The Project Gutenberg EBook of Mark Twain, A Biography, 1835-1910, Complete

by Albert Bigelow Paine

This eBook is for the use of anyone anywhere at no cost and with

almost no restrictions whatsoever.  You may copy it, give it away or

re-use it under the terms of the Project Gutenberg License included

with this eBook or online at www.gutenberg.net

Title: Mark Twain, A Biography, 1835-1910, Complete

       The Personal And Literary Life Of Samuel Langhorne Clemens

Author: Albert Bigelow Paine

Release Date: August 21, 2006 [EBook #2988]

Last Updated: October 29, 2012

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK MARK TWAIN, A BIOGRAPHY, ***

Produced by David Widger

MARK TWAIN A BIOGRAPHY

THE PERSONAL AND LITERARY LIFE OF SAMUEL LANGHORNE CLEMENS

BY ALBERT BIGELOW PAINE

CONTENTS

VOLUME I, Part 1: 1835-1866

AN ACKNOWLEDGMENT

PREFATORY NOTE

MARK TWAIN—A BIOGRAPHY
I. ANCESTORS
II. THE FORTUNES OF JOHN AND JANE CLEMENS
III. A HUMBLE BIRTHPLACE
IV. BEGINNING A LONG JOURNEY
V. THE WAY OF FORTUNE
VI. A NEW HOME
VII. THE LITTLE TOWN OF HANNIBAL.
VIII. THE FARM
IX. SCHOOL-DAYS
X. EARLY VICISSITUDE AND SORROW
XI. DAYS OF EDUCATION
XII. TOM SAWYER'S BAND
XIII. THE GENTLER SIDE
XIV. THE PASSING OF JOHN CLEMENS
XV. A YOUNG BEN FRANKLIN
XVI. THE TURNING-POINT
XVII. THE HANNIBAL "JOURNAL"
XVIII. THE BEGINNING OF A LITERARY LIFE
XIX. IN THE FOOTSTEPS OF FRANKLIN
XX. KEOKUK DAYS
XXI. SCOTCHMAN NAMED MACFARLANE
XXII. THE OLD CALL OF THE RIVER
XXIII. THE SUPREME SCIENCE
XXIV. THE RIVER CURRICULUM
XXV. LOVE-MAKING AND ADVENTURE
XXVI. THE TRAGEDY OF THE "PENNSYLVANIA"
XXVII. THE PILOT
XXVIII. PILOTING AND PROPHECY
XXIX. THE END OF PILOTING
XXX. THE SOLDIER
XXXI. OVER THE HILLS AND FAR AWAY
XXXII. THE PIONEER
XXXIII. THE PROSPECTOR
XXXIV. TERRITORIAL CHARACTERISTICS
XXXV. THE MINER
XXXVI. LAST MINING DAYS
XXXVII. THE NEW ESTATE
XXXVIII. ONE OF THE "STAFF"
XXXIX. PHILOSOPHY AND POETRY
XL. "MARK TWAIN"
XLI. THE CREAM OF COMSTOCK HUMOR
XLII. REPORTORIAL DAYS.
XLIII. ARTEMUS WARD
XLIV. GOVERNOR OF THE "THIRD HOUSE"
XLV. A COMSTOCK DUEL.
XLVI. GETTING SETTLED IN SAN FRANCISCO
XLVII. BOHEMIAN DAYS
XLVIII. THE REFUGE OF THE HILLS
XLIX. THE JUMPING FROG
L. BACK TO THE TUMULT
LI. THE CORNER-STONE
LII. A COMMISSION TO THE SANDWICH ISLANDS
LIII. ANSON BURLINGAME AND THE "HORNET" DISASTER
VOLUME I, Part 2: 1866-1875
LIV. THE LECTURER
LV. HIGHWAY ROBBERY
LVI. BACK TO THE STATES
LVII. OLD FRIENDS AND NEW PLANS
LVIII. A NEW BOOK AND A LECTURE
LIX. THE FIRST BOOK
LX. THE INNOCENTS AT SEA
LXI. THE INNOCENTS ABROAD
LXII. THE RETURN OF THE PILGRIMS
LXIII. IN WASHINGTON—A PUBLISHING PROPOSITION
LXIV. OLIVIA LANGDON
LXV. A CONTRACT WITH ELISHA BLISS, JR.
LXVI. BACK TO SAN FRANCISCO
LXVII. A VISIT TO ELMIRA
LXVIII. THE REV. "JOE" TWICHELL.
LXIX. A LECTURE TOUR
LXX. INNOCENTS AT HOME—AND "THE INNOCENTS ABROAD"
LXXI. THE GREAT BOOK OF TRAVEL.
LXXII. THE PURCHASE OF A PAPER.
LXXIII. THE FIRST MEETING WITH HOWELLS
LXXIV. THE WEDDING-DAY
LXXV. AS TO DESTINY
LXXVI. ON THE BUFFALO "EXPRESS"
LXXVII. THE "GALAXY"
LXXVIII. THE PRIMROSE PATH
LXXIX. THE OLD HUMAN STORY
LXXX. LITERARY PROJECTS
LXXXI. SOME FURTHER LITERARY MATTERS
LXXXII. THE WRITING OF "ROUGHING IT"
LXXXIII. LECTURING DAYS
LXXXIV. "ROUGHING IT".
LXXXV. A BIRTH, A DEATH, AND A VOYAGE
LXXXVI. ENGLAND
LXXXVII. THE BOOK THAT WAS NEVER WRITTEN
LXXXVIII. "THE GILDED AGE"
LXXXIX. PLANNING A NEW HOME
XC. A LONG ENGLISH HOLIDAY
XCI. A LONDON LECTURE
XCII. FURTHER LONDON LECTURE TRIUMPHS
XCIII. THE REAL COLONEL SELLERS-GOLDEN DAYS
XCIV. BEGINNING "TOM SAWYER"
XCV. AN "ATLANTIC" STORY AND A PLAY
XCVI. THE NEW HOME
XCVII. THE WALK TO BOSTON
XCVIII. "OLD TIMES ON THE MISSISSIPPI"
XCIX. A TYPEWRITER, AND A JOKE ON ALDRICH
C. RAYMOND, MENTAL TELEGRAPHY, ETC.
CI. CONCLUDING "TOM SAWYER"—MARK TWAIN's "EDITORS"
CII. "SKETCHES NEW AND OLD"
CIII. "ATLANTIC" DAYS
CIV. MARK TWAIN AND HIS WIFE
VOLUME II, Part 1: 1875-1886
CV. MARK TWAIN AT FORTY
CVI. HIS FIRST STAGE APPEARANCE
CVII. HOWELLS, CLEMENS, AND "GEORGE"
CVIII. SUMMER LABORS AT QUARRY FARM
CIX. THE PUBLIC APPEARANCE OF "TOM SAWYER"
CX. MARK TWAIN AND BRET HARTE WRITE A PLAY
CXI. A BERMUDA HOLIDAY
CXII. A NEW PLAY AND A NEW TALE
CXIII. TWO DOMESTIC DRAMAS
CXIV. THE WHITTIER BIRTHDAY SPEECH
CXV. HARTFORD AND BILLIARDS
CXVI. OFF FOR GERMANY
CXVII. GERMANY AND GERMAN
CXVIII. TRAMPING WITH TWICHELL.
CXIX. ITALIAN DAYS
CXX. IN MUNICH
CXXI. PARIS, ENGLAND, AND HOMEWARD BOUND
CXXII. AN INTERLUDE
CXXIII. THE GRANT SPEECH OF 1879
CXXIV. ANOTHER "ATLANTIC" SPEECH
CXXV. THE QUIETER THINGS OF HOME
CXXVI. "A TRAMP ABROAD"
CXXVII. LETTERS, TALES, AND PLANS
CXXVIII. MARK TWAIN's ABSENT-MINDEDNESS.
CXXIX. FURTHER AFFAIRS AT THE FARM
CXXX. COPYRIGHT AND OTHER FANCIES
CXXXI. WORKING FOR GARFIELD
CXXXII. A NEW PUBLISHER
CXXXIII. THE THREE FIRES—SOME BENEFACTIONS
CXXXIV. LITERARY PROJECTS AND A MONUMENT TO ADAM
CXXXV. A TRIP WITH SHERMAN AND AN INTERVIEW WITH GRANT.
CXXXVI. "THE PRINCE AND THE PAUPER"
CXXXVII. CERTAIN ATTACKS AND REPRISALS
CXXXVIII. MANY UNDERTAKINGS
CXXXIX. FINANCIAL AND LITERARY
CXL. DOWN THE RIVER
CXLI. LITERATURE AND PHILOSOPHY
CXLII. "LIFE ON THE MISSISSIPPI"
CXLIII. A GUEST OF ROYALTY
CXLIV. A SUMMER LITERARY HARVEST
CXLV. HOWELLS AND CLEMENS WRITE A PLAY
CXLVI. DISTINGUISHED VISITORS
CXLVII. THE FORTUNES OF A PLAY
CXLVIII. CABLE AND HIS GREAT JOKE
CXLIX. MARK TWAIN IN BUSINESS
CL. FARM PICTURES
CLI. MARK TWAIN MUGWUMPS
CLII. PLATFORMING WITH CABLE
CLIII. HUCK FINN COMES INTO HIS OWN
CLIV. THE MEMOIRS OF GENERAL GRANT
CLV. DAYS WITH A DYING HERO
CLVI. THE CLOSE OF A GREAT CAREER
CLVII. MINOR MATTERS OF A GREAT YEAR
CLVIII. MARK TWAIN AT FIFTY
CLIX. THE LIFE OF THE POPE
CLX. A GREAT PUBLISHER AT HOME
CLXI. HISTORY: MAINLY BY SUSY
VOLUME II, Part 2: 1886-1900
CLXII. BROWNING, MEREDITH, AND MEISTERSCHAFT
CLXIII. LETTER TO THE QUEEN OF ENGLAND
CLXIV. SOME FURTHER ACCOUNT OF CHARLES L WEBSTER & CO.
CLXV. LETTERS, VISITS, AND VISITORS
CLVXI. A "PLAYER" AND A MASTER OF ARTS
CLXVII. NOTES AND LITERARY MATTERS
CLXVIII. INTRODUCING NYE AND RILEY AND OTHERS
CLXIX. THE COMING OF KIPLING
CLXX. "THE PRINCE AND THE PAUPER" ON THE STAGE
CLXXI. "A CONNECTICUT YANKEE IN KING ARTHUR'S COURT"
CLXXII. THE "YANKEE" IN ENGLAND
CLXXIII. A SUMMER AT ONTEORA
CLXXIV. THE MACHINE
CLXXV. "THE CLAIMANT"—LEAVING HARTFORD
CLXXVI. A EUROPEAN SUMMER
CLXXVII. KORNERSTRASSE,7
CLXXVIII. A WINTER IN BERLIN
CLXXIX. A DINNER WITH WILLIAM II.
CLXXX. MANY WANDERINGS
CLXXXI. NAUHEIM AND THE PRINCE OF WALES
CLXXXII. THE VILLA VIVIANI.
CLXXXIII. THE SIEUR DE CONTE AND JOAN
CLXXXIV. NEW HOPE IN THE MACHINE
CLXXXV. AN INTRODUCTION TO H. RODGERS
CLXXXVI. "THE BELLE OF NEW YORK"
CLXXXVII. SOME LITERARY MATTERS
CLXXXVIII. FAILURE
CLXXXIX. AN EVENTFUL YEAR ENDS
CXC. STARTING ON THE LONG TRAIL.
CXCI. CLEMENS ILL IN ELMIRA WITH A DISTRESSING CARBUNCLE
CXCII. "FOLLOWING THE EQUATOR"
CXCIII. THE PASSING OF SUSY
CXCIV. WINTER IN TEDWORTH SQUARE
CXCV. "PERSONAL RECOLLECTIONS OF JOAN OF ARC".
CXCVI. MR. ROGERS AND HELEN KELLER
CXCVII. FINISHING THE BOOK OF TRAVEL.
CXCVIII. A SUMMER IN SWITZERLAND
CXCIX. WINTER IN VIENNA
CC. MARK TWAIN PAYS HIS DEBTS
CCI. SOCIAL LIFE IN VIENNA
CCII. LITERARY WORK IN VIENNA
CCIII. AN IMPERIAL TRAGEDY
CCIV. THE SECOND WINTER IN VIENNA
CCV. SPEECHES THAT WERE NOT MADE
CCVI. A SUMMER IN SWEDEN
CCVII. 30, WELLINGTON COURT
CCVIII. MARK TWAIN AND THE WARS
CCIX. PLASMON, AND A NEW MAGAZINE
CCX. LONDON SOCIAL AFFAIRS
CCXI. DOLLIS HILL AND HOME
VOLUME III, Part 1: 1900-1907
CCXII. THE RETURN OF THE CONQUEROR
CCXIII. MARK TWAIN—GENERAL SPOKESMAN
CCXIV. MARK TWAIN AND THE MISSIONARIES
CCXV. SUMMER AT "THE LAIR"
CCXVI. RIVERDALE—A YALE DEGREE
CCXVII. MARK TWAIN IN POLITICS
CCXVIII. NEW INTERESTS AND INVESTMENTS
CCXIX. YACHTING AND THEOLOGY
CCXX. MARK TWAIN AND THE PHILIPPINES
CCXXI. THE RETURN OF THE NATIVE
CCXXII. A PROPHET HONORED IN HIS COUNTRY
CCXXIII. AT YORK HARBOR
CCXXIV. THE SIXTY-SEVENTH BIRTHDAY DINNER
CCXXV. CHRISTIAN SCIENCE CONTROVERSIES
CCXXVI. "WAS IT HEAVEN? OR HELL?"
CCXXVII. THE SECOND RIVERDALE WINTER
CCXXVIII. PROFFERED HONORS
CCXXXIX. THE LAST SUMMER AT ELMIRA
CCXXX. THE RETURN TO FLORENCE
CCXXXI. THE CLOSE OF A BEAUTIFUL LIFE
CCXXXII. THE SAD JOURNEY HOME
CCXXXIII. BEGINNING ANOTHER HOME
CCXXXIV. LIFE AT 21 FIFTH AVENUE
CCXXXV. A SUMMER IN NEW HAMPSHIRE
CCXXXVI. AT PIER 70
CCXXXVII. AFTERMATH
CCXXXVIII. THE WRITER MEETS MARK TWAIN
CCXXXIX. WORKING WITH MARK TWAIN
CCXL. THE DEFINITION OF A GENTLEMAN
CCXLI. GORKY, HOWELLS, AND MARK TWAIN
CCXLII. MARK TWAIN'S GOOD-BY TO THE PLATFORM
CCXLIII. AN INVESTMENT IN REDDING
CCXLIV. TRAITS AND PHILOSOPHIES
CCXLV. IN THE DAY'S ROUND
CCXLVI. THE SECOND SUMMER AT DUBLIN
CCXLVI. DUBLIN, CONTINUED
CCXLVIII. "WHAT IS MAN?" AND THE AUTOBIOGRAPHY
CCXLIX. BILLIARDS
CCL. PHILOSOPHY AND PESSIMISM
CCLI. A LOBBYING EXPEDITION
CCLII. THEOLOGY AND EVOLUTION
CCLIII. AN EVENING WITH HELEN KELLER
CCLIV. BILLIARD-ROOM NOTES
CCLV. FURTHER PERSONALITIES
VOLUME III, Part 2: 1907-1910
CCLVI. HONORS FROM OXFORD
CCLVII. A TRUE ENGLISH WELCOME
CCLVIII. DOCTOR OF LITERATURE, OXFORD
CCLIX. LONDON SOCIAL HONORS
CCLX. MATTERS PSYCHIC AND OTHERWISE
CCLXI. MINOR EVENTS AND DIVERSIONS
CCLXII. FROM MARK TWAIN's MAIL.
CCLXIII. SOME LITERARY LUNCHEONS
CCLXIV. "CAPTAIN STORMFIELD" IN PRINT
CCLXV. LOTOS CLUB HONORS
CCLXVI. A WINTER IN BERMUDA
CCLXVII. VIEWS AND ADDRESSES
CCLXVIII. REDDING
CCLXIX. FIRST DAYS AT STORMFIELD
CCLXX. THE ALDRICH MEMORIAL.
CCLXXI. DEATH OF "SAM" MOFFETT
CCLXXII. STORMFIELD ADVENTURES
CCLXXIII. STORMFIELD PHILOSOPHIES
CCLXIV. CITIZEN AND FARMER
CCLXV. A MANTEL AND A BABY ELEPHANT
CCLXXVI. SHAKESPEARE-BACON TALK
CCLXXVII. "IS SHAKESPEARE DEAD?"
CCLXXVIII. THE DEATH OF HENRY ROGERS
CCLXXIX. AN EXTENSION OF COPYRIGHT
CCLXXX. A WARNING
CCLXXXI. THE LAST SUMMER AT STORMFIELD
CCLXXXII. PERSONAL MEMORANDA
CCLXXXIII. ASTRONOMY AND DREAMS
CCLXXXIV. A LIBRARY CONCERT
CCLXXXV. A WEDDING AT STORMFIELD
CCLXXXVI. AUTUMN DAYS
CCLXXVII. MARK TWAIN'S READING
CCLXXXVIII. A BERMUDA BIRTHDAY
CCLXXXIX. THE DEATH OF JEAN
CCXC. THE RETURN TO BERMUDA
CCXCI. LETTERS FROM BERMUDA
CCXCII. THE VOYAGE HOME
CCXCIII. THE RETURN TO THE INVISIBLE
CCXCIV. THE LAST RITES
CCXCV. MARK TWAIN'S RELIGION
CCXCVI. POSTSCRIPT

APPENDIX A

APPENDIX B

APPENDIX C.

APPENDIX D

APPENDIX E

APPENDIX F

APPENDIX G

APPENDIX H

APPENDIX I.

APPENDIX J

APPENDIX K

APPENDIX L.

APPENDIX M

APPENDIX N

APPENDIX O

APPENDIX P

APPENDIX Q

APPENDIX R

APPENDIX S

APPENDIX T

APPENDIX U

APPENDIX V.

APPENDIX W

VOLUME I. Part 1: 1835-1866

TO CLARA CLEMENS GABRILOWITSCH WHO STEADILY UPHELD THE AUTHOR'S PURPOSE TO WRITE HISTORY RATHER THAN EULOGY AS THE STORY OF HER FATHER'S LIFE

AN ACKNOWLEDGMENT

Dear William Dean Howells, Joseph Hopkins Twichell, Joseph T. Goodman, and other old friends of Mark Twain:

I cannot let these volumes go to press without some grateful word to you who have helped me during the six years and more that have gone to their making.

First, I want to confess how I have envied you your association with Mark Twain in those days when you and he "went gipsying, a long time ago." Next, I want to express my wonder at your willingness to give me so unstintedly from your precious letters and memories, when it is in the nature of man to hoard such treasures, for himself and for those who follow him. And, lastly, I want to tell you that I do not envy you so much, any more, for in these chapters, one after another, through your grace, I have gone gipsying with you all. Neither do I wonder now, for I have come to know that out of your love for him grew that greater unselfishness (or divine selfishness, as he himself might have termed it), and that nothing short of the fullest you could do for his memory would have contented your hearts.

My gratitude is measureless; and it is world-wide, for there is no land so distant that it does not contain some one who has eagerly contributed to the story. Only, I seem so poorly able to put my thanks into words.

Albert Bigelow Paine.

PREFATORY NOTE

Certain happenings as recorded in this work will be found to differ materially from the same incidents and episodes as set down in the writings of Mr. Clemens himself. Mark Twain's spirit was built of the very fabric of truth, so far as moral intent was concerned, but in his earlier autobiographical writings—and most of his earlier writings were autobiographical—he made no real pretense to accuracy of time, place, or circumstance—seeking, as he said, "only to tell a good story"—while in later years an ever-vivid imagination and a capricious memory made history difficult, even when, as in his so-called "Autobiography," his effort was in the direction of fact.

"When I was younger I could remember anything, whether it happened or not," he once said, quaintly, "but I am getting old, and soon I shall remember only the latter."

The reader may be assured, where discrepancies occur, that the writer of this memoir has obtained his data from direct and positive sources: letters, diaries, account-books, or other immediate memoranda; also from the concurring testimony of eye-witnesses, supported by a unity of circumstance and conditions, and not from hearsay or vagrant printed items.

MARK TWAIN—A BIOGRAPHY

I. ANCESTORS

On page 492 of the old volume of Suetonius, which Mark Twain read until his very last day, there is a reference to one Flavius Clemens, a man of wide repute "for his want of energy," and in a marginal note he has written:

"I guess this is where our line starts."

It was like him to write that. It spoke in his whimsical fashion the attitude of humility, the ready acknowledgment of shortcoming, which was his chief characteristic and made him lovable—in his personality and in his work.

Historically, we need not accept this identity of the Clemens ancestry. The name itself has a kindly meaning, and was not an uncommon one in Rome. There was an early pope by that name, and it appears now and again in the annals of the Middle Ages. More lately there was a Gregory Clemens, an English landowner who became a member of Parliament under Cromwell and signed the death-warrant of Charles I. Afterward he was tried as a regicide, his estates were confiscated, and his head was exposed on a pole on the top of Westminster Hall.

Tradition says that the family of Gregory Clemens did not remain in England, but emigrated to Virginia (or New Jersey), and from them, in direct line, descended the Virginia Clemenses, including John Marshall Clemens, the father of Mark Twain. Perhaps the line could be traced, and its various steps identified, but, after all, an ancestor more or less need not matter when it is the story of a descendant that is to be written.

Of Mark Twain's immediate forebears, however, there is something to be said. His paternal grandfather, whose name also was Samuel, was a man of culture and literary taste. In 1797 he married a Virginia girl, Pamela Goggin; and of their five children John Marshall Clemens, born August 11, 1798, was the eldest—becoming male head of the family at the age of seven, when his father was accidentally killed at a house-raising. The family was not a poor one, but the boy grew up with a taste for work. As a youth he became a clerk in an iron manufactory, at Lynchburg, and doubtless studied at night. At all events, he acquired an education, but injured his health in the mean time, and somewhat later, with his mother and the younger children, removed to Adair County, Kentucky, where the widow presently married a sweetheart of her girlhood, one Simon Hancock, a good man. In due course, John Clemens was sent to Columbia, the countyseat, to study law. When the living heirs became of age he administered his father's estate, receiving as his own share three negro slaves; also a mahogany sideboard, which remains among the Clemens effects to this day.

This was in 1821. John Clemens was now a young man of twenty-three, never very robust, but with a good profession, plenty of resolution, and a heart full of hope and dreams. Sober, industrious, and unswervingly upright, it seemed certain that he must make his mark. That he was likely to be somewhat too optimistic, even visionary, was not then regarded as a misfortune.

It was two years later that he met Jane Lampton; whose mother was a Casey—a Montgomery-Casey whose father was of the Lamptons (Lambtons) of Durham, England, and who on her own account was reputed to be the handsomest girl and the wittiest, as well as the best dancer, in all Kentucky. The Montgomeries and the Caseys of Kentucky had been Indian fighters in the Daniel Boone period, and grandmother Casey, who had been Jane Montgomery, had worn moccasins in her girlhood, and once saved her life by jumping a fence and out-running a redskin pursuer. The Montgomery and Casey annals were full of blood-curdling adventures, and there is to-day a Casey County next to Adair, with a Montgomery County somewhat farther east. As for the Lamptons, there is an earldom in the English family, and there were claimants even then in the American branch. All these things were worth while in Kentucky, but it was rare Jane Lampton herself—gay, buoyant, celebrated for her beauty and her grace; able to dance all night, and all day too, for that matter—that won the heart of John Marshall Clemens, swept him off his feet almost at the moment of their meeting. Many of the characteristics that made Mark Twain famous were inherited from his mother. His sense of humor, his prompt, quaintly spoken philosophy, these were distinctly her contribution to his fame. Speaking of her in a later day, he once said:

"She had a sort of ability which is rare in man and hardly existent in woman—the ability to say a humorous thing with the perfect air of not knowing it to be humorous."

She bequeathed him this, without doubt; also her delicate complexion; her wonderful wealth of hair; her small, shapely hands and feet, and the pleasant drawling speech which gave her wit, and his, a serene and perfect setting.

It was a one-sided love affair, the brief courtship of Jane Lampton and John Marshall Clemens. All her life, Jane Clemens honored her husband, and while he lived served him loyally; but the choice of her heart had been a young physician of Lexington with whom she had quarreled, and her prompt engagement with John Clemens was a matter of temper rather than tenderness. She stipulated that the wedding take place at once, and on May 6, 1823, they were married. She was then twenty; her husband twenty-five. More than sixty years later, when John Clemens had long been dead, she took a railway journey to a city where there was an Old Settlers' Convention, because among the names of those attending she had noticed the name of the lover of her youth. She meant to humble herself to him and ask forgiveness after all the years. She arrived too late; the convention was over, and he was gone. Mark Twain once spoke of this, and added:

"It is as pathetic a romance as any that has crossed the field of my personal experience in a long lifetime."

II. THE FORTUNES OF JOHN AND JANE CLEMENS

With all his ability and industry, and with the-best of intentions, John Clemens would seem to have had an unerring faculty for making business mistakes. It was his optimistic outlook, no doubt—his absolute confidence in the prosperity that lay just ahead—which led him from one unfortunate locality or enterprise to another, as long as he lived. About a year after his marriage he settled with his young wife in Gainsborough, Tennessee, a mountain town on the Cumberland River, and here, in 1825, their first child, a boy, was born. They named him Orion—after the constellation, perhaps—though they changed the accent to the first syllable, calling it Orion. Gainsborough was a small place with few enough law cases; but it could hardly have been as small, or furnished as few cases; as the next one selected, which was Jamestown, Fentress County, still farther toward the Eastward Mountains. Yet Jamestown had the advantage of being brand new, and in the eye of his fancy John Clemens doubtless saw it the future metropolis of east Tennessee, with himself its foremost jurist and citizen. He took an immediate and active interest in the development of the place, established the county-seat there, built the first Court House, and was promptly elected as circuit clerk of the court.

It was then that he decided to lay the foundation of a fortune for himself and his children by acquiring Fentress County land. Grants could be obtained in those days at the expense of less than a cent an acre, and John Clemens believed that the years lay not far distant when the land would increase in value ten thousand, twenty, perhaps even a hundred thousandfold. There was no wrong estimate in that. Land covered with the finest primeval timber, and filled with precious minerals, could hardly fail to become worth millions, even though his entire purchase of 75,000 acres probably did not cost him more than $500. The great tract lay about twenty nines to the southward of Jamestown. Standing in the door of the Court House he had built, looking out over the "Knob" of the Cumberland Mountains toward his vast possessions, he said:

"Whatever befalls me now, my heirs are secure. I may not live to see these acres turn into silver and gold, but my children will."

Such was the creation of that mirage of wealth, the "Tennessee land," which all his days and for long afterward would lie just ahead—a golden vision, its name the single watchword of the family fortunes—the dream fading with years, only materializing at last as a theme in a story of phantom riches, The Gilded Age.

Yet for once John Clemens saw clearly, and if his dream did not come true he was in no wise to blame. The land is priceless now, and a corporation of the Clemens heirs is to-day contesting the title of a thin fragment of it—about one thousand acres—overlooked in some survey.

Believing the future provided for, Clemens turned his attention to present needs. He built himself a house, unusual in its style and elegance. It had two windows in each room, and its walls were covered with plastering, something which no one in Jamestown had ever seen before. He was regarded as an aristocrat. He wore a swallow-tail coat of fine blue jeans, instead of the coarse brown native-made cloth. The blue-jeans coat was ornamented with brass buttons and cost one dollar and twenty-five cents a yard, a high price for that locality and time. His wife wore a calico dress for company, while the neighbor wives wore homespun linsey-woolsey. The new house was referred to as the Crystal Palace. When John and Jane Clemens attended balls—there were continuous balls during the holidays—they were considered the most graceful dancers.

Jamestown did not become the metropolis he had dreamed. It attained almost immediately to a growth of twenty-five houses—mainly log houses—and stopped there. The country, too, was sparsely settled; law practice was slender and unprofitable, the circuit-riding from court to court was very bad for one of his physique. John Clemens saw his reserve of health and funds dwindling, and decided to embark in merchandise. He built himself a store and put in a small country stock of goods. These he exchanged for ginseng, chestnuts, lampblack, turpentine, rosin, and other produce of the country, which he took to Louisville every spring and fall in six-horse wagons. In the mean time he would seem to have sold one or more of his slaves, doubtless to provide capital. There was a second baby now—a little girl, Pamela,—born in September, 1827. Three years later, May 1830, another little girl, Margaret, came. By this time the store and home were in one building, the store occupying one room, the household requiring two—clearly the family fortunes were declining.

About a year after little Margaret was born, John Clemens gave up Jamestown and moved his family and stock of goods to a point nine miles distant, known as the Three Forks of Wolf. The Tennessee land was safe, of course, and would be worth millions some day, but in the mean time the struggle for daily substance was becoming hard.

He could not have remained at the Three Forks long, for in 1832 we find him at still another place, on the right bank of Wolf River, where a post-office called Pall Mall was established, with John Clemens as postmaster, usually addressed as "Squire" or "Judge." A store was run in connection with the postoffice. At Pall Mall, in June, 1832, another boy, Benjamin, was born.

The family at this time occupied a log house built by John Clemens himself, the store being kept in another log house on the opposite bank of the river. He no longer practised law. In The Gilded Age we have Mark Twain's picture of Squire Hawkins and Obedstown, written from descriptions supplied in later years by his mother and his brother Orion; and, while not exact in detail, it is not regarded as an exaggerated presentation of east Tennessee conditions at that time. The chapter is too long and too depressing to be set down here. The reader may look it up for himself, if he chooses. If he does he will not wonder that Jane Clemens's handsome features had become somewhat sharper, and her manner a shade graver, with the years and burdens of marriage, or that John Clemens at thirty-six-out of health, out of tune with his environment—was rapidly getting out of heart. After all the bright promise of the beginning, things had somehow gone wrong, and hope seemed dwindling away.

A tall man, he had become thin and unusually pale; he looked older than his years. Every spring he was prostrated with what was called "sunpain," an acute form of headache, nerve-racking and destroying to all persistent effort. Yet he did not retreat from his moral and intellectual standards, or lose the respect of that shiftless community. He was never intimidated by the rougher element, and his eyes were of a kind that would disconcert nine men out of ten. Gray and deep-set under bushy brows, they literally looked you through. Absolutely fearless, he permitted none to trample on his rights. It is told of John Clemens, at Jamestown, that once when he had lost a cow he handed the minister on Sunday morning a notice of the loss to be read from the pulpit, according to the custom of that community. For some reason, the minister put the document aside and neglected it. At the close of the service Clemens rose and, going to the pulpit, read his announcement himself to the congregation. Those who knew Mark Twain best will not fail to recall in him certain of his father's legacies.

The arrival of a letter from "Colonel Sellers" inviting the Hawkins family to come to Missouri is told in The Gilded Age. In reality the letter was from John Quarles, who had married Jane Clemens's sister, Patsey Lampton, and settled in Florida, Monroe County, Missouri. It was a momentous letter in The Gilded Age, and no less so in reality, for it shifted the entire scene of the Clemens family fortunes, and it had to do with the birthplace and the shaping of the career of one whose memory is likely to last as long as American history.

III. A HUMBLE BIRTHPLACE

Florida, Missouri, was a small village in the early thirties—smaller than it is now, perhaps, though in that day it had more promise, even if less celebrity. The West was unassembled then, undigested, comparatively unknown. Two States, Louisiana and Missouri, with less than half a million white persons, were all that lay beyond the great river. St. Louis, with its boasted ten thousand inhabitants and its river trade with the South, was the single metropolis in all that vast uncharted region. There was no telegraph; there were no railroads, no stage lines of any consequence—scarcely any maps. For all that one could see or guess, one place was as promising as another, especially a settlement like Florida, located at the forks of a pretty stream, Salt River, which those early settlers believed might one day become navigable and carry the merchandise of that region down to the mighty Mississippi, thence to the world outside.

In those days came John A. Quarles, of Kentucky, with his wife, who had been Patsey Ann Lampton; also, later, Benjamin Lampton, her father, and others of the Lampton race. It was natural that they should want Jane Clemens and her husband to give up that disheartening east Tennessee venture and join them in this new and promising land. It was natural, too, for John Quarles—happy-hearted, generous, and optimistic—to write the letter. There were only twenty-one houses in Florida, but Quarles counted stables, out-buildings—everything with a roof on it—and set down the number at fifty-four.

Florida, with its iridescent promise and negligible future, was just the kind of a place that John Clemens with unerring instinct would be certain to select, and the Quarles letter could have but one answer. Yet there would be the longing for companionship, too, and Jane Clemens must have hungered for her people. In The Gilded Age, the Sellers letter ends:

"Come!—rush!—hurry!—don't wait for anything!"

The Clemens family began immediately its preparation for getting away. The store was sold, and the farm; the last two wagon-loads of produce were sent to Louisville; and with the aid of the money realized, a few hundred dollars, John Clemens and his family "flitted out into the great mysterious blank that lay beyond the Knobs of Tennessee." They had a two-horse barouche, which would seem to have been preserved out of their earlier fortunes. The barouche held the parents and the three younger children, Pamela, Margaret, anal the little boy, Benjamin. There were also two extra horses, which Orion, now ten, and Jennie, the house-girl, a slave, rode. This was early in the spring of 1835.

They traveled by the way of their old home at Columbia, and paid a visit to relatives. At Louisville they embarked on a steamer bound for St. Louis; thence overland once more through wilderness and solitude into what was then the Far West, the promised land.

They arrived one evening, and if Florida was not quite all in appearance that John Clemens had dreamed, it was at least a haven—with John Quarles, jovial, hospitable, and full of plans. The great Mississippi was less than fifty miles away. Salt River, with a system of locks and dams, would certainly become navigable to the Forks, with Florida as its head of navigation. It was a Sellers fancy, though perhaps it should be said here that John Quarles was not the chief original of that lovely character in The Gilded Age. That was another relative—James Lampton, a cousin—quite as lovable, and a builder of even more insubstantial dreams.

John Quarles was already established in merchandise in Florida, and was prospering in a small way. He had also acquired a good farm, which he worked with thirty slaves, and was probably the rich man and leading citizen of the community. He offered John Clemens a partnership in his store, and agreed to aid him in the selection of some land. Furthermore, he encouraged him to renew his practice of the law. Thus far, at least, the Florida venture was not a mistake, for, whatever came, matters could not be worse than they had been in Tennessee.

In a small frame building near the center of the village, John and Jane Clemens established their household. It was a humble one-story affair, with two main rooms and a lean-to kitchen, though comfortable enough for its size, and comparatively new. It is still standing and occupied when these lines are written, and it should be preserved and guarded as a shrine for the American people; for it was here that the foremost American-born author—the man most characteristically American in every thought and word and action of his life—drew his first fluttering breath, caught blinkingly the light of a world that in the years to come would rise up and in its wide realm of letters hail him as a king.

It was on a bleak day, November 30, 1835, that he entered feebly the domain he was to conquer. Long, afterward, one of those who knew him best said:

"He always seemed to me like some great being from another planet—never quite of this race or kind."

He may have been, for a great comet was in the sky that year, and it would return no more until the day when he should be borne back into the far spaces of silence and undiscovered suns. But nobody thought of this, then.

He was a seven-months child, and there was no fanfare of welcome at his coming. Perhaps it was even suggested that, in a house so small and so sufficiently filled, there was no real need of his coming at all. One Polly Ann Buchanan, who is said to have put the first garment of any sort on him, lived to boast of the fact,—[This honor has been claimed also for Mrs. Millie Upton and a Mrs. Damrell. Probably all were present and assisted.]—but she had no particular pride in that matter then. It was only a puny baby with a wavering promise of life. Still, John Clemens must have regarded with favor this first gift of fortune in a new land, for he named the little boy Samuel, after his father, and added the name of an old and dear Virginia friend, Langhorne. The family fortunes would seem to have been improving at this time, and he may have regarded the arrival of another son as a good omen.

With a family of eight, now, including Jennie, the slavegirl, more room was badly needed, and he began building without delay. The result was not a mansion, by any means, being still of the one-story pattern, but it was more commodious than the tiny two-room affair. The rooms were larger, and there was at least one ell, or extension, for kitchen and dining-room uses. This house, completed in 1836, occupied by the Clemens family during the remainder of the years spent in Florida, was often in later days pointed out as Mark Twain's birthplace. It missed that distinction by a few months, though its honor was sufficient in having sheltered his early childhood.—[This house is no longer standing. When it was torn down several years ago, portions of it were carried off and manufactured into souvenirs. Mark Twain himself disclaimed it as his birthplace, and once wrote on a photograph of it: "No, it is too stylish, it is not my birthplace."]

IV. BEGINNING A LONG JOURNEY

It was not a robust childhood. The new baby managed to go through the winter—a matter of comment among the family and neighbors. Added strength came, but slowly; "Little Sam," as they called him, was always delicate during those early years.

It was a curious childhood, full of weird, fantastic impressions and contradictory influences, stimulating alike to the imagination and that embryo philosophy of life which begins almost with infancy. John Clemens seldom devoted any time to the company of his children. He looked after their comfort and mental development as well as he could, and gave advice on occasion. He bought a book now and then—sometimes a picture-book—and subscribed for Peter Parley's Magazine, a marvel of delight to the older children, but he did not join in their amusements, and he rarely, or never, laughed. Mark Twain did not remember ever having seen or heard his father laugh. The problem of supplying food was a somber one to John Clemens; also, he was working on a perpetual-motion machine at this period, which absorbed his spare time, and, to the inventor at least, was not a mirthful occupation. Jane Clemens was busy, too. Her sense of humor did not die, but with added cares and years her temper as well as her features became sharper, and it was just as well to be fairly out of range when she was busy with her employments.

Little Sam's companions were his brothers and sisters, all older than himself: Orion, ten years his senior, followed by Pamela and Margaret at intervals of two and three years, then by Benjamin, a kindly little lad whose gentle life was chiefly devoted to looking after the baby brother, three years his junior. But in addition to these associations, there were the still more potent influences Of that day and section, the intimate, enveloping institution of slavery, the daily companionship of the slaves. All the children of that time were fond of the negroes and confided in them. They would, in fact, have been lost without such protection and company.

It was Jennie, the house-girl, and Uncle Ned, a man of all work—apparently acquired with the improved prospects—who were in real charge of the children and supplied them with entertainment. Wonderful entertainment it was. That was a time of visions and dreams, small. gossip and superstitions. Old tales were repeated over and over, with adornments and improvements suggested by immediate events. At evening the Clemens children, big and little, gathered about the great open fireplace while Jennie and Uncle Ned told tales and hair-lifting legends. Even a baby of two or three years could follow the drift of this primitive telling and would shiver and cling close with the horror and delight of its curdling thrill. The tales always began with "Once 'pon a time," and one of them was the story of the "Golden Arm" which the smallest listener would one day repeat more elaborately to wider audiences in many lands. Briefly it ran as follows:

"Once 'Pon a time there was a man, and he had a wife, and she had a' arm of pure gold; and she died, and they buried her in the graveyard; and one night her husband went and dug her up and cut off her golden arm and tuck it home; and one night a ghost all in white come to him; and she was his wife; and she says:

"W-h-a-r-r's my golden arm? W-h-a-r-r's my golden arm? W-h-a-r-r's my g-o-l-den arm?"

As Uncle Ned repeated these blood-curdling questions he would look first one and then another of his listeners in the eyes, with his bands drawn up in front of his breast, his fingers turned out and crooked like claws, while he bent with each question closer to the shrinking forms before him. The tone was sepulchral, with awful pause as if waiting each time for a reply. The culmination came with a pounce on one of the group, a shake of the shoulders, and a shout of:

"YOU'VE got it!' and she tore him all to pieces!"

And the children would shout "Lordy!" and look furtively over their shoulders, fearing to see a woman in white against the black wall; but, instead, only gloomy, shapeless shadows darted across it as the flickering flames in the fireplace went out on one brand and flared up on another. Then there was a story of a great ball of fire that used to follow lonely travelers along dark roads through the woods.

"Once 'pon a time there was a man, and he was riding along de road and he come to a ha'nted house, and he heard de chains'a-rattlin' and a-rattlin' and a-rattlin', and a ball of fire come rollin' up and got under his stirrup, and it didn't make no difference if his horse galloped or went slow or stood still, de ball of fire staid under his stirrup till he got plum to de front do', and his wife come out and say: 'My Gord, dat's devil fire!' and she had to work a witch spell to drive it away."

"How big was it, Uncle Ned?"

"Oh, 'bout as big as your head, and I 'spect it's likely to come down dis yere chimney 'most any time."

Certainly an atmosphere like this meant a tropic development for the imagination of a delicate child. All the games and daily talk concerned fanciful semi-African conditions and strange primal possibilities. The children of that day believed in spells and charms and bad-luck signs, all learned of their negro guardians.

But if the negroes were the chief companions and protectors of the children, they were likewise one of their discomforts. The greatest real dread children knew was the fear of meeting runaway slaves. A runaway slave was regarded as worse than a wild beast, and treated worse when caught. Once the children saw one brought into Florida by six men who took him to an empty cabin, where they threw him on the floor and bound him with ropes. His groans were loud and frequent. Such things made an impression that would last a lifetime.

Slave punishment, too, was not unknown, even in the household. Jennie especially was often saucy and obstreperous. Jane Clemens, with more strength of character than of body, once undertook to punish her for insolence, whereupon Jennie snatched the whip from her hand. John Clemens was sent for in haste. He came at once, tied Jennie's wrists together with a bridle rein, and administered chastisement across the shoulders with a cowhide. These were things all calculated to impress a sensitive child.

In pleasant weather the children roamed over the country, hunting berries and nuts, drinking sugar-water, tying knots in love-vine, picking the petals from daisies to the formula "Love me-love me not," always accompanied by one or more, sometimes by half a dozen, of their small darky followers. Shoes were taken off the first of April. For a time a pair of old woolen stockings were worn, but these soon disappeared, leaving the feet bare for the summer. One of their dreads was the possibility of sticking a rusty nail into the foot, as this was liable to cause lockjaw, a malady regarded with awe and terror. They knew what lockjaw was—Uncle John Quarles's black man, Dan, was subject to it. Sometimes when he opened his mouth to its utmost capacity he felt the joints slip and was compelled to put down the cornbread, or jole and greens, or the piece of 'possum he was eating, while his mouth remained a fixed abyss until the doctor came and restored it to a natural position by an exertion of muscular power that would have well-nigh lifted an ox.

