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Д.С. Мережковский — выдающийся русский и европейский писатель Серебряного века, поэт, романист, драматург, критик, религиозный философ.

\r\n

В книгу вошли биографический роман «Данте» (1937) и цикл новел в духе итальянского Возрождения.

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«… — Да, от всего спасал талисман, — заговорил он опять, — от огня, от яда, от зверя; от одного не спас…

\r\n

— От чего? — спросила она. Он не ответил, и она поняла: „От тебя“.

\r\n

Оба закутаны были в звериные шкуры: он — в рыжую, львиную, с пастью на голове вместо шлема; она — в седую, волчью, со шлемом хоревым. У обоих — охотничьи копья в руках, луки и колчаны за спиною. Трудно было узнать, кто мужчина, кто женщина.

\r\n

Скинув львиную пасть с головы, он поднес руку к шее.

\r\n

— Болит? — спросила она.

\r\n

— Не очень. Что это за рана — царапина! Пастухом, в Халихалбате, хаживал на львов с одной палицей. Раз только ощенившаяся львица задрала; след когтей и сейчас на спине. Ну, да я тогда покрепче был, помоложе…»

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Д. С. Мережковский — выдающийся русский и европейский писатель Серебряного века, поэт, романист, драматург, критик, религиозный философ. Вниманию читателей предлагается цикл его новелл, написанных в духе итальянского Возрождения.

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Взгляд Малевича на построение нового общества через освобождение человека от тяжелого труда через машину, через освобождение от оков подражания природе в искусстве, создавая форму сугубо принадлежащую человеку.

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В романе говорится о тех слоях русской интеллигенции, которые не поняли и не приняли революцию. Герой романа врач-земец, в прошлом общественный деятель, Иван Ильич Сартаков прожил долгую и сложную жизнь. Он прошел через царские тюрьмы и ссылки, но «жизненной истины» не обрел, в народе и революции разочаровался. Размышляя о жизни с позиций абстрактного гуманизма, Сартаков не может понять, что за революцию надо бороться, завоеванное ею защищать, что народ, осуществляющий ее, прав, что иначе быть не может. Викентий Вересаев – В тупике

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«Для меня Белый ― это импрессионист слова. Никто другой не может так точно „нарисовать“ происходящее всего несколькими штрихами. Всего пара предложений ― а ты уже видишь все вокруг, слышишь звуки, чувствуешь запахи, даже ощущаешь на себе чьи-то взгляды. Мистика ― в стихах передавать смысл без слов…»

\r\n

Без противоречивой, судорожной, вдохновенной фигуры Андрея Белого невозможно представить атмосферу эпохи, предшествовавшей революции. Ее он призывал вместе с Блоком как возмездие, которое заслужил разваливавшийся царский строй. Вряд ли представлял, на чьи головы обрушатся руины. Обладал необычайным импровизационным дарованием, но без предвидения. Во всех своих подчас ребяческих, наивных порывах, причудливо соединявшихся с глубокой образованностью, Андрей Белый был беззащитно искренен и чем-то напоминал в литературе рыцаря Печального Образа.

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При жизни ему удалось опубликовать всего восемь рассказов и одну повесть. Между тем в литературных кругах его времени его считали писателем европейской величины. Кржижановскому свойственны философский взгляд на мир, тяготение к фантасмагории, к тому же он блестящий стилист — его перо находчиво, иронично, изящно. В книгу вошли произведения, объединенные в основном «московской» темой. 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Корень нравственности Соловьев усматривает в чувстве стыда. На этой основе формируется совесть. Другими «основами нравственной жизни» Соловьев называет жалость и благоговение. Однако именно стыд отличает человека от животных.

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\r\n\tКнига Розанова «Уединённое» (1912) представляет собой собрание разрозненных эссеистических набросков, беглых умозрений, дневниковых записей, внутренних диалогов, объединённых по настроению.\r\n\r\n\tВ «Уединенном» Розанов формулирует и свое отношение к религии. Оно напоминает отношение к христианству Леонтьева, а именно отношение к Христу как к личному Богу.\r\n\r\n\tДо 1911 года никто не решился бы назвать его писателем. В лучшем случае — очеркистом. Но после выхода «Уединенное», его признали как творца и петербургского мистика.

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