius relates, in his second book, of that philosopher, advised the erection of a shrine and temple “to the proper God.”

LYTTLETON BARRY.

THE END

A Dream (1831)

A few evenings since, I laid myself down for my night’s repose. It has been a custom with me, for years past, to peruse a portion of the scriptures before I close my eyes in the slumbers of night. I did so in the present instance. By chance, I fell upon the spot where inspiration has recorded the dying agonies of the God of Nature. Thoughts of these, and the scenes which followed his giving up the ghost, pursued me as I slept.

There is certainly something mysterious and incomprehensible in the manner in which the wild vagaries of the imagination often arrange themselves; but the solution of this belongs to the physiologist rather than the reckless “dreamer.”

It seemed that I was some Pharisee, returning from the scene of Bath. I had assisted in driving the sharpest nails through the palms of Him who hung on the cross, a spectacle of the bitterest woe that mortality ever felt. I could hear the groan that ran through his soul, as the rough iron grated on the bones when I drove it through retired a few steps from the place of execution, and turned around look at my bitterest enemy. The Nazarene was not yet dead: the life lingered in the mantle of clay, as if it shuddered to walk alone through the valley of death. I thought I could see the cold damp that settles on the brow of the dying, now standing in large drops on his. I could see each muscle quiver: – The eye, that began to lose its lustre in the hollow stare of the corpse. I could hear the low gurgle in his throat. – A moment, – and the chain of existence was broken, and a link dropped into eternity.

I turned away, and wandered listlessly on, till I came to the centre of Jerusalem. At a short distance rose the lofty turrets of the temple; its golden roof reflected rays as bright as the source from which they eminated. A feeling of conscious pride stole over me, as I looked over the broad fields and lofty mountains which surrounded this pride of the eastern world. On my right rose Mount Olivet, covered with shrubbery and vineyards; beyond that, and bounding the skirts of mortal vision, appeared mountains piled on mountains; on the left were the lovely plains of Judea; and I thought it was a bright picture of human existence, as I saw the little brook Cedron speeding its way through the meadows, to the distant lake. I could hear the gay song of the beauteous maiden, as he gleaned in the distant harvest-field; and, mingling with the echoes of the mountain, was heard the shrill whistle of the shepherd’s pipe, as he called the wandering lamb to its fold. A perfect loveliness had thrown itself over animated nature.

But, “a change soon came o’er the spirit of my dream;” I felt a sudden coldness creeping over me. I instinctively turned towards the sun, and saw a hand slowly drawing a mantle of crepe over it. I looked for stars; but each one had ceased to twinkle; for the same hand had enveloped them in the badge of mourning. The silver light of the moon did not dawn on the sluggish waves of the Dead Sea, as they sang the hoarse requiem of the cities of the Plain; but she hid her face, as if shuddering to look on what was doing on the earth. I heard a muttered groan, as the spirit of darkness spread his pinions over an astonished world.

Unutterable despair now seized me. I could feel the flood of life slowly rolling back to its fountain, as the fearful thought stole over me, that the day of retribution had come.

Suddenly, I stood before the temple. The veil, which had hid its secrets from unhallowed gaze, was now rent. I looked for a moment: the priest was standing by the altar, offering up the expiatory sacrifice. The fire, which was to kindle the mangled limbs of the victim, gleamed for a moment, on the distant walls, and then ‘twas lost in utter darkness. He turned around, to rekindle it from the living fire of the candlestick; but that, too, was gone. – ‘Twas still as the sepulchre.

I turned, and rushed into the street. The street was vacant. No sound broke the stillness, except the yell of the wild dog, who revelled on the half-burnt corpse in the Valley of Hinnom. I saw a light stream from a distant window, and made my way towards it. I looked in at the open door. A widow was preparing the last morsel she could glean, for her dying babe. She had kindled a little fire; and I saw with what utter hopelessness of heart she beheld the flame sink away, like her own dying hopes.

Darkness covered the universe. Nature mourned, for its parent had died. The earth had enrobed herself in the habiliments of sorrow, and the heavens were clothed in the sables of mourning. I now roamed in restlessness, and heeded not whither I went. At once there appeared a light in the east. A column of light shot athwart the gloom, like the light-shot gleams on the darkness of the midnight of the pit, and illumined the sober murkiness that surrounded me. There was an opening in the vast arch of heaven’s broad expanse. With wondering eyes, I turned towards it.

Far into the wilderness of space, and at a distance that can only be meted by a “line running parallel with eternity,” but still awfully plain and distinct, appeared the same person whom I had clothed with the mock purple of royalty. He was now garmented in the robe of the King of kings. He sat on his throne; but ‘twas not one of whiteness. There was mourning in heaven; for, as each angel knelt before him, I saw that the wreath of immortal amaranth which was wont to circle his brow, was changed for one of cypress.

I turned to see whither I had wandered. I had come to the burial ground of the monarch of Israel. I gazed with trembling, as I saw the clods which covered the mouldering bones of some tyrant begin to move. I looked at where the last monarch had been laid, in all the splendour and pageantry of death, and the sculptured monument began to tremble. Soon it was overturned, and from it issued the tenant of the grave. ‘Twas a hideous, unearthly form, such as Dante, in his wildest flights of terrified fancy, ne’er conjured up. I could not move, for terror had tied up volition. It approached me. I saw the grave-worm twining itself amongst the matted locks which in part covered the rotten scull. The bones creaked on each other as they moved on the hinges, for its flesh was gone. I listened to their horrid music, as this parody on poor mortality stalked along. He came up to me; and, as he passed, he breathed the cold damps of the lonely, narrow house directly in my face. The chasm in the heavens closed; and, with a convulsive shudder, I awoke.

THE END

The Duc de L’Omelette (1831)

And stepped at once into a cooler clime.

Cowper.

KEATS fell by a criticism. Who was it died of “The Andromache?” Ignoble souls! – De L’Omelette perished of an ortolan. L’histoire en est brève. Assist me, Spirit of Apicius!

A golden cage bore the little winged wanderer, enamored, melting, indolent, to the Chaussée D’Antin, from its home in far Peru. From its queenly possessor La Bellissima, to the Duc De L’Omelette, six peers of the empire conveyed the happy bird.

That night the Duc was to sup alone. In the privacy of his bureau he reclined languidly on that ottoman for which he sacrificed his loyalty in outbidding his king, – the notorious ottoman of Cadet.

He buries his face in the pillow. The clock strikes! Unable to restrain his feelings, his Grace swallows an olive. At this moment the door gently opens to the sound of soft music, and lo! the most delicate of birds is before the most enamored of men! But what inexpressible dismay now overshadows the countenance of the Duc? – “Horreur! – chien! – Baptiste! – l’oiseau! ah, bon Dieu! cet oiseau modeste que tu as deshabillé de ses plumes, et que tu as servi sans papier!” It is superfluous to say more: – the Duc expired in a paroxysm of disgust.

“Ha! ha! ha!” said his Grace on the third day after his decease.

“He! he! he!” replied the Devil faintly, drawing himself up with an air of hauteur.

“Why, surely you are not serious,” retorted De L’Omelette. “I have sinned – c’est vrai – but, my good sir, consider! – you have no actual intention of putting such – such – barbarous threats into execution.”

“No what?” said his majesty – “come, sir, strip!”

“Strip, indeed! very pretty i’ faith! no, sir, I shall not strip. Who are you, pray, that I, Duc De L’Omelette, Prince de Foie-Gras, just come of age, author of the ‘Mazurkiad,’ and Member of the Academy, should divest myself at your bidding of the sweetest pantaloons ever made by Bourdon, the daintiest robe-de-chambre ever put together by Rombert – to say nothing of the taking my hair out of paper – not to mention the trouble I should have in drawing off my gloves?”

“Who am I? – ah, true! I am Baal-Zebub, Prince of the Fly. I took thee, just now, from a rose-wood coffin inlaid with ivory. Thou wast curiously scented, and labelled as per invoice. Belial sent thee, – my Inspector of Cemeteries. The pantaloons, which thou sayest were made by Bourdon, are an excellent pair of linen drawers, and thy robe-de-chambre is a shroud of no scanty dimensions.”

“Sir!” replied the Duc, “I am not to be insulted with impunity! – Sir! I shall take the earliest opportunity of avenging this insult! – Sir! you shall hear from me! in the meantime au revoir!” – and the Duc was bowing himself out of the Satanic presence, when he was interrupted and brought back by a gentleman in waiting. Hereupon his Grace rubbed his eyes, yawned, shrugged his shoulders, reflected. Having become satisfied of his identity, he took a bird’s eye view of his whereabouts.

The apartment was superb. Even De L’Omelette pronounced it bien comme il faut. It was not its length nor its breadth, – but its height – ah, that was appalling! – There was no ceiling – certainly none – but a dense whirling mass of fiery-colored clouds. His Grace’s brain reeled as he glanced upwards. From above, hung a chain of an unknown blood-red metal – its upper end lost, like the city of Boston, parmi les nues. From its nether extremity swung a large cresset. The Duc knew it to be a ruby; but from it there poured a light so intense, so still, so terrible, Persia never worshipped such – Gheber never imagined such – Mussulman never dreamed of such when, drugged with opium, he has tottered to a bed of poppies, his back to the flowers, and his face to the God Apollo. The Duc muttered a slight oath, decidedly approbatory.

The corners of the room were rounded into niches. – Three of these were filled with statues of gigantic proportions. Their beauty was Grecian, their deformity Egyptian, their tout ensemble French. In the fourth niche the statue was veiled; it was not colossal. But then there was a taper ankle, a sandalled foot. De L’Omelette pressed his hand upon his heart, closed his eyes, raised them, and caught his Satanic Majesty – in a blush.

But the paintings! – Kupris! Astarte! Astoreth! – a thousand and the same! And Rafaelle has beheld them! Yes, Rafaelle has been here; for did he not paint the —? and was he not consequently damned? The paintings! – the paintings! O luxury! O love! – who, gazing on those forbidden beauties, shall have eyes for the dainty devices of the golden frames that besprinkled, like stars, the hyacinth and the porphyry walls?

But the Duc’s heart is fainting within him. He is not, however, as you suppose, dizzy with magnificence, nor drunk with the ecstatic breath of those innumerable censers. C’est vrai que de toutes ces choses il a pensé beaucoup – mais! The Duc De L’Omelette is terror-stricken; for, through the lurid vista which a single uncurtained window is affording, lo! gleams the most ghastly of all fires!

Le pauvre Duc! He could not help imagining that the glorious, the voluptuous, the never-dying melodies which pervaded that hall, as they passed filtered and transmuted through the alchemy of the enchanted window-panes, were the wailings and the howlings of the hopeless and the damned! And there, too! – there! – upon the ottoman! – who could he be? – he, the petitmaitre – no, the Deity – who sat as if carved in marble, et qui sourit, with his pale countenance, si amérement?

Mais il faut agir, – that is to say, a Frenchman never faints outright. Besides, his Grace hated a scene – De L’Omelette is himself again. There were some foils upon a table – some points also. The Duc had studied under B—; il avait tué ses six hommes. Now, then, il peut s’échapper. He measures two points, and, with a grace inimitable, offers his Majesty the choice. Horreur! his Majesty does not fence!

Mais il joue! – how happy a thought! – but his Grace had always an excellent memory. He had dipped in the “Diable” of Abbe Gualtier. Therein it is said “que le Diable n’ose pas refuser un jeu d’écarté.”

But the chances – the chances! True – desperate: but scarcely more desperate than the Duc. Besides, was he not in the secret! – had he not skimmed over Père Le Brun? – was he not a member of the Club Vingt-un? – “Si je perds,” said he, “je serai deux fois perdu – I shall be doubly dammed – voila tout! (Here his Grace shrugged his shoulders.) Si je gagne, je reviendrai à mes ortolans – que les cartes soient préparées!”

His Grace was all care, all attention – his Majesty all confidence. A spectator would have thought of Francis and Charles. His Grace thought of his game. His Majesty did not think; he shuffled. The Duc cut.

The cards are dealt. The trump is turned – it is – it is – the king! No – it was the queen. His Majesty cursed her masculine habiliments. De L’Omelette placed his hand upon his heart.

They play. The Duc counts. The hand is out. His Majesty counts heavily, smiles, and is taking wine. The Duc slips a card.

“C’est à vous à faire,” said his Majesty, cutting. His Grace bowed, dealt, and arose from the table en presentant le Roi.

His Majesty looked chagrined.

Had Alexander not been Alexander, he would have been Diogenes; and the Duc assured his antagonist in taking leave, “que s’il n’eût été De L’Omelette il n’aurait point d’objection d’être le Diable.”

THE END

Metzengerstein (1832)

Pestis eram vivus – moriens tua mors ero.

Martin Luther.

Horror and fatality have been stalking abroad in all ages. Why then give a date to this story I have to tell? Let it suffice to say, that at the period of which I speak, there existed, in the interior of Hungary, a settled although hidden belief in the doctrines of the Metempsychosis. Of the doctrines themselves – that is, of their falsity, or of their probability – I say nothing. I assert, however, that much of our incredulity (as La Bruyere says of all our unhappiness) “vient de ne pouvoir être seuls.”