Uncle John Quarles, his home, his farm, his slaves, all were sources of never-ending delight. Perhaps the farm was just an ordinary Missouri farm and the slaves just average negroes, but to those children these things were never apparent. There was a halo about anything that belonged to Uncle John Quarles, and that halo was the jovial, hilarious kindness of that gentle-hearted, humane man. To visit at his house was for a child to be in a heaven of mirth and pranks continually. When the children came for eggs he would say:

"Your hens won't lay, eh? Tell your maw to feed 'em parched corn and drive 'em uphill," and this was always a splendid stroke of humor to his small hearers.

Also, he knew how to mimic with his empty hands the peculiar patting and tossing of a pone of corn-bread before placing it in the oven. He would make the most fearful threats to his own children, for disobedience, but never executed any of them. When they were out fishing and returned late he would say:

"You—if I have to hunt you again after dark, I will make you smell like a burnt horn!"

Nothing could exceed the ferocity of this threat, and all the children, with delightful terror and curiosity, wondered what would happen—if it ever did happen—that would result in giving a child that peculiar savor. Altogether it was a curious early childhood that Little Sam had—at least it seems so to us now. Doubtless it was commonplace enough for that time and locality.

V. THE WAY OF FORTUNE

Perhaps John Quarles's jocular, happy-go-lucky nature and general conduct did not altogether harmonize with John Clemens's more taciturn business methods. Notwithstanding the fact that he was a builder of dreams, Clemens was neat and methodical, with his papers always in order. He had a hearty dislike for anything resembling frivolity and confusion, which very likely were the chief features of John Quarles's storekeeping. At all events, they dissolved partnership at the end of two or three years, and Clemens opened business for himself across the street. He also practised law whenever there were cases, and was elected justice of the peace, acquiring the permanent title of "Judge." He needed some one to assist in the store, and took in Orion, who was by this time twelve or thirteen years old; but, besides his youth, Orion—all his days a visionary—was a studious, pensive lad with no taste for commerce. Then a partnership was formed with a man who developed neither capital nor business ability, and proved a disaster in the end. The modest tide of success which had come with John Clemens's establishment at Florida had begun to wane. Another boy, Henry, born in July, 1838, added one more responsibility to his burdens.

There still remained a promise of better things. There seemed at least a good prospect that the scheme for making Salt River navigable was likely to become operative. With even small boats (bateaux) running as high as the lower branch of the South Fork, Florida would become an emporium of trade, and merchants and property-owners of that village would reap a harvest. An act of the Legislature was passed incorporating the navigation company, with Judge Clemens as its president. Congress was petitioned to aid this work of internal improvement. So confident was the company of success that the hamlet was thrown into a fever of excitement by the establishment of a boatyard and, the actual construction of a bateau; but a Democratic Congress turned its back on the proposed improvement. No boat bigger than a skiff ever ascended Salt River, though there was a wild report, evidently a hoax, that a party of picnickers had seen one night a ghostly steamer, loaded and manned, puffing up the stream. An old Scotchman, Hugh Robinson, when he heard of it, said:

"I don't doubt a word they say. In Scotland, it often happens that when people have been killed, or are troubled, they send their spirits abroad and they are seen as much like themselves as a reflection in a looking-glass. That was a ghost of some wrecked steamboat."

But John Quarles, who was present, laughed:

"If ever anybody was in trouble, the men on that steamboat were," he said. "They were the Democratic candidates at the last election. They killed Salt River improvements, and Salt River has killed them. Their ghosts went up the river on a ghostly steamboat."

It is possible that this comment, which was widely repeated and traveled far, was the origin of the term "Going up Salt River," as applied to defeated political candidates.—[The dictionaries give this phrase as probably traceable to a small, difficult stream in Kentucky; but it seems more reasonable to believe that it originated in Quarles's witty comment.]

No other attempt was ever made to establish navigation on Salt River. Rumors of railroads already running in the East put an end to any such thought. Railroads could run anywhere and were probably cheaper and easier to maintain than the difficult navigation requiring locks and dams. Salt River lost its prestige as a possible water highway and became mere scenery. Railroads have ruined greater rivers than the Little Salt, and greater villages than Florida, though neither Florida nor Salt River has been touched by a railroad to this day. Perhaps such close detail of early history may be thought unnecessary in a work of this kind, but all these things were definite influences in the career of the little lad whom the world would one day know as Mark Twain.

VI. A NEW HOME

The death of little Margaret was the final misfortune that came to the Clemens family in Florida. Doubtless it hastened their departure. There was a superstition in those days that to refer to health as good luck, rather than to ascribe it to the kindness of Providence, was to bring about a judgment. Jane Clemens one day spoke to a neighbor of their good luck in thus far having lost no member of their family. That same day, when the sisters, Pamela and Margaret, returned from school, Margaret laid her books on the table, looked in the glass at her flushed cheeks, pulled out the trundle-bed, and lay down.

She was never in her right mind again. The doctor was sent for and diagnosed the case "bilious fever." One evening, about nine o'clock, Orion was sitting on the edge of the trundle-bed by the patient, when the door opened and Little Sam, then about four years old, walked in from his bedroom, fast asleep. He came to the side of the trundle-bed and pulled at the bedding near Margaret's shoulder for some time before he woke. Next day the little girl was "picking at the coverlet," and it was known that she could not live. About a week later she died. She was nine years old, a beautiful child, plump in form, with rosy cheeks, black hair, and bright eyes. This was in August, 1839. It was Little Sam's first sight of death—the first break in the Clemens family: it left a sad household. The shoemaker who lived next door claimed to have seen several weeks previous, in a vision, the coffin and the funeral-procession pass the gate by the winding road, to the cemetery, exactly as it happened.

Matters were now going badly enough with John Clemens. Yet he never was without one great comforting thought—the future of the Tennessee land. It underlaid every plan; it was an anodyne for every ill.

"When we sell the Tennessee land everything will be all right," was the refrain that brought solace in the darkest hours. A blessing for him that this was so, for he had little else to brighten his days. Negotiations looking to the sale of the land were usually in progress. When the pressure became very hard and finances were at their lowest ebb, it was offered at any price—at five cents an acre, sometimes. When conditions improved, however little, the price suddenly advanced even to its maximum of one thousand dollars an acre. Now and then a genuine offer came along, but, though eagerly welcomed at the moment, it was always refused after a little consideration.

"We will struggle along somehow, Jane," he would say. "We will not throw away the children's fortune."

There was one other who believed in the Tennessee land—Jane Clemens's favorite cousin, James Lampton, the courtliest, gentlest, most prodigal optimist of all that guileless race. To James Lampton the land always had "millions in it"—everything had. He made stupendous fortunes daily, in new ways. The bare mention of the Tennessee land sent him off into figures that ended with the purchase of estates in England adjoining those of the Durham Lamptons, whom he always referred to as "our kindred," casually mentioning the whereabouts and health of the "present earl." Mark Twain merely put James Lampton on paper when he created Colonel Sellers, and the story of the Hawkins family as told in The Gilded Age reflects clearly the struggle of those days. The words "Tennessee land," with their golden promise, became his earliest remembered syllables. He grew to detest them in time, for they came to mean mockery.

One of the offers received was the trifling sum of two hundred and fifty dollars, and such was the moment's need that even this was considered. Then, of course, it was scornfully refused. In some autobiographical chapters which Orion Clemens left behind he said:

"If we had received that two hundred and fifty dollars, it would have been more than we ever made, clear of expenses, out of the whole of the Tennessee land, after forty years of worry to three generations."

What a less speculative and more logical reasoner would have done in the beginning, John Clemens did now; he selected a place which, though little more than a village, was on a river already navigable—a steamboat town with at least the beginnings of manufacturing and trade already established—that is to say, Hannibal, Missouri—a point well chosen, as shown by its prosperity to-day.

He did not delay matters. When he came to a decision, he acted quickly. He disposed of a portion of his goods and shipped the remainder overland; then, with his family and chattels loaded in a wagon, he was ready to set out for the new home. Orion records that, for some reason, his father did not invite him to get into the wagon, and how, being always sensitive to slight, he had regarded this in the light of deliberate desertion.

"The sense of abandonment caused my heart to ache. The wagon had gone a few feet when I was discovered and invited to enter. How I wished they had not missed me until they had arrived at Hannibal. Then the world would have seen how I was treated and would have cried 'Shame!'"

This incident, noted and remembered, long after became curiously confused with another, in Mark Twain's mind. In an autobiographical chapter published in The North American Review he tells of the move to Hannibal and relates that he himself was left behind by his absentminded family. The incident of his own abandonment did not happen then, but later, and somewhat differently. It would indeed be an absent-minded family if the parents, and the sister and brothers ranging up to fourteen years of age, should drive off leaving Little Sam, age four, behind. —[As mentioned in the Prefatory Note, Mark Twain's memory played him many tricks in later life. Incidents were filtered through his vivid imagination until many of them bore little relation to the actual occurrence. Some of these lapses were only amusing, but occasionally they worked an unintentional injustice. It is the author's purpose in every instance, so far as is possible, to keep the record straight.]

VII. THE LITTLE TOWN OF HANNIBAL.

Hannibal in 1839 was already a corporate community and had an atmosphere of its own. It was a town with a distinct Southern flavor, though rather more astir than the true Southern community of that period; more Western in that it planned, though without excitement, certain new enterprises and made a show, at least, of manufacturing. It was somnolent (a slave town could not be less than that), but it was not wholly asleep—that is to say, dead—and it was tranquilly content. Mark Twain remembered it as "the white town drowsing in the sunshine of a summer morning,... the great Mississippi, the magnificent Mississippi, rolling its mile-wide tide along;... the dense forest away on the other side."

The little city was proud of its scenery, and justly so: circled with bluffs, with Holliday's Hill on the north, Lover's Leap on the south, the shining river in the foreground, there was little to be desired in the way of setting.

The river, of course, was the great highway. Rafts drifted by; steamboats passed up and down and gave communication to the outside world; St. Louis, the metropolis, was only one hundred miles away. Hannibal was inclined to rank itself as of next importance, and took on airs accordingly. It had society, too—all kinds—from the negroes and the town drunkards ("General" Gaines and Jimmy Finn; later, Old Ben Blankenship) up through several nondescript grades of mechanics and tradesmen to the professional men of the community, who wore tall hats, ruffled shirt-fronts, and swallow-tail coats, usually of some positive color-blue, snuff-brown, and green. These and their families constituted the true aristocracy of the Southern town. Most of them had pleasant homes—brick or large frame mansions, with colonnaded entrances, after the manner of all Southern architecture of that period, which had an undoubted Greek root, because of certain drawing-books, it is said, accessible to the builders of those days. Most of them, also, had means—slaves and land which yielded an income in addition to their professional earnings. They lived in such style as was considered fitting to their rank, and had such comforts as were then obtainable.

It was to this grade of society that judge Clemens and his family belonged, but his means no longer enabled him to provide either the comforts or the ostentation of his class. He settled his family and belongings in a portion of a house on Hill Street—the Pavey Hotel; his merchandise he established modestly on Main Street, with Orion, in a new suit of clothes, as clerk. Possibly the clothes gave Orion a renewed ambition for mercantile life, but this waned. Business did not begin actively, and he was presently dreaming and reading away the time. A little later he became a printer's apprentice, in the office of the Hannibal Journal, at his father's suggestion.

Orion Clemens perhaps deserves a special word here. He was to be much associated with his more famous brother for many years, and his personality as boy and man is worth at least a casual consideration. He was fifteen now, and had developed characteristics which in a greater or less degree were to go with him through life. Of a kindly, loving disposition, like all of the Clemens children, quick of temper, but always contrite, or forgiving, he was never without the fond regard of those who knew him best. His weaknesses were manifold, but, on the whole, of a negative kind. Honorable and truthful, he had no tendency to bad habits or unworthy pursuits; indeed, he had no positive traits of any sort. That was his chief misfortune. Full of whims and fancies, unstable, indeterminate, he was swayed by every passing emotion and influence. Daily he laid out a new course of study and achievement, only to fling it aside because of some chance remark or printed paragraph or bit of advice that ran contrary to his purpose. Such a life is bound to be a succession of extremes—alternate periods of supreme exaltation and despair. In his autobiographical chapters, already mentioned, Orion sets down every impulse and emotion and failure with that faithful humility which won him always the respect, if not always the approval, of men.

Printing was a step downward, for it was a trade, and Orion felt it keenly. A gentleman's son and a prospective heir of the Tennessee land, he was entitled to a profession. To him it was punishment, and the disgrace weighed upon him. Then he remembered that Benjamin Franklin had been a printer and had eaten only an apple and a bunch of grapes for his dinner. Orion decided to emulate Franklin, and for a time he took only a biscuit and a glass of water at a meal, foreseeing the day when he should electrify the world with his eloquence. He was surprised to find how clear his mind was on this low diet and how rapidly he learned his trade.

Of the other children Pamela, now twelve, and Benjamin, seven, were put to school. They were pretty, attractive children, and Henry, the baby, was a sturdy toddler, the pride of the household. Little Sam was the least promising of the flock. He remained delicate, and developed little beyond a tendency to pranks. He was a queer, fanciful, uncommunicative child that detested indoors and would run away if not watched—always in the direction of the river. He walked in his sleep, too, and often the rest of the household got up in the middle of the night to find him fretting with cold in some dark corner. The doctor was summoned for him oftener than was good for the family purse—or for him, perhaps, if we may credit the story of heavy dosings of those stern allopathic days.

Yet he would appear not to have been satisfied with his heritage of ailments, and was ambitious for more. An epidemic of measles—the black, deadly kind—was ravaging Hannibal, and he yearned for the complaint. He yearned so much that when he heard of a playmate, one of the Bowen boys, who had it, he ran away and, slipping into the house, crept into bed with the infection. The success of this venture was complete. Some days later, the Clemens family gathered tearfully around Little Sam's bed to see him die. According to his own after-confession, this gratified him, and he was willing to die for the glory of that touching scene. However, he disappointed them, and was presently up and about in search of fresh laurels.—[In later life Mr. Clemens did not recollect the precise period of this illness. With habitual indifference he assigned it to various years, as his mood or the exigencies of his theme required. Without doubt the "measles" incident occurred when he was very young.]—He must have been a wearing child, and we may believe that Jane Clemens, with her varied cares and labors, did not always find him a comfort.

"You gave me more uneasiness than any child I had," she said to him once, in her old age.

"I suppose you were afraid I wouldn't live," he suggested, in his tranquil fashion.

She looked at him with that keen humor that had not dulled in eighty years. "No; afraid you would," she said. But that was only her joke, for she was the most tenderhearted creature in the world, and, like mothers in general, had a weakness for the child that demanded most of her mother's care.

It was mainly on his account that she spent her summers on John Quarles's farm near Florida, and it was during the first summer that an incident already mentioned occurred. It was decided that the whole family should go for a brief visit, and one Saturday morning in June Mrs. Clemens, with the three elder children and the baby, accompanied by Jennie, the slave-girl, set out in a light wagon for the day's drive, leaving Judge Clemens to bring Little Sam on horseback Sunday morning. The hour was early when Judge Clemens got up to saddle his horse, and Little Sam was still asleep. The horse being ready, Clemens, his mind far away, mounted and rode off without once remembering the little boy, and in the course of the afternoon arrived at his brother-in-law's farm. Then he was confronted by Jane Clemens, who demanded Little Sam.

"Why," said the judge, aghast, "I never once thought of him after I left him asleep."

Wharton Lampton, a brother of Jane Clemens and Patsey Quarles, hastily saddled a horse and set out, helter-skelter, for Hannibal. He arrived in the early dusk. The child was safe enough, but he was crying with loneliness and hunger. He had spent most of the day in the locked, deserted house playing with a hole in the meal-sack where the meal ran out, when properly encouraged, in a tiny stream. He was fed and comforted, and next day was safe on the farm, which during that summer and those that followed it, became so large a part of his boyhood and lent a coloring to his later years.

VIII. THE FARM

We have already mentioned the delight of the Clemens children in Uncle John Quarles's farm. To Little Sam it was probably a life-saver. With his small cousin, Tabitha,—[Tabitha Quarles, now Mrs. Greening, of Palmyra, Missouri, has supplied most of the material for this chapter.]—just his own age (they called her Puss), he wandered over that magic domain, fording new marvels at every step, new delights everywhere. A slave-girl, Mary, usually attended them, but she was only six years older, and not older at all in reality, so she was just a playmate, and not a guardian to be feared or evaded. Sometimes, indeed, it was necessary for her to threaten to tell "Miss Patsey" or "Miss Jane," when her little charges insisted on going farther or staying later than she thought wise from the viewpoint of her own personal safety; but this was seldom, and on the whole a stay at the farm was just one long idyllic dream of summer-time and freedom.

The farm-house stood in the middle of a large yard entered by a stile made of sawed-off logs of graduated heights. In the corner of the yard were hickory trees, and black walnut, and beyond the fence the hill fell away past the barns, the corn-cribs, and the tobacco-house to a brook—a divine place to wade, with deep, dark, forbidden pools. Down in the pasture there were swings under the big trees, and Mary swung the children and ran under them until their feet touched the branches, and then took her turn and "balanced" herself so high that their one wish was to be as old as Mary and swing in that splendid way. All the woods were full of squirrels—gray squirrels and the red-fox species—and many birds and flowers; all the meadows were gay with clover and butterflies, and musical with singing grasshoppers and calling larks; there were blackberries in the fence rows, apples and peaches in the orchard, and watermelons in the corn. They were not always ripe, those watermelons, and once, when Little Sam had eaten several pieces of a green one, he was seized with cramps so severe that most of the household expected him to die forthwith.

Jane Clemens was not heavily concerned.

"Sammy will pull through," she said; "he wasn't born to die that way."

It is the slender constitution that bears the strain. "Sammy" did pull through, and in a brief time was ready for fresh adventure.

There were plenty of these: there were the horses to ride to and from the fields; the ox-wagons to ride in when they had dumped their heavy loads; the circular horsepower to ride on when they threshed the wheat. This last was a dangerous and forbidden pleasure, but the children would dart between the teams and climb on, and the slave who was driving would pretend not to see. Then in the evening when the black woman came along, going after the cows, the children would race ahead and set the cows running and jingling their bells—especially Little Sam, for he was a wild-headed, impetuous child of sudden ecstasies that sent him capering and swinging his arms, venting his emotions in a series of leaps and shrieks and somersaults, and spasms of laughter as he lay rolling in the grass.

His tendency to mischief grew with this wide liberty, improved health, and the encouragement of John Quarles's good-natured, fun-loving slaves.

The negro quarters beyond the orchard were especially attractive. In one cabin lived a bed-ridden, white-headed old woman whom the children visited daily and looked upon with awe; for she was said to be a thousand years old and to have talked with Moses. The negroes believed this; the children, too, of course, and that she had lost her health in the desert, coming out of Egypt. The bald spot on her head was caused by fright at seeing Pharaoh drowned. She also knew how to avert spells and ward off witches, which added greatly to her prestige. Uncle Dan'l was a favorite, too-kind-hearted and dependable, while his occasional lockjaw gave him an unusual distinction. Long afterward he would become Nigger Jim in the Tom Sawyer and Huckleberry Finn tales, and so in his gentle guilelessness win immortality and the love of many men.

Certainly this was a heavenly place for a little boy, the farm of Uncle John Quarles, and the house was as wonderful as its surroundings. It was a two-story double log building, with a spacious floor (roofed in) connecting the two divisions. In the summer the table was set in the middle of that shady, breezy pavilion, and sumptuous meals were served in the lavish Southern style, brought to the table in vast dishes that left only room for rows of plates around the edge. Fried chicken, roast pig, turkeys, ducks, geese, venison just killed, squirrels, rabbits, partridges, pheasants, prairie-chickens—the list is too long to be served here. If a little boy could not improve on that bill of fare and in that atmosphere, his case was hopeless indeed. His mother kept him there until the late fall, when the chilly evenings made them gather around the wide, blazing fireplace. Sixty years later he wrote of that scene:

    I can see the room yet with perfect clearness. I can see all its

    buildings, all its details: the family-room of the house, with the

    trundle-bed in one corner and the spinning-wheel in another a wheel

    whose rising and falling wail, heard from a distance, was the

    mournfulest of all sounds to me, and made me homesick and low-

    spirited, and filled my atmosphere with the wandering spirits of the

    dead; the vast fireplace, piled high with flaming logs, from whose

    ends a sugary sap bubbled out, but did not go to waste, for we

    scraped it off and ate it;... the lazy cat spread out on the

    rough hearthstones, the drowsy dogs braced against the jambs,

    blinking; my aunt in one chimney-corner and my uncle in the other

    smoking his corn-cob pipe; the slick and carpetless oak floor

    faintly mirroring the flame tongues, and freckled with black

    indentations where fire-coals had popped out and died a leisurely

    death; half a dozen children romping in the background twilight;

    splint-bottom chairs here and there—some with rockers; a cradle

    —out of service, but waiting with confidence.

One is tempted to dwell on this period, to quote prodigally from these vivid memories—the thousand minute impressions which the child's sensitive mind acquired in that long-ago time and would reveal everywhere in his work in the years to come. For him it was education of a more valuable and lasting sort than any he would ever acquire from books.

IX. SCHOOL-DAYS

Nevertheless, on his return to Hannibal, it was decided that Little Sam was now ready to go to school. He was about five years old, and the months on the farm had left him wiry and lively, even if not very robust. His mother declared that he gave her more trouble than all the other children put together.

"He drives me crazy with his didoes, when he is in the house," she used to say; "and when he is out of it I am expecting every minute that some one will bring him home half dead."

He did, in fact, achieve the first of his "nine narrow escapes from drowning" about this time, and was pulled out of the river one afternoon and brought home in a limp and unpromising condition. When with mullein tea and castor-oil she had restored him to activity, she said: "I guess there wasn't much danger. People born to be hanged are safe in water."

She declared she was willing to pay somebody to take him off her hands for a part of each day and try to teach him manners. Perhaps this is a good place to say that Jane Clemens was the original of Tom Sawyer's "Aunt Polly," and her portrait as presented in that book is considered perfect. Kind-hearted, fearless, looking and acting ten years older than her age, as women did in that time, always outspoken and sometimes severe, she was regarded as a "character" by her friends, and beloved by them as, a charitable, sympathetic woman whom it was good to know. Her sense of pity was abnormal. She refused to kill even flies, and punished the cat for catching mice. She, would drown the young kittens, when necessary, but warmed the water for the purpose. On coming to Hannibal, she joined the Presbyterian Church, and her religion was of that clean-cut, strenuous kind which regards as necessary institutions hell and Satan, though she had been known to express pity for the latter for being obliged to surround himself with such poor society. Her children she directed with considerable firmness, and all were tractable and growing in grace except Little Sam. Even baby Henry at two was lisping the prayers that Sam would let go by default unless carefully guarded. His sister Pamela, who was eight years older and always loved him dearly, usually supervised these spiritual exercises, and in her gentle care earned immortality as the Cousin Mary of Tom Sawyer. He would say his prayers willingly enough when encouraged by sister Pamela, but he much preferred to sit up in bed and tell astonishing tales of the day's adventure—tales which made prayer seem a futile corrective and caused his listeners to wonder why the lightning was restrained so long. They did not know they were glimpsing the first outcroppings of a genius that would one day amaze and entertain the nations. Neighbors hearing of these things (also certain of his narrations) remonstrated with Mrs. Clemens.

"You don't believe anything that child says, I hope."

"Oh yes, I know his average. I discount him ninety per cent. The rest is pure gold." At another time she said: "Sammy is a well of truth, but you can't bring it all up in one bucket."

This, however, is digression; the incidents may have happened somewhat later.

A certain Miss E. Horr was selected to receive the payment for taking charge of Little Sam during several hours each day, directing him mentally and morally in the mean time. Her school was then in a log house on Main Street (later it was removed to Third Street), and was of the primitive old-fashioned kind, with pupils of all ages, ranging in advancement from the primer to the third reader, from the tables to long division, with a little geography and grammar and a good deal of spelling. Long division and the third reader completed the curriculum in that school. Pupils who decided to take a post-graduate course went to a Mr. Cross, who taught in a frame house on the hill facing what is now the Public Square.

Miss Horr received twenty-five cents a week for each pupil, and opened her school with prayer; after which came a chapter of the Bible, with explanations, and the rules of conduct. Then the A B C class was called, because their recital was a hand-to-hand struggle, requiring no preparation.

The rules of conduct that first day interested Little Sam. He calculated how much he would need to trim in, to sail close to the danger-line and still avoid disaster. He made a miscalculation during the forenoon and received warning; a second offense would mean punishment. He did not mean to be caught the second time, but he had not learned Miss Horr yet, and was presently startled by being commanded to go out and bring a stick for his own correction.

This was certainly disturbing. It was sudden, and then he did not know much about the selection of sticks. Jane Clemens had usually used her hand. It required a second command to get him headed in the right direction, and he was a trifle dazed when he got outside. He had the forests of Missouri to select from, but choice was difficult. Everything looked too big and competent. Even the smallest switch had a wiry, discouraging look. Across the way was a cooper-shop with a good many shavings outside.

One had blown across and lay just in front of him. It was an inspiration. He picked it up and, solemnly entering the school-room, meekly handed it to Miss Herr.

Perhaps Miss Horr's sense of humor prompted forgiveness, but discipline must be maintained.

"Samuel Langhorne Clemens," she said (he had never heard it all strung together in that ominous way), "I am ashamed of you! Jimmy Dunlap, go and bring a switch for Sammy." And Jimmy Dunlap went, and the switch was of a sort to give the little boy an immediate and permanent distaste for school. He informed his mother when he went home at noon that he did not care for school; that he had no desire to be a great man; that he preferred to be a pirate or an Indian and scalp or drown such people as Miss Horr. Down in her heart his mother was sorry for him, but what she said was that she was glad there was somebody at last who could take him in hand.

He returned to school, but he never learned to like it. Each morning he went with reluctance and remained with loathing—the loathing which he always had for anything resembling bondage and tyranny or even the smallest curtailment of liberty. A School was ruled with a rod in those days, a busy and efficient rod, as the Scripture recommended. Of the smaller boys Little Sam's back was sore as often as the next, and he dreamed mainly of a day when, grown big and fierce, he would descend with his band and capture Miss Horr and probably drag her by the hair, as he had seen Indians and pirates do in the pictures. When the days of early summer came again; when from his desk he could see the sunshine lighting the soft green of Holliday's Hill, with the purple distance beyond, and the glint of the river, it seemed to him that to be shut up with a Webster's spelling-book and a cross old maid was more than human nature could bear. Among the records preserved from that far-off day there remains a yellow slip, whereon in neat old-fashioned penmanship is inscribed:

                  MISS PAMELA CLEMENS

    Has won the love of her teacher and schoolmates by her amiable

    deportment and faithful application to her various studies.

                                   E. Horr, Teacher.

If any such testimonial was ever awarded to Little Sam, diligent search has failed to reveal it. If he won the love of his teacher and playmates it was probably for other reasons.

Yet he must have learned, somehow, for he could read presently and was soon regarded as a good speller for his years. His spelling came as a natural gift, as did most of his attainments, then and later.

It has already been mentioned that Miss Horr opened her school with prayer and Scriptural readings. Little Sam did not especially delight in these things, but he respected them. Not to do so was dangerous. Flames were being kept brisk for little boys who were heedless of sacred matters; his home teaching convinced him of that. He also respected Miss Horr as an example of orthodox faith, and when she read the text "Ask and ye shall receive" and assured them that whoever prayed for a thing earnestly, his prayer would be answered, he believed it. A small schoolmate, the balker's daughter, brought gingerbread to school every morning, and Little Sam was just "honing" for some of it. He wanted a piece of that baker's gingerbread more than anything else in the world, and he decided to pray for it.

The little girl sat in front of him, but always until that morning had kept the gingerbread out of sight. Now, however, when he finished his prayer and looked up, a small morsel of the precious food lay in front of him. Perhaps the little girl could no longer stand that hungry look in his eyes. Possibly she had heard his petition; at all events his prayer bore fruit and his faith at that moment would have moved Holliday's Hill. He decided to pray for everything he wanted, but when he tried the gingerbread supplication next morning it had no result. Grieved, but still unshaken, he tried next morning again; still no gingerbread; and when a third and fourth effort left him hungry he grew despairing and silent, and wore the haggard face of doubt. His mother said:

"What's the matter, Sammy; are you sick?"

"No," he said, "but I don't believe in saying prayers any more, and I'm never going to do it again."

"Why, Sammy, what in the world has happened?" she asked, anxiously. Then he broke down and cried on her lap and told her, for it was a serious thing in that day openly to repudiate faith. Jane Clemens gathered him to her heart and comforted him.

"I'll make you a whole pan of gingerbread, better than that," she said, "and school will soon be out, too, and you can go back to Uncle John's farm."

And so passed and ended Little Sam's first school-days.

X. EARLY VICISSITUDE AND SORROW

Prosperity came laggingly enough to the Clemens household. The year 1840 brought hard times: the business venture paid little or no return; law practice was not much more remunerative. Judge Clemens ran for the office of justice of the peace and was elected, but fees were neither large nor frequent. By the end of the year it became necessary to part with Jennie, the slave-girl—a grief to all of them, for they were fond of her in spite of her wilfulness, and she regarded them as "her family." She was tall, well formed, nearly black, and brought a good price. A Methodist minister in Hannibal sold a negro child at the same time to another minister who took it to his home farther South. As the steamboat moved away from the landing the child's mother stood at the water's edge, shrieking her anguish. We are prone to consider these things harshly now, when slavery has been dead for nearly half a century, but it was a sacred institution then, and to sell a child from its mother was little more than to sell to-day a calf from its lowing dam. One could be sorry, of course, in both instances, but necessity or convenience are matters usually considered before sentiment. Mark Twain once said of his mother:

"Kind-hearted and compassionate as she was, I think she was not conscious that slavery was a bald, grotesque, and unwarranted usurpation. She had never heard it assailed in any pulpit, but had heard it defended and sanctified in a thousand. As far as her experience went, the wise, the good, and the holy were unanimous in the belief that slavery was right, righteous, sacred, the peculiar pet of the Deity, and a condition which the slave himself ought to be daily and nightly thankful for."

Yet Jane Clemens must have had qualms at times—vague, unassembled doubts that troubled her spirit. After Jennie was gone a little black chore-boy was hired from his owner, who had bought him on the east shore of Maryland and brought him to that remote Western village, far from family and friends.

He was a cheery spirit in spite of that, and gentle, but very noisy. All day he went about singing, whistling, and whooping until his noise became monotonous, maddening. One day Little Sam said:

"Ma—[that was the Southern term]—make Sandy stop singing all the time. It's awful."

Tears suddenly came into his mother's eyes.

"Poor thing! He is sold away from his home. When he sings it shows maybe he is not remembering. When he's still I am afraid he is thinking, and I can't bear it."

Yet any one in that day who advanced the idea of freeing the slaves was held in abhorrence. An abolitionist was something to despise, to stone out of the community. The children held the name in horror, as belonging to something less than human; something with claws, perhaps, and a tail.

The money received for the sale of Jennie made judge Clemens easier for a time. Business appears to have improved, too, and he was tided through another year during which he seems to have made payments on an expensive piece of real estate on Hill and Main streets. This property, acquired in November, 1839, meant the payment of some seven thousand dollars, and was a credit purchase, beyond doubt. It was well rented, but the tenants did not always pay; and presently a crisis came—a descent of creditors—and John: Clemens at forty-four found himself without business and without means. He offered everything—his cow, his household furniture, even his forks and spoons—to his creditors, who protested that he must not strip himself. They assured him that they admired his integrity so much they would aid him to resume business; but when he went to St. Louis to lay in a stock of goods he was coldly met, and the venture came to nothing.

He now made a trip to Tennessee in the hope of collecting some old debts and to raise money on the Tennessee land. He took along a negro man named Charlie, whom he probably picked up for a small sum, hoping to make something through his disposal in a better market. The trip was another failure. The man who owed him a considerable sum of money was solvent, but pleaded hard times:

    It seems so very hard upon him—[John Clemens wrote home]—to pay

    such a sum that I could not have the conscience to hold him to it.

   .. I still have Charlie. The highest price I had offered for him

    in New Orleans was $50, in Vicksburg $40. After performing the

    journey to Tennessee, I expect to sell him for whatever he will

    bring.

    I do not know what I can commence for a business in the spring. My

    brain is constantly on the rack with the study, and I can't relieve

    myself of it. The future, taking its completion from the state of

    my health or mind, is alternately beaming in sunshine or over-

    shadowed with clouds; but mostly cloudy, as you may suppose. I want

    bodily exercise—some constant and active employment, in the first

    place; and, in the next place, I want to be paid for it, if

    possible.

This letter is dated January 7, 1842. He returned without any financial success, and obtained employment for a time in a commission-house on the levee. The proprietor found some fault one day, and Judge Clemens walked out of the premises. On his way home he stopped in a general store, kept by a man named Sehns, to make some purchases. When he asked that these be placed on account, Selms hesitated. Judge Clemens laid down a five-dollar gold piece, the last money he possessed in the world, took the goods, and never entered the place again.

When Jane Clemens reproached him for having made the trip to Tennessee, at a cost of two hundred dollars, so badly needed at this time, he only replied gently that he had gone for what he believed to be the best.

"I am not able to dig in the streets," he added, and Orion, who records this, adds:

"I can see yet the hopeless expression of his face."

During a former period of depression, such as this, death had come into the Clemens home. It came again now. Little Benjamin, a sensitive, amiable boy of ten, one day sickened, and died within a week, May 12, 1842. He was a favorite child and his death was a terrible blow. Little Sam long remembered the picture of his parents' grief; and Orion recalls that they kissed each other, something hitherto unknown.

Judge Clemens went back to his law and judicial practice. Mrs. Clemens decided to take a few boarders. Orion, by this time seventeen and a very good journeyman printer, obtained a place in St. Louis to aid in the family support.

The tide of fortune having touched low-water mark, the usual gentle stage of improvement set in. Times grew better in Hannibal after those first two or three years; legal fees became larger and more frequent. Within another two years judge Clemens appears to have been in fairly hopeful circumstances again—able at least to invest some money in silkworm culture and lose it, also to buy a piano for Pamela, and to build a modest house on the Hill Street property, which a rich St. Louis cousin, James Clemens, had preserved for him. It was the house which is known today as the "Mark Twain Home."—['This house, in 1911, was bought by Mr. and Mrs. George A. Mahan, and presented to Hannibal for a memorial museum.]—Near it, toward the corner of Main Street, was his office, and here he dispensed law and justice in a manner which, if it did not bring him affluence, at least won for him the respect of the entire community. One example will serve:

Next to his office was a stone-cutter's shop. One day the proprietor, Dave Atkinson, got into a muss with one "Fighting" MacDonald, and there was a tremendous racket. Judge Clemens ran out and found the men down, punishing each other on the pavement.

"I command the peace!" he shouted, as he came up to them.

No one paid the least attention.

"I command the peace!" he shouted again, still louder, but with no result.

A stone-cutter's mallet lay there, handy. Judge Clemens seized it and, leaning over the combatants, gave the upper one, MacDonald, a smart blow on the head.

"I command the peace!" he said, for the third time, and struck a considerably smarter blow.

That settled it. The second blow was of the sort that made MacDonald roll over, and peace ensued. Judge Clemens haled both men into his court, fined them, and collected his fee. Such enterprise in the cause of justice deserved prompt reward.

XI. DAYS OF EDUCATION

The Clemens family had made one or two moves since its arrival in Hannibal, but the identity of these temporary residences and the period of occupation of each can no longer be established. Mark Twain once said:

"In 1843 my father caught me in a lie. It is not this fact that gives me the date, but the house we lived in. We were there only a year."

We may believe it was the active result of that lie that fixed his memory of the place, for his father seldom punished him. When he did, it was a thorough and satisfactory performance.

It was about the period of moving into the new house (1844) that the Tom Sawyer days—that is to say, the boyhood of Samuel Clemens—may be said to have begun. Up to that time he was just Little Sam, a child—wild, and mischievous, often exasperating, but still a child—a delicate little lad to be worried over, mothered, or spanked and put to bed. Now, at nine, he had acquired health, with a sturdy ability to look out for himself, as boys will, in a community like that, especially where the family is rather larger than the income and there is still a younger child to claim a mother's protecting care. So "Sam," as they now called him, "grew up" at nine, and was full of knowledge for his years. Not that he was old in spirit or manner—he was never that, even to his death—but he had learned a great number of things, mostly of a kind not acquired at school.

They were not always of a pleasant kind; they were likely to be of a kind startling to a boy, even terrifying. Once Little Sam—he was still Little Sam, then—saw an old man shot down on the main street, at noonday. He saw them carry him home, lay him on the bed, and spread on his breast an open family Bible which looked as heavy as an anvil. He though, if he could only drag that great burden away, the poor, old dying man would not breathe so heavily. He saw a young emigrant stabbed with a bowie-knife by a drunken comrade, and noted the spurt of life-blood that followed; he saw two young men try to kill their uncle, one holding him while the other snapped repeatedly an Allen revolver which failed to go off. Then there was the drunken rowdy who proposed to raid the "Welshman's" house one dark threatening night—he saw that, too. A widow and her one daughter lived there, and the ruffian woke the whole village with his coarse challenges and obscenities. Sam Clemens and a boon companion, John Briggs, went up there to look and listen. The man was at the gate, and the warren were invisible in the shadow of the dark porch. The boys heard the elder woman's voice warning the man that she had a loaded gun, and that she would kill him if he stayed where he was. He replied with a ribald tirade, and she warned that she would count ten-that if he remained a second longer she would fire. She began slowly and counted up to five, with him laughing and jeering. At six he grew silent, but he did not go. She counted on: seven—eight—nine—The boys watching from the dark roadside felt their hearts stop. There was a long pause, then the final count, followed a second later by a gush of flame. The man dropped, his breast riddled. At the same instant the thunderstorm that had been gathering broke loose. The boys fled wildly, believing that Satan himself had arrived to claim the lost soul.

Many such instances happened in a town like that in those days. And there were events incident to slavery. He saw a slave struck down and killed with a piece of slag for a trifling offense. He saw an abolitionist attacked by a mob, and they would have lynched him had not a Methodist minister defended him on a plea that he must be crazy. He did not remember, in later years, that he had ever seen a slave auction, but he added:

"I am suspicious that it is because the thing was a commonplace spectacle, and not an uncommon or impressive one. I do vividly remember seeing a dozen black men and women chained together lying in a group on the pavement, waiting shipment to a Southern slave-market. They had the saddest faces I ever saw."

It is not surprising that a boy would gather a store of human knowledge amid such happenings as these. They were wild, disturbing things. They got into his dreams and made him fearful when he woke in the middle of the night. He did not then regard them as an education. In some vague way he set them down as warnings, or punishments, designed to give him a taste for a better life. He felt that it was his own conscience that made these things torture him. That was his mother's idea, and he had a high respect for her moral opinions, also for her courage. Among other things, he had seen her one day defy a vicious devil of a Corsican—a common terror in the town-who was chasing his grown daughter with a heavy rope in his hand, declaring he would wear it out on her. Cautious citizens got out of her way, but Jane Clemens opened her door wide to the refugee, and then, instead of rushing in and closing it, spread her arms across it, barring the way. The man swore and threatened her with the rope, but she did not flinch or show any sign of fear. She stood there and shamed him and derided him and defied him until he gave up the rope and slunk off, crestfallen and conquered. Any one who could do that must have a perfect conscience, Sam thought. In the fearsome darkness he would say his prayers, especially when a thunderstorm was coming, and vow to begin a better life in the morning. He detested Sunday-school as much as day-school, and once Orion, who was moral and religious, had threatened to drag him there by the collar; but as the thunder got louder Sam decided that he loved Sunday-school and would go the next Sunday without being invited.

Fortunately there were pleasanter things than these. There were picnics sometimes, and ferry-boat excursions. Once there was a great Fourth-of-July celebration at which it was said a real Revolutionary soldier was to be present. Some one had discovered him living alone seven or eight miles in the country. But this feature proved a disappointment; for when the day came and he was triumphantly brought in he turned out to be a Hessian, and was allowed to walk home.

The hills and woods around Hannibal where, with his playmates, he roamed almost at will were never disappointing. There was the cave with its marvels; there was Bear Creek, where, after repeated accidents, he had learned to swim. It had cost him heavily to learn to swim. He had seen two playmates drown; also, time and again he had, himself, been dragged ashore more dead than alive, once by a slave-girl, another time by a slaveman—Neal Champ, of the Pavey Hotel. In the end he had conquered; he could swim better than any boy in town of his age.

It was the river that meant more to him than all the rest. Its charm was permanent. It was the path of adventure, the gateway to the world. The river with its islands, its great slow-moving rafts, its marvelous steamboats that were like fairyland, its stately current swinging to the sea! He would sit by it for hours and dream. He would venture out on it in a surreptitiously borrowed boat when he was barely strong enough to lift an oar out of the water. He learned to know all its moods and phases. He felt its kinship. In some occult way he may have known it as his prototype—that resistless tide of life with its ever-changing sweep, its shifting shores, its depths, its shadows, its gorgeous sunset hues, its solemn and tranquil entrance to the sea.

His hunger for the life aboard the steamers became a passion. To be even the humblest employee of one of those floating enchantments would be enough; to be an officer would be to enter heaven; to be a pilot was to be a god.

"You can hardly imagine what it meant," he reflected once, "to a boy in those days, shut in as we were, to see those steamboats pass up and down, and never to take a trip on them."

He had reached the mature age of nine when he could endure this no longer. One day, when the big packet came down and stopped at Hannibal, he slipped aboard and crept under one of the boats on the upper deck. Presently the signal-bells rang, the steamboat backed away and swung into midstream; he was really going at last. He crept from beneath the boat and sat looking out over the water and enjoying the scenery. Then it began to rain—a terrific downpour. He crept back under the boat, but his legs were outside, and one of the crew saw him. So he was taken down into the cabin and at the next stop set ashore. It was the town of Louisiana, and there were Lampton relatives there who took him home. Jane Clemens declared that his father had got to take him in hand; which he did, doubtless impressing the adventure on him in the usual way. These were all educational things; then there was always the farm, where entertainment was no longer a matter of girl-plays and swings, with a colored nurse following about, but of manlier sports with his older boy cousins, who had a gun and went hunting with the men for squirrels and partridges by day, for coons and possums by night. Sometimes the little boy had followed the hunters all night long and returned with them through the sparkling and fragrant morning fresh, hungry, and triumphant just in time for breakfast.