But there are some points in the Hungarian superstition which were fast verging to absurdity. They – the Hungarians – differed very essentially from their Eastern authorities. For example, “The soul,” said the former – I give the words of an acute and intelligent Parisian – “ne demeure qu’un seul fois dans un corps sensible: au reste – un cheval, un chien, un homme meme, n’est que la ressemblance peu tangible de ces animaux. “

The families of Berlifitzing and Metzengerstein had been at variance for centuries. Never before were two houses so illustrious, mutually embittered by hostility so deadly. The origin of this enmity seems to be found in the words of an ancient prophecy – “A lofty name shall have a fearful fall when, as the rider over his horse, the mortality of Metzengerstein shall triumph over the immortality of Berlifitzing.”

To be sure the words themselves had little or no meaning. But more trivial causes have given rise – and that no long while ago – to consequences equally eventful. Besides, the estates, which were contiguous, had long exercised a rival influence in the affairs of a busy government. Moreover, near neighbors are seldom friends; and the inhabitants of the Castle Berlifitzing might look, from their lofty buttresses, into the very windows of the Palace Metzengerstein. Least of all had the more than feudal magnificence, thus discovered, a tendency to allay the irritable feelings of the less ancient and less wealthy Berlifitzings. What wonder, then, that the words, however silly, of that prediction, should have succeeded in setting and keeping at variance two families already predisposed to quarrel by every instigation of hereditary jealousy? The prophecy seemed to imply – if it implied anything – a final triumph on the part of the already more powerful house; and was of course remembered with the more bitter animosity by the weaker and less influential.

Wilhelm, Count Berlifitzing, although loftily descended, was, at the epoch of this narrative, an infirm and doting old man, remarkable for nothing but an inordinate and inveterate personal antipathy to the family of his rival, and so passionate a love of horses, and of hunting, that neither bodily infirmity, great age, nor mental incapacity, prevented his daily participation in the dangers of the chase.

Frederick, Baron Metzengerstein, was, on the other hand, not yet of age. His father, the Minister G —, died young. His mother, the Lady Mary, followed him quickly. Frederick was, at that time, in his eighteenth year. In a city, eighteen years are no long period; but in a wilderness – in so magnificent a wilderness as that old principality, the pendulum vibrates with a deeper meaning.

From some peculiar circumstances attending the administration of his father, the young Baron, at the decease of the former, entered immediately upon his vast possessions. Such estates were seldom held before by a nobleman of Hungary. His castles were without number. The chief in point of splendor and extent was the “Palace Metzengerstein.” The boundary line of his dominions was never clearly defined; but his principal park embraced a circuit of fifty miles.

Upon the succession of a proprietor so young, with a character so well known, to a fortune so unparalleled, little speculation was afloat in regard to his probable course of conduct. And, indeed, for the space of three days, the behavior of the heir out-heroded Herod, and fairly surpassed the expectations of his most enthusiastic admirers. Shameful debaucheries – flagrant treacheries – unheard-of atrocities – gave his trembling vassals quickly to understand that no servile submission on their part – no punctilios of conscience on his own – were thenceforward to prove any security against the remorseless fangs of a petty Caligula. On the night of the fourth day, the stables of the Castle Berlifitzing were discovered to be on fire; and the unanimous opinion of the neighborhood added the crime of the incendiary to the already hideous list of the Baron’s misdemeanors and enormities.

But during the tumult occasioned by this occurrence, the young nobleman himself sat apparently buried in meditation, in a vast and desolate upper apartment of the family palace of Metzengerstein. The rich although faded tapestry hangings which swung gloomily upon the walls, represented the shadowy and majestic forms of a thousand illustrious ancestors. Here, rich-ermined priests, and pontifical dignitaries, familiarly seated with the autocrat and the sovereign, put a veto on the wishes of a temporal king, or restrained with the fiat of papal supremacy the rebellious sceptre of the Arch-enemy. There, the dark, tall statures of the Princes Metzengerstein – their muscular war-coursers plunging over the carcasses of fallen foes – startled the steadiest nerves with their vigorous expression; and here, again, the voluptuous and swan-like figures of the dames of days gone by, floated away in the mazes of an unreal dance to the strains of imaginary melody.

But as the Baron listened, or affected to listen, to the gradually increasing uproar in the stables of Berlifitzing – or perhaps pondered upon some more novel, some more decided act of audacity – his eyes were turned unwittingly to the figure of an enormous, and unnaturally colored horse, represented in the tapestry as belonging to a Saracen ancestor of the family of his rival. The horse itself, in the foreground of the design, stood motionless and statue-like – while, farther back, its discomfited rider perished by the dagger of a Metzengerstein.

On Frederick’s lip arose a fiendish expression, as he became aware of the direction which his glance had, without his consciousness, assumed. Yet he did not remove it. On the contrary, he could by no means account for the overwhelming anxiety which appeared falling like a pall upon his senses. It was with difficulty that he reconciled his dreamy and incoherent feelings with the certainty of being awake. The longer he gazed, the more absorbing became the spell – the more impossible did it appear that he could ever withdraw his glance from the fascination of that tapestry. But the tumult without becoming suddenly more violent, with a compulsory exertion he diverted his attention to the glare of ruddy light thrown full by the flaming stables upon the windows of the apartment.

The action, however, was but momentary; his gaze returned mechanically to the wall. To his extreme horror and astonishment, the head of the gigantic steed had, in the meantime, altered its position. The neck of the animal, before arched, as if in compassion, over the prostrate body of its lord, was now extended, at full length, in the direction of the Baron. The eyes, before invisible, now wore an energetic and human expression, while they gleamed with a fiery and unusual red; and the distended lips of the apparently enraged horse left in full view his sepulchral and disgusting teeth.

Stupified with terror, the young nobleman tottered to the door. As he threw it open, a flash of red light, streaming far into the chamber, flung his shadow with a clear outline against the quivering tapestry; and he shuddered to perceive that shadow – as he staggered awhile upon the threshold – assuming the exact position, and precisely filling up the contour, of the relentless and triumphant murderer of the Saracen Berlifitzing.

To lighten the depression of his spirits, the Baron hurried into the open air. At the principal gate of the palace he encountered three equerries. With much difficulty, and at the imminent peril of their lives, they were restraining the convulsive plunges of a gigantic and fiery-colored horse.

“Whose horse? Where did you get him?” demanded the youth, in a querulous and husky tone, as he became instantly aware that the mysterious steed in the tapestried chamber was the very counterpart of the furious animal before his eyes.

“He is your own property, sire,” replied one of the equerries, “at least he is claimed by no other owner. We caught him flying, all smoking and foaming with rage, from the burning stables of the Castle Berlifitzing. Supposing him to have belonged to the old Count’s stud of foreign horses, we led him back as an estray. But the grooms there disclaim any title to the creature; which is strange, since he bears evident marks of having made a narrow escape from the flames.

“The letters W. V. B. are also branded very distinctly on his forehead,” interrupted a second equerry, “I supposed them, of course, to be the initials of Wilhelm Von Berlifitzing – but all at the castle are positive in denying any knowledge of the horse.”

“Extremely singular!” said the young Baron, with a musing air, and apparently unconscious of the meaning of his words. “He is, as you say, a remarkable horse – a prodigious horse! although, as you very justly observe, of a suspicious and untractable character; let him be mine, however,” he added, after a pause, “perhaps a rider like Frederick of Metzengerstein, may tame even the devil from the stables of Berlifitzing.”

“You are mistaken, my lord; the horse, as I think we mentioned, is not from the stables of the Count. If such had been the case, we know our duty better than to bring him into the presence of a noble of your family.”

“True!” observed the Baron, drily; and at that instant a page of the bed-chamber came from the palace with a heightened color, and a precipitate step. He whispered into his master’s ear an account of the sudden disappearance of a small portion of the tapestry, in an apartment which he designated; entering, at the same time, into particulars of a minute and circumstantial character; but from the low tone of voice in which these latter were communicated, nothing escaped to gratify the excited curiosity of the equerries.

The young Frederick, during the conference, seemed agitated by a variety of emotions. He soon, however, recovered his composure, and an expression of determined malignancy settled upon his countenance, as he gave peremptory orders that the apartment in question should be immediately locked up, and the key placed in his own possession.

“Have you heard of the unhappy death of the old hunter Berlifitzing?” said one of his vassals to the Baron, as, after the departure of the page, the huge steed which that nobleman had adopted as his own, plunged and curveted, with redoubled fury, down the long avenue which extended from the palace to the stables of Metzengerstein.

“No!” said the Baron, turning abruptly toward the speaker, “dead! say you?”

“It is indeed true, my lord; and, to the noble of your name, will be, I imagine, no unwelcome intelligence.”

A rapid smile shot over the countenance of the listener. “How died he?”

“In his rash exertions to rescue a favorite portion of his hunting stud, he has himself perished miserably in the flames.”

“I-n-d-e-e-d-!” ejaculated the Baron, as if slowly and deliberately impressed with the truth of some exciting idea.

“Indeed;” repeated the vassal.

“Shocking!” said the youth, calmly, and turned quietly into the palace.

From this date a marked alteration took place in the outward demeanor of the dissolute young Baron Frederick Von Metzengerstein. Indeed, his behaviour disappointed every expectation, and proved little in accordance with the views of many a manœuvering mamma; while his habits and manner, still less than formerly, offered anything congenial with those of the neighboring aristocracy. He was never to be seen beyond the limits of his own domain, and, in this wide and social world, was utterly companionless – unless, indeed, that unnatural, impetuous, and fiery-colored horse, which he henceforward continually bestrode, had any mysterious right to the title of his friend.

Numerous invitations on the part of the neighborhood for a long time, however, periodically came in. “Will the Baron honor our festivals with his presence?” “Will the Baron join us in a hunting of the boar?” – “Metzengerstein does not hunt;” “Metzengerstein will not attend,” were the haughty and laconic answers.

These repeated insults were not to be endured by an imperious nobility. Such invitations became less cordial – less frequent – in time they ceased altogether. The widow of the unfortunate Count Berlifitzing was even heard to express a hope “that the Baron might be at home when he did not wish to be at home, since he disdained the company of his equals; and ride when he did not wish to ride, since he preferred the society of a horse.” This to be sure was a very silly explosion of hereditary pique; and merely proved how singularly unmeaning our sayings are apt to become, when we desire to be unusually energetic.

The charitable, nevertheless, attributed the alteration in the conduct of the young nobleman to the natural sorrow of a son for the untimely loss of his parents; – forgetting, however, his atrocious and reckless behavior during the short period immediately succeeding that bereavement. Some there were, indeed, who suggested a too haughty idea of self-consequence and dignity. Others again (among them may be mentioned the family physician) did not hesitate in speaking of morbid melancholy, and hereditary ill-health; while dark hints, of a more equivocal nature, were current among the multitude.

Indeed, the Baron’s perverse attachment to his lately-acquired charger – an attachment which seemed to attain new strength from every fresh example of the animal’s ferocious and demon-like propensities – at length became, in the eyes of all reasonable men, a hideous and unnatural fervor. In the glare of noon – at the dead hour of night – in sickness or in health – in calm or in tempest – the young Metzengerstein seemed riveted to the saddle of that colossal horse, whose intractable audacities so well accorded with his own spirit.

There were circumstances, moreover, which coupled with late events, gave an unearthly and portentous character to the mania of the rider, and to the capabilities of the steed. The space passed over in a single leap had been accurately measured, and was found to exceed by an astounding difference, the wildest expectations of the most imaginative. The Baron, besides, had no particular name for the animal, although all the rest in his collection were distinguished by characteristic appellations. His stable, too, was appointed at a distance from the rest; and with regard to grooming and other necessary offices, none but the owner in person had ventured to officiate, or even to enter the enclosure of that particular stall. It was also to be observed, that although the three grooms, who had caught the steed as he fled from the conflagration at Berlifitzing, had succeeded in arresting his course, by means of a chain-bridle and noose – yet no one of the three could with any certainty affirm that he had, during that dangerous struggle, or at any period thereafter, actually placed his hand upon the body of the beast. Instances of peculiar intelligence in the demeanor of a noble and high-spirited horse are not to be supposed capable of exciting unreasonable attention, but there were certain circumstances which intruded themselves per force upon the most skeptical and phlegmatic; and it is said there were times when the animal caused the gaping crowd who stood around to recoil in horror from the deep and impressive meaning of his terrible stamp – times when the young Metzengerstein turned pale and shrunk away from the rapid and searching expression of his earnest and human-looking eye.

Among all the retinue of the Baron, however, none were found to doubt the ardor of that extraordinary affection which existed on the part of the young nobleman for the fiery qualities of his horse; at least, none but an insignificant and misshapen little page, whose deformities were in every body’s way, and whose opinions were of the least possible importance. He (if his ideas are worth mentioning at all,) had the effrontery to assert that his master never vaulted into the saddle without an unaccountable and almost imperceptible shudder; and that, upon his return from every long-continued and habitual ride, an expression of triumphant malignity distorted every muscle in his countenance.

One tempestuous night, Metzengerstein, awaking from a heavy slumber, descended like a maniac from his chamber, and, mounting in hot haste, bounded away into the mazes of the forest. An occurrence so common attracted no particular attention, but his return was looked for with intense anxiety on the part of his domestics, when, after some hours’ absence, the stupendous and magnificent battlements of the Palace Metzengerstein, were discovered crackling and rocking to their very foundation, under the influence of a dense and livid mass of ungovernable fire.

As the flames, when first seen, had already made so terrible a progress that all efforts to save any portion of the building were evidently futile, the astonished neighborhood stood idly around in silent, if not apathetic wonder. But a new and fearful object soon riveted the attention of the multitude, and proved how much more intense is the excitement wrought in the feelings of a crowd by the contemplation of human agony, than that brought about by the most appalling spectacles of inanimate matter.