So it is no wonder that at nine he was no longer "Little Sam," but Sam Clemens, quite mature and self-dependent, with a wide knowledge of men and things and a variety of accomplishments. He had even learned to smoke—a little—out there on the farm, and had tried tobacco-chewing, though that was a failure. He had been stung to this effort by a big girl at a school which, with his cousin Puss, he sometimes briefly attended.

"Do you use terbacker?" the big girl had asked, meaning did he chew it.

"No," he said, abashed at the confession.

"Haw!" she cried to the other scholars; "here's a boy that can't chaw terbacker."

Degraded and ashamed, he tried to correct his fault, but it only made him very ill; and he did not try again.

He had also acquired the use of certain strong, expressive words, and used them, sometimes, when his mother was safely distant. He had an impression that she would "skin him alive" if she heard him swear. His education had doubtful spots in it, but it had provided wisdom.

He was not a particularly attractive lad. He was not tall for his years, and his head was somewhat too large for his body. He had a "great ruck" of light, sandy hair which he plastered down to keep it from curling; keen blue-gray eyes, and rather large features. Still, he had a fair, delicate complexion, when it was not blackened by grime or tan; a gentle, winning manner; a smile that, with his slow, measured way of speaking, made him a favorite with his companions. He did not speak much, and his mental attainments were not highly regarded; but, for some reason, whenever he did speak every playmate in hearing stopped whatever he was doing and listened. Perhaps it would be a plan for a new game or lark; perhaps it was something droll; perhaps it was just a commonplace remark that his peculiar drawl made amusing. Whatever it was, they considered it worth while. His mother always referred to his slow fashion of speaking as "Sammy's long talk." Her own speech was still more deliberate, but she seemed not to notice it. Henry—a much handsomer lad and regarded as far more promising—did not have it. He was a lovable, obedient little fellow whom the mischievous Sam took delight in teasing. For this and other reasons the latter's punishments were frequent enough, perhaps not always deserved. Sometimes he charged his mother with partiality. He would say:

"Yes, no matter what it is, I am always the one to get punished"; and his mother would answer:

"Well, Sam, if you didn't deserve it for that, you did for something else."

Henry Clemens became the Sid of Tom Sawyer, though Henry was in every way a finer character than Sid. His brother Sam always loved him, and fought for him oftener than with him.

With the death of Benjamin Clemens, Henry and Sam were naturally drawn much closer together, though Sam could seldom resist the temptation of tormenting Henry. A schoolmate, George Butler (he was a nephew of General Butler and afterward fought bravely in the Civil War), had a little blue suit with a leather belt to match, and was the envy of all. Mrs. Clemens finally made Sam and Henry suits of blue cotton velvet, and the next Sunday, after various services were over, the two sauntered about, shedding glory for a time, finally going for a stroll in the woods. They walked along properly enough, at first, then just ahead Sam spied the stump of a newly cut tree, and with a wild whooping impulse took a running leap over it. There were splinters on the stump where the tree had broken away, but he cleared them neatly. Henry wanted to match the performance, but was afraid to try, so Sam dared him. He kept daring him until Henry was goaded to the attempt. He cleared the stump, but the highest splinters caught the slack of his little blue trousers, and the cloth gave way. He escaped injury, but the precious trousers were damaged almost beyond repair. Sam, with a boy's heartlessness, was fairly rolling on the ground with laughter at Henry's appearance.

"Cotton-tail rabbit!" he shouted. "Cotton-tail rabbit!" while Henry, weeping, set out for home by a circuitous and unfrequented road. Let us hope, if there was punishment for this mishap, that it fell in the proper locality.

These two brothers were of widely different temperament. Henry, even as a little boy, was sturdy, industrious, and dependable. Sam was volatile and elusive; his industry of an erratic kind. Once his father set him to work with a hatchet to remove some plaster. He hacked at it for a time well enough, then lay down on the floor of the room and threw his hatchet at such areas of the plaster as were not in easy reach. Henry would have worked steadily at a task like that until the last bit was removed and the room swept clean.

The home incidents in 'Tom Sawyer', most of them, really happened. Sam Clemens did clod Henry for getting him into trouble about the colored thread with which he sewed his shirt when he came home from swimming; he did inveigle a lot of boys into whitewashing, a fence for him; he did give Pain-killer to Peter, the cat. There was a cholera scare that year, and Pain-killer was regarded as a preventive. Sam had been ordered to take it liberally, and perhaps thought Peter too should be safeguarded. As for escaping punishment for his misdeeds in the manner described in that book, this was a daily matter, and the methods adapted themselves to the conditions. In the introduction to Tom Sawyer Mark Twain confesses to the general truth of the history, and to the reality of its characters. "Huck Finn was drawn from life," he tells us. "Tom Sawyer also, but not from an individual—he is a combination of the characteristics of three boys whom I knew."

The three boys were—himself, chiefly, and in a lesser degree John Briggs and Will Bowen. John Briggs was also the original of Joe Harper in that book. As for Huck Finn, his original was Tom Blankenship, neither elaborated nor qualified.

There were several of the Blankenships: there was old Ben, the father, who had succeeded "General" Gains as the town drunkard; young Ben, the eldest son—a hard case with certain good traits; and Tom—that is to say, Huck—who was just as he is described in Tom Sawyer: a ruin of rags, a river-rat, an irresponsible bit of human drift, kind of heart and possessing that priceless boon, absolute unaccountability of conduct to any living soul. He could came and go as he chose; he never had to work or go to school; he could do all things, good or bad, that the other boys longed to do and were forbidden. He represented to them the very embodiment of liberty, and his general knowledge of important matters, such as fishing, hunting, trapping, and all manner of signs and spells and hoodoos and incantations, made him immensely valuable as a companion. The fact that his society was prohibited gave it a vastly added charm.

The Blankenships picked up a precarious living fishing and hunting, and lived at first in a miserable house of bark, under a tree, but later moved into quite a pretentious building back of the new Clemens home on Hill Street. It was really an old barn of a place—poor and ramshackle even then; but now, more than sixty years later, a part of it is still standing. The siding of the part that stands is of black walnut, which must have been very plentiful in that long-ago time. Old drunken Ben Blankenship never dreamed that pieces of his house would be carried off as relics because of the literary fame of his son Tom—a fame founded on irresponsibility and inconsequence. Orion Clemens, who was concerned with missionary work about this time, undertook to improve the Blankenships spiritually. Sam adopted them, outright, and took them to his heart. He was likely to be there at any hour of the day, and he and Tom had cat-call signals at night which would bring him out on the back single-story roof, and down a little arbor and flight of steps, to the group of boon companions which, besides Tom, included John Briggs, the Bowen boys, Will Pitts, and one or two other congenial spirits. They were not vicious boys; they were not really bad boys; they were only mischievous, fun-loving boys-thoughtless, and rather disregardful of the comforts and the rights of others.

XII. TOM SAWYER'S BAND

They ranged from Holliday's Hill on the north to the Cave on the south, and over the fields and through all the woods about. They navigated the river from Turtle Island to Glasscock's Island (now Pearl, or Tom Sawyer's Island), and far below; they penetrated the wilderness of the Illinois shore. They could run like wild turkeys and swim like ducks; they could handle a boat as if born in one. No orchard or melon patch was entirely safe from them; no dog or slave patrol so vigilant that they did not sooner or later elude it. They borrowed boats when their owners were not present. Once when they found this too much trouble, they decided to own a boat, and one Sunday gave a certain borrowed craft a coat of red paint (formerly it had been green), and secluded it for a season up Bear Creek. They borrowed the paint also, and the brush, though they carefully returned these the same evening about nightfall, so the painter could have them Monday morning. Tom Blankenship rigged up a sail for the new craft, and Sam Clemens named it Cecilia, after which they didn't need to borrow boats any more, though the owner of it did; and he sometimes used to observe as he saw it pass that, if it had been any other color but red, he would have sworn it was his.

Some of their expeditions were innocent enough. They often cruised up to Turtle Island, about two miles above Hannibal, and spent the day feasting. You could have loaded a car with turtles and their eggs up there, and there were quantities of mussels and plenty of fish. Fishing and swimming were their chief pastimes, with general marauding for adventure. Where the railroad-bridge now ends on the Missouri side was their favorite swimming-hole—that and along Bear Creek, a secluded limpid water with special interests of its own. Sometimes at evening they swam across to Glasscock's Island—the rendezvous of Tom Sawyer's "Black Avengers" and the hiding-place of Huck and Nigger Jim; then, when they had frolicked on the sand-bar at the head of the island for an hour or more, they would swim back in the dusk, a distance of half a mile, breasting the strong, steady Mississippi current without exhaustion or fear. They could swim all day, likely enough, those graceless young scamps. Once—though this was considerably later, when he was sixteen—Sam Clemens swam across to the Illinois side, and then turned and swam back again without landing, a distance of at least two miles, as he had to go. He was seized with a cramp on the return trip. His legs became useless, and he was obliged to make the remaining distance with his arms. It was a hardy life they led, and it is not recorded that they ever did any serious damage, though they narrowly missed it sometimes.

One of their Sunday pastimes was to climb Holliday's Hill and roll down big stones, to frighten the people who were driving to church. Holliday's Hill above the road was steep; a stone once started would go plunging and leaping down and bound across the road with the deadly swiftness of a twelve-inch shell. The boys would get a stone poised, then wait until they saw a team approaching, and, calculating the distance, would give it a start. Dropping down behind the bushes, they would watch the dramatic effect upon the church-goers as the great missile shot across the road a few yards before them. This was Homeric sport, but they carried it too far. Stones that had a habit of getting loose so numerously on Sundays and so rarely on other days invited suspicion, and the "Patterollers" (river patrol—a kind of police of those days) were put on the watch. So the boys found other diversions until the Patterollers did not watch any more; then they planned a grand coup that would eclipse anything before attempted in the stone-rolling line.

A rock about the size of an omnibus was lying up there, in a good position to go down hill, once, started. They decided it would be a glorious thing to see that great boulder go smashing down, a hundred yards or so in front of some unsuspecting and peaceful-minded church-goer. Quarrymen were getting out rock not far away, and left their picks and shovels over Sundays. The boys borrowed these, and went to work to undermine the big stone. It was a heavier job than they had counted on, but they worked faithfully, Sunday after Sunday. If their parents had wanted them to work like that, they would have thought they were being killed.

Finally one Sunday, while they were digging, it suddenly got loose and started down. They were not quite ready for it. Nobody was coming but an old colored man in a cart, so it was going to be wasted. It was not quite wasted, however. They had planned for a thrilling result; and there was thrill enough while it lasted. In the first place, the stone nearly caught Will Bowen when it started. John Briggs had just that moment quit digging and handed Will the pick. Will was about to step into the excavation when Sam Clemens, who was already there, leaped out with a yell:

"Look out, boys, she's coming!"

She came. The huge stone kept to the ground at first, then, gathering a wild momentum, it went bounding into the air. About half-way down the hill it struck a tree several inches through and cut it clean off. This turned its course a little, and the negro in the cart, who heard the noise, saw it come crashing in his direction and made a wild effort to whip up his horse. It was also headed toward a cooper-shop across the road. The boys watched it with growing interest. It made longer leaps with every bound, and whenever it struck the fragments the dust would fly. They were certain it would demolish the negro and destroy the cooper-shop. The shop was empty, it being Sunday, but the rest of the catastrophe would invite close investigation, with results. They wanted to fly, but they could not move until they saw the rock land. It was making mighty leaps now, and the terrified negro had managed to get directly in its path. They stood holding their breath, their mouths open. Then suddenly they could hardly believe their eyes; the boulder struck a projection a distance above the road, and with a mighty bound sailed clear over the negro and his mule and landed in the soft dirt beyond-only a fragment striking the shop, damaging but not wrecking it. Half buried in the ground, that boulder lay there for nearly forty years; then it was blasted up for milling purposes. It was the last rock the boys ever rolled down. They began to suspect that the sport was not altogether safe.

Sometimes the boys needed money, which was not easy to get in those days. On one occasion of this sort, Tom Blankenship had the skin of a coon he had captured, which represented the only capital in the crowd. At Selms's store on Wild Cat corner the coonskin would bring ten cents, but that was not enough. They arranged a plan which would make it pay a good deal more than that. Selins's window was open, it being summer-time, and his pile of pelts was pretty handy. Huck—that is to say, Tom—went in the front door and sold the skin for ten cents to Selms, who tossed it back on the pile. Tom came back with the money and after a reasonable period went around to the open window, crawled in, got the coonskin, and sold it to Selms again. He did this several times that afternoon; then John Pierce, Selins's clerk, said:

"Look here, Selms, there is something wrong about this. That boy has been selling us coonskins all the afternoon."

Selms went to his pile of pelts. There were several sheepskins and some cowhides, but only one coonskin—the one he had that moment bought. Selms himself used to tell this story as a great joke.

Perhaps it is not adding to Mark Twain's reputation to say that the boy Sam Clemens—a pretty small boy, a good deal less than twelve at this time—was the leader of this unhallowed band; yet any other record would be less than historic. If the band had a leader, it was he. They were always ready to listen to him—they would even stop fishing to do that—and to follow his projects. They looked to him for ideas and organization, whether the undertaking was to be real or make-believe. When they played "Bandit" or "Pirate" or "Indian," Sam Clemens was always chief; when they became real raiders it is recorded that he was no less distinguished. Like Tom Sawyer, he loved the glare and trappings of leadership. When the Christian Sons of Temperance came along with a regalia, and a red sash that carried with it rank and the privilege of inventing pass-words, the gaud of these things got into his eyes, and he gave up smoking (which he did rather gingerly) and swearing (which he did only under heavy excitement), also liquor (though he had never tasted it yet), and marched with the newly washed and pure in heart for a full month—a month of splendid leadership and servitude. Then even the red sash could not hold him in bondage. He looked up Tom Blankenship and said:

"Say, Tom, I'm blamed tired of this! Let's go somewhere and smoke!" Which must have been a good deal of a sacrifice, for the uniform was a precious thing.

Limelight and the center of the stage was a passion of Sam Clemens's boyhood, a love of the spectacular that never wholly died. It seems almost a pity that in those far-off barefoot old days he could not have looked down the years to a time when, with the world at his feet, venerable Oxford should clothe him in a scarlet gown.

He could not by any chance have dreamed of that stately honor. His ambitions did not lie in the direction of mental achievement. It is true that now and then, on Friday at school, he read a composition, one of which—a personal burlesque on certain older boys—came near resulting in bodily damage. But any literary ambition he may have had in those days was a fleeting thing. His permanent dream was to be a pirate, or a pilot, or a bandit, or a trapper-scout; something gorgeous and active, where his word—his nod, even—constituted sufficient law. The river kept the pilot ambition always fresh, and the cave supplied a background for those other things.

The cave was an enduring and substantial joy. It was a real cave, not merely a hole, but a subterranean marvel of deep passages and vaulted chambers that led away into bluffs and far down into the earth's black silences, even below the river, some said. For Sam Clemens the cave had a fascination that never faded. Other localities and diversions might pall, but any mention of the cave found him always eager and ready for the three-mile walk or pull that brought them to its mystic door. With its long corridors, its royal chambers hung with stalactites, its remote hiding-places, its possibilities as the home of a gallant outlaw band, it contained everything that a romantic boy could love or long for. In Tom Sawyer Indian Joe dies in the cave. He did not die there in real life, but was lost there once, and was living on bats when they found him. He was a dissolute reprobate, and when, one night, he did die there came up a thunder-storm so terrific that Sam Clemens at home and in bed was certain that Satan had come in person for the half-breed's wicked soul. He covered his head and said his prayers industriously, in the fear that the evil one might conclude to save another trip by taking him along, too.

The treasure-digging adventure in the book had a foundation in fact. There was a tradition concerning some French trappers who long before had established a trading-post two miles above Hannibal, on what is called the "bay." It is said that, while one of these trappers was out hunting, Indians made a raid on the post and massacred the others. The hunter on returning found his comrades killed and scalped, but the Indians had failed to find the treasure which was buried in a chest. He left it there, swam across to Illinois, and made his way to St. Louis, where he told of the massacre and the burial of the chest of gold. Then he started to raise a party to go back for it, but was taken sick and died. Later some men came up from St. Louis looking for the chest. They did not find it, but they told the circumstances, and afterward a good many people tried to find the gold.

Tom Blankenship one morning came to Sam Clemens and John Briggs and said he was going to dig up the treasure. He said he had dreamed just where it was, and said if they would go with him and dig he would divide up. The boys had great faith in dreams, especially Tom's dreams. Tom's unlimited freedom gave him a large importance in their eyes. The dreams of a boy like that were pretty sure to mean something. They followed Tom to the place with some shovels and a pick, and he showed them where to dig. Then he sat down under the shade of a papaw-tree and gave orders.

They dug nearly all day. Now and then they stopped to rest, and maybe to wonder a little why Tom didn't dig some himself; but, of course, he had done the dreaming, which entitled him to an equal share.

They did not find it that day, and when they went back next morning they took two long iron rods; these they would push and drive into the ground until they struck something hard. Then they would dig down to see what it was, but it never turned out to be money. That night the boys declared they would not dig any more. But Tom had another dream. He dreamed the gold was exactly under the little papaw-tree. This sounded so circumstantial that they went back and dug another day. It was hot weather too, August, and that night they were nearly dead. Even Tom gave it up, then. He said there was something about the way they dug, but he never offered to do any digging himself.

This differs considerably from the digging incident in the book, but it gives us an idea of the respect the boys had for the ragamuffin original of Huckleberry Finn.—[Much of the detail in this chapter was furnished to the writer by John Briggs shortly before his death in 1907.]—Tom Blankenship's brother, Ben, was also drawn upon for that creation, at least so far as one important phase of Huck's character is concerned. He was considerably older, as well as more disreputable, than Tom. He was inclined to torment the boys by tying knots in their clothes when they went swimming, or by throwing mud at them when they wanted to come out, and they had no deep love for him. But somewhere in Ben Blankenship there was a fine generous strain of humanity that provided Mark Twain with that immortal episode in the story of Huck Finn—in sheltering the Nigger Jim.

This is the real story:

A slave ran off from Monroe County, Missouri, and got across the river into Illinois. Ben used to fish and hunt over there in the swamps, and one day found him. It was considered a most worthy act in those days to return a runaway slave; in fact, it was a crime not to do it. Besides, there was for this one a reward of fifty dollars, a fortune to ragged outcast Ben Blankenship. That money and the honor he could acquire must have been tempting to the waif, but it did not outweigh his human sympathy. Instead of giving him up and claiming the reward, Ben kept the runaway over there in the marshes all summer. The negro would fish and Ben would carry him scraps of other food. Then, by and by, it leaked out. Some wood-choppers went on a hunt for the fugitive, and chased him to what was called "Bird Slough." There trying to cross a drift he was drowned.

In the book, the author makes Huck's struggle a psychological one between conscience and the law, on one side, and sympathy on the other. With Ben Blankenship the struggle—if there was a struggle—was probably between sympathy and cupidity. He would care very little for conscience and still less for law. His sympathy with the runaway, however, would be large and elemental, and it must have been very large to offset the lure of that reward.

There was a gruesome sequel to this incident. Some days following the drowning of the runaway, Sam Clemens, John Briggs, and the Bowen boys went to the spot and were pushing the drift about, when suddenly the negro rose before them, straight and terrible, about half his length out of the water. He had gone down feet foremost, and the loosened drift had released him. The boys did not stop to investigate. They thought he was after them and flew in wild terror, never stopping until they reached human habitation.

How many gruesome experiences there appear to have been in those early days! In 'The Innocents Abroad' Mark Twain tells of the murdered man he saw one night in his father's office. The man's name was McFarlane. He had been stabbed that day in the old Hudson-McFarlane feud and carried in there to die. Sam Clemens and John Briggs had run away from school and had been sky larking all that day, and knew nothing of the affair. Sam decided that his father's office was safer for him than to face his mother, who was probably sitting up, waiting. He tells us how he lay on the lounge, and how a shape on the floor gradually resolved itself into the outlines of a man; how a square of moonlight from the window approached it and gradually revealed the dead face and the ghastly stabbed breast.

"I went out of there," he says. "I do not say that I went away in any sort of a hurry, but I simply went; that is sufficient. I went out of the window, and I carried the sash along with me. I did not need the sash, but it was handier to take it than to, leave it, and so I took it. I was not scared, but I was considerably agitated."

He was not yet twelve, for his father was no longer alive when the boy reached that age. Certainly these were disturbing, haunting things. Then there was the case of the drunken tramp in the calaboose to whom the boys kind-heartedly enough carried food and tobacco. Sam Clemens spent some of his precious money to buy the tramp a box of Lucifer matches—a brand new invention then, scarce and high. The tramp started a fire with the matches and burned down the calaboose, himself in it. For weeks the boy was tortured, awake and in his dreams, by the thought that if he had not carried the man the matches the tragedy could not have happened. Remorse was always Samuel Clemens's surest punishment. To his last days on earth he never outgrew its pangs.

What a number of things crowded themselves into a few brief years! It is not easy to curtail these boyhood adventures of Sam Clemens and his scapegrace friends, but one might go on indefinitely with their mad doings. They were an unpromising lot. Ministers and other sober-minded citizens freely prophesied sudden and violent ends for them, and considered them hardly worth praying for. They must have proven a disappointing lot to those prophets. The Bowen boys became fine river-pilots; Will Pitts was in due time a leading merchant and bank director; John Briggs grew into a well-to-do and highly respected farmer; even Huck Finn—that is to say, Tom Blankenship—is reputed to have ranked as an honored citizen and justice of the peace in a Western town. But in those days they were a riotous, fun-loving band with little respect for order and even less for ordinance.

XIII. THE GENTLER SIDE

His associations were not all of that lawless breed. At his school (he had sampled several places of learning, and was now at Mr. Cross's on the Square) were a number of less adventurous, even if not intrinsically better playmates. There was George Robards, the Latin scholar, and John, his brother, a handsome boy, who rode away at last with his father into the sunset, to California, his golden curls flying in the wind. And there was Jimmy McDaniel, a kind-hearted boy whose company was worth while, because his father was a confectioner, and he used to bring candy and cake to school. Also there was Buck Brown, a rival speller, and John Meredith, the doctor's son, and John Garth, who was one day to marry little Helen Kercheval, and in the end would be remembered and honored with a beautiful memorial building not far from the site of the old school.

Furthermore, there were a good many girls. Tom Sawyer had an impressionable heart, and Sam Clemens no less so. There was Bettie Ormsley, and Artemisia Briggs, and Jennie Brady; also Mary Miller, who was nearly twice his age and gave him his first broken heart.

"I believe I was as miserable as a grown man could be," he said once, remembering.

Tom Sawyer had heart sorrows too, and we may imagine that his emotions at such times were the emotions of Sam Clemens, say at the age of ten.

But, as Tom Sawyer had one faithful sweetheart, so did he. They were one and the same. Becky Thatcher in the book was Laura Hawkins in reality. The acquaintance of these two had begun when the Hawkins family moved into the Virginia house on the corner of Hill and Main streets.—[The Hawkins family in real life bore no resemblance to the family of that name in The Gilded Age. Judge Hawkins of The Gilded Age, as already noted, was John Clemens. Mark Twain used the name Hawkins, also the name of his boyhood sweetheart, Laura, merely for old times' sake, and because in portraying the childhood of Laura Hawkins he had a picture of the real Laura in his mind.]—The Clemens family was then in the new home across the way, and the children were soon acquainted. The boy could be tender and kind, and was always gentle in his treatment of the other sex. They visited back and forth, especially around the new house, where there were nice pieces of boards and bricks for play-houses. So they played "keeping house," and if they did not always agree well, since the beginning of the world sweethearts have not always agreed, even in Arcady. Once when they were building a house—and there may have been some difference of opinion as to its architecture—the boy happened to let a brick fall on the little girl's finger. If there had been any disagreement it vanished instantly with that misfortune. He tried to comfort her and soothe the pain; then he wept with her and suffered most of the two, no doubt. So, you see, he was just a little boy, after all, even though he was already chief of a red-handed band, the "Black Avengers of the Spanish Main."

He was always a tender-hearted lad. He would never abuse an animal, unless, as in the Pain-killer incident, his tendency to pranking ran away with him. He had indeed a genuine passion for cats; summers when he went to the farm he never failed to take his cat in a basket. When he ate, it sat in a chair beside him at the table. His sympathy included inanimate things as well. He loved flowers—not as the embryo botanist or gardener, but as a personal friend. He pitied the dead leaf and the murmuring dried weed of November because their brief lives were ended, and they would never know the summer again, or grow glad with another spring. His heart went out to them; to the river and the sky, the sunlit meadow and the drifted hill. That his observation of all nature was minute and accurate is shown everywhere in his writing; but it was never the observation of a young naturalist it was the subconscious observation of sympathetic love.

We are wandering away from his school-days. They were brief enough and came rapidly to an end. They will not hold us long. Undoubtedly Tom Sawyer's distaste for school and his excuses for staying at home—usually some pretended illness—have ample foundation in the boyhood of Sam Clemens. His mother punished him and pleaded with him, alternately. He detested school as he detested nothing else on earth, even going to church. "Church ain't worth shucks," said Tom Sawyer, but it was better than school.

As already noted, the school of Mr. Cross stood in or near what is now the Square in Hannibal. The Square was only a grove then, grown up with plum, hazel, and vine—a rare place for children. At recess and the noon hour the children climbed trees, gathered flowers, and swung in grape-vine swings. There was a spelling-bee every Friday afternoon, for Sam the only endurable event of the school exercises. He could hold the floor at spelling longer than Buck Brown. This was spectacular and showy; it invited compliments even from Mr. Cross, whose name must have been handed down by angels, it fitted him so well. One day Sam Clemens wrote on his slate:

       Cross by name and cross by nature

       Cross jumped over an Irish potato.

He showed this to John Briggs, who considered it a stroke of genius. He urged the author to write it on the board at noon, but the poet's ambition did not go so far.

"Oh, pshaw!" said John. "I wouldn't be afraid to do it.

"I dare you to do it," said Sam.

John Briggs never took a dare, and at noon, when Mr. Cross was at home at dinner, he wrote flamingly the descriptive couplet. When the teacher returned and "books" were called he looked steadily at John Briggs. He had recognized the penmanship.

"Did you do that?" he asked, ominously.

It was a time for truth.

"Yes, sir," said John.

"Come here!" And John came, and paid for his exploitation of genius heavily. Sam Clemens expected that the next call would be for "author," but for some reason the investigation ended there. It was unusual for him to escape. His back generally kept fairly warm from one "frailing" to the next.

His rewards were not all of a punitive nature. There were two medals in the school, one for spelling, the other for amiability. They were awarded once a week, and the holders wore them about the neck conspicuously, and were envied accordingly. John Robards—he of the golden curls—wore almost continuously the medal for amiability, while Sam Clemens had a mortgage on the medal for spelling. Sometimes they traded, to see how it would seem, but the master discouraged this practice by taking the medals away from them for the remainder of the week. Once Sam Clemens lost the medal by leaving the first "r" out of February. He could have spelled it backward, if necessary; but Laura Hawkins was the only one on the floor against him, and he was a gallant boy.

The picture of that school as presented in the book written thirty years later is faithful, we may believe, and the central figure is a tender-hearted, romantic, devil-may-care lad, loathing application and longing only for freedom. It was a boon which would come to him sooner even than he had dreamed.

XIV. THE PASSING OF JOHN CLEMENS

Judge Clemens, who time and again had wrecked or crippled his fortune by devices more or less unusual, now adopted the one unfailing method of achieving disaster. He endorsed a large note, for a man of good repute, and the payment of it swept him clean: home, property, everything vanished again. The St. Louis cousin took over the home and agreed to let the family occupy it on payment of a small interest; but after an attempt at housekeeping with a few scanty furnishings and Pamela's piano—all that had been saved from the wreck—they moved across the street into a portion of the Virginia house, then occupied by a Dr. Grant. The Grants proposed that the Clemens family move over and board them, a welcome arrangement enough at this time.

Judge Clemens had still a hope left. The clerkship of the Surrogate Court was soon to be filled by election. It was an important remunerative office, and he was regarded as the favorite candidate for the position. His disaster had aroused general sympathy, and his nomination and election were considered sure. He took no chances; he made a canvass on horseback from house to house, often riding through rain and the chill of fall, acquiring a cough which was hard to overcome. He was elected by a heavy majority, and it was believed he could hold the office as long as he chose. There seemed no further need of worry. As soon as he was installed in office they would live in style becoming their social position. About the end of February he rode to Palmyra to be sworn in. Returning he was drenched by a storm of rain and sleet, arriving at last half frozen. His system was in no condition to resist such a shock. Pneumonia followed; physicians came with torments of plasters and allopathic dosings that brought no relief. Orion returned from St. Louis to assist in caring for him, and sat by his bed, encouraging him and reading to him, but it was evident that he grew daily weaker. Now and then he became cheerful and spoke of the Tennessee land as the seed of a vast fortune that must surely flower at last. He uttered no regrets, no complaints. Once only he said:

"I believe if I had stayed in Tennessee I might have been worth twenty thousand dollars to-day."

On the morning of the 24th of March, 1847, it was evident that he could not live many hours. He was very weak. When he spoke, now and then, it was of the land. He said it would soon make them all rich and happy.

"Cling to the land," he whispered. "Cling to the land, and wait. Let nothing beguile it away from you."

A little later he beckoned to Pamela, now a lovely girl of nineteen, and, putting his arm about her neck, kissed her for the first time in years.

"Let me die," he said.

He never spoke after that. A little more, and the sad, weary life that had lasted less than forty-nine years was ended: A dreamer and a moralist, an upright man honored by all, he had never been a financier. He ended life with less than he had begun.

XV. A YOUNG BEN FRANKLIN

For a third time death had entered the Clemens home: not only had it brought grief now, but it had banished the light of new fortune from the very threshold. The disaster seemed complete.

The children were dazed. Judge Clemens had been a distant, reserved man, but they had loved him, each in his own way, and they had honored his uprightness and nobility of purpose. Mrs. Clemens confided to a neighbor that, in spite of his manner, her husband had been always warm-hearted, with a deep affection for his family. They remembered that he had never returned from a journey without bringing each one some present, however trifling. Orion, looking out of his window next morning, saw old Abram Kurtz, and heard him laugh. He wondered how anybody could still laugh.

The boy Sam was fairly broken down. Remorse, which always dealt with him unsparingly, laid a heavy hand on him now. Wildness, disobedience, indifference to his father's wishes, all were remembered; a hundred things, in themselves trifling, became ghastly and heart-wringing in the knowledge that they could never be undone. Seeing his grief, his mother took him by the hand and led him into the room where his father lay.

"It is all right, Sammy," she said. "What's done is done, and it does not matter to him any more; but here by the side of him now I want you to promise me——"

He turned, his eyes streaming with tears, and flung himself into her arms.

"I will promise anything," he sobbed, "if you won't make me go to school! Anything!"

His mother held him for a moment, thinking, then she said:

"No, Sammy; you need not go to school any more. Only promise me to be a better boy. Promise not to break my heart."

So he promised her to be a faithful and industrious man, and upright, like his father. His mother was satisfied with that. The sense of honor and justice was already strong within him. To him a promise was a serious matter at any time; made under conditions like these it would be held sacred.

That night—it was after the funeral—his tendency to somnambulism manifested itself. His mother and sister, who were sleeping together, saw the door open and a form in white enter. Naturally nervous at such a time, and living in a day of almost universal superstition, they were terrified and covered their heads. Presently a hand was laid on the coverlet, first at the foot, then at the head of the bed. A thought struck Mrs. Clemens:

"Sam!" she said.

He answered, but he was sound asleep and fell to the floor. He had risen and thrown a sheet around him in his dreams. He walked in his sleep several nights in succession after that. Then he slept more soundly.

Orion returned to St. Louis. He was a very good book and job printer by this time and received a salary of ten dollars a week (high wages in those frugal days), of which he sent three dollars weekly to the family. Pamela, who had acquired a considerable knowledge of the piano and guitar, went to the town of Paris, in Monroe County, about fifty miles away, and taught a class of music pupils, contributing whatever remained after paying for her board and clothing to the family fund. It was a hard task for the girl, for she was timid and not over-strong; but she was resolute and patient, and won success. Pamela Clemens was a noble character and deserves a fuller history than can be afforded in this work.

Mrs. Clemens and her son Samuel now had a sober talk, and, realizing that the printing trade offered opportunity for acquiring further education as well as a livelihood, they agreed that he should be apprenticed to Joseph P. Ament, who had lately moved from Palmyra to Hannibal and bought a weekly Democrat paper, the Missouri Courier. The apprentice terms were not over-liberal. They were the usual thing for that time: board and clothes—"more board than clothes, and not much of either," Mark Twain used to say.

"I was supposed to get two suits of clothes a year, like a nigger, but I didn't get them. I got one suit and took the rest out in Ament's old garments, which didn't fit me in any noticeable way. I was only about half as big as he was, and when I had on one of his shirts I felt as if I had on a circus tent. I had to turn the trousers up to my ears to make them short enough."

There was another apprentice, a young fellow of about eighteen, named Wales McCormick, a devilish fellow and a giant. Ament's clothes were too small for Wales, but he had to wear them, and Sam Clemens and Wales McCormick together, fitted out with Ament's clothes, must have been a picturesque pair. There was also, for a time, a boy named Ralph; but he appears to have presented no features of a striking sort, and the memory of him has become dim.

The apprentices ate in the kitchen at first, served by the old slave-cook and her handsome mulatto daughter; but those printer's "devils" made it so lively there that in due time they were promoted to the family table, where they sat with Mr. and Mrs. Ament and the one journeyman, Pet McMurry—a name that in itself was an inspiration. What those young scamps did not already know Pet McMurry could teach them. Sam Clemens had promised to be a good boy, and he was, by the standards of boyhood. He was industrious, regular at his work, quick to learn, kind, and truthful. Angels could hardly be more than that in a printing-office; but when food was scarce even an angel—a young printer angel—could hardly resist slipping down the cellar stairs at night for raw potatoes, onions, and apples which they carried into the office, where the boys slept on a pallet on the floor, and this forage they cooked on the office stove. Wales especially had a way of cooking a potato that his associate never forgot.

It is unfortunate that no photographic portrait has been preserved of Sam Clemens at this period. But we may imagine him from a letter which, long years after, Pet McMurry wrote to Mark Twain. He said:

    If your memory extends so far back, you will recall a little sandy-

    haired boy—[The color of Mark Twain's hair in early life has been

    variously referred to as red, black, and brown. It was, in fact, as

    stated by McMurry, "sandy" in boyhood, deepening later to that rich,

    mahogany tone known as auburn.]—of nearly a quarter of a century

    ago, in the printing-office at Hannibal, over the Brittingham

    drugstore, mounted upon a little box at the case, pulling away at a

    huge cigar or a diminutive pipe, who used to love to sing so well

    the expression of the poor drunken man who was supposed to have

    fallen by the wayside: "If ever I get up again, I'll stay up—if I

    kin."... Do you recollect any of the serious conflicts that

    mirth-loving brain of yours used to get you into with that

    diminutive creature Wales McCormick—how you used to call upon me to

    hold your cigar or pipe, whilst you went entirely through him?

This is good testimony, without doubt. When he had been with Ament little more than a year Sam had become office favorite and chief standby. Whatever required intelligence and care and imagination was given to Sam Clemens. He could set type as accurately and almost as rapidly as Pet McMurry; he could wash up the forms a good deal better than Pet; and he could run the job-press to the tune of "Annie Laurie" or "Along the Beach at Rockaway," without missing a stroke or losing a finger. Sometimes, at odd moments, he would "set up" one of the popular songs or some favorite poem like "The Blackberry Girl," and of these he sent copies printed on cotton, even on scraps of silk, to favorite girl friends; also to Puss Quarles, on his uncle's farm, where he seldom went now, because he was really grown up, associating with men and doing a man's work. He had charge of the circulation—which is to say, he carried the papers. During the last year of the Mexican War, when a telegraph-wire found its way across the Mississippi to Hannibal—a long sagging span, that for some reason did not break of its own weight—he was given charge of the extras with news from the front; and the burning importance of his mission, the bringing of news hot from the field of battle, spurred him to endeavors that won plaudits and success.

He became a sort of subeditor. When the forms of the paper were ready to close and Ament was needed to supply more matter, it was Sam who was delegated to find that rather uncertain and elusive person and labor with him until the required copy was produced. Thus it was he saw literature in the making.

It is not believed that Sam had any writing ambitions of his own. His chief desire was to be an all-round journeyman printer like Pet McMurry; to drift up and down the world in Pet's untrammeled fashion; to see all that Pet had seen and a number of things which Pet appeared to have overlooked. He varied on occasion from this ambition. When the first negro minstrel show visited Hannibal and had gone, he yearned for a brief period to be a magnificent "middle man" or even the "end-man" of that combination; when the circus came and went, he dreamed of the day when, a capering frescoed clown, he would set crowded tiers of spectators guffawing at his humor; when the traveling hypnotist arrived, he volunteered as a subject, and amazed the audience by the marvel of his performance.

In later life he claimed that he had not been hypnotized in any degree, but had been pretending throughout—a statement always denied by his mother and his brother Orion. This dispute was never settled, and never could be. Sam Clemens's tendency to somnambulism would seem to suggest that he really might have taken on a hypnotic condition, while his consummate skill as an actor, then and always, and his early fondness of exhibition and a joke, would make it not unlikely that he was merely "showing off" and having his fun. He could follow the dictates of a vivid imagination and could be as outrageous as he chose without incurring responsibility of any sort. But there was a penalty: he must allow pins and needles to be thrust into his flesh and suffer these tortures without showing discomfort to the spectators. It is difficult to believe that any boy, however great his exhibitory passion, could permit, in the full possession of his sensibilities, a needle to be thrust deeply into his flesh without manifestations of a most unmesmeric sort. The conclusion seems warranted that he began by pretending, but that at times he was at least under semi-mesmeric control. At all events, he enjoyed a week of dazzling triumph, though in the end he concluded to stick to printing as a trade.

We have said that he was a rapid learner and a neat workman. At Ament's he generally had a daily task, either of composition or press-work, after which he was free. When he had got the hang of his work he was usually done by three in the afternoon; then away to the river or the cave, as in the old days, sometimes with his boy friends, sometimes with Laura Hawkins gathering wild columbine on that high cliff overlooking the river, Lover's Leap.

He was becoming quite a beau, attending parties on occasion, where old-fashioned games—Forfeits, Ring-around-a-Rosy, Dusty Miller, and the like—were regarded as rare amusements. He was a favorite with girls of his own age. He was always good-natured, though he played jokes on them, too, and was often a severe trial. He was with Laura Hawkins more than the others, usually her escort. On Saturday afternoons in winter he carried her skates to Bear Creek and helped her to put them on. After which they skated "partners," holding hands tightly, and were a likely pair of children, no doubt. In The Gilded Age Laura Hawkins at twelve is pictured "with her dainty hands propped into the ribbon-bordered pockets of her apron... a vision to warm the coldest heart and bless and cheer the saddest." The author had the real Laura of his childhood in his mind when he wrote that, though the story itself bears no resemblance to her life.

They were never really sweethearts, those two. They were good friends and comrades. Sometimes he brought her magazines—exchanges from the printing—office—Godey's and others. These were a treat, for such things were scarce enough. He cared little for reading, himself, beyond a few exciting tales, though the putting into type of a good deal of miscellaneous matter had beyond doubt developed in him a taste for general knowledge. It needed only to be awakened.

XVI. THE TURNING-POINT

There came into his life just at this period one of those seemingly trifling incidents which, viewed in retrospect, assume pivotal proportions. He was on his way from the office to his home one afternoon when he saw flying along the pavement a square of paper, a leaf from a book. At an earlier time he would not have bothered with it at all, but any printed page had acquired a professional interest for him now. He caught the flying scrap and examined it. It was a leaf from some history of Joan of Arc. The "maid" was described in the cage at Rouen, in the fortress, and the two ruffian English soldiers had stolen her clothes. There was a brief description and a good deal of dialogue—her reproaches and their ribald replies.

He had never heard of the subject before. He had never read any history. When he wanted to know any fact he asked Henry, who read everything obtainable. Now, however, there arose within him a deep compassion for the gentle Maid of Orleans, a burning resentment toward her captors, a powerful and indestructible interest in her sad history. It was an interest that would grow steadily for more than half a lifetime and culminate at last in that crowning work, the Recollections, the loveliest story ever told of the martyred girl.

The incident meant even more than that: it meant the awakening of his interest in all history—the world's story in its many phases—a passion which became the largest feature of his intellectual life and remained with him until his very last day on earth. From the moment when that fluttering leaf was blown into his hands his career as one of the world's mentally elect was assured. It gave him his cue—the first word of a part in the human drama. It crystallized suddenly within him sympathy with the oppressed, rebellion against tyranny and treachery, scorn for the divine rights of kings. A few months before he died he wrote a paper on "The Turning-point of My Life." For some reason he did not mention this incident. Yet if there was a turning-point in his life, he reached it that bleak afternoon on the streets of Hannibal when a stray leaf from another life was blown into his hands.

He read hungrily now everything he could find relating to the French wars, and to Joan in particular. He acquired an appetite for history in general, the record of any nation or period; he seemed likely to become a student. Presently he began to feel the need of languages, French and German. There was no opportunity to acquire French, that he could discover, but there was a German shoemaker in Hannibal who agreed to teach his native tongue. Sam Clemens got a friend—very likely it was John Briggs—to form a class with him, and together they arranged for lessons. The shoemaker had little or no English. They had no German. It would seem, however, that their teacher had some sort of a "word-book," and when they assembled in his little cubby-hole of a retreat he began reading aloud from it this puzzling sentence:

"De hain eet flee whoop in de hayer."

"Dere!" he said, triumphantly; "you know dose vord?"

The students looked at each other helplessly.

The teacher repeated the sentence, and again they were helpless when he asked if they recognized it.

Then in despair he showed them the book. It was an English primer, and the sentence was:

"The hen, it flies up in the air."

They explained to him gently that it was German they wished to learn, not English—not under the circumstances. Later, Sam made an attempt at Latin, and got a book for that purpose, but gave it up, saying:

"No, that language is not for me. I'll do well enough to learn English." A boy who took it up with him became a Latin scholar.

His prejudice against oppression he put into practice. Boys who were being imposed upon found in him a ready protector. Sometimes, watching a game of marbles or tops, he would remark in his slow, impressive way:

"You mustn't cheat that boy." And the cheating stopped. When it didn't, there was a combat, with consequences.

XVII. THE HANNIBAL "JOURNAL"

Orion returned from St. Louis. He felt that he was needed in Hannibal and, while wages there were lower, his expenses at home were slight; there was more real return for the family fund. His sister Pamela was teaching a class in Hannibal at this time. Orion was surprised when his mother and sister greeted him with kisses and tears. Any outward display of affection was new to him.

The family had moved back across the street by this time. With Sam supporting himself, the earnings of Orion and Pamela provided at least a semblance of comfort. But Orion was not satisfied. Then, as always, he had a variety of vague ambitions. Oratory appealed to him, and he delivered a temperance lecture with an accompaniment of music, supplied chiefly by Pamela. He aspired to the study of law, a recurring inclination throughout his career. He also thought of the ministry, an ambition which Sam shared with him for a time. Every mischievous boy has it, sooner or later, though not all for the same reasons.

"It was the most earnest ambition I ever had," Mark Twain once remarked, thoughtfully. "Not that I ever really wanted to be a preacher, but because it never occurred to me that a preacher could be damned. It looked like a safe job."

A periodical ambition of Orion's was to own and conduct a paper in Hannibal. He felt that in such a position he might become a power in Western journalism. Once his father had considered buying the Hannibal Journal to give Orion a chance, and possibly to further his own political ambitions. Now Orion considered it for himself. The paper was for sale under a mortgage, and he was enabled to borrow the $500 which would secure ownership. Sam's two years at Ament's were now complete, and Orion induced him to take employment on the Journal. Henry at eleven was taken out of school to learn typesetting.

Orion was a gentle, accommodating soul, but he lacked force and independence.

"I followed all the advice I received," he says in his record. "If two or more persons conflicted with each other, I adopted the views of the last."

He started full of enthusiasm. He worked like a slave to save help: wrote his own editorials, and made his literary selections at night. The others worked too. Orion gave them hard tasks and long hours. He had the feeling that the paper meant fortune or failure to them all; that all must labor without stint. In his usual self-accusing way he wrote afterward:

I was tyrannical and unjust to Sam. He was as swift and as clean as a good journeyman. I gave him tasks, and if he got through well I begrudged him the time and made him work more. He set a clean proof, and Henry a very dirty one. The correcting was left to be done in the form the day before publication. Once we were kept late, and Sam complained with tears of bitterness that he was held till midnight on Henry's dirty proofs.

Orion did not realize any injustice at the time. The game was too desperate to be played tenderly. His first editorials were so brilliant that it was not believed he could have written them. The paper throughout was excellent, and seemed on the high road to success. But the pace was too hard to maintain. Overwork brought weariness, and Orion's enthusiasm, never a very stable quantity, grew feeble. He became still more exacting.

It is not to be supposed that Sam Clemens had given up all amusements to become merely a toiling drudge or had conquered in any large degree his natural taste for amusement. He had become more studious; but after the long, hard days in the office it was not to be expected that a boy of fifteen would employ the evening—at least not every evening—in reading beneficial books. The river was always near at hand—for swimming in the summer and skating in the winter—and once even at this late period it came near claiming a heavy tribute. That was one winter's night when with another boy he had skated until nearly midnight. They were about in the middle of the river when they heard a terrific and grinding noise near the shore. They knew what it was. The ice was breaking up, and they set out for home forthwith. It was moonlight, and they could tell the ice from the water, which was a good thing, for there were wide cracks toward the shore, and they had to wait for these to close. They were an hour making the trip, and just before they reached the bank they came to a broad space of water. The ice was lifting and falling and crunching all around them. They waited as long as they dared and decided to leap from cake to cake. Sam made the crossing without accident, but his companion slipped in when a few feet from shore. He was a good swimmer and landed safely, but the bath probably cost him his hearing. He was taken very ill. One disease followed another, ending with scarlet fever and deafness.

There was also entertainment in the office itself. A country boy named Jim Wolfe had come to learn the trade—a green, good-natured, bashful boy. In every trade tricks are played on the new apprentice, and Sam felt that it was his turn to play them. With John Briggs to help him, tortures for Jim Wolfe were invented and applied.

They taught him to paddle a canoe, and upset him. They took him sniping at night and left him "holding the bag" in the old traditional fashion while they slipped off home and went to bed.

But Jim Wolfe's masterpiece of entertainment was one which he undertook on his own account. Pamela was having a candy-pull down-stairs one night—a grown-up candy-pull to which the boys were not expected. Jim would not have gone, anyway, for he was bashful beyond belief, and always dumb, and even pale with fear, in the presence of pretty Pamela Clemens. Up in their room the boys could hear the merriment from below and could look out in the moonlight on the snowy sloping roof that began just beneath their window. Down at the eaves was the small arbor, green in summer, but covered now with dead vines and snow. They could hear the candymakers come out, now and then, doubtless setting out pans of candy to cool. By and by the whole party seemed to come out into the little arbor, to try the candy, perhaps the joking and laughter came plainly to the boys up-stairs. About this time there appeared on the roof from somewhere two disreputable cats, who set up a most disturbing duel of charge and recrimination. Jim detested the noise, and perhaps was gallant enough to think it would disturb the party. He had nothing to throw at them, but he said:

"For two cents I'd get out there and knock their heads off."

"You wouldn't dare to do it," Sam said, purringly.

This was wormwood to Jim. He was really a brave spirit.

"I would too," he said, "and I will if you say that again."

"Why, Jim, of course you wouldn't dare to go out there. You might catch cold."

"You wait and see," said Jim Wolfe.

He grabbed a pair of yarn stockings for his feet, raised the window, and crept out on the snowy roof. There was a crust of ice on the snow, but Jim jabbed his heels through it and stood up in the moonlight, his legs bare, his single garment flapping gently in the light winter breeze. Then he started slowly toward the cats, sinking his heels in the snow each time for a footing, a piece of lath in his hand. The cats were on the corner of the roof above the arbor, and Jim cautiously worked his way in that direction. The roof was not very steep. He was doing well enough until he came to a place where the snow had melted until it was nearly solid ice. He was so intent on the cats that he did not notice this, and when he struck his heel down to break the crust nothing yielded. A second later Jim's feet had shot out from under him, and he vaulted like an avalanche down the icy roof out on the little vine-clad arbor, and went crashing through among those candypullers, gathered there with their pans of cooling taffy. There were wild shrieks and a general flight. Neither Jim nor Sam ever knew how he got back to their room, but Jim was overcome with the enormity of his offense, while Sam was in an agony of laughter.

"You did it splendidly, Jim," he drawled, when he could speak. "Nobody could have done it better; and did you see how those cats got out of there? I never had any idea when you started that you meant to do it that way. And it was such a surprise to the folks down-stairs. How did you ever think of it?"

It was a fearful ordeal for a boy like Jim Wolfe, but he stuck to his place in spite of what he must have suffered. The boys made him one of them soon after that. His initiation was thought to be complete.

An account of Jim Wolfe and the cats was the first original story Mark Twain ever told. He told it next day, which was Sunday, to Jimmy McDaniel, the baker's son, as they sat looking out over the river, eating gingerbread. His hearer laughed immoderately, and the story-teller was proud and happy in his success.

XVIII. THE BEGINNING OF A LITERARY LIFE

Orion's paper continued to go downhill. Following some random counsel, he changed the name of it and advanced the price—two blunders. Then he was compelled to reduce the subscription, also the advertising rates. He was obliged to adopt a descending scale of charges and expenditures to keep pace with his declining circulation—a fatal sign. A publisher must lead his subscription list, not follow it.

"I was walking backward," he said, "not seeing where I stepped."

In desperation he broke away and made a trip to Tennessee to see if something could not be realized on the land, leaving his brother Sam in charge of the office. It was a journey without financial results; yet it bore fruit, for it marked the beginning of Mark Twain's literary career.

Sam, in his brother's absence, concluded to edit the paper in a way that would liven up the circulation. He had never done any writing—not for print—but he had the courage of his inclinations. His local items were of a kind known as "spicy"; his personals brought prompt demand for satisfaction. The editor of a rival paper had been in love, and was said to have gone to the river one night to drown himself. Sam gave a picturesque account of this, with all the names connected with the affair. Then he took a couple of big wooden block letters, turned them upside down, and engraved illustrations for it, showing the victim wading out into the river with a stick to test the depth of the water. When this issue of the paper came out the demand for it was very large. The press had to be kept running steadily to supply copies. The satirized editor at first swore that he would thrash the whole journal office, then he left town and did not come back any more. The embryo Mark Twain also wrote a poem. It was addressed "To Mary in Hannibal," but the title was too long to be set in one column, so he left out all the letters in Hannibal, except the first and the last, and supplied their place with a dash, with a startling result. Such were the early flickerings of a smoldering genius. Orion returned, remonstrated, and apologized. He reduced Sam to the ranks. In later years he saw his mistake.

"I could have distanced all competitors even then," he said, "if I had recognized Sam's ability and let him go ahead, merely keeping him from offending worthy persons."

Sam was subdued, but not done for. He never would be, now. He had got his first taste of print, and he liked it. He promptly wrote two anecdotes which he thought humorous and sent them to the Philadelphia Saturday Evening Post. They were accepted—without payment, of course, in those days; and when the papers containing them appeared he felt suddenly lifted to a lofty plane of literature. This was in 1851.

"Seeing them in print was a joy which rather exceeded anything in that line I have ever experienced since," he said, nearly sixty years later.

Yet he did not feel inspired to write anything further for the Post. Twice during the next two years he contributed to the Journal; once something about Jim Wolfe, though it was not the story of the cats, and another burlesque on a rival editor whom he pictured as hunting snipe with a cannon, the explosion of which was said to have blown the snipe out of the country. No contributions of this time have been preserved. High prices have been offered for copies of the Hannibal journal containing them, but without success. The Post sketches were unsigned and have not been identified. It is likely they were trivial enough. His earliest work showed no special individuality or merit, being mainly crude and imitative, as the work of a boy—even a precocious boy—is likely to be. He was not especially precocious—not in literature. His literary career would halt and hesitate and trifle along for many years yet, gathering impetus and equipment for the fuller, statelier swing which would bring a greater joy to the world at large, even if not to himself, than that first, far-off triumph.—[In Mark Twain's sketch "My First Literary Venture" he has set down with characteristic embroideries some account of this early authorship.]

Those were hard financial days. Orion could pay nothing on his mortgage—barely the interest. He had promised Sam three dollars and a half a week, but he could do no more than supply him with board and clothes—"poor, shabby clothes," he says in his record.

"My mother and sister did the housekeeping. My mother was cook. She used the provisions I supplied her. We therefore had a regular diet of bacon, butter, bread, and coffee."

Mrs. Clemens again took a few boarders; Pamela, who had given up teaching for a time, organized another music class. Orion became despondent. One night a cow got into the office, upset a typecase, and ate up two composition rollers. Orion felt that fate was dealing with a heavy hand. Another disaster quickly followed. Fire broke out in the office, and the loss was considerable. An insurance company paid one hundred and fifty dollars. With it Orion replaced such articles as were absolutely needed for work, and removed his plant into the front room of the Clemens dwelling. He raised the one-story part of the building to give them an added room up-stairs; and there for another two years, by hard work and pinching economies, the dying paper managed to drag along. It was the fire that furnished Sam Clemens with his Jim Wolfe sketch. In it he stated that Jim in his excitement had carried the office broom half a mile and had then come back after the wash-pan.

In the meantime Pamela Clemens married. Her husband was a well-to-do merchant, William A. Moffett, formerly of Hannibal, but then of St. Louis, where he had provided her with the comforts of a substantial home.

Orion tried the experiment of a serial story. He wrote to a number of well-known authors in the East, but was unable to find one who would supply a serial for the price he was willing to pay. Finally he obtained a translation of a French novel for the sum offered, which was five dollars. It did not save the sinking ship, however. He made the experiment of a tri-weekly, without success. He noticed that even his mother no longer read his editorials, but turned to the general news. This was a final blow.

"I sat down in the dark," he says, "the moon glinting in at the open door. I sat with one leg over the chair and let my mind float."

He had received an offer of five hundred dollars for his office—the amount of the mortgage—and in his moonlight reverie he decided to dispose of it on those terms. This was in 1853.

His brother Samuel was no longer with him. Several months before, in June, Sam decided he would go out into the world. He was in his eighteenth year now, a good workman, faithful and industrious, but he had grown restless in unrewarded service. Beyond his mastery of the trade he had little to show for six years of hard labor. Once when he had asked Orion for a few dollars to buy a second-hand gun, Orion, exasperated by desperate circumstances, fell into a passion and rated him for thinking of such extravagance. Soon afterward Sam confided to his mother that he was going away; that he believed Orion hated him; that there was no longer a place for him at home. He said he would go to St. Louis, where Pamela was. There would be work for him in St. Louis, and he could send money home. His intention was to go farther than St. Louis, but he dared not tell her. His mother put together sadly enough the few belongings of what she regarded as her one wayward boy; then she held up a little Testament:

"I want you to take hold of the other end of this, Sam," she said, "and make me a promise."

If one might have a true picture of that scene: the shin, wiry woman of forty-nine, her figure as straight as her deportment, gray-eyed, tender, and resolute, facing the fair-cheeked, auburn-haired youth of seventeen, his eyes as piercing and unwavering as her own. Mother and son, they were of the same metal and the same mold.

"I want you to repeat after me, Sam, these words," Jane Clemens said. "I do solemnly swear that I will not throw a card or drink a drop of liquor while I am gone."

He repeated the oath after her, and she kissed him.

"Remember that, Sam, and write to us," she said.

"And so," Orion records, "he went wandering in search of that comfort and that advancement and those rewards of industry which he had failed to find where I was—gloomy, taciturn, and selfish. I not only missed his labor; we all missed his bounding activity and merriment."

XIX. IN THE FOOTSTEPS OF FRANKLIN

He went to St. Louis by the night boat, visited his sister Pamela, and found a job in the composing-room of the Evening News. He remained on the paper only long enough to earn money with which to see the world. The "world" was New York City, where the Crystal Palace Fair was then going on. The railway had been completed by this time, but he had not traveled on it. It had not many comforts; several days and nights were required for the New York trip; yet it was a wonderful and beautiful experience. He felt that even Pet McMurry could hardly have done anything to surpass it. He arrived in New York with two or three dollars in his pocket and a ten-dollar bill concealed in the lining of his coat.

New York was a great and amazing city. It almost frightened him. It covered the entire lower end of Manhattan Island; visionary citizens boasted that one day it would cover it all. The World's Fair building, the Crystal Palace, stood a good way out. It was where Bryant Park is now, on Forty-second Street and Sixth Avenue. Young Clemens classed it as one of the wonders of the world and wrote lavishly of its marvels. A portion of a letter to his sister Pamela has been preserved and is given here not only for what it contains, but as the earliest existing specimen of his composition. The fragment concludes what was doubtless an exhaustive description.

    From the gallery (second floor) you have a glorious sight—the flags

    of the different countries represented, the lofty dome, glittering

    jewelry, gaudy tapestry, etc., with the busy crowd passing to and

    fro 'tis a perfect fairy palace—beautiful beyond description.

    The machinery department is on the main floor, but I cannot

    enumerate any of it on account of the lateness of the hour (past 1

    o'clock). It would take more than a week to examine everything on

    exhibition; and I was only in a little over two hours to-night.

    I only glanced at about one-third of the articles; and, having a

    poor memory, I have enumerated scarcely any of even the principal

    objects. The visitors to the Palace average 6,000 daily—double the

    population of Hannibal. The price of admission being 50 cents, they

    take in about $3,000.

    The Latting Observatory (height about 280 feet) is near the Palace

    —from it you can obtain a grand view of the city and the country

    around. The Croton Aqueduct, to supply the city with water, is the

    greatest wonder yet. Immense sewers are laid across the bed of the

    Hudson River, and pass through the country to Westchester County,

    where a whole river is turned from its course and brought to New

    York. From the reservoir in the city to the Westchester County

    reservoir the distance is thirty-eight miles and, if necessary, they

    could easily supply every family in New York with one hundred

    barrels of water per day!

    I am very sorry to learn that Henry has been sick. He ought to go

    to the country and take exercise, for he is not half so healthy as

    Ma thinks he is. If he had my walking to do, he would be another

    boy entirely. Four times every day I walk a little over a mile; and

    working hard all day and walking four miles is exercise. I am used

    to it now, though, and it is no trouble. Where is it Orion's going

    to? Tell Ma my promises are faithfully kept; and if I have my

    health I will take her to Ky. in the spring—I shall save money for

    this. Tell Jim (Wolfe) and all the rest of them to write, and give

    me all the news....

    (It has just struck 2 A.M., and I always get up at 6, and am at work

    at 7.) You ask where I spend my evenings. Where would you suppose,

    with a free printer's library containing more than 4,000 volumes

    within a quarter of a mile of me, and nobody at home to talk to?

    Write soon.

                  Truly your brother,     SAM

    P.S.-I have written this by a light so dim that you nor Ma could not

    read by it. Write, and let me know how Henry is.

It is a good letter; it is direct and clear in its descriptive quality, and it gives us a scale of things. Double the population of Hannibal visited the Crystal Palace in one day! and the water to supply the city came a distance of thirty-eight miles! Doubtless these were amazing statistics.

Then there was the interest in family affairs—always strong—his concern for Henry, whom he loved tenderly; his memory of the promise to his mother; his understanding of her craving to visit her old home. He did not write to her direct, for the reason that Orion's plans were then uncertain, and it was not unlikely that he had already found a new location. From this letter, too, we learn that the boy who detested school was reveling in a library of four thousand books—more than he had ever seen together before. We have somehow the feeling that he had all at once stepped from boyhood to manhood, and that the separation was marked by a very definite line.

The work he had secured was in Cliff Street in the printing establishment of John A. Gray & Green, who agreed to pay him four dollars a week, and did pay that amount in wildcat money, which saved them about twenty-five per cent. of the sum. He lodged at a mechanics' boarding-house in Duane Street, and when he had paid his board and washing he sometimes had as much as fifty cents to lay away.

He did not like the board. He had been accustomed to the Southern mode of cooking, and wrote home complaining that New-Yorkers did not have "hot-bread" or biscuits, but ate "light-bread," which they allowed to get stale, seeming to prefer it in that way. On the whole, there was not much inducement to remain in New York after he had satisfied himself with its wonders. He lingered, however, through the hot months of 1853, and found it not easy to go. In October he wrote to Pamela, suggesting plans for Orion; also for Henry and Jim Wolfe, whom he seems never to have overlooked. Among other things he says:

    I have not written to any of the family for some time, from the

    fact, firstly, that I didn't know where they were, and, secondly,

    because I have been fooling myself with the idea that I was going to

    leave New York every day for the last two weeks. I have taken a

    liking to the abominable place, and every time I get ready to leave

    I put it off a day or so, from some unaccountable cause. I think I

    shall get off Tuesday, though.

    Edwin Forrest has been playing for the last sixteen days at the

    Broadway Theater, but I never went to see him till last night. The

    play was the "Gladiator." I did not like parts of it much, but

    other portions were really splendid. In the latter part of the last

    act, where the "Gladiator" (Forrest) dies at his brother's feet (in

    all the fierce pleasure of gratified revenge), the man's whole soul

    seems absorbed in the part he is playing; and it is really startling

    to see him. I am sorry I did not see him play "Damon and Pythias"

    —the former character being the greatest. He appears in Philadelphia

    on Monday night.

    I have not received a letter from home lately, but got a "Journal"

    the other day, in which I see the office has been sold....

    If my letters do not come often, you need not bother yourself about

    me; for if you have a brother nearly eighteen years of age who is

    not able to take care of himself a few miles from home, such a

    brother is not worth one's thoughts; and if I don't manage to take

    care of No. 1, be assured you will never know it. I am not afraid,

    however; I shall ask favors of no one and endeavor to be (and shall

    be) as "independent as a wood-sawyer's clerk."...

    Passage to Albany (160 miles) on the finest steamers that ply the

    Hudson is now 25 cents—cheap enough, but is generally cheaper than

    that in the summer.

"I have been fooling myself with the idea that I was going to leave New York" is distinctly a Mark Twain phrase. He might have said that fifty years later.

He did go to Philadelphia presently and found work "subbing" on a daily paper,'The Inquirer.' He was a fairly swift compositor. He could set ten thousand ems a day, and he received pay according to the amount of work done. Days or evenings when there was no vacant place for him to fill he visited historic sites, the art-galleries, and the libraries. He was still acquiring education, you see. Sometimes at night when he returned to his boardinghouse his room-mate, an Englishman named Sumner, grilled a herring, and this was regarded as a feast. He tried his hand at writing in Philadelphia, though this time without success. For some reason he did not again attempt to get into the Post, but offered his contributions to the Philadelphia 'Ledger'—mainly poetry of an obituary kind. Perhaps it was burlesque; he never confessed that, but it seems unlikely that any other obituary poetry would have failed of print.

"My efforts were not received with approval," was all he ever said of it afterward.

There were two or three characters in the 'Inquirer' office whom he did not forget. One of these was an old compositor who had "held a case" in that office for many years. His name was Frog, and sometimes when he went away the "office devils" would hang a line over his case, with a hook on it baited with a piece of red flannel. They never got tired of this joke, and Frog was always able to get as mad over it as he had been in the beginning. Another old fellow there furnished amusement. He owned a house in the distant part of the city and had an abnormal fear of fire. Now and then, when everything was quiet except the clicking of the types, some one would step to the window and say with a concerned air:

"Doesn't that smoke—[or that light, if it was evening]—seem to be in the northwestern part of the city?" or "There go the fire-bells again!" and away the old man would tramp up to the roof to investigate. It was not the most considerate sport, and it is to be feared that Sam Clemens had his share in it.

He found that he liked Philadelphia. He could save a little money there, for one thing, and now and then sent something to his mother—small amounts, but welcome and gratifying, no doubt. In a letter to Orion—whom he seems to have forgiven with absence—written October 26th, he incloses a gold dollar to buy her a handkerchief, and "to serve as a specimen of the kind of stuff we are paid with in Philadelphia." Further along he adds:

    Unlike New York, I like this Philadelphia amazingly, and the people

    in it. There is only one thing that gets my "dander" up—and that

    is the hands are always encouraging me: telling me "it's no use to

    get discouraged—no use to be downhearted, for there is more work

    here than you can do!" "Downhearted," the devil! I have not had a

    particle of such a feeling since I left Hannibal, more than four

    months ago. I fancy they'll have to wait some time till they see me

    downhearted or afraid of starving while I have strength to work and

    am in a city of 400,000 inhabitants. When I was in Hannibal, before

    I had scarcely stepped out of the town limits, nothing could have

    convinced me that I would starve as soon as I got a little way from

    home.

He mentions the grave of Franklin in Christ Churchyard with its inscription "Benjamin and Deborah Franklin," and one is sharply reminded of the similarity between the early careers of Benjamin Franklin and Samuel Clemens. Each learned the printer's trade; each worked in his brother's printing-office and wrote for the paper; each left quietly and went to New York, and from New York to Philadelphia, as a journeyman printer; each in due season became a world figure, many-sided, human, and of incredible popularity.

The foregoing letter ends with a long description of a trip made on the Fairmount stage. It is a good, vivid description—impressions of a fresh, sensitive mind, set down with little effort at fine writing; a letter to convey literal rather than literary enjoyment. The Wire Bridge, Fairmount Park and Reservoir, new buildings—all these passed in review. A fine residence about completed impressed him:

    It was built entirely of great blocks of red granite. The pillars

    in front were all finished but one. These pillars were beautiful,

    ornamental fluted columns, considerably larger than a hogshead at

    the base, and about as high as Clapinger's second-story front

    windows.... To see some of them finished and standing, and

    then the huge blocks lying about, looks so massy, and carries one,

    in imagination, to the ruined piles of ancient Babylon. I despise

    the infernal bogus brick columns plastered over with mortar. Marble

    is the cheapest building-stone about Philadelphia.

There is a flavor of the 'Innocents' about it; then a little further along:

    I saw small steamboats, with their signs up—"For Wissahickon and

    Manayunk 25 cents." Geo. Lippard, in his Legends of Washington and

    his Generals, has rendered the Wissahickon sacred in my eyes, and I

    shall make that trip, as well as one to Germantown, soon....

    There is one fine custom observed in Phila. A gentleman is always

    expected to hand up a lady's money for her. Yesterday I sat in the

    front end of the bus, directly under the driver's box—a lady sat

    opposite me. She handed me her money, which was right. But, Lord!

    a St. Louis lady would think herself ruined if she should be so

    familiar with a stranger. In St. Louis a man will sit in the front

    end of the stage, and see a lady stagger from the far end to pay her

    fare.

There are two more letters from Philadelphia: one of November, 28th, to Orion, who by this time had bought a paper in Muscatine, Iowa, and located the family there; and one to Pamela dated December 5th. Evidently Orion had realized that his brother might be of value as a contributor, for the latter says:

    I will try to write for the paper occasionally, but I fear my

    letters will be very uninteresting, for this incessant night work

    dulls one's ideas amazingly.... I believe I am the only person in

    the Inquirer office that does not drink. One young fellow makes $18

    for a few weeks, and gets on a grand "bender" and spends every cent

    of it.

    How do you like "free soil"?—I would like amazingly to see a good

    old-fashioned negro. My love to all.

                  Truly your brother,     SAM

In the letter to Pamela he is clearly homesick.

"I only want to return to avoid night work, which is injuring my eyes," is the excuse, but in the next sentence he complains of the scarcity of letters from home and those "not written as they should be." "One only has to leave home to learn how to write interesting letters to an absent friend," he says, and in conclusion, "I don't like our present prospect for cold weather at all."

He had been gone half a year, and the first attack of home-longing, for a boy of his age, was due. The novelty of things had worn off; it was coming on winter; changes had taken place among his home people and friends; the life he had known best and longest was going on and he had no part in it. Leaning over his case, he sometimes hummed:

    "An exile from home, splendor dazzles in vain."

He weathered the attack and stuck it out for more than half a year longer. In January, when the days were dark and he grew depressed, he made a trip to Washington to see the sights of the capital. His stay was comparatively brief, and he did not work there. He returned to Philadelphia, working for a time on the Ledger and North American. Finally he went back to New York. There are no letters of this period. His second experience in New York appears not to have been recorded, and in later years was only vaguely remembered. It was late in the summer of 1854 when he finally set out on his return to the West. His 'Wanderjahr' had lasted nearly fifteen months.

He went directly to St. Louis, sitting up three days and nights in a smoking-car to make the journey. He was worn out when he arrived, but stopped there only a few hours to see Pamela. It was his mother he was anxious for. He took the Keokuk Packet that night, and, flinging himself on his berth, slept the clock three times around, scarcely rousing or turning over, only waking at last at Muscatine. For a long time that missing day confused his calculations.

When he reached Orion's house the family sat at breakfast. He came in carrying a gun. They had not been expecting him, and there was a general outcry, and a rush in his direction. He warded them off, holding the butt of the gun in front of him.

"You wouldn't let me buy a gun," he said, "so I bought one myself, and I am going to use it, now, in self-defense."

"You, Sam! You, Sam!" cried Jane Clemens. "Behave yourself," for she was wary of a gun.

Then he had had his joke and gave himself into his mother's arms.

XX. KEOKUK DAYS

Orion wished his brother to remain with him in the Muscatine office, but the young man declared he must go to St. Louis and earn some money before he would be able to afford that luxury: He returned to his place on the St. Louis Evening News, where he remained until late winter or early spring of the following year.

He lived at this time with a Pavey family, probably one of the Hannibal Paveys, rooming with a youth named Frank E. Burrough, a journeyman chair-maker with a taste for Dickens, Thackeray, Scott, and Disraeli. Burrough had really a fine literary appreciation for his years, and the boys were comrades and close friends. Twenty-two years later Mark Twain exchanged with Burrough some impressions of himself at that earlier time. Clemens wrote:

    MY DEAR BURROUGH,—As you describe me I can picture myself as I was

    22 years ago. The portrait is correct. You think I have grown

    some; upon my word there was room for it. You have described a

    callow fool, a self-sufficient ass, a mere human tumble-bug, stern

    in air, heaving at his bit of dung, imagining that he is remodeling

    the world and is entirely capable of doing it right.... That is

    what I was at 19-20.

Orion Clemens in the mean time had married and removed to Keokuk. He had married during a visit to that city, in the casual, impulsive way so characteristic of him, and the fact that he had acquired a wife in the operation seemed at first to have escaped his inner consciousness. He tells it himself; he says:

    At sunrise on the next morning after the wedding we left in a stage

    for Muscatine. We halted for dinner at Burlington. After

    despatching that meal we stood on the pavement when the stage drove

    up, ready for departure. I climbed in, gathered the buffalo robe

    around me, and leaned back unconscious that I had anything further

    to do. A gentleman standing on the pavement said to my wife, "Miss,

    do you go by this stage?" I said, "Oh, I forgot!" and sprang out

    and helped her in. A wife was a new kind of possession to which I

    had not yet become accustomed; I had forgotten her.

Orion's wife had been Mary Stotts; her mother a friend of Jane Clemens's girlhood. She proved a faithful helpmate to Orion; but in those early days of marriage she may have found life with him rather trying, and it was her homesickness that brought them to Keokuk. Brother Sam came up from St. Louis, by and by, to visit them, and Orion offered him five dollars a week and board to remain. He accepted. The office at this time, or soon after, was located on the third floor of 52 Main Street, in the building at present occupied by the Paterson Shoe Company. Henry Clemens, now seventeen, was also in Orion's employ, and a lad by the name of Dick Hingham. Henry and Sam slept in the office, and Dick came in for social evenings. Also a young man named Edward Brownell, who clerked in the book-store on the ground floor.

These were likely to be lively evenings. A music dealer and teacher, Professor Isbell, occupied the floor just below, and did not care for their diversions. He objected, but hardly in the right way. Had he gone to Samuel Clemens gently, he undoubtedly would have found him willing to make any concessions. Instead, he assailed him roughly, and the next evening the boys set up a lot of empty wine-bottles, which they had found in a barrel in a closet, and, with stones for balls, played tenpins on the office floor. This was Dick and Sam; Henry declined to join the game. Isbell rushed up-stairs and battered on the door, but they paid no attention. Next morning he waited for the young men and denounced them wildly. They merely ignored him, and that night organized a military company, made up of themselves and a new German apprentice-boy, and drilled up and down over the singing-class. Dick Hingham led these military manoeuvers. He was a girlish sort of a fellow, but he had a natural taste for soldiering. The others used to laugh at him. They called him a disguised girl, and declared he would run if a gun were really pointed in his direction. They were mistaken; seven years later Dick died at Fort Donelson with a bullet in his forehead: this, by the way.

Isbell now adopted new tactics. He came up very pleasantly and said:

"I like your military practice better than your tenpin exercise, but on the whole it seems to disturb the young ladies. You see how it is yourself. You couldn't possibly teach music with a company of raw recruits drilling overhead—now, could you? Won't you please stop it? It bothers my pupils."

Sam Clemens regarded him with mild surprise.

"Does it?" he said, very deliberately. "Why didn't you mention it before? To be sure we don't want to disturb the young ladies."

They gave up the horse-play, and not only stopped the disturbance, but joined one of the singing—classes. Samuel Clemens had a pretty good voice in those days and could drum fairly well on a piano and guitar. He did not become a brilliant musician, but he was easily the most popular member of the singing-class.

They liked his frank nature, his jokes, and his humor; his slow, quaint fashion of speech. The young ladies called him openly and fondly a "fool"—a term of endearment, as they applied it meaning only that he kept them in a more or less constant state of wonder and merriment; and indeed it would have been hard for them to say whether he was really light-minded and frivolous or the wisest of them all. He was twenty now and at the age for love-making; yet he remained, as in Hannibal, a beau rather than a suitor, good friend and comrade to all, wooer of none. Ella Creel, a cousin on the Lampton side, a great belle; also Ella Patterson (related through Orion's wife and generally known as "Ick"), and Belle Stotts were perhaps his favorite companions, but there were many more. He was always ready to stop and be merry with them, full of his pranks and pleasantries; though they noticed that he quite often carried a book under his arm—a history or a volume of Dickens or the tales of Edgar Allan Poe.

He read at odd moments; at night voluminously—until very late, sometimes. Already in that early day it was his habit to smoke in bed, and he had made him an Oriental pipe of the hubble-bubble variety, because it would hold more and was more comfortable than the regular short pipe of daytime use.

But it had its disadvantages. Sometimes it would go out, and that would mean sitting up and reaching for a match and leaning over to light the bowl which stood on the floor. Young Brownell from below was passing upstairs to his room on the fourth floor one night when he heard Sam Clemens call. The two were great chums by this time, and Brownell poked his head in at the door.

"What will you have, Sam?" he asked.

"Come in, Ed; Henry's asleep, and I am in trouble. I want somebody to light my pipe."

"Why don't you get up and light it yourself?" Brownell asked.

"I would, only I knew you'd be along in a few minutes and would do it for me."

Brownell scratched the necessary match, stooped down, and applied it.

"What are you reading, Sam?" he asked.

"Oh, nothing much—a so-called funny book—one of these days I'll write a funnier book than that, myself."

Brownell laughed.

"No, you won't, Sam," he said. "You are too lazy ever to write a book."

A good many years later when the name "Mark Twain" had begun to stand for American humor the owner of it gave his "Sandwich Island" lecture in Keokuk. Speaking of the unreliability of the islanders, he said: "The king is, I believe, one of the greatest liars on the face of the earth, except one; and I am very sorry to locate that one right here in the city of Keokuk, in the person of Ed Brownell."

The Keokuk episode in Mark Twain's life was neither very long nor very actively important. It extended over a period of less than two years—two vital years, no doubt, if all the bearings could be known—but they were not years of startling occurrence.

Yet he made at least one beginning there: at a printers' banquet he delivered his first after-dinner speech; a hilarious speech—its humor of a primitive kind. Whatever its shortcomings, it delighted his audience, and raised him many points in the public regard. He had entered a field of entertainment in which he would one day have no rival. They impressed him into a debating society after that, and there was generally a stir of attention when Sam Clemens was about to take the floor.

Orion Clemens records how his brother undertook to teach the German apprentice music.

"There was an old guitar in the office and Sam taught Fritz a song beginning:

    "Grasshopper sitting on a sweet-potato vine,

    Turkey came along and yanked him from behind."

The main point in the lesson was in giving to the word "yanked" the proper expression and emphasis, accompanied by a sweep of the fingers across the strings. With serious face and deep earnestness Fritz in his broken English would attempt these lines, while his teacher would bend over and hold his sides with laughter at each ridiculous effort. Without intending it, Fritz had his revenge. One day his tormentor's hand was caught in the press when the German boy was turning the wheel. Sam called to him to stop, but the boy's mind was slow to grasp the situation. The hand was badly wounded, though no bones were broken. In due time it recovered, its power and dexterity, but the trace of the scars remained.

Orion's printing-office was not a prosperous one; he had not the gift of prosperity in any form. When he found it difficult to pay his brother's wages, he took him into partnership, which meant that Sam got no wages at all, barely a living, for the office could not keep its head above water.

The junior partner was not disturbed, however. He cared little for money in those days, beyond his actual needs, and these were modest enough. His mother, now with Pamela, was amply provided for. Orion himself tells how his business dwindled away. He printed a Keokuk directory, but it did not pay largely. He was always too eager for the work; too low in his bid for it. Samuel Clemens in this directory is set down as "an antiquarian" a joke, of course, though the point of it is now lost.

Only two of his Keokuk letters have been preserved. The first indicates the general disorder of the office and a growing dissatisfaction. It is addressed to his mother and sister and bears date of June 10, 1856.

    I don't like to work at too many things at once. They take Henry

    and Dick away from me, too. Before we commenced the Directory,

    —[Orion printed two editions of the directory. This was probably

    the second one.]—I could tell before breakfast just how much work

    could be done during the day, and manage accordingly—but now, they

    throw all my plans into disorder by taking my hands away from their

    work.... I am not getting along well with the job-work. I can't

    work blindly—without system. I gave Dick a job yesterday, which I

    calculated he could set in two hours and I could work off on the

    press in three, and therefore just finish it by supper-time, but he

    was transferred to the Directory, and the job, promised this

    morning, remains untouched. Through all the great pressure of job-

    work lately, I never before failed in a promise of the kind...

The other letter is dated two months later, August 5th. It was written to Henry, who was visiting in St. Louis or Hannibal at the time, and introduces the first mention of the South American fever, which now possessed the writer. Lynch and Herndon had completed their survey of the upper Amazon, and Lieutenant Herndon's account of the exploration was being widely read. Poring over the book nights, young Clemens had been seized with a desire to go to the headwaters of the South American river, there to collect coca and make a fortune. All his life he was subject to such impulses as that, and ways and means were not always considered. It did not occur to him that it would be difficult to get to the Amazon and still more difficult to ascend the river. It was his nature to see results with a dazzling largeness that blinded him to the detail of their achievement. In the "Turning-point" article already mentioned he refers to this. He says:

    That was more than fifty years ago. In all that time my temperament

    has not changed by even a shade. I have been punished many and many

    a time, and bitterly, for doing things and reflecting afterward, but

    these tortures have been of no value to me; I still do the thing

    commanded by Circumstance and Temperament, and reflect afterward.

    Always violently. When I am reflecting on these occasions, even

    deaf persons can hear me think.

In the letter to Henry we see that his resolve was already made, his plans matured; also that Orion had not as yet been taken into full confidence.

    Ma knows my determination, but even she counsels me to keep it from

    Orion. She says I can treat him as I did her when I started to St.

    Louis and went to New York—I can start for New York and go to South

    America.

He adds that Orion had promised him fifty or one hundred dollars, but that he does not depend upon it, and will make other arrangements. He fears obstacles may be put in his way, and he will bring various influences to bear.

    I shall take care that Ma and Orion are plentifully supplied with

    South American books: They have Herndon's report now. Ward and the

    Dr. and myself will hold a grand consultation to-night at the

    office. We have agreed that no more shall be admitted into our

    company.

He had enlisted those two adventurers in his enterprise: a Doctor Martin and the young man, Ward. They were very much in earnest, but the start was not made as planned, most likely for want of means.

Young Clemens, however, did not give up the idea. He made up his mind to work in the direction of his desire, following his trade and laying by money for the venture. But Fate or Providence or Accident—whatever we may choose to call the unaccountable—stepped in just then, and laid before him the means of turning another sharp corner in his career. One of those things happened which we refuse to accept in fiction as possible; but fact has a smaller regard for the credibilities.

As in the case of the Joan of Arc episode (and this adds to its marvel), it was the wind that brought the talismanic gift. It was a day in early November—bleak, bitter, and gusty, with curling snow; most persons were indoors. Samuel Clemens, going down Main Street, saw a flying bit of paper pass him and lodge against the side of a building. Something about it attracted him and he captured it. It was a fifty-dollar bill. He had never seen one before, but he recognized it. He thought he must be having a pleasant dream.

The temptation came to pocket his good-fortune and say nothing. His need of money was urgent, but he had also an urgent and troublesome conscience; in the end he advertised his find.

"I didn't describe it very particularly, and I waited in daily fear that the owner would turn up and take away my fortune. By and by I couldn't stand it any longer. My conscience had gotten all that was coming to it. I felt that I must take that money out of danger."

In the "Turning-point" article he says: "I advertised the find and left for the Amazon the same day," a statement which we may accept with a literary discount.

As a matter of fact, he remained ample time and nobody ever came for the money. It may have been swept out of a bank or caught up by the wind from some counting-room table. It may have materialized out of the unseen—who knows? At all events it carried him the first stage of a journey, the end of which he little dreamed.

XXI. SCOTCHMAN NAMED MACFARLANE

He concluded to go to Cincinnati, which would be on the way either to New York or New Orleans (he expected to sail from one of these points), but first paid a brief visit to his mother in St. Louis, for he had a far journey and along absence in view. Jane Clemens made him renew his promise as to cards and liquor, and gave him her blessing. He had expected to go from St. Louis to Cincinnati, but a new idea—a literary idea—came to him, and he returned to Keokuk. The Saturday Post, a Keokuk weekly, was a prosperous sheet giving itself certain literary airs. He was in favor with the management, of which George Rees was the head, and it had occurred to him that he could send letters of his travels to the Post—for, a consideration. He may have had a still larger ambition; at least, the possibility of a book seems to have been in his consciousness. Rees agreed to take letters from him at five dollars each—good payment for that time and place. The young traveler, jubilant in the prospect of receiving money for literature, now made another start, this time by way of Quincy, Chicago, and Indianapolis according to his first letter in the Post.—[Supplied by Thomas Rees, of the Springfield (Illinois) Register, son of George Rees named.]

This letter is dated Cincinnati, November 14, 1856, and it is not a promising literary production. It was written in the exaggerated dialect then regarded as humorous, and while here and there are flashes of the undoubted Mark Twain type, they are few and far between. The genius that a little more than ten years later would delight the world flickered feebly enough at twenty-one. The letter is a burlesque account of the trip to Cincinnati. A brief extract from it, as characteristic as any, will serve.

    I went down one night to the railroad office there, purty close onto

    the Laclede House, and bought about a quire o' yaller paper, cut up

    into tickets—one for each railroad in the United States, I thought,

    but I found out afterwards that the Alexandria and Boston Air-Line

    was left out—and then got a baggage feller to take my trunk down to

    the boat, where he spilled it out on the levee, bustin' it open and

    shakin' out the contents, consisting of "guides" to Chicago, and

    "guides" to Cincinnati, and travelers' guides, and all kinds of sich

    books, not excepting a "guide to heaven," which last aint much use

    to a Teller in Chicago, I kin tell you. Finally, that fast packet

    quit ringing her bell, and started down the river—but she hadn't

    gone morn a mile, till she ran clean up on top of a sand-bar, whar

    she stuck till plum one o'clock, spite of the Captain's swearin'

    —and they had to set the whole crew to cussin' at last afore they

    got her off.

This is humor, we may concede, of that early American type which a little later would have its flower in Nasby and Artemus Ward. Only careful examination reveals in it a hint of the later Mark Twain. The letters were signed "Snodgrass," and there are but two of them. The second, dated exactly four months after the first, is in the same assassinating dialect, and recounts among other things the scarcity of coal in Cincinnati and an absurd adventure in which Snodgrass has a baby left on his hands.

From the fewness of the letters we may assume that Snodgrass found them hard work, and it is said he raised on the price. At all events, the second concluded the series. They are mainly important in that they are the first of his contributions that have been preserved; also the first for which he received a cash return.