Up the long avenue of aged oaks which led from the forest to the main entrance of the Palace Metzengerstein, a steed, bearing an unbonneted and disordered rider, was seen leaping with an impetuosity which outstripped the very Demon of the Tempest.

The career of the horseman was indisputably, on his own part, uncontrollable. The agony of his countenance, the convulsive struggle of his frame, gave evidence of superhuman exertion: but no sound, save a solitary shriek, escaped from his lacerated lips, which were bitten through and through in the intensity of terror. One instant, and the clattering of hoofs resounded sharply and shrilly above the roaring of the flames and the shrieking of the winds – another, and, clearing at a single plunge the gateway and the moat, the steed bounded far up the tottering staircases of the palace, and, with its rider, disappeared amid the whirlwind of chaotic fire.

The fury of the tempest immediately died away, and a dead calm sullenly succeeded. A white flame still enveloped the building like a shroud, and, streaming far away into the quiet atmosphere, shot forth a glare of preternatural light; while a cloud of smoke settled heavily over the battlements in the distinct colossal figure of – a horse.

THE END

A Tale of Jerusalem (1831)

Intensos rigidam in frontem ascendere canos

Passus erat —

Lucan – De Catone.

– a bristly bore.

“Let us hurry to the walls,” said Abel-Phittim to Buzi-Ben-Levi and Simeon the Pharisee, on the tenth day of the month Thammuz, in the year of the world three thousand nine hundred and forty-one – “let us hasten to the ramparts adjoining the gate of Benjamin, which is in the city of David, and overlooking the camp of the uncircumcised; for it is the last hour of the fourth watch, being sunrise; and the idolaters, in fulfilment of the promise of Pompey, should be awaiting us with the lambs for the sacrifices.”

Simeon, Abel-Phittim, and Buzi-Ben-Levi, were the Gizbarim, or sub-collectors of the offering, in the holy city of Jerusalem.

“Verily,” replied the Pharisee, “let us hasten: for this generosity in the heathen is unwonted; and fickle-mindedness has ever been an attribute of the worshippers of Baal.”

“That they are fickle-minded and treacherous is as true as the Pentateuch,” said Buzi-Ben-Levi, “but that is only towards the people of Adonai. When was it ever known that the Ammonites proved wanting to their own interests? Methinks it is no great stretch of generosity to allow us lambs for the altar of the Lord, receiving in lieu thereof thirty silver shekels per head!”

“Thou forgettest, however, Ben-Levi,” replied Abel-Phittim, “that the Roman Pompey, who is now impiously besieging the city of the Most High, has no assurity that we apply not the lambs thus purchased for the altar, to the sustenance of the body, rather than of the spirit.”

“Now, by the five corners of my beard,” shouted the Pharisee, who belonged to the sect called The Dashers (that little knot of saints whose manner of dashing and lacerating the feet against the pavement was long a thorn and a reproach to less zealous devotees – a stumbling-block to less gifted perambulators) – “by the five corners of that beard which as a priest I am forbidden to shave! – have we lived to see the day when a blaspheming and idolatrous upstart of Rome shall accuse us of appropriating to the appetites of the flesh the most holy and consecrated elements? Have we lived to see the day when” —

“Let us not question the motives of the Philistine,” interrupted Abel-Phittim, “for to-day we profit for the first time by his avarice or by his generosity; but rather let us hurry to the ramparts, lest offerings should be wanting for that altar whose fire the rains of heaven cannot extinguish, and whose pillars of smoke no tempest can turn aside.”

That part of the city to which our worthy Gizbarin now hastened, and which bore the name of its architect King David, was esteemed the most strongly fortified district of Jerusalem; being situated upon the steep and lofty hill of Zion. Here a broad, deep, circumvallatory trench, hewn from the solid rock, was defended by a wall of great strength erected upon its inner edge. This wall was adorned, at regular interspaces, by square towers of white marble; the lowest sixty, and the highest one hundred and twenty cubits in height. But, in the vicinity of the gate of Benjamin, the wall arose by no means from the margin of the fosse. On the contrary, between the level of the ditch and the basement of the rampart, sprang up a perpendicular cliff of two hundred and fifty cubits; forming part of the precipitous Mount Moriah. So that when Simeon and his associates arrived on the summit of the tower called Adoni-Bezek – the loftiest of all the turrets around about Jerusalem, and the usual place of conference with the besieging army – they looked down upon the camp of the enemy from an eminence excelling by many feet, that of the Pyramid of Cheops, and, by several, that of the temple of Belus.

“Verily,” sighed the Pharisee, as he peered dizzly over the precipice, “the uncircumcised are as the sands by the sea-shore – as the locusts in the wilderness! The valley of The King hath become the valley of Adommin.”

“And yet,” added Ben-Levi, “thou canst not point me out a Philistine – no, not one – from Aleph to Tau – from the wilderness to the battlements – who seemeth any bigger than the letter Jod!”

“Lower away the basket with the shekels of silver!” here shouted a Roman soldier in a hoarse, rough voice, which appeared to issue from the regions of Pluto – “lower away the basket with the accursed coin which it has broken the jaw of a noble Roman to pronounce! Is it thus you evince your gratitude to our master Pompeius, who, in his condescension, has thought fit to listen to your idolatrous importunities? The god Phœbus, who is a true god, has been charioted for an hour – and were you not to be on the ramparts by sunrise? Ædepol! do you think that we, the conquerors of the world, have nothing better to do than stand waiting by the walls of every kennel, to traffic with the dogs of the earth? Lower away! I say – and see that your trumpery be bright in color, and just in weight!”

“El Elohim!” ejaculated the Pharisee, as the discordant tones of the centurion rattled up the crags of the precipice, and fainted away against the temple – “El Elohim! – who is the God Phœbus? – whom doth the blasphemer invoke? Thou, Buzi-Ben-Levi! who art read in the laws of the Gentiles, and hast sojourned among them who dabble with the Teraphim! – is it Nergal of whom the idolater speaketh? – or Ashimah? – or – Nibhaz? – or Tartak? – or Adramalech? – or Anamalech? – or Succoth-Benith? – or Dragon? – or Belial? – or Baal-Perith? – or Baal-Peor? – or Baal-Zebub?”

“Verily it is neither – but beware how thou lettest the rope slip too rapidly through thy fingers; for should the wicker-work chance to hang on the projection of yonder crag, there will be a woful outpouring of the holy things of the sanctuary.”

By the assistance of some rudely constructed machinery, the heavily laden basket was now carefully lowered down among the multitude; and, from the giddy pinnacle, the Romans were seen gathering confusedly round it; but owing to the vast height and the prevalence of a fog, no distinct view of their operations could be obtained.

Half an hour had already elapsed.

“We shall be too late,” sighed the Pharisee, as at the expiration of this period, he looked over into the abyss – “we shall be too late! we shall be turned out of office by the Katholim.”

“No more,” responded Abel-Phittim, – “no more shall we feast upon the fat of the land – no longer shall our beards be odorous with frankincense – our loins girded up with fine linen from the Temple.”

“Raca!” swore Ben-Levi, “Raca! do they mean to defraud us of the purchase money? or, Holy Moses! are they weighing the shekels of the tabernacle?”

“They have given the signal at last,” cried the Pharisee, “they have given the signal at last! – pull away, Abel-Phittim! – and thou, Buzi-Ben-Levi, pull away! – for verily the Philistines have either still hold upon the basket, or the Lord hath softened their hearts to place therein a beast of good weight!” And the Gizbarim pulled away, while their burthen swung heavily upwards through the still increasing mist.

“Booshoh he!” – as, at the conclusion of an hour, some object at the extremity of the rope became indistinctly visible – “Booshoh he!” was the exclamation which burst from the lips of Ben-Levi.

“Booshoh he! – for shame! – it is a ram from the thickets of Engedi, and as rugged as the valley of Jehosaphat!”

“It is a firstling of the flock,” said Abel-Phittim, “I know him by the bleating of his lips, and the innocent folding of his limbs. His eyes are more beautiful than the jewels of the Pectoral, and his flesh is like the honey of Hebron.”

“It is a fatted calf from the pastures of Bashan,” said the Pharisee, “the heathen have dealt wonderfully with us! – let us raise up our voices in a psalm! – let us give thanks on the shawm and on the psaltery – on the harp and on the huggab – on the cythern and on the sackbut!”

It was not until the basket had arrived within a few feet of the Gizbarium, that a low grunt betrayed to their perception a hog of no common size.

“Now El Emanu!” slowly, and with upturned eyes ejaculated the trio, as, letting go their hold, the emancipated porker tumbled headlong among the Philistines, “El Emanu! – God be with us – it is the unutterable flesh! “

THE END

The Assignation (1834)

 

Stay for me there! I will not fail

To meet thee in that hollow vale.

 

[Exequy on the death of his wife, by Henry Кing. Bishop of Chichester.]

Ill-fated and mysterious man! – bewildered in the brilliancy of thine own imagination, and fallen in the flames of thine own youth! Again in fancy I behold thee! Once more thy form hath risen before me! – not – oh not as thou art – in the cold valley and shadow – but as thou shouldst be – squandering away a life of magnificent meditation in that city of dim visions, thine own Venice – which is a star-beloved Elysium of the sea, and the wide windows of whose Palladian palaces look down with a deep and bitter meaning upon the secrets of her silent waters. Yes! I repeat it – as thou shouldst be. There are surely other worlds than this – other thoughts than the thoughts of the multitude – other speculations than the speculations of the sophist. Who then shall call thy conduct into question? who blame thee for thy visionary hours, or denounce those occupations as a wasting away of life, which were but the overflowings of thine everlasting energies?

It was at Venice, beneath the covered archway there called the Ponte di Sospiri, that I met for the third or fourth time the person of whom I speak. It is with a confused recollection that I bring to mind the circumstances of that meeting. Yet I remember – ah! how should I forget? – the deep midnight, the Bridge of Sighs, the beauty of woman, and the Genius of Romance that stalked up and down the narrow canal.

It was a night of unusual gloom. The great clock of the Piazza had sounded the fifth hour of the Italian evening. The square of the Campanile lay silent and deserted, and the lights in the old Ducal Palace were dying fast away. I was returning home from the Piazetta, by way of the Grand Canal. But as my gondola arrived opposite the mouth of the canal San Marco, a female voice from its recesses broke suddenly upon the night, in one wild, hysterical, and long continued shriek. Startled at the sound, I sprang upon my feet: while the gondolier, letting slip his single oar, lost it in the pitchy darkness beyond a chance of recovery, and we were consequently left to the guidance of the current which here sets from the greater into the smaller channel. Like some huge and sable-feathered condor, we were slowly drifting down towards the Bridge of Sighs, when a thousand flambeaux flashing from the windows, and down the staircases of the Ducal Palace, turned all at once that deep gloom into a livid and preternatural day.

A child, slipping from the arms of its own mother, had fallen from an upper window of the lofty structure into the deep and dim canal. The quiet waters had closed placidly over their victim; and, although my own gondola was the only one in sight, many a stout swimmer, already in the stream, was seeking in vain upon the surface, the treasure which was to be found, alas! only within the abyss. Upon the broad black marble flagstones at the entrance of the palace, and a few steps above the water, stood a figure which none who then saw can have ever since forgotten. It was the Marchesa Aphrodite – the adoration of all Venice – the gayest of the gay – the most lovely where all were beautiful – but still the young wife of the old and intriguing Mentoni, and the mother of that fair child, her first and only one, who now deep beneath the murky water, was thinking in bitterness of heart upon her sweet caresses, and exhausting its little life in struggles to call upon her name.

She stood alone. Her small, bare, and silvery feet gleamed in the black mirror of marble beneath her. Her hair, not as yet more than half loosened for the night from its ball-room array, clustered, amid a shower of diamonds, round and round her classical head, in curls like those of the young hyacinth. A snowy-white and gauze-like drapery seemed to be nearly the sole covering to her delicate form; but the midsummer and midnight air was hot, sullen, and still, and no motion in the statue-like form itself, stirred even the folds of that raiment of very vapor which hung around it as the heavy marble hangs around the Niobe. Yet – strange to say! – her large lustrous eyes were not turned downwards upon that grave wherein her brightest hope lay buried – but riveted in a widely different direction! The prison of the Old Republic is, I think, the stateliest building in all Venice – but how could that lady gaze so fixedly upon it, when beneath her lay stifling her own child? Yon dark, gloomy niche, too, yawns right opposite her chamber window – what, then, could there be in its shadows – in its architecture – in its ivy-wreathed and solemn cornices – that the Marchesa di Mentoni had not wondered at a thousand times before? Nonsense! – Who does not remember that, at such a time as this, the eye, like a shattered mirror, multiplies the images of its sorrow, and sees in innumerable far off places, the wo which is close at hand?

Many steps above the Marchesa, and within the arch of the water-gate, stood, in full dress, the Satyr-like figure of Mentoni himself. He was occasionally occupied in thrumming a guitar, and seemed ennuyé to the very death, as at intervals he gave directions for the recovery of his child. Stupified and aghast, I had myself no power to move from the upright position I had assumed upon first hearing the shriek, and must have presented to the eyes of the agitated group a spectral and ominous appearance, as with pale countenance and rigid limbs, I floated down among them in that funereal gondola.