He secured work at his trade in Cincinnati at the printing-office of Wrightson & Co., and remained there until April, 1857. That winter in Cincinnati was eventless enough, but it was marked by one notable association—one that beyond doubt forwarded Samuel Clemens's general interest in books, influenced his taste, and inspired in him certain views and philosophies which he never forgot.

He lodged at a cheap boarding-house filled with the usual commonplace people, with one exception. This exception was a long, lank, unsmiling Scotchman named Macfarlane, who was twice as old as Clemens and wholly unlike him—without humor or any comprehension of it. Yet meeting on the common plane of intellect, the two became friends. Clemens spent his evenings in Macfarlane's room until the clock struck ten; then Macfarlane grilled a herring, just as the Englishman Sumner in Philadelphia had done two years before, and the evening ended.

Macfarlane had books, serious books: histories, philosophies, and scientific works; also a Bible and a dictionary. He had studied these and knew them by heart; he was a direct and diligent talker. He never talked of himself, and beyond the statement that he had acquired his knowledge from reading, and not at school, his personality was a mystery. He left the house at six in the morning and returned at the same hour in the evening. His hands were hardened from some sort of toil-mechanical labor, his companion thought, but he never knew. He would have liked to know, and he watched for some reference to slip out that would betray Macfarlane's trade; but this never happened.

What he did learn was that Macfarlane was a veritable storehouse of abstruse knowledge; a living dictionary, and a thinker and philosopher besides. He had at least one vanity: the claim that he knew every word in the English dictionary, and he made it good. The younger man tried repeatedly to discover a word that Macfarlane could not define.

Perhaps Macfarlane was vain of his other mental attainments, for he never tired of discoursing upon deep and grave matters, and his companion never tired of listening. This Scotch philosopher did not always reflect the conclusions of others; he had speculated deeply and strikingly on his own account. That was a good while before Darwin and Wallace gave out—their conclusions on the Descent of Man; yet Macfarlane was already advancing a similar philosophy. He went even further: Life, he said, had been developed in the course of ages from a few microscopic seed-germs—from one, perhaps, planted by the Creator in the dawn of time, and that from this beginning development on an ascending scale had finally produced man. Macfarlane said that the scheme had stopped there, and failed; that man had retrograded; that man's heart was the only bad one in the animal kingdom: that man was the only animal capable of malice, vindictiveness, drunkenness—almost the only animal that could endure personal uncleanliness. He said that man's intellect was a depraving addition to him which, in the end, placed him in a rank far below the other beasts, though it enabled him to keep them in servitude and captivity, along with many members of his own race.

They were long, fermenting discourses that young Samuel Clemens listened to that winter in Macfarlane's room, and those who knew the real Mark Twain and his philosophies will recognize that those evenings left their impress upon him for life.

XXII. THE OLD CALL OF THE RIVER

When spring came, with budding life and quickening impulses; when the trees in the parks began to show a hint of green, the Amazonian idea developed afresh, and the would-be coca-hunter prepared for his expedition. He had saved a little money—enough to take him to New Orleans—and he decided to begin his long trip with a peaceful journey down the Mississippi, for once, at least, to give himself up to that indolent luxury of the majestic stream that had been so large a part of his early dreams.

The Ohio River steamers were not the most sumptuous craft afloat, but they were slow and hospitable. The winter had been bleak and hard. "Spring fever" and a large love of indolence had combined in that drowsy condition which makes one willing to take his time.

Mark Twain tells us in Life on the Mississippi that he "ran away," vowing never to return until he could come home a pilot, shedding glory. This is a literary statement. The pilot ambition had never entirely died; but it was coca and the Amazon that were uppermost in his head when he engaged passage on the Paul Jones for New Orleans, and so conferred immortality on that ancient little craft. He bade good-by to Macfarlane, put his traps aboard, the bell rang, the whistle blew, the gang-plank was hauled in, and he had set out on a voyage that was to continue not for a week or a fortnight, but for four years—four marvelous, sunlit years, the glory of which would color all that followed them.

In the Mississippi book the author conveys the impression of being then a boy of perhaps seventeen. Writing from that standpoint he records incidents that were more or less inventions or that happened to others. He was, in reality, considerably more than twenty-one years old, for it was in April, 1857, that he went aboard the Paul Jones; and he was fairly familiar with steamboats and the general requirements of piloting. He had been brought up in a town that turned out pilots; he had heard the talk of their trade. One at least of the Bowen boys was already on the river while Sam Clemens was still a boy in Hannibal, and had often been home to air his grandeur and dilate on the marvel of his work. That learning the river was no light task Sam Clemens very well knew. Nevertheless, as the little boat made its drowsy way down the river into lands that grew ever pleasanter with advancing spring, the old "permanent ambition" of boyhood stirred again, and the call of the far-away Amazon, with its coca and its variegated zoology, grew faint.

Horace Bixby, pilot of the Paul Jones, then a man of thirty-two, still living (1910) and at the wheel,—[The writer of this memoir interviewed Mr. Bixby personally, and has followed his phrasing throughout.]—was looking out over the bow at the head of Island No. 35 when he heard a slow, pleasant voice say:

"Good morning."

Bixby was a clean-cut, direct, courteous man.

"Good morning, sir," he said, briskly, without looking around.

As a rule Mr. Bixby did not care for visitors in the pilot-house. This one presently came up and stood a little behind him.

"How would you like a young man to learn the river?" he said.

The pilot glanced over his shoulder and saw a rather slender, loose-limbed young fellow with a fair, girlish complexion and a great tangle of auburn hair.

"I wouldn't like it. Cub pilots are more trouble than they're worth. A great deal more trouble than profit."

The applicant was not discouraged.

"I am a printer by trade," he went on, in his easy, deliberate way. "It doesn't agree with me. I thought I'd go to South America."

Bixby kept his eye on the river; but a note of interest crept into his voice.

"What makes you pull your words that way?" ("pulling" being the river term for drawling), he asked.

The young man had taken a seat on the visitors' bench.

"You'll have to ask my mother," he said, more slowly than ever. "She pulls hers, too."

Pilot Bixby woke up and laughed; he had a keen sense of humor, and the manner of the reply amused him. His guest made another advance.

"Do you know the Bowen boys?" he asked—"pilots in the St. Louis and New Orleans trade?"

"I know them well—all three of them. William Bowen did his first steering for me; a mighty good boy, too. Had a Testament in his pocket when he came aboard; in a week's time he had swapped it for a pack of cards. I know Sam, too, and Bart."

"Old schoolmates of mine in Hannibal. Sam and Will especially were my chums."

"Come over and stand by the side of me," he said. "What is your name?"

The applicant told him, and the two stood looking at the sunlit water.

"Do you drink?"

"No."

"Do you gamble?"

"No, Sir."

"Do you swear?"

"Not for amusement; only under pressure."

"Do you chew?"

"No, sir, never; but I must smoke."

"Did you ever do any steering?" was Bixby's next question.

"I have steered everything on the river but a steamboat, I guess."

"Very well; take the wheel and see what you can do with a steamboat. Keep her as she is—toward that lower cottonwood, snag."

Bixby had a sore foot and was glad of a little relief. He sat down on the bench and kept a careful eye on the course. By and by he said:

"There is just one way that I would take a young man to learn the river: that is, for money."

"What do you charge?"

"Five hundred dollars, and I to be at no expense whatever."

In those days pilots were allowed to carry a learner, or "cub," board free. Mr. Bixby meant that he was to be at no expense in port, or for incidentals. His terms looked rather discouraging.

"I haven't got five hundred dollars in money," Sam said; "I've got a lot of Tennessee land worth twenty-five cents an acre; I'll give you two thousand acres of that."

Bixby dissented.

"No; I don't want any unimproved real estate. I have too much already."

Sam reflected upon the amount he could probably borrow from Pamela's husband without straining his credit.

"Well, then, I'll give you one hundred dollars cash and the rest when I earn it."

Something about this young man had won Horace Bixby's heart. His slow, pleasant speech; his unhurried, quiet manner with the wheel, his evident sincerity of purpose—these were externals, but beneath them the pilot felt something of that quality of mind or heart which later made the world love Mark Twain. The terms proposed were agreed upon. The deferred payments were to begin when the pupil had learned the river and was receiving pilot's wages. During Mr. Bixby's daylight watches his pupil was often at the wheel, that trip, while the pilot sat directing him and nursing his sore foot. Any literary ambitions Samuel Clemens may have had grew dim; by the time they had reached New Orleans he had almost forgotten he had been a printer, and when he learned that no ship would be sailing to the Amazon for an indefinite period the feeling grew that a directing hand had taken charge of his affairs.

From New Orleans his chief did not return to Cincinnati, but went to St. Louis, taking with him his new cub, who thought it fine, indeed, to come steaming up to that great city with its thronging water-front; its levee fairly packed with trucks, drays, and piles of freight, the whole flanked with a solid mile of steamboats lying side by side, bow a little up-stream, their belching stacks reared high against the blue—a towering front of trade. It was glorious to nose one's way to a place in that stately line, to become a unit, however small, of that imposing fleet. At St. Louis Sam borrowed from Mr. Moffett the funds necessary to make up his first payment, and so concluded his contract. Then, when he suddenly found himself on a fine big boat, in a pilot-house so far above the water that he seemed perched on a mountain—a "sumptuous temple"—his happiness seemed complete.

XXIII. THE SUPREME SCIENCE

In his Mississippi book Mark Twain has given us a marvelous exposition of the science of river-piloting, and of the colossal task of acquiring and keeping a knowledge requisite for that work. He has not exaggerated this part of the story of developments in any detail; he has set down a simple confession.

Serenely enough he undertook the task of learning twelve hundred miles of the great changing, shifting river as exactly and as surely by daylight or darkness as one knows the way to his own features. As already suggested, he had at least an inkling of what that undertaking meant. His statement that he "supposed all that a pilot had to do was to keep his boat in the river" is not to be accepted literally. Still he could hardly have realized the full majesty of his task; nobody could do that—not until afterward.

Horace Bixby was a "lightning" pilot with a method of instruction as direct and forcible as it was effective. He was a small man, hot and quick-firing, though kindly, too, and gentle when he had blown off. After one rather pyrotechnic misunderstanding as to the manner of imparting and acquiring information he said:

"My boy, you must get a little memorandum-book, and every time I tell you a thing put it down right away. There's only one way to be a pilot, and that is to get this entire river by heart. You have to know it just like A B C."

So Sam Clemens got the little book, and presently it "fairly bristled" with the names of towns, points, bars, islands, bends, and reaches, but it made his heart ache to think that he had only half of the river set down; for, as the "watches" were four hours off and four hours on, there were long gaps during which he had slept.

The little note-book still exists—thin and faded, with black water-proof covers—its neat, tiny, penciled notes still, telling, the story of that first trip. Most of them are cryptographic abbreviations, not readily deciphered now. Here and there is an easier line:

                   MERIWEATHER'S BEND

    1/4 less 3—[Depth of water. One-quarter less than three

    fathoms.]——run shape of upper bar and go into the low place in

    willows about 200(ft.) lower down than last year.

One simple little note out of hundreds far more complicated. It would take days for the average mind to remember even a single page of such statistics. And those long four-hour gaps where he had been asleep, they are still there, and somehow, after more than fifty years, the old heart-ache is still in them. He got a new book, maybe, for the next trip, and laid this one away.

There is but one way to account for the fact that the man whom the world knew as Mark Twain—dreamy, unpractical, and indifferent to details—ever persisted in acquiring knowledge like that—in the vast, the absolutely limitless quantity necessary to Mississippi piloting. It lies in the fact that he loved the river in its every mood and aspect and detail, and not only the river, but a steam boat; and still more, perhaps, the freedom of the pilot's life and its prestige. Wherever he has written of the river—and in one way or another he was always writing of it we feel the claim of the old captivity and that it still holds him. In the Huckleberry Finn book, during those nights and days with Huck and Nigger Jim on the raft—whether in stormlit blackness, still noontide, or the lifting mists of morning—we can fairly "smell" the river, as Huck himself would say, and we know that it is because the writer loved it with his heart of hearts and literally drank in its environment and atmosphere during those halcyon pilot days.

So, in his love lay the secret of his marvelous learning, and it is recorded (not by himself, but by his teacher) that he was an apt pupil. Horace Bixby has more than once declared:

"Sam was always good-natured, and he had a natural taste for the river. He had a fine memory and never forgot anything I told him."

Mark Twain himself records a different opinion of his memory, with the size of its appalling task. It can only be presented in his own words. In the pages quoted he had mastered somewhat of the problem, and had begun to take on airs. His chief was a constant menace at such moments:

    One day he turned on me suddenly with this settler:

    "What is the shape of Walnut Bend?"

    He might as well have asked me my grandmother's opinion of

    protoplasm. I reflected respectfully, and then said I didn't know

    it had any particular shape. My gun-powdery chief went off with a

    bang, of course, and then went on loading and firing until he was

    out of adjectives.... I waited. By and by he said:

    "My boy, you've got to know the shape of the river perfectly. It is

    all there is left to steer by on a very dark night. Everything is

    blotted out and gone. But mind you, it hasn't the same shape in the

    night that it has in the daytime."

    "How on earth am I ever going to learn it, then?"

    "How do you follow a hall at home in the dark? Because you know the

    shape of it. You can't see it."

    "Do you mean to say that I've got to know all the million trifling

    variations of shape in the banks of this interminable river as well

    as I know the shape of the front hall at home?"

    "On my honor, you've got to know them better than any man ever did

    know the shapes of the halls in his own house."

    "I wish I was dead!"

    "Now, I don't want to discourage you, but——"

    "Well, pile it on me; I might as well have it now as another time."

    "You see, this has got to be learned; there isn't any getting around

    it. A clear starlight night throws such heavy shadows that, if you

    didn't know the shape of a shore perfectly, you would claw away from

    every bunch of timber, because you would take the black shadow of it

    for a solid cape; and, you see, you would be getting scared to death

    every fifteen minutes by the watch. You would be fifty yards from

    shore all the time when you ought to be within fifty feet of it.

    You can't see a snag in one of those shadows, but you know exactly

    where it is, and the shape of the river tells you when you are

    coming to it. Then there's your pitch-dark night; the river is a

    very different shape on a pitch-dark night from what it is on a

    starlight night. All shores seem to be straight lines, then, and

    mighty dim ones, too; and you'd run them for straight lines, only

    you know better. You boldly drive your boat right into what seems

    to be a solid, straight wall (you know very well that in reality

    there is a curve there), and that wall falls back and makes way for

    you. Then there's your gray mist. You take a night when there's

    one of these grisly, drizzly, gray mists, and then there isn't any

    particular shape to a shore. A gray mist would tangle the head of

    the oldest man that ever lived. Well, then, different kinds of

    moonlight change the shape of the river in different ways.

    You see——"

    "Oh, don't say any more, please! Have I got to learn the shape of

    the river according to all these five hundred thousand different

    ways? If I tried to carry all that cargo in my head it would make

    me stoop-shouldered."

    "No! you only learn the shape of the river; and you learn it with

    such absolute certainty that you can always steer by the shape

    that's in your head, and never mind the one that's before your

    eyes."

    "Very well, I'll try it; but, after I have learned it, can I depend

    on it? Will it keep the same form, and not go fooling around?"

    Before Mr. Bixby could answer, Mr. W. came in to take the watch, and

    he said:

    "Bixby, you'll have to look out for President's island, and all that

    country clear away up above the Old Hen and Chickens. The banks are

    caving and the shape of the shores changing like everything. Why,

    you wouldn't know the point about 40. You can go up inside the old

    sycamore snag now."

    So that question was answered. Here were leagues of shore changing

    shape. My spirits were down in the mud again. Two things seemed

    pretty apparent to me. One was that in order to be a pilot a man

    had got to learn more than any one man ought to be allowed to know;

    and the other was that he must learn it all over again in a

    different way every twenty-four hours.

    I went to work now to learn the shape of the river; and of all the

    eluding and ungraspable objects that ever I tried to get mind or

    hands on, that was the chief. I would fasten my eyes upon a sharp,

    wooded point that projected far into the river some miles ahead of

    me and go to laboriously photographing its shape upon my brain; and

    just as I was beginning to succeed to my satisfaction we would draw

    up to it, and the exasperating thing would begin to melt away and

    fold back into the bank!

    It was plain that I had got to learn the shape of the river in all

    the different ways that could be thought of—upside down, wrong end

    first, inside out, fore-and-aft, and "thort-ships,"—and then know

    what to do on gray nights when it hadn't any shape at all. So I set

    about it. In the course of time I began to get the best of this

    knotty lesson, and my self-complacency moved to the front once more.

    Mr. Bixby was all fixed and ready to start it to the rear again. He

    opened on me after this fashion:

    "How much water did we have in the middle crossing at Hole-in-The-

    Wall, trip before last?"

    I considered this an outrage. I said:

    "Every trip down and up the leadsmen are singing through that

    tangled place for three-quarters of an hour on a stretch. How do

    you reckon I can remember such a mess as that?"

    "My boy, you've got to remember it. You've got to remember the

    exact spot and the exact marks the boat lay in when we had the

    shoalest water, in every one of the five hundred shoal places

    between St. Louis and New Orleans; and you mustn't get the shoal

    soundings and marks of one trip mixed up with the shoal soundings

    and marks of another, either, for they're not often twice alike.

    You must keep them separate."

    When I came to myself again, I said:

    "When I get so that I can do that, I'll be able to raise the dead,

    and then I won't have to pilot a steamboat to make a living. I want

    to retire from this business. I want a slush-bucket and a brush;

    I'm only fit for a roustabout. I haven't got brains enough to be a

    pilot; and if I had I wouldn't have strength enough to carry them

    around, unless I went on crutches."

    "Now drop that! When I say I'll learn a man the river I mean it.

    And you can depend on it, I'll learn him or kill him."

We have quoted at length from this chapter because it seems of very positive importance here. It is one of the most luminous in the book so far as the mastery of the science of piloting is concerned, and shows better than could any other combination of words something of what is required of the learner. It does not cover the whole problem, by any means—Mark Twain himself could not present that; and even considering his old-time love of the river and the pilot's trade, it is still incredible that a man of his temperament could have persisted, as he did, against such obstacles.

XXIV. THE RIVER CURRICULUM

He acquired other kinds of knowledge. As the streets of Hannibal in those early days, and the printing-offices of several cities, had taught him human nature in various unvarnished aspects, so the river furnished an added course to that vigorous education. Morally, its atmosphere could not be said to be an improvement on the others. Navigation in the West had begun with crafts of the flat-boat type—their navigators rude, hardy men, heavy drinkers, reckless fighters, barbaric in their sports, coarse in their wit, profane in everything. Steam-boatmen were the natural successors of these pioneers—a shade less coarse, a thought less profane, a veneer less barbaric. But these things were mainly "above stairs." You had but to scratch lightly a mate or a deck-hand to find the old keel-boatman savagery. Captains were overlords, and pilots kings in this estate; but they were not angels. In Life on the Mississippi Clemens refers to his chief's explosive vocabulary and tells us how he envied the mate's manner of giving an order. It was easier to acquire those things than piloting, and, on the whole, quicker. One could improve upon them, too, with imagination and wit and a natural gift for terms. That Samuel Clemens maintained his promise as to drink and cards during those apprentice days is something worth remembering; and if he did not always restrict his profanity to moments of severe pressure or sift the quality of his wit, we may also remember that he was an extreme example of a human being, in that formative stage which gathers all as grist, later to refine it for the uses and delights of men.

He acquired a vast knowledge of human character. He says:

    In that brief, sharp schooling I got personally and familiarly

    acquainted with all the different types of human nature that are to

    be found in fiction, biography, or history. When I find a well-

    drawn character in fiction or biography, I generally take a warm

    personal interest in him, for the reason that I have, known him

    before—met him on the river.

Undoubtedly the river was a great school for the study of life's broader philosophies and humors: philosophies that avoid vague circumlocution and aim at direct and sure results; humors of the rugged and vigorous sort that in Europe are known as "American" and in America are known as "Western." Let us be thankful that Mark Twain's school was no less than it was—and no more.

The demands of the Missouri River trade took Horace Bixby away from the Mississippi, somewhat later, and he consigned his pupil, according to custom, to another pilot—it is not certain, now, to just which pilot, but probably to Zeb Leavenworth or Beck Jolly, of the John J. Roe. The Roe was a freight-boat, "as slow as an island and as comfortable as a farm." In fact, the Roe was owned and conducted by farmers, and Sam Clemens thought if John Quarles's farm could be set afloat it would greatly resemble that craft in the matter of good-fellowship, hospitality, and speed. It was said of her that up-stream she could even beat an island, though down-stream she could never quite overtake the current, but was a "love of a steamboat" nevertheless. The Roe was not licensed to carry passengers, but she always had a dozen "family guests" aboard, and there was a big boiler-deck for dancing and moonlight frolics, also a piano in the cabin. The young pilot sometimes played on the piano and sang to his music songs relating to the "grasshopper on the sweet-potato vine," or to an old horse by the name of Methusalem:

       Took him down and sold him in Jerusalem,

              A long time ago.

There were forty-eight stanzas about this ancient horse, all pretty much alike; but the assembled company was not likely to be critical, and his efforts won him laurels. He had a heavenly time on the John J. Roe, and then came what seemed inferno by contrast. Bixby returned, made a trip or two, then left and transferred him again, this time to a man named Brown. Brown had a berth on the fine new steamer Pennsylvania, one of the handsomest boats on the river, and young Clemens had become a fine steersman, so it is not unlikely that both men at first were gratified by the arrangement.

But Brown was a fault-finding, tyrannical chief, ignorant, vulgar, and malicious. In the Mississippi book the author gives his first interview with Brown, also his last one. For good reasons these occasions were burned into his memory, and they may be accepted as substantially correct. Brown had an offensive manner. His first greeting was a surly question.

"Are you Horace Bigsby's cub?"

"Bixby" was usually pronounced "Bigsby" on the river, but Brown made it especially obnoxious and followed it up with questions and comments and orders still more odious. His subordinate soon learned to detest him thoroughly. It was necessary, however, to maintain a respectable deportment—custom, discipline, even the law, required that—but it must have been a hard winter and spring the young steersman put in during those early months of 1858, restraining himself from the gratification of slaying Brown. Time would bring revenge—a tragic revenge and at a fearful cost; but he could not guess that, and he put in his spare time planning punishments of his own.

    I could imagine myself killing Brown; there was no law against that,

    and that was the thing I always used to do the moment I was abed.

    Instead of going over my river in my mind, as was my duty, I threw

    business aside for pleasure and killed Brown. I killed Brown every

    night for a month; not in old, stale, commonplace ways, but in new

    and picturesque ones—ways that were sometimes surprising for

    freshness of design and ghastly for situation and environment.

Once when Brown had been more insulting than usual his subordinate went to bed and killed him in "seventeen different ways—all of them new."

He had made an effort at first to please Brown, but it was no use. Brown was the sort of a man that refused to be pleased; no matter how carefully his subordinate steered, he as always at him.

"Here," he would shout, "where are you going now? Pull her down! Pull her down! Don't you hear me? Dod-derned mud-cat!"

His assistant lost all desire to be obliging to such a person and even took occasion now and then to stir him up. One day they were steaming up the river when Brown noticed that the boat seemed to be heading toward some unusual point.

"Here, where are you heading for now?" he yelled. "What in nation are you steerin' at, anyway? Deyned numskull!"

"Why," said Sam, in unruffled deliberation, "I didn't see much else I could steer for, and I was heading for that white heifer on the bank."

"Get away from that wheel! and get outen this pilothouse!" yelled Brown. "You ain't fit to become no pilot!"

Which was what Sam wanted. Any temporary relief from the carping tyranny of Brown was welcome.

He had been on the river nearly a year now, and, though universally liked and accounted a fine steersman, he was receiving no wages. There had been small need of money for a while, for he had no board to pay; but clothes wear out at last, and there were certain incidentals. The Pennsylvania made a round trip in about thirty-five days, with a day or two of idle time at either end. The young pilot found that he could get night employment, watching freight on the New Orleans levee, and thus earn from two and a half to three dollars for each night's watch. Sometimes there would be two nights, and with a capital of five or six dollars he accounted himself rich.

"It was a desolate experience," he said, long afterward, "watching there in the dark among those piles of freight; not a sound, not a living creature astir. But it was not a profitless one: I used to have inspirations as I sat there alone those nights. I used to imagine all sorts of situations and possibilities. Those things got into my books by and by and furnished me with many a chapter. I can trace the effect of those nights through most of my books in one way and another."

Many of the curious tales in the latter half of the Mississippi book came out of those long night-watches. It was a good time to think of such things.

XXV. LOVE-MAKING AND ADVENTURE

Of course, life with Brown was not all sorrow. At either end of the trip there was respite and recreation. In St. Louis, at Pamela's there was likely to be company: Hannibal friends mostly, schoolmates—girls, of course. At New Orleans he visited friendly boats, especially the John J. Roe, where he was generously welcomed. One such visit on the Roe he never forgot. A young girl was among the boat's guests that trip—another Laura, fifteen, winning, delightful. They met, and were mutually attracted; in the life of each it was one of those bright spots which are likely to come in youth: one of those sudden, brief periods of romance, love—call it what you will the thing that leads to marriage, if pursued.

"I was not four inches from that girl's elbow during our waking hours for the next three days."

Then came a sudden interruption: Zeb Leavenworth came flying aft shouting:

"The Pennsylvania is backing out."

A flutter of emotion, a fleeting good-by, a flight across the decks, a flying leap from romance back to reality, and it was all over. He wrote her, but received no reply. He never saw her again, never heard from her for forty-eight years, when both were married, widowed, and old. She had not received his letter.

Even on the Pennsylvania life had its interests. A letter dated March 9, 1858, recounts a delightfully dangerous night-adventure in the steamer's yawl, hunting for soundings in the running ice.

    Then the fun commenced. We made fast a line 20 fathoms long, to the

    bow of the yawl, and put the men (both crews) to it like horses on

    the shore. Brown, the pilot, stood in the bow, with an oar, to keep

    her head out, and I took the tiller. We would start the men, and

    all would go well till the yawl would bring up on a heavy cake of

    ice, and then the men would drop like so many tenpins, while Brown

    assumed the horizontal in the bottom of the boat. After an hour's

    hard work we got back, with ice half an inch thick on the oars.

    Sent back and warped up the other yawl, and then George (George

    Ealer, the other pilot) and myself took a double crew of fresh men

    and tried it again. This time we found the channel in less than

    half an hour, and landed on an island till the Pennsylvania came

    along and took us off. The next day was colder still. I was out in

    the yawl twice, and then we got through, but the infernal steamboat

    came near running over us.... We sounded Hat Island, warped up

    around a bar, and sounded again—but in order to understand our

    situation you will have to read Dr. Kane. It would have been

    impossible to get back to the boat. But the Maria Denning was

    aground at the head of the island—they hailed us—we ran alongside,

    and they hoisted us in and thawed us out. We had then been out in

    the yawl from four o'clock in the morning till half past nine

    without being near a fire. There was a thick coating of ice over

    men, and yawl, ropes and everything else, and we looked like rock-

    candy statuary.

This was the sort of thing he loved in those days. We feel the writer's evident joy and pride in it. In the same letter he says: "I can't correspond with the paper, because when one is learning the river he is not allowed to do or think about anything else." Then he mentions his brother Henry, and we get the beginning of that tragic episode for which, though blameless, Samuel Clemens always held himself responsible.

    Henry was doing little or nothing here (St. Louis), and I sent him

    to our clerk to work his way for a trip, measuring wood-piles,

    counting coal-boxes, and doing other clerkly duties, which he

    performed satisfactorily. He may go down with us again.

Henry Clemens was about twenty at this time, a handsome, attractive boy of whom his brother was lavishly fond and proud. He did go on the next trip and continued to go regularly after that, as third clerk in line of promotion. It was a bright spot in those hard days with Brown to have Henry along. The boys spent a good deal of their leisure with the other pilot, George Ealer, who "was as kindhearted as Brown wasn't," and quoted Shakespeare and Goldsmith, and played the flute to his fascinated and inspiring audience. These were things worth while. The young steersman could not guess that the shadow of a long sorrow was even then stretching across the path ahead.

Yet in due time he received a warning, a remarkable and impressive warning, though of a kind seldom heeded. One night, when the Pennsylvania lay in St. Louis, he slept at his sister's house and had this vivid dream:

He saw Henry, a corpse, lying in a metallic burial case in the sitting-room, supported on two chairs. On his breast lay a bouquet of flowers, white, with a single crimson bloom in the center.

When he awoke, it was morning, but the dream was so vivid that he believed it real. Perhaps something of the old hypnotic condition was upon him, for he rose and dressed, thinking he would go in and look at his dead brother. Instead, he went out on the street in the early morning and had walked to the middle of the block before it suddenly flashed upon him that it was only a dream. He bounded back, rushed to the sitting-room, and felt a great trembling revulsion of joy when he found it really empty. He told Pamela the dream, then put it out of his mind as quickly as he could. The Pennsylvania sailed from St. Louis as usual, and made a safe trip to New Orleans.

A safe trip, but an eventful one; on it occurred that last interview with Brown, already mentioned. It is recorded in the Mississippi book, but cannot be omitted here. Somewhere down the river (it was in Eagle Bend) Henry appeared on the hurricane deck to bring an order from the captain for a landing to be made a little lower down. Brown was somewhat deaf, but would never confess it. He may not have understood the order; at all events he gave no sign of having heard it, and went straight ahead. He disliked Henry as he disliked everybody of finer grain than himself, and in any case was too arrogant to ask for a repetition. They were passing the landing when Captain Klinefelter appeared on deck and called to him to let the boat come around, adding:

"Didn't Henry tell you to land here?"

"No, sir."

Captain. Klinefelter turned to Sam:

"Didn't you hear him?"

"Yes, sir."

Brown said: "Shut your mouth! You never heard anything of the kind."

By and by Henry came into the pilot-house, unaware of any trouble. Brown set upon him in his ugliest manner.

"Here, why didn't you tell me we had got to land at that plantation?" he demanded.

Henry was always polite, always gentle.

"I did tell you, Mr. Brown."

"It's a lie."

Sam Clemens could stand Brown's abuse of himself, but not of Henry. He said: "You lie yourself. He did tell you."

Brown was dazed for a moment and then he shouted:

"I'll attend to your case in half a minute!" and ordered Henry out of the pilot-house.

The boy had started, when Brown suddenly seized him by the collar and struck him in the face.—[In the Mississippi book the writer states that Brown started to strike Henry with a large piece of coal; but, in a letter written soon after the occurrence to Mrs. Orion Clemens, he says: "Henry started out of the pilot-house-Brown jumped up and collared him—turned him half-way around and struck him in the face!-and him nearly six feet high-struck my little brother. I was wild from that moment. I left the boat to steer herself, and avenged the insult—and the captain said I was right."]—Instantly Sam was upon Brown, with a heavy stool, and stretched him on the floor. Then all the bitterness and indignation that had been smoldering for months flamed up, and, leaping upon Brown and holding him with his knees, he pounded him with his fists until strength and fury gave out. Brown struggled free, then, and with pilot instinct sprang to the wheel, for the vessel had been drifting and might have got into trouble. Seeing there was no further danger, he seized a spy-glass as a weapon.

"Get out of this here pilot-house," he raged.

But his subordinate was not afraid of him now.

"You should leave out the 'here,'" he drawled, critically. "It is understood, and not considered good English form."

"Don't you give me none of your airs," yelled Brown. "I ain't going to stand nothing more from you."

"You should say, 'Don't give me any of your airs,'" Sam said, sweetly, "and the last half of your sentence almost defies correction."

A group of passengers and white-aproned servants, assembled on the deck forward, applauded the victor.

Brown turned to the wheel, raging and growling. Clemens went below, where he expected Captain Klinefelter to put him in irons, perhaps, for it was thought to be felony to strike a pilot. The officer took him into his private room and closed the door. At first he looked at the culprit thoughtfully, then he made some inquiries:

    "Did you strike him first?" Captain Klinefelter asked.

    "Yes, sir."

    "What with?"

    "A stool, sir."

    "Hard?"

    "Middling, sir."

    "Did it knock him down?"

    "He—he fell, sir."

    "Did you follow it up? Did you do anything further?"

    "Yes, sir."

    "What did you do?"

    "Pounded him, sir."

    "Pounded him?"

    "Yes, sir."

    "Did you pound him much—that is, severely?"

    "One might call it that, sir, maybe."

    "I am deuced glad of it! Hark ye, never mention that I said that.

    You have been guilty of a great crime; and don't ever be guilty of

    it again on this boat, but—lay for him ashore! Give him a good

    sound thrashing; do you hear? I'll pay the expenses."—["Life on

    the Mississippi."]

Captain Klinefelter told him to clear out, then, and the culprit heard him enjoying himself as the door closed behind him. Brown, of course, forbade him the pilothouse after that, and he spent the rest of the trip "an emancipated slave" listening to George Ealer's flute and his readings from Goldsmith and Shakespeare; playing chess with him sometimes, and learning a trick which he would use himself in the long after-years—that of taking back the last move and running out the game differently when he saw defeat.

Brown swore that he would leave the boat at New Orleans if Sam Clemens remained on it, and Captain Klinefelter told Brown to go. Then when another pilot could not be obtained to fill his place, the captain offered to let Clemens himself run the daylight watches, thus showing his confidence in the knowledge of the young steersman, who had been only a little more than a year at the wheel. But Clemens himself had less confidence and advised the captain to keep Brown back to St. Louis. He would follow up the river by another boat and resume his place as steersman when Brown was gone. Without knowing it, he may have saved his life by that decision.

It is doubtful if he remembered his recent disturbing dream, though some foreboding would seem to have hung over him the night before the Pennsylvania sailed. Henry liked to join in the night-watches on the levee when he had finished his duties, and the brothers often walked the round chatting together. On this particular night the elder spoke of disaster on the river. Finally he said:

"In case of accident, whatever you do, don't lose your head—the passengers will do that. Rush for the hurricane deck and to the life-boat, and obey the mate's orders. When the boat is launched, help the women and children into it. Don't get in yourself. The river is only a mile wide. You can swim ashore easily enough."

It was good manly advice, but it yielded a long harvest of sorrow.

XXVI. THE TRAGEDY OF THE "PENNSYLVANIA"

Captain Klinefelter obtained his steersman a pass on the A. T. Lacey, which left two days behind the Pennsylvania. This was pleasant, for Bart Bowen had become captain of that fine boat. The Lacey touched at Greenville, Mississippi, and a voice from the landing shouted:

"The Pennsylvania is blown up just below Memphis, at Ship Island! One hundred and fifty lives lost!"

Nothing further could be learned there, but that evening at Napoleon a Memphis extra reported some of the particulars. Henry Clemens's name was mentioned as one of those, who had escaped injury. Still farther up the river they got a later extra. Henry was again mentioned; this time as being scalded beyond recovery. By the time they reached Memphis they knew most of the details: At six o'clock that warm mid-June morning, while loading wood from a large flat-boat sixty miles below Memphis, four out of eight of the Pennsylvania's boilers had suddenly exploded with fearful results. All the forward end of the boat had been blown out. Many persons had been killed outright; many more had been scalded and crippled and would die. It was one of those hopeless, wholesale steamboat slaughters which for more than a generation had made the Mississippi a river of death and tears.

Samuel Clemens found his brother stretched upon a mattress on the floor of an improvised hospital—a public hall—surrounded by more than thirty others more or less desperately injured. He was told that Henry had inhaled steam and that his body was badly scalded. His case was considered hopeless.

Henry was one of those who had been blown into the river by the explosion. He had started to swim for the shore, only a few hundred yards away, but presently, feeling no pain and believing himself unhurt, he had turned back to assist in the rescue of the others. What he did after that could not be clearly learned. The vessel had taken fire; the rescued were being carried aboard the big wood-boat still attached to the wreck. The fire soon raged so that the rescuers and all who could be saved were driven into the wood-flat, which was then cut adrift and landed. There the sufferers had to lie in the burning sun many hours until help could come. Henry was among those who were insensible by that time. Perhaps he had really been uninjured at first and had been scalded in his work of rescue; it will never be known.

His brother, hearing these things, was thrown into the deepest agony and remorse. He held himself to blame for everything; for Henry's presence on the boat; for his advice concerning safety of others; for his own absence when he might have been there to help and protect the boy. He wanted to telegraph at once to his mother and sister to come, but the doctors persuaded him to wait—just why, he never knew. He sent word of the disaster to Orion, who by this time had sold out in Keokuk and was in East Tennessee studying law; then he set himself to the all but hopeless task of trying to bring Henry back to life. Many Memphis ladies were acting as nurses, and one, a Miss Wood, attracted by the boy's youth and striking features, joined in the desperate effort. Some medical students had come to assist the doctors, and one of these also took special interest in Henry's case. Dr. Peyton, an old Memphis practitioner, declared that with such care the boy might pull through.

But on the fourth night he was considered to be dying. Half delirious with grief and the strain of watching, Samuel Clemens wrote to his mother and to his sister-in-law in Tennessee. The letter to Orion Clemens's wife has been preserved.

    MEMPHIS, TENN., Friday, June 18, 1858.

    DEAR SISTER MOLLIE,—Long before this reaches you my poor Henry—my

    darling, my pride, my glory, my all will have finished his blameless

    career, and the light of my life will have gone out in utter

    darkness. The horrors of three days have swept over me—they have

    blasted my youth and left me an old man before my time. Mollie,

    there are gray hairs in my head to-night. For forty-eight hours I

    labored at the bedside of my poor burned and bruised but

    uncomplaining brother, and then the star of my hope went out and

    left me in the gloom of despair. Men take me by the hand and

    congratulate me, and call me "lucky" because I was not on the

    Pennsylvania when she blew up! May God forgive them, for they know

    not what they say.

    I was on the Pennsylvania five minutes before she left N. Orleans,

    and I must tell you the truth, Mollie—three hundred human beings

    perished by that fearful disaster. But may God bless Memphis, the

    noblest city on the face of the earth. She has done her duty by

    these poor afflicted creatures—especially Henry, for he has had

    five—aye, ten, fifteen, twenty times the care and attention that

    any one else has had. Dr. Peyton, the best physician in Memphis (he

    is exactly like the portraits of Webster), sat by him for 36 hours.

    There are 32 scalded men in that room, and you would know Dr.

    Peyton better than I can describe him if you could follow him around

    and hear each man murmur as he passes, "May the God of Heaven bless

    you, Doctor!" The ladies have done well, too. Our second mate, a

    handsome, noble-hearted young fellow, will die. Yesterday a

    beautiful girl of 15 stooped timidly down by his side and handed him

    a pretty bouquet. The poor suffering boy's eyes kindled, his lips

    quivered out a gentle "God bless you, Miss," and he burst into

    tears. He made them write her name on a card for him, that he might

    not forget it.

    Pray for me, Mollie, and pray for my poor sinless brother.

    Your unfortunate brother,

    SAML. L. CLEMENS.

    P. S.—I got here two days after Henry.

But, alas, this was not all, nor the worst. It would seem that Samuel Clemens's cup of remorse must be always overfull. The final draft that would embitter his years was added the sixth night after the accident—the night that Henry died. He could never bring himself to write it. He was never known to speak of it but twice.

Henry had rallied soon after the foregoing letter had been mailed, and improved slowly that day and the next: Dr. Peyton came around about eleven o'clock on the sixth night and made careful examination. He said:

"I believe he is out of danger and will get well. He is likely to be restless during the night; the groans and fretting of the others will disturb him. If he cannot rest without it, tell the physician in charge to give him one-eighth of a grain of morphine."

The boy did wake during the night, and was disturbed by the complaining of the other sufferers. His brother told the young medical student in charge what the doctor had said about the morphine. But morphine was a new drug then; the student hesitated, saying:

"I have no way of measuring. I don't know how much an eighth of a grain would be."

Henry grew rapidly worse—more and more restless. His brother was half beside himself with the torture of it. He went to the medical student.

"If you have studied drugs," he said, "you ought to be able to judge an eighth of a grain of morphine."

The young man's courage was over-swayed. He yielded and ladled out in the old-fashioned way, on the point of a knife-blade, what he believed to be the right amount. Henry immediately sank into a heavy sleep. He died before morning. His chance of life had been infinitesimal, and his death was not necessarily due to the drug, but Samuel Clemens, unsparing in his self-blame, all his days carried the burden of it.

He saw the boy taken to the dead room, then the long strain of grief, the days and nights without sleep, the ghastly realization of the end overcame him. A citizen of Memphis took him away in a kind of daze and gave him a bed in his house, where he fell into a stupor of fatigue and surrender. It was many hours before he woke; when he did, at last, he dressed and went to where Henry lay. The coffin provided for the dead were of unpainted wood, but the youth and striking face of Henry Clemens had aroused a special interest. The ladies of Memphis had made up a fund of sixty dollars and bought for him a metallic case. Samuel Clemens entering, saw his brother lying exactly as he had seen him in his dream, lacking only the bouquet of white flowers with its crimson center—a detail made complete while he stood there, for at that moment an elderly lady came in with a large white bouquet, and in the center of it was a single red rose.

Orion arrived from Tennessee, and the brothers took their sorrowful burden to St. Louis, subsequently to Hannibal, his old home. The death of this lovely boy was a heavy sorrow to the community where he was known, for he had been a favorite with all.—[For a fine characterization of Henry Clemens the reader is referred to a letter written by Orion Clemens to Miss Wood. See Appendix A, at the end of the last volume.]

From Hannibal the family returned to Pamela's home in St. Louis. There one night Orion heard his brother moaning and grieving and walking the floor of his room. By and by Sam came in to where Orion was. He could endure it no longer, he said; he must, "tell somebody."

Then he poured all the story of that last tragic night. It has been set down here because it accounts for much in his after-life. It magnified his natural compassion for the weakness and blunders of humanity, while it increased the poor opinion implanted by the Scotchman Macfarlane of the human being as a divine invention. Two of Mark Twain's chief characteristics were—consideration for the human species, and contempt for it.

In many ways he never overcame the tragedy of Henry's death. He never really looked young again. Gray hairs had come, as he said, and they did not disappear. His face took on the serious, pathetic look which from that time it always had in repose. At twenty-three he looked thirty. At thirty he looked nearer forty. After that the discrepancy in age and looks became less notable. In vigor, complexion, and temperament he was regarded in later life as young for his years, but never in looks.

XXVII. THE PILOT

The young pilot returned to the river as steersman for George Ealer, whom he loved, and in September of that year obtained a full license as Mississippi River pilot.—[In Life on the Mississippi he gives his period of learning at from two to two and a half years; but documentary evidence as well as Mr. Bixby's testimony places the apprenticeship at eighteen months]—Bixby had returned by this time, and they were again together, first on the Crescent City, later on a fine new boat called the New Falls City. Clemens was still a steersman when Bixby returned; but as soon as his license was granted (September 9, 1858) his old chief took him as full partner.

He was a pilot at last. In eighteen months he had packed away in his head all the multitude of volatile statistics and acquired that confidence and courage which made him one of the elect, a river sovereign. He knew every snag and bank and dead tree and reef in all those endless miles between St. Louis and New Orleans, every cut-off and current, every depth of water—the whole story—by night and by day. He could smell danger in the dark; he could read the surface of the water as an open page. At twenty-three he had acquired a profession which surpassed all others for absolute sovereignty and yielded an income equal to that then earned by the Vice-President of the United States. Boys generally finish college at about that age, but it is not likely that any boy ever finished college with the mass of practical information and training that was stored away in Samuel Clemens's head, or with his knowledge of human nature, his preparation for battle with the world.

"Not only was he a pilot, but a good one." These are Horace Bixby's words, and he added:

"It is the fashion to-day to disparage Sam's piloting. Men who were born since he was on the river and never saw him will tell you that Sam was never much of a pilot. Most of them will tell you that he was never a pilot at all. As a matter of fact, Sam was a fine pilot, and in a day when piloting on the Mississippi required a great deal more brains and skill and application than it does now. There were no signal-lights along the shore in those days, and no search-lights on the vessels; everything was blind, and on a dark, misty night in a river full of snags and shifting sand—bars and changing shores, a pilot's judgment had to be founded on absolute certainty."

He had plenty of money now. He could help his mother with a liberal hand, and he did it. He helped Orion, too, with money and with advice. From a letter written toward the end of the year, we gather the new conditions. Orion would seem to have been lamenting over prospects, and the young pilot, strong and exalted in his new estate, urges him to renewed consistent effort:

    What is a government without energy?—[he says]—. And what is a

    man without energy? Nothing—nothing at all. What is the grandest

    thing in "Paradise Lost"—the Arch-Fiend's terrible energy! What

    was the greatest feature in Napoleon's character? His unconquerable

    energy! Sum all the gifts that man is endowed with, and we give our

    greatest share of admiration to his energy. And to-day, if I were a

    heathen, I would rear a statue to Energy, and fall down and worship

    it!

    I want a man to—I want you to—take up a line of action, and follow

    it out, in spite of the very devil.

Orion and his wife had returned to Keokuk by this time, waiting for something in the way of a business opportunity.

His pilot brother, wrote him more than once letters of encouragement and council. Here and there he refers to the tragedy of Henry's death, and the shadow it has cast upon his life; but he was young, he was successful, his spirits were naturally exuberant. In the exhilaration of youth and health and success he finds vent at times in that natural human outlet, self-approval. He not only exhibits this weakness, but confesses it with characteristic freedom.

    Putting all things together, I begin to think I am rather lucky than

    otherwise—a notion which I was slow to take up. The other night I

    was about to "round to" for a storm, but concluded that I could find

    a smoother bank somewhere. I landed five miles below. The storm

    came, passed away and did not injure us. Coming up, day before

    yesterday, I looked at the spot I first chose, and half the trees on

    the bank were torn to shreds. We couldn't have lived 5 minutes in

    such a tornado. And I am also lucky in having a berth, while all

    the other young pilots are idle. This is the luckiest circumstance

    that ever befell me. Not on account of the wages—for that is a

    secondary consideration-but from the fact that the City of Memphis

    is the largest boat in the trade, and the hardest to pilot, and

    consequently I can get a reputation on her, which is a thing I never

    could accomplish on a transient boat. I can "bank" in the

    neighborhood of $100 a month on her, and that will satisfy me for

    the present (principally because the other youngsters are sucking

    their fingers). Bless me! what a pleasure there is in revenge!—and

    what vast respect Prosperity commands! Why, six months ago, I could

    enter the "Rooms," and receive only the customary fraternal greeting

    now they say, "Why, how are you, old fellow—when did you get in?"

    And the young pilots who use to tell me, patronizingly, that I could

    never learn the river cannot keep from showing a little of their

    chagrin at seeing me so far ahead of them. Permit me to "blow my

    horn," for I derive a living pleasure from these things, and I must

    confess that when I go to pay my dues, I rather like to let the

    d—-d rascals get a glimpse of a hundred-dollar bill peeping out

    from amongst notes of smaller dimensions whose face I do not

    exhibit! You will despise this egotism, but I tell you there is a

    "stern joy" in it.

We are dwelling on this period of Mark Twain's life, for it was a period that perhaps more than any other influenced his future years. He became completely saturated with the river its terms, its memories, its influence remained a definite factor in his personality to the end of his days. Moreover, it was his first period of great triumph. Where before he had been a subaltern not always even a wage-earner—now all in a moment he had been transformed into a high chief. The fullest ambition of his childhood had been realized—more than realized, for in that day he had never dreamed of a boat or of an income of such stately proportions. Of great personal popularity, and regarded as a safe pilot, he had been given one of the largest, most difficult of boats. Single-handed and alone he had fought his way into the company of kings.

And we may pardon his vanity. He could hardly fail to feel his glory and revel in it and wear it as a halo, perhaps, a little now and then in the Association Rooms. To this day he is remembered as a figure there, though we may believe, regardless of his own statement, that it was not entirely because of his success. As the boys of Hannibal had gathered around to listen when Sam Clemens began to speak, so we may be certain that the pilots at St. Louis and New Orleans laid aside other things when he had an observation to make or a tale to tell.

    He was much given to spinning yarns—[writes one associate of those

    days]—so funny that his hearers were convulsed, and yet all the

    time his own face was perfectly sober. If he laughed at all, it

    must have been inside. It would have killed his hearers to do that.

    Occasionally some of his droll yarns would get into the papers. He

    may have written them himself.

Another riverman of those days has recalled a story he heard Sam Clemens tell:

    We were speaking of presence of mind in accidents—we were always

    talking of such things; then he said:

    "Boys, I had great presence of mind once. It was at a fire. An old

    man leaned out of a four-story building calling for help. Everybody

    in the crowd below looked up, but nobody did anything. The ladders

    weren't long enough. Nobody had any presence of mind—nobody but

    me. I came to the rescue. I yelled for a rope. When it came I

    threw the old man the end of it. He caught it and I told him to tie

    it around his waist. He did so, and I pulled him down."

This was one of the stories that got into print and traveled far. Perhaps, as the old pilot suggests, he wrote some of them himself, for Horace Bixby remembers that "Sam was always scribbling when not at the wheel."

But if he published any work in those river-days he did not acknowledge it later—with one exception. The exception was not intended for publication, either. It was a burlesque written for the amusement of his immediate friends. He has told the story himself, more than once, but it belongs here for the reason that some where out of the general circumstance of it there originated a pseudonym, one day to become the best-known in the hemispheres the name Mark Twain.

That terse, positive, peremptory, dynamic pen-name was first used by an old pilot named Isaiah Sellers—a sort of "oldest inhabitant" of the river, who made the other pilots weary with the scope and antiquity of his reminiscent knowledge. He contributed paragraphs of general information and Nestorian opinions to the New Orleans Picayune, and signed them "Mark Twain." They were quaintly egotistical in tone, usually beginning: "My opinion for the benefit of the citizens of New Orleans," and reciting incidents and comparisons dating as far back as 1811.

Captain Sellers naturally was regarded as fair game by the young pilots, who amused themselves by imitating his manner and general attitude of speech. But Clemens went further; he wrote at considerable length a broadly burlesque imitation signed "Sergeant Fathom," with an introduction which referred to the said Fathom as "one of the oldest cub pilots on the river." The letter that followed related a perfectly impossible trip, supposed to have been made in 1763 by the steamer "the old first Jubilee" with a "Chinese captain and a Choctaw crew." It is a gem of its kind, and will bear reprint in full today.—[See Appendix B, at the end of the last volume.]

The burlesque delighted Bart Bowen, who was Clemens's pilot partner on the Edward J. Gay at the time. He insisted on showing it to others and finally upon printing it. Clemens was reluctant, but consented. It appeared in the True Delta (May 8 or 9, 1859), and was widely and boisterously enjoyed.

It broke Captain Sellers's literary heart. He never contributed another paragraph. Mark Twain always regretted the whole matter deeply, and his own revival of the name was a sort of tribute to the old man he had thoughtlessly wounded. If Captain Sellers has knowledge of material matters now, he is probably satisfied; for these things brought to him, and to the name he had chosen, what he could never himself have achieved—immortality.

XXVIII. PILOTING AND PROPHECY

Those who knew Samuel Clemens best in those days say that he was a slender, fine-looking man, well dressed—even dandified—given to patent leathers, blue serge, white duck, and fancy striped shirts. Old for his years, he heightened his appearance at times by wearing his beard in the atrocious mutton-chop fashion, then popular, but becoming to no one, least of all to him. The pilots regarded him as a great reader—a student of history, travels, literature, and the sciences—a young man whom it was an education as well as an entertainment to know. When not at the wheel, he was likely to be reading or telling yarns in the Association Rooms.

He began the study of French one day when he passed a school of languages, where three tongues, French, German, and Italian, were taught, one in each of three rooms. The price was twenty-five dollars for one language, or three for fifty dollars. The student was provided with a set of cards for each room and supposed to walk from one apartment to another, changing tongues at each threshold. With his unusual enthusiasm and prodigality, the young pilot decided to take all three languages, but after the first two or three round trips concluded that for the present French would do. He did not return to the school, but kept his cards and bought text-books. He must have studied pretty faithfully when he was off watch and in port, for his river note-book contains a French exercise, all neatly written, and it is from the Dialogues of Voltaire.

This old note-book is interesting for other things. The notes are no longer timid, hesitating memoranda, but vigorous records made with the dash of assurance that comes from confidence and knowledge, and with the authority of one in supreme command. Under the head of "2d high-water trip—Jan., 1861—Alonzo Child," we have the story of a rising river with its overflowing banks, its blind passages and cut-offs—all the circumstance and uncertainty of change.

    Good deal of water all over Coles Creek Chute, 12 or 15 ft. bank

    —could have gone up shore above General Taylor's—too much drift....

    Night—didn't run either 77 or 76 towheads—8 ft. bank on main shore

    Ozark Chute....

And so on page after page of cryptographic memoranda. It means little enough to the lay reader, yet one gets an impression somehow of the swirling, turbulent water and a lonely figure in that high glassed-in place peering into the dark for blind land-marks and possible dangers, picking his way up the dim, hungry river of which he must know every foot as well as a man knows the hall of his own home. All the qualifications must come into play, then memory, judgment, courage, and the high art of steering. "Steering is a very high, art," he says; "one must not keep a rudder dragging across a boat's stern if he wants to get up the river fast."

He had an example of the perfection of this art one misty night on the Alonzo Child. Nearly fifty years later, sitting on his veranda in the dark, he recalled it. He said:

"There was a pilot in those days by the name of Jack Leonard who was a perfectly wonderful creature. I do not know that Jack knew anymore about the river than most of us and perhaps could not read the water any better, but he had a knack of steering away ahead of our ability, and I think he must have had an eye that could see farther into the darkness.

"I had never seen Leonard steer, but I had heard a good deal about it. I had heard it said that the crankiest old tub afloat—one that would kill any other man to handle—would obey and be as docile as a child when Jack Leonard took the wheel. I had a chance one night to verify that for myself. We were going up the river, and it was one of the nastiest nights I ever saw. Besides that, the boat was loaded in such a way that she steered very hard, and I was half blind and crazy trying to locate the safe channel, and was pulling my arms out to keep her in it. It was one of those nights when everything looks the same whichever way you look: just two long lines where the sky comes down to the trees and where the trees meet the water with all the trees precisely the same height—all planted on the same day, as one of the boys used to put it—and not a thing to steer by except the knowledge in your head of the real shape of the river. Some of the boats had what they call a 'night hawk' on the jackstaff, a thing which you could see when it was in the right position against the sky or the water, though it seldom was in the right position and was generally pretty useless.

"I was in a bad way that night and wondering how I could ever get through it, when the pilot-house door opened, and Jack Leonard walked in. He was a passenger that trip, and I had forgotten he was aboard. I was just about in the worst place and was pulling the boat first one way, then another, running the wheel backward and forward, and climbing it like a squirrel.

"'Sam,' he said, 'let me take the wheel. Maybe I have been over this place since you have.'

"I didn't argue the question. Jack took the wheel, gave it a little turn one way, then a little turn the other; that old boat settled down as quietly as a lamb—went right along as if it had been broad daylight in a river without snags, bars, bottom, or banks, or anything that one could possibly hit. I never saw anything so beautiful. He stayed my watch out for me, and I hope I was decently grateful. I have never forgotten it."

The old note-book contained the record of many such nights as that; but there were other nights, too, when the stars were blazing out, or when the moon on the water made the river a wide mysterious way of speculative dreams. He was always speculating; the planets and the remote suns were always a marvel to him. A love of astronomy—the romance of it, its vast distances, and its possibilities—began with those lonely river-watches and never waned to his last day. For a time a great comet blazed in the heavens, a "wonderful sheaf of light" that glorified his lonely watch. Night after night he watched it as it developed and then grew dim, and he read eagerly all the comet literature that came to his hand, then or afterward. He speculated of many things: of life, death, the reason of existence, of creation, the ways of Providence and Destiny. It was a fruitful time for such meditation; out of such vigils grew those larger philosophies that would find expression later, when the years had conferred the magic gift of phrase.

Life lay all ahead of him then, and during those still watches he must have revolved many theories of how the future should be met and mastered. In the old notebook there still remains a well-worn clipping, the words of some unknown writer, which he had preserved and may have consulted as a sort of creed. It is an interesting little document—a prophetic one, the reader may concede:

    HOW TO TAKE LIFE.—Take it just as though it was—as it is—an

    earnest, vital, and important affair. Take it as though you were

    born to the task of performing a merry part in it—as though the

    world had awaited for your coming. Take it as though it was a grand

    opportunity to do and achieve, to carry forward great and good

    schemes; to help and cheer a suffering, weary, it may be

    heartbroken, brother. Now and then a man stands aside from the

    crowd, labors earnestly, steadfastly, confidently, and straightway

    becomes famous for wisdom, intellect, skill, greatness of some sort.

    The world wonders, admires, idolizes, and it only illustrates what

    others may do if they take hold of life with a purpose. The

    miracle, or the power that elevates the few, is to be found in their

    industry, application, and perseverance under the promptings of a

    brave, determined spirit.

The old note-book contains no record of disasters. Horace Bixby, who should know, has declared:

"Sam Clemens never had an accident either as a steersman or as a pilot, except once when he got aground for a few hours in the bagasse (cane) smoke, with no damage to anybody though of course there was some good luck in that too, for the best pilots do not escape trouble, now and then."

Bixby and Clemens were together that winter on the Alonzo Child, and a letter to Orion contains an account of great feasting which the two enjoyed at a "French restaurant" in New Orleans—"dissipating on a ten-dollar dinner—tell it not to Ma!"—where they had sheepshead fish, oysters, birds, mushrooms, and what not, "after which the day was too far gone to do anything." So it appears that he was not always reading Macaulay or studying French and astronomy, but sometimes went frivoling with his old chief, now his chum, always his dear friend.

Another letter records a visit with Pamela to a picture-gallery in St. Louis where was being exhibited Church's "Heart of the Andes." He describes the picture in detail and with vast enthusiasm.

"I have seen it several times," he concludes, "but it is always a new picture—totally new—you seem to see nothing the second time that you saw the first."

Further along he tells of having taken his mother and the girls—his cousin Ella Creel and another—for a trip down the river to New Orleans.

    Ma was delighted with her trip, but she was disgusted with the girls

    for allowing me to embrace and kiss them—and she was horrified at

    the 'schottische' as performed by Miss Castle and myself. She was

    perfectly willing for me to dance until 12 o'clock at the imminent

    peril of my going to sleep on the after-watch—but then she would

    top off with a very inconsistent sermon on dancing in general;

    ending with a terrific broadside aimed at that heresy of heresies,

    the 'schottische'.

    I took Ma and the girls in a carriage round that portion of New

    Orleans where the finest gardens and residences are to be seen, and,

    although it was a blazing hot, dusty day, they seemed hugely

    delighted. To use an expression which is commonly ignored in polite

    society, they were "hell-bent" on stealing some of the luscious-

    looking oranges from branches which overhung the fence, but I

    restrained them.

In another letter of this period we get a hint of the future Mark Twain. It was written to John T. Moore, a young clerk on the John J. Roe.

    What a fool old Adam was. Had everything his own way; had succeeded

    in gaining the love of the best-looking girl in the neighborhood,

    but yet, unsatisfied with his conquest, he had to eat a miserable

    little apple. Ah, John, if you had been in his place you would not

    have eaten a mouthful of the apple—that is, if it had required any

    exertion. I have noticed that you shun exertion. There comes in

    the difference between us. I court exertion. I love work. Why,

    sir, when I have a piece of work to perform, I go away to myself,

    sit down in the shade, and muse over the coming enjoyment.

    Sometimes I am so industrious that I muse too long.

There remains another letter of this period—a sufficiently curious document. There was in those days a famous New Orleans clairvoyant known as Madame Caprell. Some of the young pilot's friends had visited her and obtained what seemed to be satisfying results. From time to time they had urged him to visit the fortune-teller, and one idle day he concluded to make the experiment. As soon as he came away he wrote to Orion in detail.

    She's a very pleasant little lady—rather pretty—about 28—say

    5 feet 2 1/4—would weigh 116—has black eyes and hair—is polite

    and intelligent—used good language, and talks much faster than I

    do.

    She invited me into the little back parlor, closed the door; and we

    were alone. We sat down facing each other. Then she asked my age.

    Then she put her hands before her eyes a moment, and commenced

    talking as if she had a good deal to say and not much time to say it

    in. Something after this style:

    'Madame.' Yours is a watery planet; you gain your livelihood on the

    water; but you should have been a lawyer—there is where your

    talents lie; you might have distinguished yourself as an orator, or

    as an editor—, you have written a great deal; you write well—but

    you are rather out of practice; no matter—you will be in practice

    some day; you have a superb constitution, and as excellent health as

    any man in the world; you have great powers of endurance; in your

    profession your strength holds out against the longest sieges

    without flagging; still, the upper part of your lungs, the top of

    them, is slightly affected—you must take care of yourself; you do

    not drink, but you use entirely too much tobacco; and you must stop

    it; mind, not moderate, but stop the use of it, totally; then I can

    almost promise you 86, when you will surely die; otherwise, look out

    for 28, 31, 34, 47, and 65; be careful—for you are not of a long-

    lived race, that is, on your father's side; you are the only healthy

    member of your family, and the only one in it who has anything like

    the certainty of attaining to a great age—so, stop using tobacco,

    and be careful of yourself.... In some respects you take after your

    father, but you are much more like your mother, who belongs to the

    long-lived, energetic side of the house.... You never brought all

    your energies to bear upon any subject but what you accomplished it

    —for instance, you are self-made, self-educated.

    'S. L. C.' Which proves nothing.

    'Madame.' Don't interrupt. When you sought your present

    occupation, you found a thousand obstacles in your way—obstacles

    unknown—not even suspected by any save you and me, since you keep

    such matter to yourself—but you fought your way, and hid the long

    struggle under a mask of cheerfulness, which saved your friends

    anxiety on your account. To do all this requires the qualities

    which I have named.

    'S. L. C.' You flatter well, Madame.

    'Madame.' Don't interrupt. Up to within a short time you had

    always lived from hand to mouth—now you are in easy circumstances

    —for which you need give credit to no one but yourself. The

    turning-point in your life occurred in 1840-7-8.

    'S. L. C.' Which was?

    'Madame.' A death, perhaps, and this threw you upon the world and

    made you what you are; it was always intended that you should make

    yourself; therefore, it was well that this calamity occurred as

    early as it did. You will never die of water, although your career

    upon it in the future seems well sprinkled with misfortune. You

    will continue upon the water for some time yet; you will not retire

    finally until ten years from now.... What is your brother's age?

    23—and a lawyer? and in pursuit of an office? Well, he stands a

    better chance than the other two, and he may get it; he is too

    visionary—is always flying off on a new hobby; this will never do

    —tell him I said so. He is a good lawyer—a very good lawyer—and

    a fine speaker—is very popular and much respected, and makes many

    friends; but although he retains their friendship, he loses their

    confidence by displaying his instability of character.... The land

    he has now will be very valuable after a while——

    'S. L. C.' Say 250 years hence, or thereabouts, Madame——

    'Madame.' No—less time—but never mind the land, that is a

    secondary consideration—let him drop that for the present, and

    devote himself to his business and politics with all his might, for

    he must hold offices under Government....

    After a while you will possess a good deal of property—retire at

    the end of ten years—after which your pursuits will be literary

    —try the law—you will certainly succeed. I am done now. If you

    have any questions to ask—ask them freely—and if it be in my

    power, I will answer without reserve—without reserve.

    I asked a few questions of minor importance-paid her and left-under

    the decided impression that going to the fortune-teller's was just

    as good as going to the opera, and cost scarcely a trifle more

    —ergo, I will disguise myself and go again, one of these days, when

    other amusements fail. Now isn't she the devil? That is to say,

    isn't she a right smart little woman?

    When you want money, let Ma know, and she will send it. She and

    Pamela are always fussing about change, so I sent them a hundred and

    twenty quarters yesterday—fiddler's change enough to last till I

    get back, I reckon.

                                SAM.

In the light of preceding and subsequent events, we must confess that Madame Caprell was "indeed a right smart little woman." She made mistakes enough (the letter is not quoted in full), but when we remember that she not only gave his profession at the moment, but at least suggested his career for the future; that she approximated the year of his father's death as the time when he was thrown upon the world; that she admonished him against his besetting habit, tobacco; that she read. minutely not only his characteristics, but his brother Orion's; that she outlined the struggle in his conquest of the river; that she seemingly had knowledge of Orion's legal bent and his connection with the Tennessee land, all seems remarkable enough, supposing, of course, she had no material means of acquiring knowledge—one can never know certainly about such things.

XXIX. THE END OF PILOTING

It is curious, however, that Madame Caprell, with clairvoyant vision, should not have seen an important event then scarcely more than two months distant: the breaking-out of the Civil War, with the closing of the river and the end of Mark Twain's career as a pilot. Perhaps these things were so near as to be "this side" the range of second sight.

There had been plenty of war-talk, but few of the pilots believed that war was really coming. Traveling that great commercial highway, the river, with intercourse both of North and South, they did not believe that any political differences would be allowed to interfere with the nation's trade, or would be settled otherwise than on the street corners, in the halls of legislation, and at the polls. True, several States, including Louisiana, had declared the Union a failure and seceded; but the majority of opinions were not clear as to how far a State had rights in such a matter, or as to what the real meaning of secession might be. Comparatively few believed it meant war. Samuel Clemens had no such belief. His Madame Caprell letter bears date of February 6, 1861, yet contains no mention of war or of any special excitement in New Orleans—no forebodings as to national conditions.

Such things came soon enough: President Lincoln was inaugurated on the 4th of March, and six weeks later Fort Sumter was fired upon. Men began to speak out then and to take sides.

It was a momentous time in the Association Rooms. There were pilots who would go with the Union; there were others who would go with the Confederacy. Horace Bixby was one of the former, and in due time became chief of the Union River Service. Another pilot named Montgomery (Samuel Clemens had once steered for him) declared for the South, and later commanded the Confederate Mississippi fleet. They were all good friends, and their discussions, though warm, were not always acrimonious; but they took sides.

A good many were not very clear as to their opinions. Living both North and South as they did, they saw various phases of the question and divided their sympathies. Some were of one conviction one day and of another the next. Samuel Clemens was of the less radical element. He knew there was a good deal to be said for either cause; furthermore, he was not then bloodthirsty. A pilot-house with its elevated position and transparency seemed a poor place to be in when fighting was going on.

"I'll think about it," he said. "I'm not very anxious to get up into a glass perch and be shot at by either side. I'll go home and reflect on the matter."

He did not realize it, but he had made his last trip as a pilot. It is rather curious that his final brief note-book entry should begin with his future nom de plume—a memorandum of soundings—"mark twain," and should end with the words "no lead."

He went up the river as a passenger on a steamer named the Uncle Sam. Zeb Leavenworth was one of the pilots, and Sam Clemens usually stood watch with him. They heard war-talk all the way and saw preparations, but they were not molested, though at Memphis they basely escaped the blockade. At Cairo, Illinois, they saw soldiers drilling—troops later commanded by Grant. The Uncle Sam came steaming up toward St. Louis, those on board congratulating themselves on having come through unscathed. They were not quite through, however. Abreast of Jefferson Barracks they suddenly heard the boom of a cannon and saw a great whorl of smoke drifting in their direction. They did not realize that it was a signal—a thunderous halt—and kept straight on. Less than a minute later there was another boom, and a shell exploded directly in front of the pilot-house, breaking a lot of glass and destroying a good deal of the upper decoration. Zeb Leavenworth fell back into a corner with a yell.

"Good Lord Almighty! Sam;" he said, "what do they mean by that?"

Clemens stepped to the wheel and brought the boat around. "I guess they want us to wait a minute, Zeb," he said.

They were examined and passed. It was the last steamboat to make the trip from New Orleans to St. Louis. Mark Twain's pilot-days were over. He would have grieved had he known this fact.

"I loved the profession far better than any I have followed since," he long afterward declared, "and I took a measureless pride in it."

The dreamy, easy, romantic existence suited him exactly. A sovereign and an autocrat, the pilot's word was law; he wore his responsibilities as a crown. As long as he lived Samuel Clemens would return to those old days with fondness and affection, and with regret that they were no more.

XXX. THE SOLDIER

Clemens spent a few days in St. Louis (in retirement, for there was a pressing war demand for Mississippi pilots), then went up to Hannibal to visit old friends. They were glad enough to see him, and invited him to join a company of gay military enthusiasts who were organizing to "help Gov. 'Claib' Jackson repel the invader." A good many companies were forming in and about Hannibal, and sometimes purposes were conflicting and badly mixed. Some of the volunteers did not know for a time which invader they intended to drive from Missouri soil, and more than one company in the beginning was made up of young fellows whose chief ambition was to have a lark regardless as to which cause they might eventually espouse. —[The military organizations of Hannibal and Palmyra, in 1861, were as follows: The Marion Artillery; the Silver Grays; Palmyra Guards; the W. E. Dennis company, and one or two others. Most of them were small private affairs, usually composed of about half-and-half Union and Confederate men, who knew almost nothing of the questions or conditions, and disbanded in a brief time, to attach themselves to the regular service according as they developed convictions. The general idea of these companies was a little camping-out expedition and a good time. One such company one morning received unexpected reinforcements. They saw the approach of the recruits, and, remarking how well drilled the new arrivals seemed to be, mistook them for the enemy and fled.]

Samuel Clemens had by this time decided, like Lee, that he would go with his State and lead battalions to victory. The "battalion" in this instance consisted of a little squad of young fellows of his own age, mostly pilots and schoolmates, including Sam Bowen, Ed Stevens, and Ab Grimes, about a dozen, all told. They organized secretly, for the Union militia was likely to come over from Illinois any time and look up any suspicious armies that made an open demonstration. An army might lose enthusiasm and prestige if it spent a night or two in the calaboose.

So they met in a secret place above Bear Creek Hill, just as Tom Sawyer's red-handed bandits had gathered so long before (a good many of them were of the same lawless lot), and they planned how they would sell their lives on the field of glory, just as Tom Sawyer's band might have done if it had thought about playing "War," instead of "Indian" and "Pirate" and "Bandit" with fierce raids on peach orchards and melon patches. Then, on the evening before marching away, they stealthily called on their sweethearts—those who had them did, and the others pretended sweethearts for the occasion—and when it was dark and mysterious they said good-by and suggested that maybe those girls would never see them again. And as always happens in such a case, some of them were in earnest, and two or three of the little group that slipped away that night never did come back, and somewhere sleep in unmarked graves.

The "two Sams"—Sam Bowen and Sam Clemens—called on Patty Gore and Julia Willis for their good-by visit, and, when they left, invited the girls to "walk through the pickets" with them, which they did as far as Bear Creek Hill. The girls didn't notice any pickets, because the pickets were away calling on girls, too, and probably wouldn't be back to begin picketing for some time. So the girls stood there and watched the soldiers march up Bear Creek Hill and disappear among the trees.

The army had a good enough time that night, marching through the brush and vines toward New London, though this sort of thing grew rather monotonous by morning. When they took a look at themselves by daylight, with their nondescript dress and accoutrements, there was some thing about it all which appealed to one's sense of humor rather than to his patriotism. Colonel Ralls, of Ralls County, however, received them cordially and made life happier for them with a good breakfast and some encouraging words. He was authorized to administer the oath of office, he said, and he proceeded to do it, and made them a speech besides; also he sent out notice to some of the neighbors—to Col. Bill Splawn, Farmer Nuck Matson, and others—that the community had an army on its hands and perhaps ought to do something for it. This brought in a number of contributions, provisions, paraphernalia, and certain superfluous horses and mules, which converted the battalion into a cavalry, and made it possible for it to move on to the front without further delay. Samuel Clemens, mounted on a small yellow mule whose tail had been trimmed down to a tassel at the end in a style that suggested his name, Paint Brush, upholstered and supplemented with an extra pair of cowskin boots, a pair of gray blankets, a home-made quilt, frying-pan, a carpet sack, a small valise, an overcoat, an old-fashioned Kentucky rifle, twenty yards of rope, and an umbrella, was a representative unit of the brigade. The proper thing for an army loaded like that was to go into camp, and they did it. They went over on Salt River, near Florida, and camped not far from a farm-house with a big log stable; the latter they used as headquarters. Somebody suggested that when they went into battle they ought to have short hair, so that in a hand-to-hand conflict the enemy could not get hold of it. Tom Lyon found a pair of sheep-shears in the stable and acted as barber. They were not very sharp shears, but the army stood the torture for glory in the field, and a group of little darkies collected from the farm-house to enjoy the performance. The army then elected its officers. William Ely was chosen captain, with Asa Glasscock as first lieutenant. Samuel Clemens was then voted second lieutenant, and there were sergeants and orderlies. There were only three privates when the election was over, and these could not be distinguished by their deportment. There was scarcely any discipline in this army.

Then it set in to rain. It rained by day and it rained by night. Salt River rose until it was bank full and overflowed the bottoms. Twice there was a false night alarm of the enemy approaching, and the battalion went slopping through the mud and brush into the dark, picking out the best way to retreat, plodding miserably back to camp when the alarm was over. Once they fired a volley at a row of mullen stalks, waving on the brow of a hill, and once a picket shot at his own horse that had got loose and had wandered toward him in the dusk.

The rank and file did not care for picket duty. Sam Bowen—ordered by Lieutenant Clemens to go on guard one afternoon—denounced his superior and had to be threatened with court-martial and death. Sam went finally, but he sat in a hot open place and swore at the battalion and the war in general, and finally went to sleep in the broiling sun. These things began to tell on patriotism. Presently Lieutenant Clemens developed a boil, and was obliged to make himself comfortable with some hay in a horse-trough, where he lay most of the day, violently denouncing the war and the fools that invented it. Then word came that "General" Tom Harris, who was in command of the district, was stopping at a farmhouse two miles away, living on the fat of the land.

That settled it. Most of them knew Tom Harris, and they regarded his neglect of them as perfidy. They broke camp without further ceremony.

Lieutenant Clemens needed assistance to mount Paint Brush, and the little mule refused to cross the river; so Ab Grimes took the coil of rope, hitched one end of it to his own saddle and the other end to Paint Brush's neck. Grimes was mounted on a big horse, and when he started it was necessary for Paint Brush to follow. Arriving at the farther bank, Grimes looked around, and was horrified to see that the end of the rope led down in the water with no horse and rider in view. He spurred up the bank, and the hat of Lieutenant Clemens and the ears of Paint Brush appeared.

"Ah," said Clemens, as he mopped his face, "do you know that little devil waded all the way across?"

A little beyond the river they met General Harris, who ordered them back to camp. They admonished him to "go there himself." They said they had been in that camp and knew all about it. They were going now where there was food—real food and plenty of it. Then he begged them, but it was no use. By and by they stopped at a farm-house for supplies. A tall, bony woman came to the door:

"You're secesh, ain't you?"

They acknowledged that they were defenders of the cause and that they wanted to buy provisions. The request seemed to inflame her.

"Provisions!" she screamed. "Provisions for secesh, and my husband a colonel in the Union Army. You get out of here!"

She reached for a hickory hoop-pole that stood by the door, and the army moved on. When they arrived at Col. Bill Splawn's that night Colonel Splawn and his family had gone to bed, and it seemed unwise to disturb them. The hungry army camped in the barnyard and crept into the hay-loft to sleep. Presently somebody yelled "Fire!" One of the boys had been smoking and started the hay. Lieutenant Clemens suddenly wakened, made a quick rolling movement from the blaze, and rolled out of a big hay-window into the barnyard below. The rest of the army, startled into action, seized the burning hay and pitched it out of the same window. The lieutenant had sprained his ankle when he struck the ground, and his boil was far from well, but when the burning hay descended he forgot his disabilities. Literally and figuratively this was the final straw. With a voice and vigor suited to the urgencies of the case, he made a spring from under the burning stuff, flung off the remnants, and with them his last vestige of interest in the war. The others, now that the fire was, out, seemed to think the incident boisterously amusing. Whereupon the lieutenant rose up and told them, collectively and individually, what he thought of them; also he spoke of the war and the Confederacy, and of the human race at large. They helped him in, then, for his ankle was swelling badly. Next morning, when Colonel Splawn had given them a good breakfast, the army set out for New London.

But Lieutenant Clemens never got any farther than Nuck Matson's farm-house. His ankle was so painful by that time that Mrs. Matson had him put to bed, where he stayed for several weeks, recovering from the injury and stress of war. A little negro boy was kept on watch for Union detachments—they were passing pretty frequently now—and when one came in sight the lieutenant was secluded until the danger passed. When he was able to travel, he had had enough of war and the Confederacy. He decided to visit Orion in Keokuk. Orion was a Union abolitionist and might lead him to mend his doctrines.

As for the rest of the army, it was no longer a unit in the field. Its members had drifted this way and that, some to return to their occupations, some to continue in the trade of war. Sam Bowen is said to have been caught by the Federal troops and put to sawing wood in the stockade at Hannibal. Ab (A. C.) Grimes became a noted Confederate spy and is still among those who have lived to furnish the details here set down. Properly officered and disciplined, that detachment would have made as brave soldiers as any. Military effectiveness is a matter of leaders and tactics.

Mark Twain's own Private History of a 'Campaign that Failed' is, of course, built on this episode. He gives us a delicious account, even if it does not strikingly resemble the occurrence. The story might have been still better if he had not introduced the shooting of the soldier in the dark. The incident was invented, of course, to present the real horror of war, but it seems incongruous in this burlesque campaign, and, to some extent at least, it missed fire in its intention. —[In a book recently published, Mark Twain's "nephew" is quoted as authority for the statement that Mark Twain was detailed for river duty, captured, and paroled, captured again, and confined in a tobacco-warehouse in St. Louis, etc. Mark Twain had but one nephew: Samuel E. Moffett, whose Biographical Sketch (vol. xxii, Mark Twain's Works) contains no such statement; and nothing of the sort occurred.]

XXXI. OVER THE HILLS AND FAR AWAY

When Madame Caprell prophesied that Orion Clemens would hold office under government, she must have seen with true clairvoyant vision. The inauguration of Abraham Lincoln brought Edward Bates into his Cabinet, and Bates was Orion's friend. Orion applied for something, and got it. James W. Nye had been appointed Territorial governor of Nevada, and Orion was made Territorial secretary. You could strain a point and refer to the office as "secretary of state," which was an imposing title. Furthermore, the secretary would be acting governor in the governor's absence, and there would be various subsidiary honors. When Lieutenant Clemens arrived in Keokuk, Orion was in the first flush of his triumph and needed only money to carry him to the scene of new endeavor. The late lieutenant C. S. A. had accumulated money out of his pilot salary, and there was no comfortable place just then in the active Middle West for an officer of either army who had voluntarily retired from the service. He agreed that if Orion would overlook his recent brief defection from the Union and appoint him now as his (Orion's) secretary, he would supply the funds for both overland passages, and they would start with no unnecessary delay for a country so new that all human beings, regardless of previous affiliations and convictions, were flung into the common fusing-pot and recast in the general mold of pioneer.

The offer was a boon to Orion. He was always eager to forgive, and the money was vitally necessary. In the briefest possible time he had packed his belongings, which included a large unabridged dictionary, and the brothers were on their way to St. Louis for final leave-taking before setting out for the great mysterious land of promise—the Pacific West. From St. Louis they took the boat for St. Jo, whence the Overland stage started, and for six days "plodded" up the shallow, muddy, snaggy Missouri, a new experience for the pilot of the Father of Waters.

    In fact, the boat might almost as well have gone to St. Jo by land,

    for she was walking most of the time, anyhow—climbing over reefs

    and clambering over snags patiently and laboriously all day long.

    The captain said she was a "bully" boat, and all she wanted was some

    "shear" and a bigger wheel. I thought she wanted a pair of stilts,

    but I had the deep sagacity not to say so.'—['Roughing It'.]—

At St. Jo they paid one hundred and fifty dollars apiece for their stage fare (with something extra for the dictionary), and on the twenty-sixth of July, 1861, set out on that long, delightful trip behind sixteen galloping horses—or mules—never stopping except for meals or to change teams, heading steadily into the sunset, following it from horizon to horizon over the billowy plains, across the snow-clad Rockies, covering the seventeen hundred miles between St. Jo and Carson City (including a two-day halt in Salt Lake City) in nineteen glorious days. What an inspiration in such a trip! In 'Roughing It' he tells it all, and says: "Even at this day it thrills me through and through to think of the life, the gladness, and the wild sense of freedom that used to make the blood dance in my face on those fine Overland mornings."

The nights, with the uneven mail-bags for a bed and the bounding dictionary for company, were less exhilarating; but then youth does not mind.

    All things being now ready, stowed the uneasy dictionary where it

    would lie as quiet as possible, and placed the water-canteen and

    pistols where we could find them in the dark. Then we smoked a

    final pipe and swapped a final yarn; after which we put the pipes,

    tobacco, and bag of coin in snug holes and caves among the mail-

    bags, and made the place as dark as the inside of a cow, as the

    conductor phrased it in his picturesque way. It was certainly as

    dark as any place could be—nothing was even dimly visible in it.

    And finally we rolled ourselves up like silkworms, each person in

    his own blanket, and sank peacefully to sleep.

Youth loves that sort of thing, despite its inconvenience. And sometimes the clatter of the pony-rider swept by in the night, carrying letters at five dollars apiece and making the Overland trip in eight days; just a quick beat of hoofs in the distance, a dash, and a hail from the darkness, the beat of hoofs again, then only the rumble of the stage and the even, swinging gallop of the mules. Sometimes they got a glimpse of the ponyrider by day—a flash, as it were, as he sped by. And every morning brought new scenery, new phases of frontier life, including, at last, what was to them the strangest phase of all, Mormonism.

They spent two wonderful days at Salt Lake City, that mysterious and remote capital of the great American monarchy, who still flaunts her lawless, orthodox creed the religion of David and Solomon—and thrives. An obliging official made it his business to show them the city and the life there, the result of which would be those amusing chapters in 'Roughing It' by and by. The Overland travelers set out refreshed from Salt Lake City, and with a new supply of delicacies—ham, eggs, and tobacco—things that make such a trip worth while. The author of 'Roughing It' assures us of this:

    Nothing helps scenery like ham and eggs. Ham and eggs, and after

    these a pipe—an old, rank, delicious pipe—ham and eggs and

    scenery, a "down-grade," a flying coach, a fragrant pipe, and a

    contented heart—these make happiness. It is what all the ages have

    struggled for.

But one must read all the story of that long-ago trip. It was a trip so well worth taking, so well worth recording, so well worth reading and rereading to-day. We can only read of it now. The Overland stage long ago made its last trip, and will not start any more. Even if it did, the life and conditions, the very scenery itself, would not be the same.

XXXII. THE PIONEER

It was a hot, dusty August 14th that the stage reached Carson City and drew up before the Ormsby Hotel. It was known that the Territorial secretary was due to arrive; and something in the nature of a reception, with refreshments and frontier hospitality, had been planned. Governor Nye, formerly police commissioner in New York City, had arrived a short time before, and with his party of retainers ("heelers" we would call them now), had made an imposing entrance. Perhaps something of the sort was expected with the advent of the secretary of state. Instead, the committee saw two way-worn individuals climb down from the stage, unkempt, unshorn—clothed in the roughest of frontier costume, the same they had put on at St. Jo—dusty, grimy, slouchy, and weather-beaten with long days of sun and storm and alkali desert dust. It is not likely there were two more unprepossessing officials on the Pacific coast at that moment than the newly arrived Territorial secretary and his brother: Somebody identified them, and the committee melted away; the half-formed plan of a banquet faded out and was not heard of again. Soap and water and fresh garments worked a transformation; but that first impression had been fatal to festivities of welcome.

Carson City, the capital of Nevada, was a "wooden town," with a population of two thousand souls. Its main street consisted of a few blocks of small frame stores, some of which are still standing. In 'Roughing It' the author writes:

    In the middle of the town, opposite the stores, was a "Plaza," which

    is native to all towns beyond the Rocky Mountains, a large,

    unfenced, level vacancy with a Liberty Pole in it, and very useful

    as a place for public auctions, horse trades, and mass-meetings, and

    likewise for teamsters to camp in. Two other sides of the Plaza

    were faced by stores, offices, and stables. The rest of Carson City

    was pretty scattering.

One sees the place pretty clearly from this brief picture of his, but it requires an extract from a letter written to his mother somewhat later to populate it. The mineral excitement was at its height in those days of the early sixties, and had brought together such a congress of nations as only the greed for precious metal can assemble. The sidewalks and streets of Carson, and the Plaza, thronged all day with a motley aggregation—a museum of races, which it was an education merely to gaze upon. Jane Clemens had required him to write everything just as it was—"no better and no worse."