All efforts proved in vain. Many of the most energetic in the search were relaxing their exertions, and yielding to a gloomy sorrow. There seemed but little hope for the child; (how much less than for the mother!) but now, from the interior of that dark niche which has been already mentioned as forming a part of the Old Republican prison, and as fronting the lattice of the Marchesa, a figure muffled in a cloak, stepped out within reach of the light, and, pausing a moment upon the verge of the giddy descent, plunged headlong into the canal. As, in an instant afterwards, he stood with the still living and breathing child within his grasp, upon the marble flagstones by the side of the Marchesa, his cloak, heavy with the drenching water, became unfastened, and, falling in folds about his feet, discovered to the wonder-stricken spectators the graceful person of a very young man, with the sound of whose name the greater part of Europe was then ringing.

No word spoke the deliverer. But the Marchesa! She will now receive her child – she will press it to her heart – she will cling to its little form, and smother it with her caresses. Alas! another’s arms have taken it from the stranger – another’s arms have taken it away, and borne it afar off, unnoticed, into the palace! And the Marchesa! Her lip – her beautiful lip trembles: tears are gathering in her eyes – those eyes which, like Pliny’s acanthus, are “soft and almost liquid.” Yes! tears are gathering in those eyes – and see! the entire woman thrills throughout the soul, and the statue has started into life! The pallor of the marble countenance, the swelling of the marble bosom, the very purity of the marble feet, we behold suddenly flushed over with a tide of ungovernable crimson; and a slight shudder quivers about her delicate frame, as a gentle air at Napoli about the rich silver lilies in the grass.

Why should that lady blush! To this demand there is no answer – except that, having left, in the eager haste and terror of a mother’s heart, the privacy of her own boudoir, she has neglected to enthral her tiny feet in their slippers, and utterly forgotten to throw over her Venetian shoulders that drapery which is their due. What other possible reason could there have been for her so blushing? – for the glance of those wild appealing eyes? – for the unusual tumult of that throbbing bosom? – for the convulsive pressure of that trembling hand? – that hand which fell, as Mentoni turned into the palace, accidentally, upon the hand of the stranger. What reason could there have been for the low – the singularly low tone of those unmeaning words which the lady uttered hurriedly in bidding him adieu? “Thou hast conquered” – she said, or the murmurs of the water deceived me – “thou hast conquered – one hour after sunrise – we shall meet – so let it be!”

The tumult had subsided, the lights had died away within the palace, and the stranger, whom I now recognised, stood alone upon the flags. He shook with inconceivable agitation, and his eye glanced around in search of a gondola. I could not do less than offer him the service of my own; and he accepted the civility. Having obtained an oar at the water-gate, we proceeded together to his residence, while he rapidly recovered his self-possession, and spoke of our former slight acquaintance in terms of great apparent cordiality.

There are some subjects upon which I take pleasure in being minute. The person of the stranger – let me call him by this title, who to all the world was still a stranger – the person of the stranger is one of these subjects. In height he might have been below rather than above the medium size: although there were moments of intense passion when his frame actually expanded and belied the assertion. The light, almost slender symmetry of his figure, promised more of that ready activity which he evinced at the Bridge of Sighs, than of that Herculean strength which he has been known to wield without an effort, upon occasions of more dangerous emergency. With the mouth and chin of a deity – singular, wild, full, liquid eyes, whose shadows varied from pure hazel to intense and brilliant jet – and a profusion of curling, black hair, from which a forehead of unusual breadth gleamed forth at intervals all light and ivory – his were features than which I have seen none more classically regular, except, perhaps, the marble ones of the Emperor Commodus. Yet his countenance was, nevertheless, one of those which all men have seen at some period of their lives, and have never afterwards seen again. It had no peculiar – it had no settled predominant expression to be fastened upon the memory; a countenance seen and instantly forgotten – but forgotten with a vague and never-ceasing desire of recalling it to mind. Not that the spirit of each rapid passion failed, at any time, to throw its own distinct image upon the mirror of that face – but that the mirror, mirror-like, retained no vestige of the passion, when the passion had departed.

Upon leaving him on the night of our adventure, he solicited me, in what I thought an urgent manner, to call upon him very early the next morning. Shortly after sunrise, I found myself accordingly at his Palazzo, one of those huge structures of gloomy, yet fantastic pomp, which tower above the waters of the Grand Canal in the vicinity of the Rialto. I was shown up a broad winding staircase of mosaics, into an apartment whose unparalleled splendor burst through the opening door with an actual glare, making me blind and dizzy with luxuriousness.

I knew my acquaintance to be wealthy. Report had spoken of his possessions in terms which I had even ventured to call terms of ridiculous exaggeration. But as I gazed about me, I could not bring myself to believe that the wealth of any subject in Europe could have supplied the princely magnificence which burned and blazed around.

Although, as I say, the sun had arisen, yet the room was still brilliantly lighted up. I judged from this circumstance, as well as from an air of exhaustion in the countenance of my friend, that he had not retired to bed during the whole of the preceding night. In the architecture and embellishments of the chamber, the evident design had been to dazzle and astound. Little attention had been paid to the decora of what is technically called keeping, or to the proprieties of nationality. The eye wandered from object to object, and rested upon none – neither the grotesques of the Greek painters, nor the sculptures of the best Italian days, nor the huge carvings of untutored Egypt. Rich draperies in every part of the room trembled to the vibration of low, melancholy music, whose origin was not to be discovered. The senses were oppressed by mingled and conflicting perfumes, reeking up from strange convolute censers, together with multitudinous flaring and flickering tongues of emerald and violet fire. The rays of the newly risen sun poured in upon the whole, through windows formed each of a single pane of crimson-tinted glass. Glancing to and fro, in a thousand reflections, from curtains which rolled from their cornices like cataracts of molten silver, the beams of natural glory mingled at length fitfully with the artificial light, and lay weltering in subdued masses upon a carpet of rich, liquid-looking cloth of Chili gold.

“Ha! ha! ha! – ha! ha! ha!” – laughed the proprietor, motioning me to a seat as I entered the room, and throwing himself back at full length upon an ottoman. “I see,” said he, perceiving that I could not immediately reconcile myself to the bienséance of so singular a welcome – “I see you are astonished at my apartment – at my statues – my pictures – my originality of conception in architecture and upholstery – absolutely drunk, eh? with my magnificence. But pardon me, my dear sir, (here his tone of voice dropped to the very spirit of cordiality,) pardon me for my uncharitable laughter. You appeared so utterly astonished. Besides, some things are so completely ludicrous that a man must laugh or die. To die laughing must be the most glorious of all glorious deaths! Sir Thomas More – a very fine man was Sir Thomas More – Sir Thomas More died laughing, you remember. Also in the Absurdities of Ravisius Textor, there is a long list of characters who came to the same magnificent end. Do you know, however,” continued he musingly, “that at Sparta (which is now Palæochori), at Sparta, I say, to the west of the citadel, among a chaos of scarcely visible ruins, is a kind of socle upon which are still legible the letters ΛΑΣΜ. They are undoubtedly part of ΓΕΛΑΣΜΑ. Now at Sparta were a thousand temples and shrines to a thousand different divinities. How exceedingly strange that the altar of Laughter should have survived all the others! But in the present instance,” he resumed, with a singular alteration of voice and manner, “I have no right to be merry at your expense. You might well have been amazed. Europe cannot produce anything so fine as this, my little regal cabinet. My other apartments are by no means of the same order; mere ultras of fashionable insipidity. This is better than fashion – is it not? Yet this has but to be seen to become the rage – that is, with those who could afford it at the cost of their entire patrimony. I have guarded, however, against any such profanation. With one exception you are the only human being besides myself and my valet, who has been admitted within the mysteries of these imperial precincts, since they have been bedizzened as you see!”

I bowed in acknowledgment: for the overpowering sense of splendor and perfume, and music, together with the unexpected eccentricity of his address and manner, prevented me from expressing, in words, my appreciation of what I might have construed into a compliment.

“Here,” he resumed, arising and leaning on my arm as he sauntered around the apartment, “here are paintings from the Greeks to Cimabue, and from Cimabue to the present hour. Many are chosen, as you see, with little deference to the opinions of Virtû. They are all, however, fitting tapestry for a chamber such as this. Here too, are some chéfs d’œuvres of the unknown great – and here unfinished designs by men, celebrated in their day, whose very names the perspicacity of the academies has left to silence and to me. What think you,” said he, turning abruptly as he spoke – “what think you of this Madonna della Pietà?”

“It is Guido’s own!” I said with all the enthusiasm of my nature, for I had been poring intently over its surpassing loveliness. “It is Guido’s own! – how could you have obtained it? – she is undoubtedly in painting what the Venus is in sculpture.”

“Ha!” said he thoughtfully, “the Venus – the beautiful Venus? – the Venus of the Medici? – she of the diminutive head and the gilded hair? Part of the left arm (here his voice dropped so as to be heard with difficulty), and all the right are restorations, and in the coquetry of that right arm lies, I think, the quintessence of all affectation. Give me the Canova! The Apollo – too, is a copy – there can be no doubt of it – blind fool that I am, who cannot behold the boasted inspiration of the Apollo! I cannot help – pity me! – I cannot help preferring the Antinous. Was it not Socrates who said that the statuary found his statue in the block of marble? Then Michæl Angelo was by no means original in his couplet —‘Non ha l’ottimo artista alcun concetto Chè un marmo solo in se non circunscriva.’ “

It has been, or should be remarked, that, in the manner of the true gentleman, we are always aware of a difference from the bearing of the vulgar, without being at once precisely able to determine in what such difference consists. Allowing the remark to have applied in its full force to the outward demeanor of my acquaintance, I felt it, on that eventful morning, still more fully applicable to his moral temperament and character. Nor can I better define that peculiarity of spirit which seemed to place him so essentially apart from all other human beings, than by calling it a habit of intense and continual thought, pervading even his most trivial actions – intruding upon his moments of dalliance – and interweaving itself with his very flashes of merriment – like adders which writhe from out the eyes of the grinning masks in the cornices around the temples of Persepolis.

I could not help, however, repeatedly observing, through the mingled tone of levity and solemnity with which he rapidly descanted upon matters of little importance, a certain air of trepidation – a degree of nervous unction in action and in speech – an unquiet excitability of manner which appeared to me at all times unaccountable, and upon some occasions even filled me with alarm. Frequently, too, pausing in the middle of a sentence whose commencement he had apparently forgotten, he seemed to be listening in the deepest attention, as if either in momentary expectation of a visiter, or to sounds which must have had existence in his imagination alone.

It was during one of these reveries or pauses of apparent abstraction, that, in turning over a page of the poet and scholar Politian’s beautiful tragedy “The Orfeo,” (the first native Italian tragedy,) which lay near me upon an ottoman, I discovered a passage underlined in pencil. It was a passage towards the end of the third act – a passage of the most heart-stirring excitement – a passage which, although tainted with impurity, no man shall read without a thrill of novel emotion – no woman without a sigh. The whole page was blotted with fresh tears, and, upon the opposite interleaf, were the following English lines, written in a hand so very different from the peculiar characters of my acquaintance, that I had some difficulty in recognising it as his own.

 

Thou wast that all to me, love,

For which my soul did pine —

A green isle in the sea, love,

A fountain and a shrine,

All wreathed with fairy fruits and flowers;

And all the flowers were mine.

   

Ah, dream too bright to last;

Ah, starry Hope that didst arise

But to be overcast!

A voice from out the Future cries,

“Onward!” – but o’er the Past

(Dim gulf!) my spirit hovering lies,

Mute, motionless, aghast!

   

For alas! alas! with me

The light of life is o’er.

“No more – no more – no more,”

(Such language holds the solemn sea

To the sands upon the shore,)

Shall bloom the thunder-blasted tree,

Or the stricken eagle soar!

   

Now all my hours are trances;

And all my nightly dreams

Are where the dark eye glances,

And where thy footstep gleams,

In what ethereal dances,

By what Italian streams.

   

Alas! for that accursed time

They bore thee o’er the billow,

From Love to titled age and crime,

And an unholy pillow —

From me, and from our misty clime,

Where weeps the silver willow!

 

That these lines were written in English – a language with which I had not believed their author acquainted – afforded me little matter for surprise. I was too well aware of the extent of his acquirements, and of the singular pleasure he took in concealing them from observation, to be astonished at any similar discovery; but the place of date, I must confess, occasioned me no little amazement. It had been originally written London, and afterwards carefully overscored – not, however, so effectually as to conceal the word from a scrutinizing eye. I say this occasioned me no little amazement; for I well remember that, in a former conversation with my friend, I particularly inquired if he had at any time met in London the Marchesa di Mentoni, (who for some years previous to her marriage had resided in that city,) when his answer, if I mistake not, gave me to understand that he had never visited the metropolis of Great Britain. I might as well here mention, that I have more than once heard, (without of course giving credit to a report involving so many improbabilities,) that the person of whom I speak, was not only by birth, but in education, an Englishman.

“There is one painting,” said he, without being aware of my notice of the tragedy – “there is still one painting which you have not seen.” And throwing aside a drapery, he discovered a full-length portrait of the Marchesa Aphrodite.