    Well—[he says]—, "Gold Hill" sells at $5,000 per foot, cash down;

    "Wild Cat" isn't worth ten cents. The country is fabulously rich in

    gold, silver, copper, lead, coal, iron, quicksilver, marble,

    granite, chalk, plaster of Paris (gypsum), thieves, murderers,

    desperadoes, ladies, children, lawyers, Christians, Indians,

    Chinamen, Spaniards, gamblers, sharpens; coyotes (pronounced ki-yo-

    ties), poets, preachers, and jackass rabbits. I overheard a

    gentleman say, the other day, that it was "the d—-dest country

    under the sun," and that comprehensive conception I fully subscribe

    to. It never rains here, and the dew never falls. No flowers grow

    here, and no green thing gladdens the eye. The birds that fly over

    the land carry their provisions with them. Only the crow and the

    raven tarry with us. Our city lies in the midst of a desert of the

    purest, most unadulterated and uncompromising sand, in which

    infernal soil nothing but that fag-end of vegetable creation, "sage-

    brush," ventures to grow.... I said we are situated in a flat,

    sandy desert—true. And surrounded on all sides by such prodigious

    mountains that when you look disdainfully down (from them) upon the

    insignificant village of Carson, in that instant you are seized with

    a burning desire to stretch forth your hand, put the city in your

    pocket, and walk off with it.

    As to churches, I believe they have got a Catholic one here, but,

    like that one the New York fireman spoke of, I believe "they don't

    run her now."

Carson has been through several phases of change since this was written—for better and for worse. It is a thriving place in these later days, and new farming conditions have improved the country roundabout. But it was a desert outpost then, a catch-all for the human drift which every whirlwind of discovery sweeps along. Gold and silver hunting and mine speculations were the industries—gambling, drinking, and murder were the diversions—of the Nevada capital. Politics developed in due course, though whether as a business or a diversion is not clear at this time.

The Clemens brothers took lodging with a genial Irishwoman, Mrs. Murphy, a New York retainer of Governor Nye, who boarded the camp-followers.—[The Mrs. O'Flannigan of 'Roughing It'.]—This retinue had come in the hope of Territorial pickings and mine adventure—soldiers of fortune they were, and a good-natured lot all together. One of them, Bob Howland, a nephew of the governor, attracted Samuel Clemens by his clean-cut manner and commanding eye.

"The man who has that eye doesn't need to go armed," he wrote later. "He can move upon an armed desperado and quell him and take him a prisoner without saying a single word." It was the same Bob Howland who would be known by and by as the most fearless man in the Territory; who, as city marshal of Aurora, kept that lawless camp in subjection, and, when the friends of a lot of condemned outlaws were threatening an attack with general massacre, sent the famous message to Governor Nye: "All quiet in Aurora. Five men will be hung in an hour." And it was quiet, and the programme was carried out. But this is a digression and somewhat premature.

Orion Clemens, anxious for laurels, established himself in the meager fashion which he thought the government would approve; and his brother, finding neither duties nor salary attached to his secondary position, devoted himself mainly to the study of human nature as exhibited under frontier conditions. Sometimes, when the nights were cool, he would build a fire in the office stove, and, with Bob Howland and a few other choice members of the "Brigade" gathered around, would tell river yarns in that inimitable fashion which would win him devoted audiences all his days. His river life had increased his natural languor of habit, and his slow speech heightened the lazy impression which he was never unwilling to convey. His hearers generally regarded him as an easygoing, indolent good fellow with a love of humor—with talent, perhaps—but as one not likely ever to set the world afire. They did not happen to think that the same inclination which made them crowd about to listen and applaud would one day win for him the attention of all mankind.

Within a brief time Sam Clemens (he was never known as otherwise than "Sam" among those pioneers) was about the most conspicuous figure on the Carson streets. His great bushy head of auburn hair, his piercing, twinkling eyes, his loose, lounging walk, his careless disorder of dress, drew the immediate attention even of strangers; made them turn to look a second time and then inquire as to his identity.

He had quickly adapted himself to the frontier mode. Lately a river sovereign and dandy, in fancy percales and patent leathers, he had become the roughest of rough-clad pioneers, in rusty slouch hat, flannel shirt, coarse trousers slopping half in and half out of the heavy cowskin boots Always something of a barbarian in love with the loose habit of unconvention, he went even further than others and became a sort of paragon of disarray. The more energetic citizens of Carson did not prophesy much for his future among them. Orion Clemens, with the stir and bustle of the official new broom, earned their quick respect; but his brother—well, they often saw him leaning for an hour or more at a time against an awning support at the corner of King and Carson streets, smoking a short clay pipe and staring drowsily at the human kaleidoscope of the Plaza, scarcely changing his position, just watching, studying, lost in contemplation—all of which was harmless enough, of course, but how could any one ever get a return out of employment like that?

Samuel Clemens did not catch the mining fever immediately; there was too much to see at first to consider any special undertaking. The mere coming to the frontier was for the present enough; he had no plans. His chief purpose was to see the world beyond the Rockies, to derive from it such amusement and profit as might fall in his way. The war would end, by and by, and he would go back to the river, no doubt. He was already not far from homesick for the "States" and his associations there. He closed one letter:

    I heard a military band play "What Are the Wild Waves Saying" the

    other night, and it brought Ella Creel and Belle (Stotts) across the

    desert in an instant, for they sang the song in Orion's yard the

    first time I ever heard it. It was like meeting an old friend. I

    tell you I could have swallowed that whole band, trombone and all,

    if such a compliment would have been any gratification to them.

His friends contracted the mining mania; Bob Howland and Raish Phillips went down to Aurora and acquired "feet" in mini-claims and wrote him enthusiastic letters. With Captain Nye, the governor's brother, he visited them and was presented with an interest which permitted him to contribute an assessment every now and then toward the development of the mine; but his enthusiasm still languished.

He was interested more in the native riches above ground than in those concealed under it. He had heard that the timber around Lake Bigler (Tahoe) promised vast wealth which could be had for the asking. The lake itself and the adjacent mountains were said to be beautiful beyond the dream of art. He decided to locate a timber claim on its shores.

He made the trip afoot with a young Ohio lad, John Kinney, and the account of this trip as set down in 'Roughing It' is one of the best things in the book. The lake proved all they had expected—more than they expected; it was a veritable habitation of the gods, with its delicious, winy atmosphere, its vast colonnades of pines, its measureless depths of water, so clear that to drift on it was like floating high aloft in mid-nothingness. They staked out a timber claim and made a semblance of fencing it and of building a habitation, to comply with the law; but their chief employment was a complete abandonment to the quiet luxury of that dim solitude: wandering among the trees, lounging along the shore, or drifting on that transparent, insubstantial sea. They did not sleep in their house, he says:

"It never occurred to us, for one thing; and, besides, it was built to hold the ground, and that was enough. We did not wish to strain it."

They lived by their camp-fire on the borders of the lake, and one day—it was just at nightfall—it got away from them, fired the forest, and destroyed their fence and habitation. His picture in 'Roughing It' of the superb night spectacle, the mighty mountain conflagration reflected in the waters of the lake, is splendidly vivid. The reader may wish to compare it with this extract from a letter written to Pamela at the time.

    The level ranks of flame were relieved at intervals by the standard-

    bearers, as we called the tall, dead trees, wrapped in fire, and

    waving their blazing banners a hundred feet in the air. Then we

    could turn from the scene to the lake, and see every branch and leaf

    and cataract of flame upon its banks perfectly reflected, as in a

    gleaming, fiery mirror. The mighty roaring of the conflagration,

    together with our solitary and somewhat unsafe position (for there

    was no one within six miles of us), rendered the scene very

    impressive. Occasionally one of us would remove his pipe from his

    mouth and say, "Superb, magnificent!—beautifull—but—by the Lord

    God Almighty, if we attempt to sleep in this little patch to-night,

    we'll never live till morning!"

This is good writing too, but it lacks the fancy and the choice of phrasing which would develop later. The fire ended their first excursion to Tahoe, but they made others and located other claims—claims in which the "folks at home," Mr. Moffett, James Lampton, and others, were included. It was the same James Lampton who would one day serve as a model for Colonel Sellers. Evidently Samuel Clemens had a good opinion of his business capacity in that earlier day, for he writes:

    This is just the country for cousin Jim to live in. I don't believe

    it would take him six months to make $100,000 here if he had $3,000

    to commence with. I suppose he can't leave his family, though.

Further along in the same letter his own overflowing Seller's optimism develops.

    Orion and I have confidence enough in this country to think that if

    the war lets us alone we can make Mr. Moffett rich without its ever

    costing him a cent or a particle of trouble.

This letter bears date of October 25th, and from it we gather that a certain interest in mining claims had by this time developed.

    We have got about 1,650 feet of mining ground, and, if it proves

    good, Mr. Moffett's name will go in, and if not I can get "feet" for

    him in the spring.

    You see, Pamela, the trouble does not consist in getting mining

    ground—for there is plenty enough—but the money to work it with

    after you get it.

He refers to Pamela's two little children, his niece Annie and Baby Sam,—[Samuel E. Moffett, in later life a well-known journalist and editor.]—and promises to enter claims for them—timber claims probably—for he was by no means sanguine as yet concerning the mines. That was a long time ago. Tahoe land is sold by the lot, now, to summer residents. Those claims would have been riches to-day, but they were all abandoned presently, forgotten in the delirium which goes only with the pursuit of precious ores.

XXXIII. THE PROSPECTOR

It was not until early winter that Samuel Clemens got the real mining infection. Everybody had it by that time; the miracle is that he had not fallen an earlier victim. The wildest stories of sudden fortune were in the air, some of them undoubtedly true. Men had gone to bed paupers, on the verge of starvation, and awakened to find themselves millionaires. Others had sold for a song claims that had been suddenly found to be fairly stuffed with precious ores. Cart-loads of bricks—silver and gold—daily drove through the streets.

In the midst of these things reports came from the newly opened Humboldt region—flamed up with a radiance that was fairly blinding. The papers declared that Humboldt County "was the richest mineral region on God's footstool." The mountains were said to be literally bursting with gold and silver. A correspondent of the daily Territorial Enterprise fairly wallowed in rhetoric, yet found words inadequate to paint the measureless wealth of the Humboldt mines. No wonder those not already mad speedily became so. No wonder Samuel Clemens, with his natural tendency to speculative optimism, yielded to the epidemic and became as "frenzied as the craziest." The air to him suddenly began to shimmer; all his thoughts were of "leads" and "ledges" and "veins"; all his clouds had silver linings; all his dreams were of gold. He joined an expedition at once; he reproached himself bitterly for not having started earlier.

    Hurry was the word! We wasted no time. Our party consisted of four

    persons—a blacksmith sixty years of age, two young lawyers, and

    myself. We bought a wagon and two miserable old horses. We put

    1,800 pounds of provisions and mining tools in the wagon and drove

    out of Carson on a chilly December afternoon.

In a letter to his mother he states that besides provisions and mining tools, their load consisted of certain luxuries viz., ten pounds of killikinick, Watts's Hymns, fourteen decks of cards, Dombey and Son, a cribbage-board, one small keg of lager-beer, and the "Carmina Sacra."

The two young lawyers were A. W.(Gus) Oliver (Oliphant in 'Roughing It'), and W. H. Clagget. Sam Clemens had known Billy Clagget as a law student in Keokuk, and they were brought together now by this association. Both Clagget and Oliver were promising young men, and would be heard from in time. The blacksmith's name was Tillou (Ballou), a sturdy, honest soul with a useful knowledge of mining and the repair of tools. There were also two dogs in the party—a small curly-tailed mongrel, Curney, the property of Mr. Tillou, and a young hound. The combination seemed a strong one.

It proved a weak one in the matter of horses. Oliver and Clemens had furnished the team, and their selection had not been of the best. It was two hundred miles to Humboldt, mostly across sand. The horses could not drag their load and the miners too, so the miners got out. Then they found it necessary to push.

    Not because we were fond of it, Ma—oh, no! but on Bunker's account.

    Bunker was the "near" horse on the larboard side, named after the

    attorney-general of this Territory. My horse—and I am sorry you do

    not know him personally, Ma, for I feel toward him, sometimes, as if

    he were a blood relation of our family—he is so lazy, you know—my

    horse—I was going to say, was the "off" horse on the starboard

    side. But it was on Bunker's account, principally, that we pushed

    behind the wagon. In fact, Ma, that horse had something on his mind

    all the way to Humboldt.—[S. L. C. to his mother. Published in

    the Keokuk (Iowa) Gate city.]—

So they had to push, and most of that two hundred miles through snow and sand storm they continued to push and swear and groan, sustained only by the thought that they must arrive at last, when their troubles would all be at an end, for they would be millionaires in a brief time and never know want or fatigue any more.

There were compensations: the camp-fire at night was cheerful, the food satisfying. They bundled close under the blankets and, when it was too cold to sleep, looked up at the stars, while the future entertainer of kings would spin yarn after yarn that made his hearers forget their discomforts. Judge Oliver, the last one of the party alive, in a recent letter to the writer of this history, says:

    He was the life of the camp; but sometimes there would come a

    reaction and he could hardly speak for a day or two. One day a pack

    of wolves chased us, and the hound Sam speaks of never stopped to

    look back till he reached the next station, many miles ahead.

Judge Oliver adds that an Indian war had just ended, and that they occasionally passed the charred ruin of a shack, and new graves: This was disturbing enough. Then they came to that desolation of desolations, the Alkali Desert, where the sand is of unknown depth, where the road is strewn thickly with the carcasses of dead beasts of burden, the charred remains of wagons, chains, bolts, and screws, which thirsty emigrants, grown desperate, have thrown away in the grand hope of being able, when less encumbered, to reach water.

They traveled all day and night, pushing through that fierce, waterless waste to reach camp on the other side. It was three o'clock in the morning when they got across and dropped down utterly exhausted. Judge Oliver in his letter tells what happened then:

    The sun was high in the heavens when we were aroused from our sleep

    by a yelling band of Piute warriors. We were upon our feet in an

    instant. The pictures of burning cabins and the lonely graves we

    had passed were in our minds. Our scalps were still our own, and

    not dangling from the belts of our visitors. Sam pulled himself

    together, put his hand on his head as if to make sure he had not

    been scalped, and then with his inimitable drawl said: "Boys, they

    have left us our scalps. Let's give them all the flour and sugar

    they ask for." And we did give them a good supply, for we were

    grateful.

They were eleven weary days pushing their wagon and team the two hundred miles to Unionville, Humboldt County, arriving at last in a driving snow-storm. Unionville consisted of eleven poor cabins built in the bottom of a canon, five on one side and six facing them on the other. They were poor, three-sided, one-room huts, the fourth side formed by the hill; the roof, a spread of white cotton. Stones used to roll down on them sometimes, and Mark Twain tells of live stock—specifically of a mule and cow—that interrupted the patient, long-suffering Oliver, who was trying to write poetry, and only complained when at last "an entire cow came rolling down the hill, crashed through on the table, and made a shapeless wreck of everything."—['The Innocents Abroad.']

Judge Oliver still does not complain; but he denies the cow. He says there were no cows in Humboldt in those days, so perhaps it was only a literary cow, though in any case it will long survive. Judge Oliver's name will go down with it to posterity.

In the letter which Samuel Clemens wrote home he tells of what they found in Unionville.

    "National" there was selling at $50 per foot and assayed $2,496 per

    ton at the mint in San Francisco. And the "Alda Nueva," "Peru,"

    "Delirio," "Congress," "Independent," and others were immensely rich

    leads. And moreover, having winning ways with us, we could get

    "feet" enough to make us all rich one of these days.

"I confess with shame," says the author of 'Roughing It', "that I expected to find masses of silver lying all about the ground." And he adds that he slipped away from the cabin to find a claim on his own account, and tells how he came staggering back under a load of golden specimens; also how his specimens proved to be only worthless mica; and how he learned that in mining nothing that glitters is gold. His account in 'Roughing It' of the Humboldt mining experience is sufficiently good history to make detail here unnecessary. Tillou instructed them in prospecting, and in time they located a fairly promising claim. They went to work on it with pick and shovel, then with drill and blasting-powder. Then they gave it up.

"One week of this satisfied me. I resigned."

They tried to tunnel, but soon resigned again. It was pleasanter to prospect and locate and trade claims and acquire feet in every new ledge than it was to dig-and about as profitable. The golden reports of Humboldt had been based on assays of selected rich specimens, and were mainly delirium and insanity. The Clemens-Clagget-Oliver-Tillou combination never touched their claims again with pick and shovel, though their faith, or at least their hope, in them did not immediately die. Billy Clagget put out his shingle as notary public, and Gus Oliver put out his as probate judge. Sam Clemens and Tillou, with a fat-witted, arrogant Prussian named Pfersdoff (Ollendorf) set out for Carson City. It is not certain what became of the wagon and team, or of the two dogs.

The Carson travelers were water-bound at a tavern on the Carson River (the scene of the "Arkansas" sketch), with a fighting, drinking lot. Pfersdoff got them nearly drowned getting away, and finally succeeded in getting them absolutely lost in the snow. The author of 'Roughing It' tells us how they gave themselves up to die, and how each swore off whatever he had in the way of an evil habit, how they cast their tempters-tobacco, cards, and whisky-into the snow. He further tells us how next morning, when they woke to find themselves alive, within a few rods of a hostelry, they surreptitiously dug up those things again and, deep in shame and luxury, resumed their fallen ways: It was the 29th of January when they reached Carson City. They had been gone not quite two months, one of which had been spent in travel. It was a brief period, but it contained an episode, and it seemed like years.

XXXIV. TERRITORIAL CHARACTERISTICS

Meantime, the Territorial secretary had found difficulties in launching the ship of state. There was no legislative hall in Carson City; and if Abram Curry, one of the original owners of the celebrated Gould and Curry mine—"Curry—old Curry—old Abe Curry," as he called himself—had not tendered the use of a hall rent free, the first legislature would have been obliged to "sit in the desert." Furthermore, Orion had met with certain acute troubles of his own. The government at Washington had not appreciated his economies in the matter of cheap office rental, and it had stipulated the price which he was to pay for public printing and various other services-prices fixed according to Eastern standards. These prices did not obtain in Nevada, and when Orion, confident that because of his other economies the comptroller would stretch a point and allow the increased frontier tariff, he was met with the usual thick-headed official lack of imagination, with the result that the excess paid was deducted from his slender salary. With a man of less conscience this condition would easily have been offset by another wherein other rates, less arbitrary, would have been adjusted to negotiate the official deficit. With Orion Clemens such a remedy was not even considered; yielding, unstable, blown by every wind of influence though he was, Orion's integrity was a rock.

Governor Nye was among those who presently made this discovery. Old politician that he was—former police commissioner of New York City—Nye took care of his own problems in the customary manner. To him, politics was simply a game—to be played to win. He was a popular, jovial man, well liked and thought of, but he did not lie awake, as Orion did, planning economies for the government, or how to make up excess charges out of his salary. To him Nevada was simply a doorway to the United States Senate, and in the mean time his brigade required official recognition and perquisites. The governor found Orion Clemens an impediment to this policy. Orion could not be brought to a proper political understanding of "special bills and accounts," and relations between the secretary of state and the governor were becoming strained.

It was about this time that the man who had been potentate of the pilot-house of a Mississippi River steamer returned from Humboldt. He was fond of the governor, but he had still higher regard for the family integrity. When he had heard Orion's troubled story, he called on Governor Nye and delivered himself in his own fashion. In his former employments he had acquired a vocabulary and moral backbone sufficient to his needs. We may regret that no stenographic report was made of the interview. It would be priceless now. But it is lost; we only know that Orion's rectitude was not again assailed, and that curiously enough Governor Nye apparently conceived a strong admiration and respect for his brother.

Samuel Clemens, miner, remained but a brief time in Carson City—only long enough to arrange for a new and more persistent venture. He did not confess his Humboldt failure to his people; in fact, he had not as yet confessed it to himself; his avowed purpose was to return to Humboldt after a brief investigation of the Esmeralda mines. He had been paying heavy assessments on his holdings there; and, with a knowledge of mining gained at Unionville, he felt that his personal attention at Aurora might be important. As a matter of fact, he was by this time fairly daft on the subject of mines and mining, with the rest of the community for company.

His earlier praises of the wonders and climate of Tahoe had inspired his sister Pamela, always frail, with a desire to visit that health-giving land. Perhaps he felt that he recommended the country somewhat too highly.

"By George, Pamela," he said, "I begin to fear that I have invoked a spirit of some kind or other, which I will find more than difficult to allay." He proceeds to recommend California as a residence for any or all of them, but he is clearly doubtful concerning Nevada.

    Some people are malicious enough to think that if the devil were set

    at liberty and told to confine himself to Nevada Territory, he would

    come here and look sadly around awhile, and then get homesick and go

    back to hell again.... Why, I have had my whiskers and mustaches

    so full of alkali dust that you'd have thought I worked in a starch

    factory and boarded in a flour barrel.

But then he can no longer restrain his youth and optimism. How could he, with a fortune so plainly in view? It was already in his grasp in imagination; he was on the way home with it.

    I expect to return to St. Louis in July—per steamer. I don't say

    that I will return then, or that I shall be able to do it—but I

    expect to—you bet. I came down here from Humboldt, in order to

    look after our Esmeralda interests. Yesterday, Bob Howland arrived

    here, and I have had a talk with him. He owns with me in the

    "Horatio and Derby" ledge. He says our tunnel is in 52 feet, and a

    small stream of water has been struck, which bids fair to become a

    "big thing" by the time the ledge is reached—sufficient to supply a

    mill. Now, if you knew anything of the value of water here, you

    would perceive at a glance that if the water should amount to 50 or

    100 inches, we wouldn't care whether school kept or not. If the

    ledge should prove to be worthless, we'd sell the water for money

    enough to give us quite a lift. But, you see, the ledge will not

    prove to be worthless. We have located, near by, a fine site for a

    mill, and when we strike the ledge, you know, we'll have a mill-

    site, water-power, and payrock, all handy. Then we sha'n't care

    whether we have capital or not. Mill folks will build us a mill,

    and wait for their pay. If nothing goes wrong, we'll strike the

    ledge in June—and if we do, I'll be home in July, you know.

He pauses at this point for a paragraph of self-analysis—characteristic and crystal-clear.

    So, just keep your clothes on, Pamela, until I come. Don't you know

    that undemonstrated human calculations won't do to bet on? Don't

    you know that I have only talked, as yet, but proved nothing? Don't

    you know that I have expended money in this country but have made

    none myself? Don't you know that I have never held in my hands a

    gold or silver bar that belonged to me? Don't you know that it's

    all talk and no cider so far? Don't you know that people who always

    feel jolly, no matter where they are or what happens to them—who

    have the organ of Hope preposterously developed—who are endowed

    with an unconcealable sanguine temperament—who never feel concerned

    about the price of corn—and who cannot, by any possibility,

    discover any but the bright side of a picture—are very apt to go to

    extremes and exaggerate with 40-horse microscopic power?

                     But-but

              In the bright lexicon of youth,

              There is no such word as Fail—

                  and I'll prove it!

Whereupon, he lets himself go again, full-tilt:

    By George, if I just had a thousand dollars I'd be all right! Now

    there's the "Horatio," for instance. There are five or six

    shareholders in it, and I know I could buy half of their interests

    at, say $20 per foot, now that flour is worth $50 per barrel and

    they are pressed for money, but I am hard up myself, and can't buy

    —and in June they'll strike the ledge, and then "good-by canary."

    I can't get it for love or money. Twenty dollars a foot! Think of

    it! For ground that is proven to be rich. Twenty dollars, Madam-

    and we wouldn't part with a foot of our 75 for five times the sum.

    So it will be in Humboldt next summer. The boys will get pushed and

    sell ground for a song that is worth a fortune. But I am at the

    helm now. I have convinced Orion that he hasn't business talent

    enough to carry on a peanut-stand, and he has solemnly promised me

    that he will meddle no more with mining or other matters not

    connected with the secretary's office. So, you see, if mines are to

    be bought or sold, or tunnels run or shafts sunk, parties have to

    come to me—and me only. I'm the "firm," you know.

There are pages of this, all glowing with golden expectations and plans. Ah, well! we have all written such letters home at one time and another-of gold-mines of one form or another.

He closes at last with a bit of pleasantry for his mother.

    Ma says: "It looks like a man can't hold public office and be

    honest." Why, certainly not, Madam. A man can't hold public office

    and be honest. Lord bless you, it is a common practice with Orion

    to go about town stealing little things that happen to be lying

    around loose. And I don't remember having heard him speak the truth

    since we have been in Nevada. He even tries to prevail upon me to

    do these things, Ma, but I wasn't brought up in that way, you know.

    You showed the public what you could do in that line when you raised

    me, Madam. But then you ought to have raised me first, so that

    Orion could have had the benefit of my example. Do you know that he

    stole all the stamps out of an 8-stamp quartz-mill one night, and

    brought them home under his overcoat and hid them in the back room?

XXXV. THE MINER

He had about exhausted his own funds by this time, and it was necessary that Orion should become the financier. The brothers owned their Esmeralda claims in partnership, and it was agreed that Orion, out of his modest depleted pay, should furnish the means, while the other would go actively into the field and develop their riches. Neither had the slightest doubt but that they would be millionaires presently, and both were willing to struggle and starve for the few intervening weeks.

It was February when the printer-pilot-miner arrived in Aurora, that rough, turbulent camp of the Esmeralda district lying about one hundred miles south of Carson City, on the edge of California, in the Sierra slopes. Everything was frozen and covered with snow; but there was no lack of excitement and prospecting and grabbing for "feet" in this ledge and that, buried deep under the ice and drift. The new arrival camped with Horatio Phillips (Raish), in a tiny cabin with a domestic roof (the ruin of it still stands), and they cooked and bunked together and combined their resources in a common fund. Bob Howland joined them presently, and later an experienced miner, Calvin H. Higbie (Cal), one day to be immortalized in the story of 'Roughing It' and in the dedication of that book. Around the cabin stove they would gather, and paw over their specimens, or test them with blow-pipe and "horn" spoon, after which they would plan tunnels and figure estimates of prospective wealth. Never mind if the food was poor and scanty, and the chill wind came in everywhere, and the roof leaked like a filter; they were living in a land where all the mountains were banked with nuggets, where all the rivers ran gold. Bob Howland declared later that they used to go out at night and gather up empty champagne-bottles and fruit-tins and pile them in the rear of their cabin to convey to others the appearance of affluence and high living. When they lacked for other employment and were likely to be discouraged, the ex-pilot would "ride the bunk" and smoke and, without money and without price, distribute riches more valuable than any they would ever dig out of those Esmeralda Hills. At other times he talked little or not at all, but sat in one corner and wrote, wholly oblivious of his surroundings. They thought he was writing letters, though letters were not many and only to Orion during this period. It was the old literary impulse stirring again, the desire to set things down for their own sake, the natural hunger for print. One or two of his earlier letters home had found their way into a Keokuk paper—the 'Gate City'. Copies containing them had gone back to Orion, who had shown them to a representative of the Territorial Enterprise, a young man named Barstow, who thought them amusing. The Enterprise reprinted at least one of these letters, or portions of it, and with this encouragement the author of it sent an occasional contribution direct to that paper over the pen-name "Josh." He did not care to sign his own name. He was a miner who was soon to be a magnate; he had no desire to be known as a camp scribbler.

He received no pay for these offerings, and expected none. They were sketches of a broadly burlesque sort, the robust horse-play kind of humor that belongs to the frontier. They were not especially promising efforts. One of them was about an old rackabones of a horse, a sort of preliminary study for "Oahu," of the Sandwich Islands, or "Baalbec" and "Jericho," of Syria. If any one had told him, or had told any reader of this sketch, that the author of it was knocking at the door of the house of fame such a person's judgment or sincerity would have been open to doubt. Nevertheless, it was true, though the knock was timid and halting and the summons to cross the threshold long delayed.

A winter mining-camp is the most bleak and comfortless of places. The saloon and gambling-house furnished the only real warmth and cheer. Our Aurora miners would have been less than human, or more, if they had not found diversion now and then in the happy harbors of sin. Once there was a great ball given at a newly opened pavilion, and Sam Clemens is said to have distinguished himself by his unrestrained and spontaneous enjoyment of the tripping harmony. Cal Higbie, who was present, writes:

    In changing partners, whenever he saw a hand raised he would grasp

    it with great pleasure and sail off into another set, oblivious to

    his surroundings. Sometimes he would act as though there was no use

    in trying to go right or to dance like other people, and with his

    eyes closed he would do a hoe-down or a double-shuffle all alone,

    talking to himself and saying that he never dreamed there was so

    much pleasure to be obtained at a ball. It was all as natural as a

    child's play. By the second set, all the ladies were falling over

    themselves to get him for a partner, and most of the crowd, too full

    of mirth to dance, were standing or sitting around, dying with

    laughter.

What a child he always was—always, to the very end? With the first break of winter the excitement that had been fermenting and stewing around camp stoves overflowed into the streets, washed up the gullies, and assailed the hills. There came then a period of madness, beside which the Humboldt excitement had been mere intoxication. Higbie says:

    It was amazing how wild the people became all over the Pacific

    coast. In San Francisco and other large cities barbers, hack-

    drivers, servant-girls, merchants, and nearly every class of people

    would club together and send agents representing all the way from

    $5,000 to $500,000 or more to buy mines. They would buy anything.

    in the shape of quartz, whether it contained any mineral value or

    not.

The letters which went from the Aurora miner to Orion are humanly documentary. They are likely to be staccato in their movement; they show nervous haste in their composition, eagerness, and suppressed excitement; they are not always coherent; they are seldom humorous, except in a savage way; they are often profane; they are likely to be violent. Even the handwriting has a terse look; the flourish of youth has gone out of it. Altogether they reveal the tense anxiety of the gambling mania of which mining is the ultimate form. An extract from a letter of April is a fair exhibit:

    Work not yet begun on the "Horatio and Derby"—haven't seen it yet.

    It is still in the snow. Shall begin on it within 3 or 4 weeks

    —strike the ledge in July: Guess it is good—worth from $30 to $50

    a foot in California....

    Man named Gebhart shot here yesterday while trying to defend a claim

    on Last Chance Hill. Expect he will die.

    These mills here are not worth a d—n—except Clayton's—and it is

    not in full working trim yet.

    Send me $40 or $50—by mail-immediately. I go to work to-morrow

    with pick and shovel. Something's got to come, by G—, before I let

    go here.

By the end of April work had become active in the mines, though the snow in places was still deep and the ground stony with frost. On the 28th he writes:

    I have been at work all day blasting and digging, and d—ning one of

    our new claims—"Dashaway"—which I don't think a great deal of, but

    which I am willing to try. We are down, now, 10 or 12 a feet. We

    are following down under the ledge, but not taking it out. If we

    get up a windlass to-morrow we shall take out the ledge, and see

    whether it is worth anything or not.

It must have been hard work picking away at the flinty ledges in the cold; and the "Dashaway" would seem to have proven a disappointment, for there is no promising mention of it again. Instead, we hear of the "Flyaway;" and "Annipolitan" and the "Live Yankee" and of a dozen others, each of which holds out the beacon of hope for a little while and then passes from notice forever. In May it is the "Monitor" that is sure to bring affluence, though realization is no longer regarded as immediate.

    To use a French expression, I have "got my d—-d satisfy" at last.

    Two years' time will make us capitalists, in spite of anything.

    Therefore we need fret and fume and worry and doubt no more, but

    just lie still and put up with privation for six months. Perhaps 3

    months will "let us out." Then, if government refuses to pay the

    rent on your new office we can do it ourselves. We have got to wait

    six weeks, anyhow, for a dividend—maybe longer—but that it will

    come there is no shadow of a doubt. I have got the thing sifted

    down to a dead moral certainty. I own one-eighth of the new

    "Monitor Ledge, Clemens Company," and money can't buy a foot of it;

    because I know it to contain our fortune. The ledge is six feet

    wide, and one needs no glass to see gold and silver in it....

    When you and I came out here we did not expect '63 or '64 to find us

    rich men—and if that proposition had been made we would have

    accepted it gladly. Now, it is made. I am willing, now, that

    "Neary's tunnel" or anybody else's tunnel shall succeed. Some of

    them may beat us a few months, but we shall be on hand in the

    fullness of time, as sure as fate. I would hate to swap chances

    with any member of the tribe....

It is the same man who twenty-five years later would fasten his faith and capital to a type-setting machine and refuse to exchange stock in it, share for share, with the Mergenthaler linotype. He adds:

    But I have struck my tent in Esmeralda, and I care for no mines but

    those which I can superintend myself. I am a citizen here now, and

    I am satisfied, although Ratio and I are "strapped" and we haven't

    three days' rations in the house.... I shall work the "Monitor" and

    the other claims with my own hands. I prospected 3/4 of a pound of

    "Monitor" yesterday, and Raish reduced it with the blow-pipe, and

    got about 10 or 12 cents in gold and silver, besides the other half

    of it which we spilt on the floor and didn't get....

    I tried to break a handsome chunk from a huge piece of my darling

    "Monitor" which we brought from the croppings yesterday, but it all

    splintered up, and I send you the scraps. I call that "choice"—any

    d—-d fool would.

    Don't ask if it has been assayed, for it hasn't. It don't need it.

    It is simply able to speak for itself. It is six feet wide on top,

    and traversed through with veins whose color proclaims their worth.

    What the devil does a man want with any more feet when he owns in

    the invincible bomb-proof "Monitor"?

There is much more of this, and other such letters, most of them ending with demands for money. The living, the tools, the blasting-powder, and the help eat it up faster than Orion's salary can grow.

"Send me $50 or $100, all you can spare; put away $150 subject to my call—we shall need it soon for the tunnel." The letters are full of such admonition, and Orion, more insane, if anything, than his brother, is scraping his dollars and pennies together to keep the mines going. He is constantly warned to buy no claims on his own account and promises faithfully, but cannot resist now and then when luring baits are laid before him, though such ventures invariably result in violent and profane protests from Aurora.

"The pick and shovel are the only claims I have any confidence in now," the miner concludes, after one fierce outburst. "My back is sore, and my hands are blistered with handling them to-day."

But even the pick and shovel did not inspire confidence a little later. He writes that the work goes slowly, very slowly, but that they still hope to strike it some day. "But—if we strike it rich—I've lost my guess, that's all." Then he adds: "Couldn't go on the hill to-day. It snowed. It always snows here, I expect"; and the final heart-sick line, "Don't you suppose they have pretty much quit writing at home?"

This is midsummer, and snow still interferes with the work. One feels the dreary uselessness of the quest.

Yet resolution did not wholly die, or even enthusiasm. These things were as recurrent as new prospects, which were plentiful enough. In a still subsequent letter he declares that he will never look upon his mother's face again, or his sister's, or get married, or revisit the "Banner State," until he is a rich man, though there is less assurance than desperation in the words.

In 'Roughing It' the author tells us that, when flour had reached one dollar a pound and he could no longer get the dollar, he abandoned mining and went to milling "as a common laborer in a quartz-mill at ten dollars a week." This statement requires modification. It was not entirely for the money that he undertook the laborious task of washing "riffles" and "screening tailings." The money was welcome enough, no doubt, but the greater purpose was to learn refining, so that when his mines developed he could establish his own mill and personally superintend the work. It is like him to wish us to believe that he was obliged to give up being a mining magnate to become a laborer in a quartz-mill, for there is a grim humor in the confession. That he abandoned the milling experiment at the end of a week is a true statement. He got a violent cold in the damp place, and came near getting salivated, he says in a letter, "working in the quicksilver and chemicals. I hardly think I shall try the experiment again. It is a confining business, and I will not be confined for love or money."

As recreation after this trying experience, Higbie took him on a tour, prospecting for the traditional "Cement Mine," a lost claim where, in a deposit of cement rock, gold nuggets were said to be as thick as raisins in a fruitcake. They did not find the mine, but they visited Mono Lake—that ghastly, lifeless alkali sea among the hills, which in 'Roughing It' he has so vividly pictured. It was good to get away from the stress of things; and they repeated the experiment. They made a walking trip to Yosemite, carrying their packs, camping and fishing in that far, tremendous isolation, which in those days few human beings had ever visited at all. Such trips furnished a delicious respite from the fevered struggle around tunnel and shaft. Amid mountain-peaks and giant forests and by tumbling falls the quest for gold hardly seemed worth while. More than once that summer he went alone into the wilderness to find his balance and to get away entirely from humankind.

XXXVI. LAST MINING DAYS

It was late in July when he wrote:

    If I do not forget it, I will send you, per next mail, a pinch of

    decom. (decomposed rock) which I pinched with thumb and finger from

    Wide West ledge a while ago. Raish and I have secured 200 out of a

    company with 400 ft. in it, which perhaps (the ledge, I mean) is a

    spur from the W. W.—our shaft is about 100 ft. from the W. W.

    shaft. In order to get in, we agreed to sink 30 ft. We have sublet

    to another man for 50 ft., and we pay for powder and sharpening

    tools.

This was the "Blind Lead" claim of Roughing It, but the episode as set down in that book is somewhat dramatized. It is quite true that he visited and nursed Captain Nye while Higbie was off following the "Cement" 'ignus fatuus' and that the "Wide West" holdings were forfeited through neglect. But if the loss was regarded as a heavy one, the letters fail to show it. It is a matter of dispute to-day whether or not the claim was ever of any value. A well-known California author—[Ella Sterling Cummins, author of The Story of the Files, etc]—declares:

    No one need to fear that he ran any chance of being a millionaire

    through the "Wide West" mine, for the writer, as a child, played

    over that historic spot and saw only a shut-down mill and desolate

    hole in the ground to mark the spot where over-hopeful men had sunk

    thousands and thousands, that they never recovered.

The "Blind Lead" episode, as related, is presumably a tale of what might have happened—a possibility rather than an actuality. It is vividly true in atmosphere, however, and forms a strong and natural climax for closing the mining episode, while the literary privilege warrants any liberties he may have taken for art's sake.

In reality the close of his mining career was not sudden and spectacular; it was a lingering close, a reluctant and gradual surrender. The "Josh" letters to the Enterprise had awakened at least a measure of interest, and Orion had not failed to identify their author when any promising occasion offered; as a result certain tentative overtures had been made for similar material. Orion eagerly communicated such chances, for the money situation was becoming a desperate one. A letter from the Aurora miner written near the end of July presents the situation very fully. An extract or two will be sufficient:

    My debts are greater than I thought for—I bought $25 worth of

    clothing and sent $25 to Higbie, in the cement diggings. I owe

    about $45 or $50, and have got about $45 in my pocket. But how in

    the h—l I am going to live on something over $100 until October or

    November is singular. The fact is, I must have something to do, and

    that shortly, too.... Now write to the Sacramento Union folks, or

    to Marsh, and tell them I'll write as many letters a week as they

    want for $10 a week. My board must be paid. Tell them I have

    corresponded with the N. Orleans Crescent and other papers—and the

    Enterprise.

    If they want letters from here—who'll run from morning till night

    collecting material cheaper? I'll write a short letter twice a

    week, for the present for the 'Age', for $5 per week. Now it has

    been a long time since I couldn't make my own living, and it shall

    be a long time before I loaf another year.

Nothing came of these possibilities, but about this time Barstow, of the Enterprise, conferred with Joseph T. Goodman, editor and owner of the paper, as to the advisability of adding the author of the "Josh" letters to their local staff. Joe Goodman, who had as keen a literary perception as any man that ever pitched a journalistic tent on the Pacific coast (and there could be no higher praise than that), looked over the letters and agreed with Barstow that the man who wrote them had "something in him." Two of the sketches in particular he thought promising. One of them was a burlesque report of an egotistical lecturer who was referred to as "Professor Personal Pronoun." It closed by stating that it was "impossible to print his lecture in full, as the type-cases had run out of capital I's." But it was the other sketch which settled Goodman's decision. It was also a burlesque report, this time of a Fourth-of-July oration. It opened, "I was sired by the Great American Eagle and foaled by a continental dam." This was followed by a string of stock patriotic phrases absurdly arranged. But it was the opening itself that won Goodman's heart.

"That is the sort of thing we want," he said. "Write to him, Barstow, and ask him if he wants to come up here."

Barstow wrote, offering twenty-five dollars a week, a tempting sum. This was at the end of July, 1862.

In 'Roughing It' we are led to believe that the author regarded this as a gift from heaven and accepted it straightaway. As a matter of fact, he fasted and prayed a good while over the "call." To Orion he wrote Barstow has offered me the post as local reporter for the Enterprise at $25 a week, and I have written him that I will let him know next mail, if possible.

There was no desperate eagerness, you see, to break into literature, even under those urgent conditions. It meant the surrender of all hope in the mines, the confession of another failure. On August 7th he wrote again to Orion. He had written to Barstow, he said, asking when they thought he might be needed. He was playing for time to consider.

Now, I shall leave at midnight to-night, alone and on foot, for a walk of 60 or 70 miles through a totally uninhabited country, and it is barely possible that mail facilities may prove infernally "slow." But do you write Barstow that I have left here for a week or so, and in case he should want me, he must write me here, or let me know through you.

So he had gone into the wilderness to fight out his battle alone. But eight days later, when he had returned, there was still no decision. In a letter to Pamela of this date he refers playfully to the discomforts of his cabin and mentions a hope that he will spend the winter in San Francisco; but there is no reference in it to any newspaper prospects—nor to the mines, for that matter. Phillips, Howland, and Higbie would seem to have given up by this time, and he was camping with Dan Twing and a dog, a combination amusingly described. It is a pleasant enough letter, but the note of discouragement creeps in:

    I did think for a while of going home this fall—but when I found

    that that was, and had been, the cherished intention and the darling

    aspiration every year of these old care-worn Californians for twelve

    weary years, I felt a little uncomfortable, so I stole a march on

    Disappointment and said I would not go home this fall. This country

    suits me, and it shall suit me whether or no.

He was dying hard, desperately hard; how could he know, to paraphrase the old form of Christian comfort, that his end as a miner would mean, in another sphere, "a brighter resurrection" than even his rainbow imagination could paint?

XXXVII. THE NEW ESTATE

It was the afternoon of a hot, dusty August day when a worn, travel-stained pilgrim drifted laggingly into the office of the Virginia City Enterprise, then in its new building on C Street, and, loosening a heavy roll of blankets from his shoulders, dropped wearily into a chair. He wore a rusty slouch hat, no coat, a faded blue flannel shirt, a Navy revolver; his trousers were hanging on his boot tops. A tangle of reddish-brown hair fell on his shoulders, and a mass of tawny beard, dingy with alkali dust, dropped half-way to his waist.

Aurora lay one hundred and thirty miles from Virginia. He had walked that distance, carrying his heavy load. Editor Goodman was absent at the moment, but the other proprietor, Denis E. McCarthy, signified that the caller might state his errand. The wanderer regarded him with a far-away look and said, absently and with deliberation:

"My starboard leg seems to be unshipped. I'd like about one hundred yards of line; I think I am falling to pieces." Then he added: "I want to see Mr. Barstow, or Mr. Goodman. My name is Clemens, and I've come to write for the paper."