Human art could have done no more in the delineation of her superhuman beauty. The same ethereal figure which stood before me the preceding night upon the steps of the Ducal Palace, stood before me once again. But in the expression of the countenance, which was beaming all over with smiles, there still lurked (incomprehensible anomaly!) that fitful stain of melancholy which will ever be found inseparable from the perfection of the beautiful. Her right arm lay folded over her bosom. With her left she pointed downward to a curiously fashioned vase. One small, fairy foot, alone visible, barely touched the earth – and, scarcely discernible in the brilliant atmosphere which seemed to encircle and enshrine her loveliness, floated a pair of the most delicately imagined wings. My glance fell from the painting to the figure of my friend, and the vigorous words of Chapman’s Bussy D’Ambois quivered instinctively upon my lips:

 

“He is up

There like a Roman statue!

He will stand Till Death hath made him marble!”

 

“Come!” he said at length, turning towards a table of richly enamelled and massive silver, upon which were a few goblets fantastically stained, together with two large Etruscan vases, fashioned in the same extraordinary model as that in the foreground of the portrait, and filled with what I supposed to be Johannisberger. “Come!” he said, abruptly, “let us drink! It is early – but let us drink. It is indeed early,” he continued, musingly, as a cherub with a heavy golden hammer, made the apartment ring with the first hour after sunrise – “It is indeed early, but what matters it? let us drink! Let us pour out an offering to yon solemn sun which these gaudy lamps and censers are so eager to subdue!” And, having made me pledge him in a bumper, he swallowed in rapid succession several goblets of the wine.

“To dream,” he continued, resuming the tone of his desultory conversation, as he held up to the rich light of a censer one of the magnificent vases – “to dream has been the business of my life. I have therefore framed for myself, as you see, a bower of dreams. In the heart of Venice could I have erected a better? You behold around you, it is true, a medley of architectural embellishments. The chastity of Ionia is offended by antediluvian devices, and the sphynxes of Egypt are outstretched upon carpets of gold. Yet the effect is incongruous to the timid alone. Proprieties of place, and especially of time, are the bugbears which terrify mankind from the contemplation of the magnificent. Once I was myself a decorist; but that sublimation of folly has palled upon my soul. All this is now the fitter for my purpose. Like these arabesque censers, my spirit is writhing in fire, and the delirium of this scene is fashioning me for the wilder visions of that land of real dreams whither I am now rapidly departing.” He here paused abruptly, bent his head to his bosom, and seemed to listen to a sound which I could not hear. At length, erecting his frame, he looked upwards and ejaculated the lines of the Bishop of Chichester: —

 

Stay for me there! I will not fail

To meet thee in that hollow vale.

 

In the next instant, confessing the power of the wine, he threw himself at full length upon an ottoman.

A quick step was now heard upon the staircase, and a loud knock at the door rapidly succeeded. I was hastening to anticipate a second disturbance, when a page of Mentoni’s household burst into the room, and faltered out, in a voice choking with emotion, the incoherent words, “My mistress! – my mistress! – poisoned! – poisoned! Oh beautiful – oh beautiful Aphrodite!”

Bewildered, I flew to the ottoman, and endeavored to arouse the sleeper to a sense of the startling intelligence. But his limbs were rigid – his lips were livid – his lately beaming eyes were riveted in death. I staggered back towards the table – my hand fell upon a cracked and blackened goblet – and a consciousness of the entire and terrible truth flashed suddenly over my soul.

THE END

Four Beasts in One (1833)

Chacun a ses vertus.

Crébillon’s Xerxes.

ANTIOCHUS EPIPHANES is very generally looked upon as the Gog of the prophet Ezekiel. This honor is, however, more properly attributable to Cambyses, the son of Cyrus. And, indeed, the character of the Syrian monarch does by no means stand in need of any adventitious embellishment. His accession to the throne, or rather his usurpation of the sovereignty, a hundred and seventy-one years before the coming of Christ; his attempt to plunder the temple of Diana at Ephesus; his implacable hostility to the Jews; his pollution of the Holy of Holies; and his miserable death at Taba, after a tumultuous reign of eleven years, are circumstances of a prominent kind, and therefore more generally noticed by the historians of his time, than the impious, dastardly, cruel, silly, and whimsical achievements which make up the sum total of his private life and reputation.

Let us suppose, gentle reader, that it is now the year of the world three thousand eight hundred and thirty, and let us, for a few minutes, imagine ourselves at that most grotesque habitation of man, the remarkable city of Antioch. To be sure there were, in Syria and other countries, sixteen cities of that appellation, besides the one to which I more particularly allude. But ours is that which went by the name of Antiochia Epidaphne, from its vicinity to the little village of Daphne, where stood a temple to that divinity. It was built (although about this matter there is some dispute) by Seleucus Nicanor, the first king of the country after Alexander the Great, in memory of his father Antiochus, and became immediately the residence of the Syrian monarchy. In the flourishing times of the Roman Empire, it was the ordinary station of the prefect of the eastern provinces; and many of the emperors of the queen city, (among whom may be mentioned especially, Verus and Valens,) spent here the greater part of their time. But I perceive we have arrived at the city itself. Let us ascend this battlement, and throw our eyes upon the town and neighboring country.

“What broad and rapid river is that which forces its way, with innumerable falls, through the mountainous wilderness, and finally through the wilderness of buildings?”

That is the Orontes, and it is the only water in sight, with the exception of the Mediterranean, which stretches like a broad mirror, about twelve miles off to the southward. Every one has seen the Mediterranean; but let me tell you, there are few who have had a peep at Antioch. By few, I mean, few who, like you and me, have had, at the same time, the advantages of a modern education. Therefore cease to regard that sea, and give your whole attention to the mass of houses that lie beneath us. You will remember that it is now the year of the world three thousand eight hundred and thirty. Were it later – for example, were it the year of our Lord eighteen hundred and forty-five, we should be deprived of this extraordinary spectacle. In the nineteenth century Antioch is – that is to say, Antioch will be – in a lamentable state of decay. It will have been, by that time, totally destroyed, at three different periods, by three successive earthquakes. Indeed, to say the truth, what little of its former self may then remain, will be found in so desolate and ruinous a state that the patriarch shall have removed his residence to Damascus. This is well. I see you profit by my advice, and are making the most of your time in inspecting the premises – in– satisfying your eyes with the memorials and the things of fame that most renown this city.

I beg pardon; I had forgotten that Shakspeare will not flourish for seventeen hundred and fifty years to come. But does not the appearance of Epidaphne justify me in calling it grotesque?

“It is well fortified; and in this respect is as much indebted to nature as to art.”

Very true.

“There are a prodigious number of stately palaces.”

There are.

“And the numerous temples, sumptuous and magnificent, may bear comparison with the most lauded of antiquity.”

All this I must acknowledge. Still there is an infinity of mud huts, and abominable hovels. We cannot help perceiving abundance of filth in every kennel, and, were it not for the overpowering fumes of idolatrous incense, I have no doubt we should find a most intolerable stench. Did you ever behold streets so insufferably narrow, or houses so miraculously tall? What gloom their shadows cast upon the ground! It is well the swinging lamps in those endless colonnades are kept burning throughout the day; we should otherwise have the darkness of Egypt in the time of her desolation.

“It is certainly a strange place! What is the meaning of yonder singular building? See! it towers above all others, and lies to the eastward of what I take to be the royal palace!”

That is the new Temple of the Sun, who is adored in Syria under the title of Elah Gabalah. Hereafter a very notorious Roman Emperor will institute this worship in Rome, and thence derive a cognomen, Heliogabalus. I dare say you would like to take a peep at the divinity of the temple. You need not look up at the heavens; his Sunship is not there – at least not the Sunship adored by the Syrians. That deity will be found in the interior of yonder building. He is worshipped under the figure of a large stone pillar terminating at the summit in a cone or pyramid, whereby is denoted Fire.

“Hark! – behold! – who can those ridiculous beings be, half naked, with their faces painted, shouting and gesticulating to the rabble?”

Some few are mountebanks. Others more particularly belong to the race of philosophers. The greatest portion, however – those especially who belabor the populace with clubs – are the principal courtiers of the palace, executing as in duty bound, some laudable comicality of the king’s.

“But what have we here? Heavens! the town is swarming with wild beasts! How terrible a spectacle! – how dangerous a peculiarity!”

Terrible, if you please; but not in the least degree dangerous. Each animal, if you will take the pains to observe, is following, very quietly, in the wake of its master. Some few, to be sure, are led with a rope about the neck, but these are chiefly the lesser or timid species. The lion, the tiger, and the leopard are entirely without restraint. They have been trained without difficulty to their present profession, and attend upon their respective owners in the capacity of valets-de-chambre. It is true, there are occasions when Nature asserts her violated dominion; – but then the devouring of a man-at-arms, or the throttling of a consecrated bull, is a circumstance of too little moment to be more than hinted at in Epidaphne.

“But what extraordinary tumult do I hear? Surely this is a loud noise even for Antioch! It argues some commotion of unusual interest.”

Yes – undoubtedly. The king has ordered some novel spectacle – some gladiatorial exhibition at the Hippodrome – or perhaps the massacre of the Scythian prisoners – or the conflagration of his new palace – or the tearing down of a handsome temple – or, indeed, a bonfire of a few Jews. The uproar increases. Shouts of laughter ascend the skies. The air becomes dissonant with wind instruments, and horrible with the clamor of a million throats. Let us descend, for the love of fun, and see what is going on! This way – be careful! Here we are in the principal street, which is called the street of Timarchus. The sea of people is coming this way, and we shall find a difficulty in stemming the tide. They are pouring through the alley of Heraclides, which leads directly from the palace – therefore the king is most probably among the rioters. Yes – I hear the shouts of the herald proclaiming his approach in the pompous phraseology of the East. We shall have a glimpse of his person as he passes by the temple of Ashimah. Let us ensconce ourselves in the vestibule of the sanctuary; he will be here anon. In the meantime let us survey this image. What is it? Oh, it is the god Ashimah in proper person. You perceive, however, that he is neither a lamb, nor a goat, nor a satyr; neither has he much resemblance to the Pan of the Arcadians. Yet all these appearances have been given – I beg pardon – will be given – by the learned of future ages, to the Ashimah of the Syrians. Put on your spectacles, and tell me what it is. What is it?

“Bless me! it is an ape!”

True – a baboon; but by no means the less a deity. His name is a derivation of the Greek Simia – what great fools are antiquarians! But see! – see! – yonder scampers a ragged little urchin. Where is he going? What is he bawling about? What does he say? Oh! he says the king is coming in triumph; that he is dressed in state; that he has just finished putting to death, with his own hand, a thousand chained Israelitish prisoners! For this exploit the ragamuffin is lauding him to the skies! Hark! here comes a troop of a similar description. They have made a Latin hymn upon the valor of the king, and are singing it as they go:

 

Mille, mille, mille,

Mille, mille, mille,

Decollavimus, unus homo!

Mille, mille, mille, mille, decollavimus!

Mille, mille, mille,

Vivat qui mille mille occidit!

Tantum vini habet nemo

Quantum sanguinis effudit!

 

Which may be thus paraphrased:

 

A thousand, a thousand, a thousand,

A thousand, a thousand, a thousand,

We, with one warrior, have slain!

A thousand, a thousand, a thousand, a thousand,

Sing a thousand over again!

Soho! – let us sing

Long life to our king,

Who knocked over a thousand so fine!

Soho! – let us roar,

He has given us more

Red gallons of gore

Than all Syria can furnish of wine!

 

“Do you hear that flourish of trumpets?”

Yes – the king is coming! See! the people are aghast with admiration, and lift up their eyes to the heavens in reverence! He comes! – he is coming! – there he is!

“Who? – where? – the king? – I do not behold him; – cannot say that I perceive him.”

Then you must be blind.

“Very possible. Still I see nothing but a tumultuous mob of idiots and madmen, who are busy in prostrating themselves before a gigantic cameleopard, and endeavoring to obtain a kiss of the animal’s hoofs. See! the beast has very justly kicked one of the rabble over – and another – and another – and another. Indeed, I cannot help admiring the animal for the excellent use he is making of his feet.”

Rabble, indeed! – why these are the noble and free citizens of Epidaphne! Beast, did you say? – take care that you are not overheard. Do you not perceive that the animal has the visage of a man? Why, my dear sir, that cameleopard is no other than Antiochus Epiphanes, Antiochus the Illustrious, King of Syria, and the most potent of all the autocrats of the East! It is true, that he is entitled, at times, Antiochus Epimanes – Antiochus the madman – but that is because all people have not the capacity to appreciate his merits. It is also certain that he is at present ensconced in the hide of a beast, and is doing his best to play the part of a cameleopard; but this is done for the better sustaining his dignity as king. Besides, the monarch is of gigantic stature, and the dress is therefore neither unbecoming nor over large. We may, however, presume he would not have adopted it but for some occasion of especial state. Such, you will allow, is the massacre of a thousand Jews. With how superior a dignity the monarch perambulates on all fours! His tail, you perceive, is held aloft by his two principal concubines, Elline and Argelais; and his whole appearance would be infinitely prepossessing, were it not for the protuberance of his eyes, which will certainly start out of his head, and the queer color of his face, which has become nondescript from the quantity of wine he has swallowed. Let us follow him to the hippodrome, whither he is proceeding, and listen to the song of triumph which he is commencing:

 

Who is king but Epiphanes?

Say – do you know?

Who is king but Epiphanes?

Bravo! – bravo!

There is none but Epiphanes,

No – there is none:

So tear down the temples,

And put out the sun!

 

Well and strenuously sung! The populace are hailing him “Prince of Poets,” as well as “Glory of the East,” “Delight of the Universe,” and “most temarkable of Cameleopards.” They have encored his effusion, and – do you hear? – he is singing it over again. When he arrives at the hippodrome, he will be crowned with the poetic wreath, in anticipation of his victory at the approaching Olympics.

“But, good Jupiter! what is the matter in the crowd behind us?”

Behind us, did you say? – oh! ah! – I perceive. My friend, it is well that you spoke in time. Let us get into a place of safety as soon as possible. Here! – let us conceal ourselves in the arch of this aqueduct, and I will inform you presently of the origin of the commotion. It has turned out as I have been anticipating. The singular appearance of the cameleopard with the head of a man, has, it seems, given offence to the notions of propriety entertained in general, by the wild animals domesticated in the city. A mutiny has been the result; and, as is usual upon such occasions, all human efforts will be of no avail in quelling the mob. Several of the Syrians have already been devoured; but the general voice of the four-footed patriots seems to be for eating up the cameleopard. “The Prince of Poets,” therefore, is upon his hinder legs, running for his life. His courtiers have left him in the lurch, and his concubines have followed so excellent an example. “Delight of the Universe,” thou art in a sad predicament! “Glory of the East,” thou art in danger of mastication! Therefore never regard so piteously thy tail; it will undoubtedly be draggled in the mud, and for this there is no help. Look not behind thee, then, at its unavoidable degradation; but take courage, ply thy legs with vigor, and scud for the hippodrome! Remember that thou art Antiochus Epiphanes. Antiochus the Illustrious! – also “Prince of Poets,” “Glory of the East,” “Delight of the Universe,” and “most Remarkable of Cameleopards!” Heavens! what a power of speed thou art displaying! What a capacity for leg-bail thou art developing! Run, Prince! – Bravo, Epiphanes! Well done, Cameleopard! – Glorious Antiochus! – He runs! – he leaps! – he flies! Like an arrow from a catapult he approaches the hippodrome! He leaps! – he shrieks! – he is there! This is well; for hadst thou, ‘Glory of the East,’ been half a second longer in reaching the gates of the Amphitheatre, there is not a bear’s cub in Epidaphne that would not have had a nibble at thy carcase. Let us be off – let us take our departure! – for we shall find our delicate modern ears unable to endure the vast uproar which is about to commence in celebration of the king’s escape! Listen! it has already commenced. See! – the whole town is topsy-turvy.

“Surely this is the most populous city of the East! What a wilderness of people! what a jumble of all ranks and ages! what a multiplicity of sects and nations! what a variety of costumes! what a Babel of languages! what a screaming of beasts! what a tinkling of instruments! what a parcel of philosophers!”

Come let us be off!

“Stay a moment! I see a vast hubbub in the hippodrome; what is the meaning of it I beseech you?”

That? – oh, nothing! The noble and free citizens of Epidaphne being, as they declare, well satisfied of the faith, valor, wisdom, and divinity of their king, and having, moreover, been eyewitnesses of his late superhuman agility, do think it no more than their duty to invest his brows (in addition to the poetic crown) with the wreath of victory in the foot-race – a wreath which it is evident he must obtain at the celebration of the next Olympiad, and which, therefore, they now give him in advance.

THE END

Manuscript Found in a Bottle (1833)

Qui n’a plus qu’un moment a vivre

N’a plus rien a dissimuler.

Quinault – Atys.

Of my country and of my family I have little to say. Ill usage and length of years have driven me from the one, and estranged me from the other. Hereditary wealth afforded me an education of no common order, and a contemplative turn of mind enabled me to methodise the stores which early study very diligently garnered up. Beyond all things, the works of the German moralists gave me great delight; not from any ill-advised admiration of their eloquent madness, but from the ease with which my habits of rigid thought enabled me to detect their falsities. I have often been reproached with the aridity of my genius; a deficiency of imagination has been imputed to me as a crime; and the Pyrrhonism of my opinions has at all times rendered me notorious. Indeed, a strong relish for physical philosophy has, I fear, tinctured my mind with a very common error of this age – I mean the habit of referring occurrences, even the least susceptible of such reference, to the principles of that science. Upon the whole, no person could be less liable than myself to be led away from the severe precincts of truth by the ignes fatui of superstition. I have thought proper to premise thus much, lest the incredible tale I have to tell should be considered rather the raving of a crude imagination, than the positive experience of a mind to which the reveries of fancy have been a dead letter and a nullity.

After many years spent in foreign travel, I sailed in the year 18—, from the port of Batavia, in the rich and populous island of Java, on a voyage to the Archipelago of the Sunda islands. I went as passenger – having no other inducement than a kind of nervous restlessness which haunted me as a fiend.

Our vessel was a beautiful ship of about four hundred tons, copper-fastened, and built at Bombay of Malabar teak. She was freighted with cotton-wool and oil, from the Lachadive islands. We had also on board coir, jaggeree, ghee, cocoa-nuts, and a few cases of opium. The stowage was clumsily done, and the vessel consequently crank.

We got under way with a mere breath of wind, and for many days stood along the eastern coast of Java, without any other incident to beguile the monotony of our course than the occasional meeting with some of the small grabs of the Archipelago to which we were bound.

One evening, leaning over the taffrail, I observed a very singular, isolated cloud, to the N. W. It was remarkable, as well for its color, as from its being the first we had seen since our departure from Batavia. I watched it attentively until sunset, when it spread all at once to the eastward and westward, girting in the horizon with a narrow strip of vapor, and looking like a long line of low beach. My notice was soon afterwards attracted by the dusky-red appearance of the moon, and the peculiar character of the sea. The latter was undergoing a rapid change, and the water seemed more than usually transparent. Although I could distinctly see the bottom, yet, heaving the lead, I found the ship in fifteen fathoms. The air now became intolerably hot, and was loaded with spiral exhalations similar to those arising from heated iron. As night came on, every breath of wind died away, and a more entire calm it is impossible to conceive. The flame of a candle burned upon the poop without the least perceptible motion, and a long hair, held between the finger and thumb, hung without the possibility of detecting a vibration. However, as the captain said he could perceive no indication of danger, and as we were drifting in bodily to shore, he ordered the sails to be furled, and the anchor let go. No watch was set, and the crew, consisting principally of Malays, stretched themselves deliberately upon deck. I went below – not without a full presentiment of evil. Indeed, every appearance warranted me in apprehending a Simoom. I told the captain my fears; but he paid no attention to what I said, and left me without deigning to give a reply. My uneasiness, however, prevented me from sleeping, and about midnight I went upon deck. As I placed my foot upon the upper step of the companion-ladder, I was startled by a loud, humming noise, like that occasioned by the rapid revolution of a mill-wheel, and before I could ascertain its meaning, I found the ship quivering to its centre. In the next instant, a wilderness of foam hurled us upon our beam-ends, and, rushing over us fore and aft, swept the entire decks from stem to stern.

The extreme fury of the blast proved, in a great measure, the salvation of the ship. Although completely water-logged, yet, as her masts had gone by the board, she rose, after a minute, heavily from the sea, and, staggering awhile beneath the immense pressure of the tempest, finally righted.

By what miracle I escaped destruction, it is impossible to say. Stunned by the shock of the water, I found myself, upon recovery, jammed in between the stern-post and rudder. With great difficulty I gained my feet, and looking dizzily around, was at first struck with the idea of our being among breakers; so terrific, beyond the wildest imagination, was the whirlpool of mountainous and foaming ocean within which we were ingulfed. After a while, I heard the voice of an old Swede, who had shipped with us at the moment of our leaving port. I hallooed to him with all my strength, and presently he came reeling aft. We soon discovered that we were the sole survivors of the accident. All on deck, with the exception of ourselves, had been swept overboard; the captain and mates must have perished as they slept, for the cabins were deluged with water. Without assistance, we could expect to do little for the security of the ship, and our exertions were at first paralyzed by the momentary expectation of going down. Our cable had, of course, parted like pack-thread, at the first breath of the hurricane, or we should have been instantaneously overwhelmed. We scudded with frightful velocity before the sea, and the water made clear breaches over us. The framework of our stern was shattered excessively, and, in almost every respect, we had received considerable injury; but to our extreme joy we found the pumps unchoked, and that we had made no great shifting of our ballast. The main fury of the blast had already blown over, and we apprehended little danger from the violence of the wind; but we looked forward to its total cessation with dismay; well believing, that in our shattered condition, we should inevitably perish in the tremendous swell which would ensue. But this very just apprehension seemed by no means likely to be soon verified. For five entire days and nights – during which our only subsistence was a small quantity of jaggeree, procured with great difficulty from the forecastle – the hulk flew at a rate defying computation, before rapidly succeeding flaws of wind, which, without equalling the first violence of the Simoom, were still more terrific than any tempest I had before encountered. Our course for the first four days was, with trifling variations, S. E. and by S.; and we must have run down the coast of New Holland. On the fifth day the cold became extreme, although the wind had hauled round a point more to the northward. The sun arose with a sickly yellow lustre, and clambered a very few degrees above the horizon – emitting no decisive light. There were no clouds apparent, yet the wind was upon the increase, and blew with a fitful and unsteady fury. About noon, as nearly as we could guess, our attention was again arrested by the appearance of the sun. It gave out no light, properly so called, but a dull and sullen glow without reflection, as if all its rays were polarized. Just before sinking within the turgid sea, its central fires suddenly went out, as if hurriedly extinguished by some unaccountable power. It was a dim, sliver-like rim, alone, as it rushed down the unfathomable ocean.

We waited in vain for the arrival of the sixth day – that day to me has not arrived – to the Swede, never did arrive. Thenceforward we were enshrouded in pitchy darkness, so that we could not have seen an object at twenty paces from the ship. Eternal night continued to envelop us, all unrelieved by the phosphoric sea-brilliancy to which we had been accustomed in the tropics. We observed too, that, although the tempest continued to rage with unabated violence, there was no longer to be discovered the usual appearance of surf, or foam, which had hitherto attended us. All around were horror, and thick gloom, and a black sweltering desert of ebony. Superstitious terror crept by degrees into the spirit of the old Swede, and my own soul was wrapped up in silent wonder. We neglected all care of the ship, as worse than useless, and securing ourselves, as well as possible, to the stump of the mizen-mast, looked out bitterly into the world of ocean. We had no means of calculating time, nor could we form any guess of our situation. We were, however, well aware of having made farther to the southward than any previous navigators, and felt great amazement at not meeting with the usual impediments of ice. In the meantime every moment threatened to be our last – every mountainous billow hurried to overwhelm us. The swell surpassed anything I had imagined possible, and that we were not instantly buried is a miracle. My companion spoke of the lightness of our cargo, and reminded me of the excellent qualities of our ship; but I could not help feeling the utter hopelessness of hope itself, and prepared myself gloomily for that death which I thought nothing could defer beyond an hour, as, with every knot of way the ship made, the swelling of the black stupendous seas became more dismally appalling. At times we gasped for breath at an elevation beyond the albatross – at times became dizzy with the velocity of our descent into some watery hell, where the air grew stagnant, and no sound disturbed the slumbers of the kraken.

We were at the bottom of one of these abysses, when a quick scream from my companion broke fearfully upon the night. “See! see!” cried he, shrieking in my ears, “Almighty God! see! see!” As he spoke, I became aware of a dull, sullen glare of red light which streamed down the sides of the vast chasm where we lay, and threw a fitful brilliancy upon our deck. Casting my eyes upwards, I beheld a spectacle which froze the current of my blood. At a terrific height directly above us, and upon the very verge of the precipitous descent, hovered a gigantic ship, of perhaps four thousand tons. Although upreared upon the summit of a wave more than a hundred times her own altitude, her apparent size still exceeded that of any ship of the line or East Indiaman in existence. Her huge hull was of a deep dingy black, unrelieved by any of the customary carvings of a ship. A single row of brass cannon protruded from her open ports, and dashed from their polished surfaces the fires of innumerable battle-lanterns, which swung to and fro about her rigging. But what mainly inspired us with horror and astonishment, was that she bore up under a press of sail in the very teeth of that supernatural sea, and of that ungovernable hurricane. When we first discovered her, her bows were alone to be seen, as she rose slowly from the dim and horrible gulf beyond her. For a moment of intense terror she paused upon the giddy pinnacle, as if in contemplation of her own sublimity, then trembled and tottered, and – came down.

At this instant, I know not what sudden self-possession came over my spirit. Staggering as far aft as I could, I awaited fearlessly the ruin that was to overwhelm. Our own vessel was at length ceasing from her struggles, and sinking with her head to the sea. The shock of the descending mass struck her, consequently, in that portion of her frame which was already under water, and the inevitable result was to hurl me, with irresistible violence, upon the rigging of the stranger.

As I fell, the ship hove in stays, and went about; and to the confusion ensuing I attributed my escape from the notice of the crew. With little difficulty I made my way, unperceived, to the main hatchway, which was partially open, and soon found an opportunity of secreting myself in the hold. Why I did so I can hardly tell. An indefinite sense of awe, which at first sight of the navigators of the ship had taken hold of my mind, was perhaps the principle of my concealment. I was unwilling to trust myself with a race of people who had offered, to the cursory glance I had taken, so many points of vague novelty, doubt, and apprehension. I therefore thought proper to contrive a hiding-place in the hold. This I did by removing a small portion of the shifting-boards, in such a manner as to afford me a convenient retreat between the huge timbers of the ship.

I had scarcely completed my work, when a footstep in the hold forced me to make use of it. A man passed by my place of concealment with a feeble and unsteady gait. I could not see his face, but had an opportunity of observing his general appearance. There was about it an evidence of great age and infirmity. His knees tottered beneath a load of years, and his entire frame quivered under the burthen. He muttered to himself, in a low broken tone, some words of a language which I could not understand, and groped in a corner among a pile of singular-looking instruments, and decayed charts of navigation. His manner was a wild mixture of the peevishness of second childhood and the solemn dignity of a God. He at length went on deck, and I saw him no more.

A feeling, for which I have no name, has taken possession of my soul – a sensation which will admit of no analysis, to which the lessons of by-gone time are inadequate, and for which I fear futurity itself will offer me no key. To a mind constituted like my own, the latter consideration is an evil. I shall never – I know that I shall never – be satisfied with regard to the nature of my conceptions. Yet it is not wonderful that these conceptions are indefinite, since they have their origin in sources so utterly novel. A new sense – a new entity is added to my soul.

It is long since I first trod the deck of this terrible ship, and the rays of my destiny are, I think, gathering to a focus. Incomprehensible men! Wrapped up in meditations of a kind which I cannot divine, they pass me by unnoticed. Concealment is utter folly on my part, for the people will not see. It was but just now that I passed directly before the eyes of the mate; it was no long while ago that I ventured into the captain’s own private cabin, and took thence the materials with which I write, and have written. I shall from time to time continue this journal. It is true that I may not find an opportunity of transmitting it to the world, but I will not fall to make the endeavor. At the last moment I will enclose the MS. in a bottle, and cast it within the sea.

An incident has occurred which has given me new room for meditation. Are such things the operation of ungoverned chance? I had ventured upon deck and thrown myself down, without attracting any notice, among a pile of ratlin-stuff and old sails, in the bottom of the yawl. While musing upon the singularity of my fate, I unwittingly daubed with a tar-brush the edges of a neatly-folded studding-sail which lay near me on a barrel. The studding-sail is now bent upon the ship, and the thoughtless touches of the brush are spread out into the word DISCOVERY.

I have made many observations lately upon the structure of the vessel. Although well armed, she is not, I think, a ship of war. Her rigging, build, and general equipment, all negative a supposition of this kind. What she is not, I can easily perceive; what she is, I fear it is impossible to say. I know not how it is, but in scrutinizing her strange model and singular cast of spars, her huge size and overgrown suits of canvas, her severely simple bow and antiquated stern, there will occasionally flash across my mind a sensation of familiar things, and there is always mixed up with such indistinct shadows of recollection, an unaccountable memory of old foreign chronicles and ages long ago.

I have been looking at the timbers of the ship. She is built of a material to which I am a stranger. There is a peculiar character about the wood which strikes me as rendering it unfit for the purpose to which it has been applied. I mean its extreme porousness, considered independently of the worm-eaten condition which is a consequence of navigation in these seas, and apart from the rottenness attendant upon age. It will appear perhaps an observation somewhat over-curious, but this wood would have every characteristic of Spanish oak, if Spanish oak were distended by any unnatural means.

In reading the above sentence, a curious apothegm of an old weather-beaten Dutch navigator comes full upon my recollection. “It is as sure,” he was wont to say, when any doubt was entertained of his veracity, “as sure as there is a sea where the ship itself will grow in bulk like the living body of the seaman.”

About an hour ago, I made bold to thrust myself among a group of the crew. They paid me no manner of attention, and, although I stood in the very midst of them all, seemed utterly unconscious of my presence. Like the one I had at first seen in the hold, they all bore about them the marks of a hoary old age. Their knees trembled with infirmity; their shoulders were bent double with decrepitude; their shrivelled skins rattled in the wind; their voices were low, tremulous, and broken; their eyes glistened with the rheum of years; and their gray hairs streamed terribly in the tempest. Around them, on every part of the deck, lay scattered mathematical instruments of the most quaint and obsolete construction.

I mentioned, some time ago, the bending of a studding-sail. From that period, the ship, being thrown dead off the wind, has continued her terrific course due south, with every rag of canvass packed upon her, from her trucks to her lower studding-sail booms, and rolling every moment her top-gallant yard-arms into the most appalling hell of water which it can enter into the mind of man to imagine. I have just left the deck, where I find it impossible to maintain a footing, although the crew seem to experience little inconvenience. It appears to me a miracle of miracles that our enormous bulk is not swallowed up at once and for ever. We are surely doomed to hover continually upon the brink of eternity, without taking a final plunge into the abyss. From billows a thousand times more stupendous than any I have ever seen, we glide away with the facility of the arrowy sea-gull; and the colossal waters rear their heads above us like demons of the deep, but like demons confined to simple threats, and forbidden to destroy. I am led to attribute these frequent escapes to the only natural cause which can account for such effect. I must suppose the ship to be within the influence of some strong current, or impetuous under-tow.

I have seen the captain face to face, and in his own cabin – but, as I expected, he paid me no attention. Although in his appearance there is, to a casual observer, nothing which might bespeak him more or less than man, still, a feeling of irrepressible reverence and awe mingled with the sensation of wonder with which I regarded him. In stature, he is nearly my own height; that is, about five feet eight inches. He is of a well-knit and compact frame of body, neither robust nor remarkable otherwise. But it is the singularity of the expression which reigns upon the face – it is the intense, the wonderful, the thrilling evidence of old age, so utter, so extreme, which excites within my spirit a sense – a sentiment ineffable. His forehead, although little wrinkled, seems to bear upon it the stamp of a myriad of years. His gray hairs are records of the past, and his grayer eyes are sybils of the future. The cabin floor was thickly strewn with strange, iron-clasped folios, and mouldering instruments of science, and obsolete long-forgotten charts. His head was bowed down upon his hands, and he pored, with a fiery, unquiet eye, over a paper which I took to be a commission, and which, at all events, bore the signature of a monarch. He muttered to himself – as did the first seaman whom I saw in the hold – some low peevish syllables of a foreign tongue; and although the speaker was close at my elbow, his voice seemed to reach my ears from the distance of a mile.

The ship and all in it are imbued with the spirit of Eld. The crew glide to and fro like the ghosts of buried centuries; their eyes have an eager and uneasy meaning; and when their figures fall athwart my path in the wild glare of the battle-lanterns, I feel as I have never felt before, although I have been all my life a dealer in antiquities, and have imbibed the shadows of fallen columns at Balbec, and Tadmor, and Persepolis, until my very soul has become a ruin.

When I look around me, I feel ashamed of my former apprehensions. If I trembled at the blast which has hitherto attended us, shall I not stand aghast at a warring of wind and ocean, to convey any idea of which, the words tornado and simoom are trivial and ineffective? All in the immediate vicinity of the ship, is the blackness of eternal night, and a chaos of foamless water; but, about a league on either side of us, may be seen, indistinctly and at intervals, stupendous ramparts of ice, towering away into the desolate sky, and looking like the walls of the universe.

As I imagined, the ship proves to be in a current – if that appellation can properly be given to a tide which, howling and shrieking by the white ice, thunders on to the southward with a velocity like the headlong dashing of a cataract.

To conceive the horror of my sensations is, I presume, utterly impossible; yet a curiosity to penetrate the mysteries of these awful regions, predominates even over my despair, and will reconcile me to the most hideous aspect of death. It is evident that we are hurrying onwards to some exciting knowledge – some never-to-be-imparted secret, whose attainment is destruction. Perhaps this current leads us to the southern pole itself. It must be confessed that a supposition apparently so wild has every probability in its favor.

The crew pace the deck with unquiet and tremulous step; but there is upon their countenances an expression more of the eagerness of hope than of the apathy of despair.

In the meantime the wind is still in our poop, and, as we carry a crowd of canvass, the ship is at times lifted bodily from out the sea! Oh, horror upon horror! – the ice opens suddenly to the right, and to the left, and we are whirling dizzily, in immense concentric circles, round and round the borders of a gigantic amphitheatre, the summit of whose walls is lost in the darkness and the distance. But little time will be left me to ponder upon my destiny! The circles rapidly grow small – we are plunging madly within the grasp of the whirlpool – and amid a roaring, and bellowing, and thundering of ocean and of tempest, the ship is quivering – oh God! and – going down!

Note. – The “MS. Found in a Bottle,” was originally published in 1831; and it was not until many years afterwards that I became acquainted with the maps of Mercator, in which the ocean is represented as rushing, by four mouths, into the (northern) Polar Gulf, to be absorbed into the bowels of the earth; the Pole itself being represented by a black rock, towering to a prodigious height.

THE END

Shadow – A Parable (1835)

Yea! though I walk through the valley of the Shadow:

Psalm of David.

Ye who read are still among the living: but I who write shall have long since gone my way into the region of shadows. For indeed strange things shall happen, and secret things be known, and many centuries shall pass away, ere these memorials be seen of men. And, when seen, there will be some to disbelieve, and some to doubt, and yet a few who will find much to ponder upon in the characters here graven with a stylus of iron.

The year had been a year of terror, and of feelings more intense than terror for which there is no name upon the earth. For many prodigies and signs had taken place, and far and wide, over sea and land, the black wings of the Pestilence were spread abroad. To those, nevertheless, cunning in the stars, it was not unknown that the heavens wore an aspect of ill; and to me, the Greek Oinos, among others, it was evident that now had arrived the alternation of that seven hundred and ninety-fourth year when, at the entrance of Aries, the planet Jupiter is conjoined with the red ring of the terrible Saturnus. The peculiar spirit of the skies, if I mistake not greatly, made itself manifest, not only in the physical orb of the earth, but in the souls, imaginations, and meditations of mankind.

Over some flasks of the red Chian wine, within the walls of a noble hall, in a dim city called Ptolemais, we sat, at night, a company of seven. And to our chamber there was no entrance save by a lofty door of brass: and the door was fashioned by the artizan Corinnos, and, being of rare workmanship, was fastened from within. Black draperies, likewise, in the gloomy room, shut out from our view the moon, the lurid stars, and the peopleless streets – but the boding and the memory of Evil, they would not be so excluded. There were things around us and about of which I can render no distinct account – things material and spiritual – heaviness in the atmosphere – a sense of suffocation – anxiety – and, above all, that terrible state of existence which the nervous experience when the senses are keenly living and awake, and meanwhile the powers of thought lie dormant. A dead weight hung upon us. It hung upon our limbs – upon the household furniture – upon the goblets from which we drank; and all things were depressed, and borne down thereby – all things save only the flames of the seven iron lamps which illumined our revel. Uprearing themselves in tall slender lines of light, they thus remained burning all pallid and motionless; and in the mirror which their lustre formed upon the round table of ebony at which we sat, each of us there assembled beheld the pallor of his own countenance, and the unquiet glare in the downcast eyes of his companions. Yet we laughed and were merry in our proper way – which was hysterical; and sang the songs of Anacreon – which are madness; and drank deeply – although the purple wine reminded us of blood. For there was yet another tenant of our chamber in the person of young Zoilus. Dead, and at full length he lay, enshrouded; – the genius and the demon of the scene. Alas! he bore no portion in our mirth, save that his countenance, distorted with the plague, and his eyes in which Death had but half extinguished the fire of the pestilence, seemed to take such interest in our merriment as the dead may haply take in the merriment of those who are to die. But although I, Oinos, felt that the eyes of the departed were upon me, still I forced myself not to perceive the bitterness of their expression, and, gazing down steadily into the depths of the ebony mirror, sang with a loud and sonorous voice the songs of the son of Teios. But gradually my songs they ceased, and their echoes, rolling afar off among the sable draperies of the chamber, became weak, and undistinguishable, and so faded away. And lo! from among those sable draperies where the sounds of the song departed, there came forth a dark and undefined shadow – a shadow such as the moon, when low in heaven, might fashion from the figure of a man: but it was the shadow neither of man nor of God, nor of any familiar thing. And, quivering awhile among the draperies of the room, it at length rested in full view upon the surface of the door of brass. But the shadow was vague, and formless, and indefinite, and was the shadow neither of man nor of God – neither God of Greece, nor God of Chaldæa, nor any Egyptian God. And the shadow rested upon the brazen doorway, and under the arch of the entablature of the door, and moved not, nor spoke any word, but there became stationary and remained. And the door whereupon the shadow rested was, if I remember aright, over against the feet of the young Zoilus enshrouded. But we, the seven there assembled, having seen the shadow as it came out from among the draperies, dared not steadily behold it, but cast down our eyes, and gazed continually into the depths of the mirror of ebony. And at length I, Oinos, speaking some low words, demanded of the shadow its dwelling and its appellation. And the shadow answered, “I am SHADOW, and my dwelling is near to the Catacombs of Ptolemais, and hard by those dim plains of Helusion which border upon the foul Charonian canal.” And then did we, the seven, start from our seats in horror, and stand trembling, and shuddering, and aghast: for the tones in the voice of the shadow were not the tones of any one being, but of a multitude of beings, and, varying in their cadences from syllable to syllable, fell duskily upon our ears in the well remembered and familiar accents of many thousand departed friends.

THE END

Silence – A Fable (1838)

'Eudosin d'orheon korhuphai te kai pharhagges'

'Prhones te kai charhadrfiai.' ALCMAN. (60 (I0).646.) The mountain pinnacles slumber: valleys, crags and caves are silent.

“Listen to me,” said the Demon, as he placed his hand upon my head. “The region of which I speak is a dreary region in Libya, by the borders of the river Zäire. And there is no quiet there, nor silence.

“The waters of the river have a saffron and sickly hue; and they flow not onwards to the sea, but palpitate forever and forever beneath the red eye of the sun with a tumultuous and convulsive motion. For many miles on either side of the river’s oozy bed is a pale desert of gigantic water-lilies. They sigh one unto the other in that solitude, and stretch towards the heaven their long and ghastly necks, and nod to and fro their everlasting heads. And there is an indistinct murmur which cometh out from among them like the rushing of subterrene water. And they sigh one unto the other.

“But there is a boundary to their realm – the boundary of the dark, horrible, lofty forest. There, like the waves about the Hebrides, the low underwood is agitated continually. But there is no wind throughout the heaven. And the tall primeval trees rock eternally hither and thither with a crashing and mighty sound. And from their high summits, one by one, drop everlasting dews. And at the roots strange poisonous flowers lie writhing in perturbed slumber. And overhead, with a rustling and loud noise, the gray clouds rush westwardly forever, until they roll, a cataract, over the fiery wall of the horizon. But there is no wind throughout the heaven. And by the shores of the river Zäire there is neither quiet nor silence.

“It was night, and the rain fell; and, falling, it was rain, but, having fallen, it was blood. And I stood in the morass among the tall lilies, and the rain fell upon my head – and the lilies sighed one unto the other in the solemnity of their desolation.

“And, all at once, the moon arose through the thin ghastly mist, and was crimson in color. And mine eyes fell upon a huge gray rock which stood by the shore of the river, and was lighted by the light of the moon. And the rock was gray, and ghastly, and tall, – and the rock was gray. Upon its front were characters engraven in the stone; and I walked through the morass of water-lilies, until I came close unto the shore, that I might read the characters upon the stone. But I could not decypher them. And I was going back into the morass, when the moon shone with a fuller red, and I turned and looked again upon the rock, and upon the characters; – and the characters were DESOLATION.

“And I looked upwards, and there stood a man upon the summit of the rock; and I hid myself among the water-lilies that I might discover the actions of the man. And the man was tall and stately in form, and was wrapped up from his shoulders to his feet in the toga of old Rome. And the outlines of his figure were indistinct – but his features were the features of a deity; for the mantle of the night, and of the mist, and of the moon, and of the dew, had left uncovered the features of his face. And his brow was lofty with thought, and his eye wild with care; and, in the few furrows upon his cheek I read the fables of sorrow, and weariness, and disgust with mankind, and a longing after solitude.

“And the man sat upon the rock, and leaned his head upon his hand, and looked out upon the desolation. He looked down into the low unquiet shrubbery, and up into the tall primeval trees, and up higher at the rustling heaven, and into the crimson moon. And I lay close within shelter of the lilies, and observed the actions of the man. And the man trembled in the solitude; – but the night waned, and he sat upon the rock.

“And the man turned his attention from the heaven, and looked out upon the dreary river Zäire, and upon the yellow ghastly waters, and upon the pale legions of the water-lilies. And the man listened to the sighs of the water-lilies, and to the murmur that came up from among them. And I lay close within my covert and observed the actions of the man. And the man trembled in the solitude; – but the night waned and he sat upon the rock.

“Then I went down into the recesses of the morass, and waded afar in among the wilderness of the lilies, and called unto the hippopotami which dwelt among the fens in the recesses of the morass. And the hippopotami heard my call, and came, with the behemoth, unto the foot of the rock, and roared loudly and fearfully beneath the moon. And I lay close within my covert and observed the actions of the man. And the man trembled in the solitude; – but the night waned and he sat upon the rock.

“Then I cursed the elements with the curse of tumult; and a frightful tempest gathered in the heaven where, before, there had been no wind. And the heaven became livid with the violence of the tempest – and the rain beat upon the head of the man – and the floods of the river came down – and the river was tormented into foam – and the water-lilies shrieked within their beds – and the forest crumbled before the wind – and the thunder rolled – and the lightning fell – and the rock rocked to its foundation. And I lay close within my covert and observed the actions of the man. And the man trembled in the solitude; – but the night waned and he sat upon the rock.

“Then I grew angry and cursed, with the curse of silence, the river, and the lilies, and the wind, and the forest, and the heaven, and the thunder, and the sighs of the water-lilies. And they became accursed, and were still. And the moon ceased to totter up its pathway to heaven – and the thunder died away – and the lightning did not flash – and the clouds hung motionless – and the waters sunk to their level and remained – and the trees ceased to rock – and the water-lilies sighed no more – and the murmur was heard no longer from among them, nor any shadow of sound throughout the vast illimitable desert. And I looked upon the characters of the rock, and they were changed; – and the characters were SILENCE.

“And mine eyes fell upon the countenance of the man, and his countenance was wan with terror. And, hurriedly, he raised his head from his hand, and stood forth upon the rock and listened. But there was no voice throughout the vast illimitable desert, and the characters upon the rock were SILENCE. And the man shuddered, and turned his face away, and fled afar off, in haste, so that I beheld him no more.”

Now there are fine tales in the volumes of the Magi – in the iron-bound, melancholy volumes of the Magi. Therein, I say, are glorious histories of the Heaven, and of the Earth, and of the mighty sea – and of the Genii that overruled the sea, and the earth, and the lofty heaven. There was much lore too in the sayings which were said by the Sybils; and holy, holy things were heard of old by the dim leaves that trembled around Dodona – but, as Allah liveth, that fable which the Demon told me as he sat by my side in the shadow of the tomb, I hold to be the most wonderful of all! And as the Demon made an end of his story, he fell back within the cavity of the tomb and laughed. And I could not laugh with the Demon, and he cursed me because I could not laugh. And the lynx which dwelleth forever in the tomb, came out therefrom, and lay down at the feet of the Demon, and looked at him steadily in the face.

THE END

Berenice (1835)

Dicebant mihi sodales, si sepulchrum amicæ visitarem, curas meas aliquantulum fore levatas.

Ebn Zaiat.

Misery is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch – as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? – from the covenant of peace, a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are, have their origin in the ecstacies which might have been.

My baptismal name is Egæus; that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, gray, hereditary halls. Our line has been called a race of visionaries; and in many striking particulars – in the character of the family mansion – in the frescos of the chief saloon – in the tapestries of the dormitories – in the chiselling of some buttresses in the armory – but more especially in the gallery of antique paintings – in the fashion of the library chamber – and, lastly, in the very peculiar nature of the library’s contents – there is more than sufficient evidence to warrant the belief.

The recollections of my earliest years are connected with that chamber, and with its volumes – of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before – that the soul has no previous existence. You deny it? – let us not argue the matter. Convinced myself, I seek not to convince. There is, however, a remembrance of aerial forms – of spiritual and meaning eyes – of sounds, musical yet sad; a remembrance which will not be excluded; a memory like a shadow – vague, variable, indefinite, unsteady; and like a shadow, too, in the impossibility of my getting rid of it while the sunlight of my reason shall exist.

In that chamber was I born. Thus awaking from the long night of what seemed, but was not, nonentity, at once into the very regions of fairy land – into a palace of imagination – into the wild dominions of monastic thought and erudition – it is not singular that I gazed around me with a startled and ardent eye – that I loitered away my boyhood in books, and dissipated my youth in revery; but it is singular, that as years rolled away, and the noon of manhood found me still in the mansion of my fathers – it is wonderful what stagnation there fell upon the springs of my life – wonderful how total an inversion took place in the character of my commonest thought. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, not the material of my every-day existence, but in very deed that existence utterly and solely in itself.

Berenice and I were cousins, and we grew up together in my paternal halls. Yet differently we grew – I, ill of health, and buried in gloom – she, agile, graceful, and overflowing with energy; hers, the ramble on the hill-side – mine, the studies of the cloister; I, living within my own heart, and addicted, body and soul, to the most intense and painful meditation – she, roaming carelessly through life, with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice! – I call upon her name – Berenice! – and from the gray ruins of memory a thousand tumultuous recollections are startled at the sound! Ah, vividly is her image before me now, as in the early days of her light-heartedness and joy! Oh, gorgeous yet fantastic beauty! Oh, sylph amid the shrubberies of Arnheim! Oh, Naiad among its fountains! And then – then all is mystery and terror, and a tale which should not be told. Disease – a fatal disease, fell like the simoon upon her frame; and, even while I gazed upon her, the spirit of change swept over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went! – and the victim – where is she? I knew her not – or knew her no longer as Berenice!

Among the numerous train of maladies superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself – trance very nearly resembling positive dissolution, and from which her manner of recovery was, in most instances, startlingly abrupt. In the mean time, my own disease – for I have been told that I should call it by no other appelation – my own disease, then, grew rapidly upon me, and assumed finally a monomaniac character of a novel and extraordinary form – hourly and momently gaining vigor – and at length obtaining over me the most incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of those properties of the mind in metaphysical science termed the attentive. It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.

To muse for long unwearied hours, with my attention riveted to some frivolous device on the margin, or in the typography of a book; to become absorbed, for the better part of a summer’s day, in a quaint shadow falling aslant upon the tapestry or upon the floor; to lose myself, for an entire night, in watching the steady flame of a lamp, or the embers of a fire; to dream away whole days over the perfume of a flower; to repeat, monotonously, some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind; to lose all sense of motion or physical existence, by means of absolute bodily quiescence long and obstinately persevered in: such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to anything like analysis or explanation.

Yet let me not be misapprehended. The undue, earnest, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. It was not even, as might be at first supposed, an extreme condition, or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance, the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day-dream often replete with luxury, he finds the incitamentum, or first cause of his musings, entirely vanished and forgotten. In my case, the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any, were made; and those few pertinaciously returning in upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the revery, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.

My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian, Cœlius [Caelius] Secundus Curio, “De Amplitudine Beati Regni Dei; ” St. Austin’s great work, “The City of God;” and Tertullian’s “De Carne Christi,” in which the paradoxical sentence, “Mortuus est Dei filius; credible est quia ineptum est; et sepultus resurrexit; certum est quia impossibile est, ” occupied my undivided time, for many weeks of laborious and fruitless investigation.

Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and abnormal meditation whose nature I have been at some trouble in explaining, yet such was not in any degree the case. In the lucid intervals of my infirmity, her calamity, indeed, gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fail to ponder, frequently and bitterly, upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice – in the singular and most appalling distortion of her personal identity.

During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings with me, had never been of the heart, and my passions always were of the mind. Through the gray of the early morning – among the trellised shadows of the forest at noonday – and in the silence of my library at night – she had flitted by my eyes, and I had seen her – not as the living and breathing Berenice, but as the Berenice of a dream; not as a being of the earth, earthy, but as the abstraction of such a being; not as a thing to admire, but to analyze; not as an object of love, but as the theme of the most abstruse although desultory speculation. And now – now I shuddered in her presence, and grew pale at her approach; yet, bitterly lamenting her fallen and desolate condition, I called to mind that she had loved me long, and, in an evil moment, I spoke to her of marriage.

And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year – one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon, (For as Jove, during the winter season, gives twice seven days of warmth, men have called this clement and temperate time the nurse of the beautiful Halcyon – Simonides.) – I sat, (and sat, as I thought, alone,) in the inner apartment of the library. But, uplifting my eyes, I saw that Berenice stood before me.

Was it my own excited imagination – or the misty influence of the atmosphere – or the uncertain twilight of the chamber – or the gray draperies which fell around her figure – that caused in it so vacillating and indistinct an outline? I could not tell. She spoke no word; and I – not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and, sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being lurked in any single line of the contour. My burning glances at length fell upon the face.

The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets, now of a vivid yellow, and jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupilless, and I shrank involuntarily from their glassy stare to he contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!

The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface – not a shade on their enamel – not an indenture in their edges – but what that brief period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! – the teeth! – they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a frenzied desire. All other matters and all different interests became absorbed in their single contemplation. They – they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them, in imagination, a sensitive and sentient power, and, even when unassisted by the lips, a capability of moral expression. Of Mademoiselle Salle it has been well said, “Que tous ses pas etaient des sentiments,” and of Berenice I more seriously believed que tous ses dents etaient des idees. Des idees! – ah, here was the idiotic thought that destroyed me! Des idees! – ah, therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.

And the evening closed in upon me thus – and then the darkness came, and tarried, and went – and the day again dawned – and the mists of a second night were now gathering around – and still I sat motionless in that solitary room – and still I sat buried in meditation – and still the phantasma of the teeth maintained its terrible ascendancy, as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow or of pain. I arose from my seat, and throwing open one of the doors of the library, saw standing out in the ante-chamber a servant maiden, all in tears, who told me that Berenice was – no more! She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.

I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware, that since the setting of the sun, Berenice had been interred. But of that dreary period which intervened I had no positive, at least no definite comprehension. Yet its memory was replete with horror – horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed – what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, – “what was it? “

On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat: – “Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.” Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?

There came a light tap at the library door – and, pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? – some broken sentences I heard. He told of a wild cry disturbing the silence of the night – of the gathering together of the household – of a search in the direction of the sound; and then his tones grew thrillingly distinct as he whispered me of a violated grave – of a disfigured body enshrouded, yet still breathing – still palpitating – still alive!

He pointed to garments; they were muddy and clotted with gore. I spoke not, and he took me gently by the hand: it was indented with the impress of human nails. He directed my attention to some object against the wall. I looked at it for some minutes: it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and, in my tremor, it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white, and ivory-looking substances that were scattered to and fro about the floor.

THE END