It was the master of the world's widest estate come to claim his kingdom:

William Wright, who had won a wide celebrity on the Coast as Dan de Quille, was in the editorial chair and took charge of the new arrival. He was going on a trip to the States soon; it was mainly on this account that the new man had been engaged. The "Josh" letters were very good, in Dan's opinion; he gave their author a cordial welcome, and took him around to his boarding-place. It was the beginning of an association that continued during Samuel Clemens's stay in Virginia City and of a friendship that lasted many years.

The Territorial Enterprise was one of the most remarkable frontier papers ever published. Its editor-in-chief, Joseph Goodman, was a man with rare appreciation, wide human understanding, and a comprehensive newspaper policy. Being a young man, he had no policy, in fact, beyond the general purpose that his paper should be a forum for absolutely free speech, provided any serious statement it contained was based upon knowledge. His instructions to the new reporter were about as follows:

"Never say we learn so and so, or it is rumored, or we understand so and so; but go to headquarters and get the absolute facts; then speak out and say it is so and so. In the one case you are likely to be shot, and in the other you are pretty certain to be; but you will preserve the public confidence."

Goodman was not new to the West. He had come to California as a boy and had been a miner, explorer, printer, and contributor by turns. Early in '61, when the Comstock Lode—[Named for its discoverer, Henry T. P. Comstock, a half-crazy miner, who realized very little from his stupendous find.]—was new and Virginia in the first flush of its monster boom, he and Denis McCarthy had scraped together a few dollars and bought the paper. It had been a hand-to-hand struggle for a while, but in a brief two years, from a starving sheet in a shanty the Enterprise, with new building, new presses, and a corps of swift compositors brought up from San Francisco, had become altogether metropolitan, as well as the most widely considered paper on the Coast. It had been borne upward by the Comstock tide, though its fearless, picturesque utterance would have given it distinction anywhere. Goodman himself was a fine, forceful writer, and Dan de Quille and R. M. Daggett (afterward United States minister to Hawaii) were representative of Enterprise men.—[The Comstock of that day became famous for its journalism. Associated with the Virginia papers then or soon afterward were such men as Tom Fitch (the silver-tongued orator), Alf Doten, W. J. Forbes, C. C. Goodwin, H. R. Mighels, Clement T. Rice, Arthur McEwen, and Sam Davis—a great array indeed for a new Territory.]—Samuel Clemens fitted precisely into this group. He added the fresh, rugged vigor of thought and expression that was the very essence of the Comstock, which was like every other frontier mining-camp, only on a more lavish, more overwhelming scale.

There was no uncertainty about the Comstock; the silver and gold were there. Flanking the foot of Mount Davidson, the towns of Gold Hill and Virginia and the long street between were fairly underburrowed and underpinned by the gigantic mining construction of that opulent lode whose treasures were actually glutting the mineral markets of the world. The streets overhead seethed and swarmed with miners, mine owners, and adventurers—riotous, rollicking children of fortune, always ready to drink and make merry, as eager in their pursuit of pleasure as of gold. Comstockers would always laugh at a joke; the rougher the better. The town of Virginia itself was just a huge joke to most of them. Everybody had, money; everybody wanted to laugh and have a good time. The Enterprise, "Comstock to the backbone," did what it could to help things along.

It was a sort of free ring, with every one for himself. Goodman let the boys write and print in accordance with their own ideas and upon any subject. Often they wrote of each other—squibs and burlesques, which gratified the Comstock far more than mere news.—[The indifference to 'news' was noble—none the less so because it was so blissfully unconscious. Editors Mark or Dan would dismiss a murder with a couple of inches and sit down and fill up a column with a fancy sketch: "Arthur McEwen"]—It was the proper class-room for Mark Twain, an encouraging audience and free utterance: fortune could have devised nothing better for him than that.

He was peculiarly fitted for the position. Unspoiled humanity appealed to him, and the Comstock presented human nature in its earliest landscape forms. Furthermore, the Comstock was essentially optimistic—so was he; any hole in the ground to him held a possible, even a probable, fortune.

His pilot memory became a valuable asset in news-gathering. Remembering marks, banks, sounding, and other river detail belonged apparently in the same category of attainments as remembering items and localities of news. He could travel all day without a note-book and at night reproduce the day's budget or at least the picturesqueness of it, without error. He was presently accounted a good reporter, except where statistics—measurements and figures—were concerned. These he gave "a lick and a promise," according to De Quille, who wrote afterward of their associations. De Quille says further:

    Mark and I agreed well in our work, which we divided when there was

    a rush of events; but we often cruised in company, he taking the

    items of news he could handle best, and I such as I felt competent

    to work up. However, we wrote at the same table and frequently

    helped each other with such suggestions as occurred to us during the

    brief consultations we held in regard to the handling of any matters

    of importance. Never was there an angry word between us in all the

    time we worked together.

De Quille tells how Clemens clipped items with a knife when there were no scissors handy, and slashed through on the top of his desk, which in time took on the semblance "of a huge polar star, spiritedly dashing forth a thousand rays."

The author of 'Roughing It' has given us a better picture of the Virginia City of those days and his work there than any one else will ever write. He has made us feel the general spirit of affluence that prevailed; how the problem was not to get money, but to spend it; how "feet" in any one of a hundred mines could be had for the asking; how such shares were offered like apples or cigars or bonbons, as a natural matter of courtesy when one happened to have his supply in view; how any one connected with a newspaper would have stocks thrust upon him, and how in a brief time he had acquired a trunk ful of such riches and usually had something to sell when any of the claims made a stir on the market. He has told us of the desperadoes and their trifling regard for human life, and preserved other elemental characters of these prodigal days. The funeral of Buck Fanshaw that amazing masterpiece—is a complete epitome of the social frontier.

It would not be the part of wisdom to attempt another inclusive presentation of Comstock conditions. We may only hope to add a few details of history, justified now by time and circumstances, to supplement the picture with certain data of personality preserved from the drift of years.

XXXVIII. ONE OF THE "STAFF"

The new reporter found acquaintance easy. The office force was like one family among which there was no line of caste. Proprietors, editors, and printers were social equals; there was little ceremony among them—none at all outside of the office.—["The paper went to press at two in the morning, then all the staff and all the compositors gathered themselves together in the composing-room and drank beer and sang the popular war-songs of the day until dawn."—S. L. C., in 1908.]—Samuel Clemens immediately became "Sam," or "Josh," to his associates, just as De Quille was "Dan" and Goodman "Joe." He found that he disliked the name of Josh, and, as he did not sign it again, it was presently dropped. The office, and Virginia City generally, quickly grew fond of him, delighting in his originality and measured speech. Enterprise readers began to identify his work, then unsigned, and to enjoy its fresh phrasing, even when it was only the usual local item or mining notice. True to its name and reputation, the paper had added a new attraction.

It was only a brief time after his arrival in Virginia City that Clemens began the series of hoaxes which would carry his reputation, not always in an enviable fashion, across the Sierras and down the Pacific coast. With one exception these are lost to-day, for so far as known there is not a single file of the Enterprise in existence. Only a few stray copies and clippings are preserved, but we know the story of some of these literary pranks and of their results. They were usually intended as a special punishment of some particular individual or paper or locality; but victims were gathered by the wholesale in their seductive web. Mark Twain himself, in his book of Sketches, has set down something concerning the first of these, "The Petrified Man," and of another, "My Bloody Massacre," but in neither case has he told it all. "The Petrified Man" hoax was directed at an official named Sewall, a coroner and justice of the peace at Humboldt, who had been pompously indifferent in the matter of supplying news. The story, told with great circumstance and apparent care as to detail, related the finding of a petrified prehistoric man, partially imbedded in a rock, in a cave in the desert more than one hundred miles from Humboldt, and how Sewall had made the perilous five-day journey in the alkali waste to hold an inquest over a man that had been dead three hundred years; also how, "with that delicacy so characteristic of him," Sewall had forbidden the miners from blasting him from his position. The account further stated that the hands of the deceased were arranged in a peculiar fashion; and the description of the arrangement was so skilfully woven in with other matters that at first, or even second, reading one might not see that the position indicated was the ancient one which begins with the thumb at the nose and in many ages has been used impolitely to express ridicule and the word "sold." But the description was a shade too ingenious. The author expected that the exchanges would see the jolt and perhaps assist in the fun he would have with Sewall. He did not contemplate a joke on the papers themselves. As a matter of fact, no one saw the "sell" and most of the papers printed his story of the petrified man as a genuine discovery. This was a surprise, and a momentary disappointment; then he realized that he had builded better than he knew. He gathered up a bundle of the exchanges and sent them to Sewall; also he sent marked copies to scientific men in various parts of the United States. The papers had taken it seriously; perhaps the scientists would. Some of them did, and Sewall's days became unhappy because of letters received asking further information. As literature, the effort did not rank high, and as a trick on an obscure official it was hardly worth while; but, as a joke on the Coast exchanges and press generally, it was greatly regarded and its author, though as yet unnamed, acquired prestige.

Inquiries began to be made as to who was the smart chap in Virginia that did these things. The papers became wary and read Enterprise items twice before clipping them. Clemens turned his attention to other matters to lull suspicion. The great "Dutch Nick Massacre" did not follow until a year later.

Reference has already been made to the Comstock's delight in humor of a positive sort. The practical joke was legal tender in Virginia. One might protest and swear, but he must take it. An example of Comstock humor, regarded as the finest assay, is an incident still told of Leslie Blackburn and Pat Holland, two gay men about town. They were coming down C Street one morning when they saw some fine watermelons on a fruit-stand at the International Hotel corner. Watermelons were rare and costly in that day and locality, and these were worth three dollars apiece. Blackburn said:

"Pat, let's get one of those watermelons. You engage that fellow in conversation while I stand at the corner, where I can step around out of sight easily. When you have got him interested, point to something on the back shelf and pitch me a melon."

This appealed to Holland, and he carried out his part of the plan perfectly; but when he pitched the watermelon Blackburn simply put his hands in his pockets, and stepped around the corner, leaving the melon a fearful disaster on the pavement. It was almost impossible for Pat to explain to the fruit-man why he pitched away a three-dollar melon like that even after paying for it, and it was still more trying, also more expensive, to explain to the boys facing the various bars along C Street.

Sam Clemens, himself a practical joker in his youth, found a healthy delight in this knock-down humor of the Comstock. It appealed to his vigorous, elemental nature. He seldom indulged physically in such things; but his printed squibs and hoaxes and his keen love of the ridiculous placed him in the joker class, while his prompt temper, droll manner, and rare gift of invective made him an enticing victim.

Among the Enterprise compositors was one by the name of Stephen E. Gillis (Steve, of course—one of the "fighting Gillises"), a small, fearless young fellow, handsome, quick of wit, with eyes like needle-points.

"Steve weighed only ninety-five pounds," Mark Twain once wrote of him, "but it was well known throughout the Territory that with his fists he could whip anybody that walked on two legs, let his weight and science be what they might."

Clemens was fond of Steve Gillis from the first. The two became closely associated in time, and were always bosom friends; but Steve was a merciless joker, and never as long as they were together could he "resist the temptation of making Sam swear," claiming that his profanity was grander than any music.

A word hereabout Mark Twain's profanity. Born with a matchless gift of phrase, the printing-office, the river, and the mines had developed it in a rare perfection. To hear him denounce a thing was to give one the fierce, searching delight of galvanic waves. Every characterization seemed the most perfect fit possible until he applied the next. And somehow his profanity was seldom an offense. It was not mere idle swearing; it seemed always genuine and serious. His selection of epithet was always dignified and stately, from whatever source—and it might be from the Bible or the gutter. Some one has defined dirt as misplaced matter. It is perhaps the greatest definition ever uttered. It is absolutely universal in its application, and it recurs now, remembering Mark Twain's profanity. For it was rarely misplaced; hence it did not often offend. It seemed, in fact, the safety-valve of his high-pressure intellectual engine. When he had blown off he was always calm, gentle; forgiving, and even tender. Once following an outburst he said, placidly:

"In certain trying circumstances, urgent circumstances, desperate circumstances, profanity furnishes a relief denied even to prayer."

It seems proper to add that it is not the purpose of this work to magnify or modify or excuse that extreme example of humankind which forms its chief subject; but to set him down as he was inadequately, of course, but with good conscience and clear intent.

Led by Steve Gillis, the Enterprise force used to devise tricks to set him going. One of these was to hide articles from his desk. He detested the work necessary to the care of a lamp, and wrote by the light of a candle. To hide "Sam's candle" was a sure way to get prompt and vigorous return. He would look for it a little; then he would begin a slow, circular walk—a habit acquired in the limitations of the pilot-house—and his denunciation of the thieves was like a great orchestration of wrong. By and by the office boy, supposedly innocent, would find another for him, and all would be forgotten. He made a placard, labeled with fearful threats and anathemas, warning any one against touching his candle; but one night both the placard and the candle were gone.

Now, among his Virginia acquaintances was a young minister, a Mr. Rising, "the fragile, gentle new fledgling" of the Buck Fanshaw episode. Clemens greatly admired Mr. Rising's evident sincerity, and the young minister had quickly recognized the new reporter's superiority of mind. Now and then he came to the office to call on him. Unfortunately, he happened to step in just at that moment when, infuriated by the latest theft of his property, Samuel Clemens was engaged in his rotary denunciation of the criminals, oblivious of every other circumstance. Mr. Rising stood spellbound by this, to him, new phase of genius, and at last his friend became dimly aware of him. He did not halt in his scathing treadmill and continued in the slow monotone of speech:

"I know, Mr. Rising, I know it's wicked to talk like this; I know it is wrong. I know I shall certainly go to hell for it. But if you had a candle, Mr. Rising, and those thieves should carry it off every night, I know that you would say, just as I say, Mr. Rising, G-d d—n their impenitent souls, may they roast in hell for a million years."

The little clergyman caught his breath.

"Maybe I should, Mr. Clemens," he replied, "but I should try to say, 'Forgive them, Father, they know not what they do.'"

"Oh, well! if you put it on the ground that they are just fools, that alters the case, as I am one of that class myself. Come in and we'll try to forgive them and forget about it."

Mark Twain had a good many experiences with young ministers. He was always fond of them, and they often sought him out. Once, long afterward, at a hotel, he wanted a boy to polish his shoes, and had rung a number of times without getting any response. Presently, he thought he heard somebody approaching in the hall outside. He flung open the door, and a small, youngish-looking person, who seemed to have been hesitating at the door, made a movement as though to depart hastily. Clemens grabbed him by the collar.

"Look here," he said, "I've been waiting and ringing here for half an hour. Now I want you to take those shoes, and polish them, quick. Do you hear?"

The slim, youthful person trembled a good deal, and said: "I would, Mr. Clemens, I would indeed, sir, if I could. But I'm a minister of the Gospel, and I'm not prepared for such work."

XXXIX. PHILOSOPHY AND POETRY

There was a side to Samuel Clemens that in those days few of his associates saw. This was the poetic, the philosophic, the contemplative side. Joseph Goodman recognized this phase of his character, and, while he perhaps did not regard it as a future literary asset, he delighted in it, and in their hours of quiet association together encouraged its exhibition. It is rather curious that with all his literary penetration Goodman did not dream of a future celebrity for Clemens. He afterward said:

"If I had been asked to prophesy which of the two men, Dan de Quille or Sam, would become distinguished, I should have said De Quille. Dan was talented, industrious, and, for that time and place, brilliant. Of course, I recognized the unusualness of Sam's gifts, but he was eccentric and seemed to lack industry; it is not likely that I should have prophesied fame for him then."

Goodman, like MacFarlane in Cincinnati, half a dozen years before, though by a different method, discovered and developed the deeper vein. Often the two, dining together in a French restaurant, discussed life, subtler philosophies, recalled various phases of human history, remembered and recited the poems that gave them especial enjoyment. "The Burial of Moses," with its noble phrasing and majestic imagery, appealed strongly to Clemens, and he recited it with great power. The first stanza in particular always stirred him, and it stirred his hearer as well. With eyes half closed and chin lifted, a lighted cigar between his fingers, he would lose himself in the music of the stately lines.

       By Nebo's lonely mountain,

       On this side Jordan's wave,

       In a vale in the land of Moab,

       There lies a lonely grave.

       And no man knows that sepulchre,

       And no man saw it e'er,

       For the angels of God, upturned the sod,

       And laid the dead man there.

Another stanza that he cared for almost as much was the one beginning:

       And had he not high honor

       —The hill-side for a pall,

       To lie in state while angels wait

       With stars for tapers tall,

       And the dark rock-pines, like tossing plumes,

       Over his bier to wave,

       And God's own hand in that lonely land,

       To lay him in the grave?

Without doubt he was moved to emulate the simple grandeur of that poem, for he often repeated it in those days, and somewhat later we find it copied into his notebook in full. It would seem to have become to him a sort of literary touchstone; and in some measure it may be regarded as accountable for the fact that in the fullness of time "he made use of the purest English of any modern writer." These are Goodman's words, though William Dean Howells has said them, also, in substance, and Brander Matthews, and many others who know about such things. Goodman adds, "The simplicity and beauty of his style are almost without a parallel, except in the common version of the Bible," which is also true. One is reminded of what Macaulay said of Milton:

"There would seem at first sight to be no more in his words than in other words. But they are words of enchantment. No sooner are they pronounced than the past is present and the distance near. New forms of beauty start at once into existence, and all the burial-places of the memory give up their dead."

One drifts ahead, remembering these things. The triumph of words, the mastery of phrases, lay all before him at the time of which we are writing now. He was twenty-seven. At that age Rudyard Kipling had reached his meridian. Samuel Clemens was still in the classroom. Everything came as a lesson-phrase, form, aspect, and combination; nothing escaped unvalued. The poetic phase of things particularly impressed him. Once at a dinner with Goodman, when the lamp-light from the chandelier struck down through the claret on the tablecloth in a great red stain, he pointed to it dramatically "Look, Joe," he said, "the angry tint of wine."

It was at one of these private sessions, late in '62, that Clemens proposed to report the coming meeting of the Carson legislature. He knew nothing of such work and had small knowledge of parliamentary proceedings. Formerly it had been done by a man named Gillespie, but Gillespie was now clerk of the house. Goodman hesitated; then, remembering that whether Clemens got the reports right or not, he would at least make them readable, agreed to let him undertake the work.

XL. "MARK TWAIN"

The early Nevada legislature was an interesting assembly. All State legislatures are that, and this was a mining frontier. No attempt can be made to describe it. It was chiefly distinguished for a large ignorance of procedure, a wide latitude of speech, a noble appreciation of humor, and plenty of brains. How fortunate Mask Twain was in his schooling, to be kept away from institutional training, to be placed in one after another of those universities of life where the sole curriculum is the study of the native inclinations and activities of mankind! Sometimes, in after-years, he used to regret the lack of systematic training. Well for him—and for us—that he escaped that blight.

For the study of human nature the Nevada assembly was a veritable lecture-room. In it his understanding, his wit, his phrasing, his self-assuredness grew like Jack's bean-stalk, which in time was ready to break through into a land above the sky. He made some curious blunders in his reports, in the beginning; but he was so frank in his ignorance and in his confession of it that the very unsophistication of his early letters became their chief charm. Gillespie coached him on parliamentary matters, and in time the reports became technically as well as artistically good. Clemens in return christened Gillespie "Young, Jefferson's Manual," a title which he bore, rather proudly indeed, for many years.

Another "entitlement" growing out of those early reports, and possibly less satisfactory to its owner, was the one accorded to Clement T. Rice, of the Virginia City Union. Rice knew the legislative work perfectly and concluded to poke fun at the Enterprise letters.

But this was a mistake. Clemens in his next letter declared that Rice's reports might be parliamentary enough, but that they covered with glittering technicalities the most festering mass of misstatement, and even crime. He avowed that they were wholly untrustworthy; dubbed the author of them "The Unreliable," and in future letters never referred to him by any other term. Carson and the Comstock and the papers of the Coast delighted in this burlesque journalistic warfare, and Rice was "The Unreliable" for life.

Rice and Clemens, it should be said, though rivals, were the best of friends, and there was never any real animosity between them.

Clemens quickly became a favorite with the members; his sharp letters, with their amusing turn of phrase and their sincerity, won general friendship. Jack Simmons, speaker of the house, and Billy Clagget, the Humboldt delegation, were his special cronies and kept him on the inside of the political machine. Clagget had remained in Unionville after the mining venture, warned his Keokuk sweetheart, and settled down into politics and law. In due time he would become a leading light and go to Congress. He was already a notable figure of forceful eloquence and tousled, unkempt hair. Simmons, Clagget, and Clemens were easily the three conspicuous figures of the session.

It must have been gratifying to the former prospector and miner to come back to Carson City a person of consequence, where less than a year before he had been regarded as no more than an amusing indolent fellow, a figure to smile at, but unimportant. There is a photograph extant of Clemens and his friends Clagget and Simmons in a group, and we gather from it that he now arrayed himself in a long broadcloth cloak, a starched shirt, and polished boots. Once more he had become the glass of fashion that he had been on the river. He made his residence with Orion, whose wife and little daughter Jennie had by this time come out from the States. "Sister Mollie," as wife of the acting governor, was presently social leader of the little capital; her brilliant brother-in-law its chief ornament. His merriment and songs and good nature made him a favorite guest. His lines had fallen in pleasant places; he could afford to smile at the hard Esmeralda days.

He was not altogether satisfied. His letters, copied and quoted all along the Coast, were unsigned. They were easily identified with one another, but not with a personality. He realized that to build a reputation it was necessary to fasten it to an individuality, a name.

He gave the matter a good deal of thought. He did not consider the use of his own name; the 'nom de plume' was the fashion of the time. He wanted something brief, crisp, definite, unforgettable. He tried over a good many combinations in his mind, but none seemed convincing. Just then—this was early in 1863—news came to him that the old pilot he had wounded by his satire, Isaiah Sellers, was dead. At once the pen-name of Captain Sellers recurred to him. That was it; that was the sort of name he wanted. It was not trivial; it had all the qualities—Sellers would never need it again. Clemens decided he would give it a new meaning and new association in this far-away land. He went up to Virginia City.

"Joe," he said, to Goodman, "I want to sign my articles. I want to be identified to a wider audience."

"All right, Sam. What name do you want to use 'Josh'?"

"No, I want to sign them 'Mark Twain.' It is an old river term, a leads-man's call, signifying two fathoms—twelve feet. It has a richness about it; it was always a pleasant sound for a pilot to hear on a dark night; it meant safe water."

He did not then mention that Captain Isaiah Sellers had used and dropped the name. He was ashamed of his part in that episode, and the offense was still too recent for confession. Goodman considered a moment:

"Very well, Sam," he said, "that sounds like a good name."

It was indeed a good name. In all the nomenclature of the world no more forceful combination of words could have been selected to express the man for whom they stood. The name Mark Twain is as infinite, as fundamental as that of John Smith, without the latter's wasting distribution of strength. If all the prestige in the name of John Smith were combined in a single individual, its dynamic energy might give it the carrying power of Mark Twain. Let this be as it may, it has proven the greatest 'nom de plume' ever chosen—a name exactly in accord with the man, his work, and his career.

It is not surprising that Goodman did not recognize this at the moment. We should not guess the force that lies in a twelve-inch shell if we had never seen one before or heard of its seismic destruction. We should have to wait and see it fired, and take account of the result.

It was first signed to a Carson letter bearing date of February 2, 1863, and from that time was attached to all Samuel Clemens's work. The work was neither better nor worse than before, but it had suddenly acquired identification and special interest. Members of the legislature and friends in Virginia and Carson immediately began to address him as "Mark." The papers of the Coast took it up, and within a period to be measured by weeks he was no longer "Sam" or "Clemens" or "that bright chap on the Enterprise," but "Mark"—"Mark Twain." No 'nom de plume' was ever so quickly and generally accepted as that. De Quille, returning from the East after an absence of several months, found his room and deskmate with the distinction of a new name and fame.

It is curious that in the letters to the home folks preserved from that period there is no mention of his new title and its success. In fact, the writer rarely speaks of his work at all, and is more inclined to tell of the mining shares he has accumulated, their present and prospective values. However, many of the letters are undoubtedly missing. Such as have been preserved are rather airy epistles full of his abounding joy of life and good nature. Also they bear evidence of the renewal of his old river habit of sending money home—twenty dollars in each letter, with intervals of a week or so between.

XLI. THE CREAM OF COMSTOCK HUMOR

With the adjournment of the legislature, Samuel Clemens returned to Virginia City distinctly a notability—Mark Twain. He was regarded as leading man on the Enterprise—which in itself was high distinction on the Comstock—while his improved dress and increased prosperity commanded additional respect. When visitors of note came along—well-known actors, lecturers, politicians—he was introduced as one of the Comstock features which it was proper to see, along with the Ophir and Gould and Curry mines, and the new hundred-stamp quartz-mill.

He was rather grieved and hurt, therefore, when, after several collections had been taken up in the Enterprise office to present various members of the staff with meerschaum pipes, none had come to him. He mentioned this apparent slight to Steve Gillis:

"Nobody ever gives me a meerschaum pipe," he said, plaintively. "Don't I deserve one yet?"

Unhappy day! To that remorseless creature, Steve Gillis, this was a golden opportunity for deviltry of a kind that delighted his soul. This is the story, precisely as Gillis himself told it to the writer of these annals more than a generation later:

"There was a German kept a cigar store in Virginia City and always had a fine assortment of meerschaum pipes. These pipes usually cost anywhere from forty to seventy-five dollars.

"One day Denis McCarthy and I were walking by the old German's place, and stopped to look in at the display in the window. Among other things there was one large imitation meerschaum with a high bowl and a long stem, marked a dollar and a half.

"I decided that that would be just the pipe for Sam. We went in and bought it, also a very much longer stem. I think the stem alone cost three dollars. Then we had a little German-silver plate engraved with Mark's name on it and by whom presented, and made preparations for the presentation. Charlie Pope—[afterward proprietor of Pope's Theater, St. Louis]—was playing at the Opera House at the time, and we engaged him to make the presentation speech.

"Then we let in Dan de Quille, Mark's closest friend, to act the part of Judas—to tell Mark privately that he, was going to be presented with a fine pipe, so that he could have a speech prepared in reply to Pope's. It was awful low-down in Dan. We arranged to have the affair come off in the saloon beneath the Opera House after the play was over.

"Everything went off handsomely; but it was a pretty remorseful occasion, and some of us had a hang-dog look; for Sam took it in such sincerity, and had prepared one of the most beautiful speeches I ever heard him make. Pope's presentation, too, was beautifully done. He told Sam how his friends all loved him, and that this pipe, purchased at so great an expense, was but a small token of their affection. But Sam's reply, which was supposed to be impromptu, actually brought the tears to the eyes of some of us, and he was interrupted every other minute with applause. I never felt so sorry for anybody.

"Still, we were bent on seeing the thing through. After Sam's speech was finished, he ordered expensive wines—champagne and sparkling Moselle. Then we went out to do the town, and kept things going until morning to drown our sorrow.

"Well, next day, of course, he started in to color the pipe. It wouldn't color any more than a piece of chalk, which was about all it was. Sam would smoke and smoke, and complain that it didn't seem to taste right, and that it wouldn't color. Finally Denis said to him one day:

"'Oh, Sam, don't you know that's just a damned old egg-shell, and that the boys bought it for a dollar and a half and presented you with it for a joke?'

"Then Sam was furious, and we laid the whole thing on Dan de Quille. He had a thunder-cloud on his face when he started up for the Local Room, where Dan was. He went in and closed the door behind him, and locked it, and put the key in his pocket—an awful sign. Dan was there alone, writing at his table.

"Sam said, 'Dan, did you know, when you invited me to make that speech, that those fellows were going to give me a bogus pipe?'

"There was no way for Dan to escape, and he confessed. Sam walked up and down the floor, as if trying to decide which way to slay Dan. Finally he said:

"'Oh, Dan, to think that you, my dearest friend, who knew how little money I had, and how hard I would work to prepare a speech that would show my gratitude to my friends, should be the traitor, the Judas, to betray me with a kiss! Dan, I never want to look on your face again. You knew I would spend every dollar I had on those pirates when I couldn't afford to spend anything; and yet you let me do it; you aided and abetted their diabolical plan, and you even got me to get up that damned speech to make the thing still more ridiculous.'

"Of course Dan felt terribly, and tried to defend himself by saying that they were really going to present him with a fine pipe—a genuine one, this time. But Sam at first refused to be comforted; and when, a few days later, I went in with the pipe and said, 'Sam, here's the pipe the boys meant to give you all the time,' and tried to apologize, he looked around a little coldly, and said:

"'Is that another of those bogus old pipes?'

"He accepted it, though, and general peace was restored. One day, soon after, he said to me:

"'Steve, do you know that I think that that bogus pipe smokes about as well as the good one?'"

Many years later (this was in his home at Hartford, and Joe Goodman was present) Mark Twain one day came upon the old imitation pipe.

"Joe," he said, "that was a cruel, cruel trick the boys played on me; but, for the feeling I had during the moment when they presented me with that pipe and when Charlie Pope was making his speech and I was making my reply to it—for the memory of that feeling, now, that pipe is more precious to me than any pipe in the world!"

Eighteen hundred and sixty-three was flood-tide on the Comstock. Every mine was working full blast. Every mill was roaring and crunching, turning out streams of silver and gold. A little while ago an old resident wrote:

    When I close my eyes I hear again the respirations of hoisting-

    engines and the roar of stamps; I can see the "camels" after

    midnight packing in salt; I can see again the jam of teams on C

    Street and hear the anathemas of the drivers—all the mighty work

    that went on in order to lure the treasures from the deep chambers

    of the great lode and to bring enlightenment to the desert.

Those were lively times. In the midst of one of his letters home Mark Twain interrupts himself to say: "I have just heard five pistol-shots down the street—as such things are in my line, I will go and see about it," and in a postscript added a few hours later:

    5 A.M. The pistol-shot did its work well. One man, a Jackson

    County Missourian, shot two of my friends (police officers) through

    the heart—both died within three minutes. The murderer's name is

    John Campbell.

"Mark and I had our hands full," says De Quille, "and no grass grew under our feet." In answer to some stray criticism of their policy, they printed a sort of editorial manifesto:

    Our duty is to keep the universe thoroughly posted concerning

    murders and street fights, and balls, and theaters, and pack-trains,

    and churches, and lectures, and school-houses, and city military

    affairs, and highway robberies, and Bible societies, and hay-wagons,

    and the thousand other things which it is in the province of local

    reporters to keep track of and magnify into undue importance for the

    instruction of the readers of a great daily newspaper.

It is easy to recognize Mark Twain's hand in that compendium of labor, which, in spite of its amusing apposition, was literally true, and so intended, probably with no special thought of humor in its construction. It may be said, as well here as anywhere, that it was not Mark Twain's habit to strive for humor. He saw facts at curious angles and phrased them accordingly. In Virginia City he mingled with the turmoil of the Comstock and set down what he saw and thought, in his native speech. The Comstock, ready to laugh, found delight in his expression and discovered a vast humor in his most earnest statements.

On the other hand, there were times when the humor was intended and missed its purpose. We have already recalled the instance of the "Petrified Man" hoax, which was taken seriously; but the "Empire City Massacre" burlesque found an acceptance that even its author considered serious for a time. It is remembered to-day in Virginia City as the chief incident of Mark Twain's Comstock career.

This literary bomb really had two objects, one of which was to punish the San Francisco Bulletin for its persistent attacks on Washoe interests; the other, though this was merely incidental, to direct an unpleasant attention to a certain Carson saloon, the Magnolia, which was supposed to dispense whisky of the "forty rod" brand—that is, a liquor warranted to kill at that range. It was the Bulletin that was to be made especially ridiculous. This paper had been particularly disagreeable concerning the "dividend-cooking" system of certain of the Comstock mines, at the same time calling invidious attention to safer investments in California stocks. Samuel Clemens, with "half a trunkful" of Comstock shares, had cultivated a distaste for California things in general: In a letter of that time he says:

"How I hate everything that looks or tastes or smells like California!" With his customary fickleness of soul, he was glorifying California less than a year later, but for the moment he could see no good in that Nazareth. To his great satisfaction, one of the leading California corporations, the Spring Valley Water Company, "cooked" a dividend of its own about this time, resulting in disaster to a number of guileless investors who were on the wrong side of the subsequent crash. This afforded an inviting opportunity for reprisal. With Goodman's consent he planned for the California papers, and the Bulletin in particular, a punishment which he determined to make sufficiently severe. He believed the papers of that State had forgotten his earlier offenses, and the result would show he was not mistaken.

There was a point on the Carson River, four miles from Carson City, known as "Dutch Nick's," and also as Empire City, the two being identical. There was no forest there of any sort nothing but sage-brush. In the one cabin there lived a bachelor with no household. Everybody in Virginia and Carson, of course, knew these things.

Mark Twain now prepared a most lurid and graphic account of how one Phillip Hopkins, living "just at the edge of the great pine forest which lies between Empire City and 'Dutch Nick's'," had suddenly gone insane and murderously assaulted his entire family consisting of his wife and their nine children, ranging in ages from one to nineteen years. The wife had been slain outright, also seven of the children; the other two might recover. The murder had been committed in the most brutal and ghastly fashion, after which Hopkins had scalped his wife, leaped on a horse, cut his own throat from ear to ear, and ridden four miles into Carson City, dropping dead at last in front of the Magnolia saloon, the red-haired scalp of his wife still clutched in his gory hand. The article further stated that the cause of Mr. Hopkins's insanity was pecuniary loss, he having withdrawn his savings from safe Comstock investments and, through the advice of a relative, one of the editors of the San Francisco Bulletin, invested them in the Spring Valley Water Company. This absurd tale with startling head-lines appeared in the Enterprise, in its issue of October 28, 1863.

It was not expected that any one in Virginia City or Carson City would for a moment take any stock in the wild invention, yet so graphic was it that nine out of ten on first reading never stopped to consider the entire impossibility of the locality and circumstance. Even when these things were pointed out many readers at first refused to confess themselves sold. As for the Bulletin and other California papers, they were taken-in completely, and were furious. Many of them wrote and demanded the immediate discharge of its author, announcing that they would never copy another line from the Enterprise, or exchange with it, or have further relations with a paper that had Mark Twain on its staff. Citizens were mad, too, and cut off their subscriptions. The joker was in despair.

"Oh, Joe," he said, "I have ruined your business, and the only reparation I can make is to resign. You can never recover from this blow while I am on the paper."

"Nonsense," replied Goodman. "We can furnish the people with news, but we can't supply them with sense. Only time can do that. The flurry will pass. You just go ahead. We'll win out in the long run."

But the offender was in torture; he could not sleep. "Dan, Dan," he said, "I am being burned alive on both sides of the mountains."

"Mark," said Dan. "It will all blow over. This item of yours will be remembered and talked about when the rest of your Enterprise work is forgotten."

Both Goodman and De Quille were right. In a month papers and people had forgotten their humiliation and laughed. "The Dutch Nick Massacre" gave to its perpetrator and to the Enterprise an added vogue. —[For full text of the "Dutch Nick" hoax see Appendix C, at the end of last volume: also, for an anecdote concerning a reporting excursion made by Alf. Doten and Mark Twain.]—

XLII REPORTORIAL DAYS.

Reference has already been made to the fashion among Virginia City papers of permitting reporters to use the editorial columns for ridicule of one another. This custom was especially in vogue during the period when Dan de Quille and Mark Twain and The Unreliable were the shining journalistic lights of the Comstock. Scarcely a week went by that some apparently venomous squib or fling or long burlesque assault did not appear either in the Union or the Enterprise, with one of those jokers as its author and another as its target. In one of his "home" letters of that year Mark Twain says:

    I have just finished writing up my report for the morning paper and

    giving The Unreliable a column of advice about how to conduct

    himself in church.

The advice was such as to call for a reprisal, but it apparently made no difference in personal relations, for a few weeks later he is with The Unreliable in San Francisco, seeing life in the metropolis, fairly swimming in its delights, unable to resist reporting them to his mother.

    We fag ourselves completely out every day and go to sleep without

    rocking every night. When I go down Montgomery Street shaking hands

    with Tom, Dick, and Harry, it is just like being on Main Street in

    Hannibal and meeting the old familiar faces. I do hate to go back

    to Washoe. We take trips across the bay to Oakland, and down to San

    Leandro and Alameda, and we go out to the Willows and Hayes Park and

    Fort Point, and up to Benicia; and yesterday we were invited out on

    a yachting excursion, and had a sail in the fastest yacht on the

    Pacific coast. Rice says: "Oh no—we are not having any fun, Mark

    —oh no—I reckon it's somebody else—it's probably the gentleman in

    the wagon" (popular slang phrase), and when I invite Rice to the

    Lick House to dinner the proprietor sends us champagne and claret,

    and then we do put on the most disgusting airs. The Unreliable says

    our caliber is too light—we can't stand it to be noticed.

Three days later he adds that he is going sorrowfully "to the snows and the deserts of Washoe," but that he has "lived like a lord to make up for two years of privation."

Twenty dollars is inclosed in each of these letters, probably as a bribe to Jane Clemens to be lenient with his prodigalities, which in his youthful love of display he could not bring himself to conceal. But apparently the salve was futile, for in another letter, a month later, he complains that his mother is "slinging insinuations" at him again, such as "where did you get that money" and "the company I kept in San Francisco." He explains:

    Why, I sold Wild Cat mining ground that was given me, and my credit

    was always good at the bank for $2,000 or $3,000, and I never gamble

    in any shape or manner, and never drink anything stronger than

    claret and lager beer, which conduct is regarded as miraculously

    temperate in this place. As for company, I went in the very best

    company to be found in San Francisco. I always move in the best

    society in Virginia and have a reputation to preserve.

He closes by assuring her that he will be more careful in future and that she need never fear but that he will keep her expenses paid. Then he cannot refrain from adding one more item of his lavish life:

"Put in my washing, and it costs me one hundred dollars a month to live."

De Quille had not missed the opportunity of his comrade's absence to payoff some old scores. At the end of the editorial column of the Enterprise on the day following his departure he denounced the absent one and his "protege," The Unreliable, after the intemperate fashion of the day.

    It is to be regretted that such scrubs are ever permitted to visit

    the bay, as the inevitable effect will be to destroy that exalted

    opinion of the manners and morality of our people which was inspired

    by the conduct of our senior editor—[which is to say, Dan

    himself]—.

The diatribe closed with a really graceful poem, and the whole was no doubt highly regarded by the Enterprise readers.

What revenge Mark Twain took on his return has not been recorded, but it was probably prompt and adequate; or he may have left it to The Unreliable. It was clearly a mistake, however, to leave his own local work in the hands of that properly named person a little later. Clemens was laid up with a cold, and Rice assured him on his sacred honor that he would attend faithfully to the Enterprise locals, along with his own Union items. He did this, but he had been nursing old injuries too long. What was Mark Twain's amazement on looking over the Enterprise next morning to find under the heading "Apologetic" a statement over his own nom de plume, purporting to be an apology for all the sins of ridicule to the various injured ones.

    To Mayor Arick, Hon. Wm. Stewart, Marshal Perry, Hon. J. B. Winters,

    Mr. Olin, and Samuel Wetherill, besides a host of others whom we

    have ridiculed from behind the shelter of our reportorial position,

    we say to these gentlemen we acknowledge our faults, and, in all

    weakness and humility upon our bended marrow bones, we ask their

    forgiveness, promising that in future we will give them no cause for

    anything but the best of feeling toward us. To "Young Wilson" and

    The Unreliable (as we have wickedly termed them), we feel that no

    apology we can make begins to atone for the many insults we have

    given them. Toward these gentlemen we have been as mean as a man

    could be—and we have always prided ourselves on this base quality.

    We feel that we are the least of all humanity, as it were. We will

    now go in sack-cloth and ashes for the next forty days.

This in his own paper over his own signature was a body blow; but it had the effect of curing his cold. He was back in the office forthwith, and in the next morning's issue denounced his betrayer.

    We are to blame for giving The Unreliable an opportunity to

    misrepresent us, and therefore refrain from repining to any great

    extent at the result. We simply claim the right to deny the truth

    of every statement made by him in yesterday's paper, to annul all

    apologies he coined as coming from us, and to hold him up to public

    commiseration as a reptile endowed with no more intellect, no more

    cultivation, no more Christian principle than animates and adorns

    the sportive jackass-rabbit of the Sierras. We have done.

These were the things that enlivened Comstock journalism. Once in a boxing bout Mark Twain got a blow on the nose which caused it to swell to an unusual size and shape. He went out of town for a few days, during which De Quille published an extravagant account of his misfortune, describing the nose and dwelling on the absurdity of Mark Twain's ever supposing himself to be a boxer.

De Quille scored heavily with this item but his own doom was written. Soon afterward he was out riding and was thrown from his horse and bruised considerably.

This was Mark's opportunity. He gave an account of Dan's disaster; then, commenting, he said:

    The idea of a plebeian like Dan supposing he could ever ride a

    horse! He! why, even the cats and the chickens laughed when they

    saw him go by. Of course, he would be thrown off. Of course, any

    well-bred horse wouldn't let a common, underbred person like Dan

    stay on his back! When they gathered him up he was just a bag of

    scraps, but they put him together, and you'll find him at his old

    place in the Enterprise office next week, still laboring under the

    delusion that he's a newspaper man.

The author of 'Roughing It' tells of a literary periodical called the Occidental, started in Virginia City by a Mr. F. This was the silver-tongued Tom Fitch, of the Union, an able speaker and writer, vastly popular on the Coast. Fitch came to Clemens one day and said he was thinking of starting such a periodical and asked him what he thought of the venture. Clemens said:

"You would succeed if any one could, but start a flower-garden on the desert of Sahara; set up hoisting-works on Mount Vesuvius for mining sulphur; start a literary paper in Virginia City; h—l!"

Which was a correct estimate of the situation, and the paper perished with the third issue. It was of no consequence except that it contained what was probably the first attempt at that modern literary abortion, the composite novel. Also, it died too soon to publish Mark Twain's first verses of any pretension, though still of modest merit—"The Aged Pilot Man"—which were thereby saved for 'Roughing It.'

Visiting Virginia now, it seems curious that any of these things could have happened there. The Comstock has become little more than a memory; Virginia and Gold Hill are so quiet, so voiceless, as to constitute scarcely an echo of the past. The International Hotel, that once so splendid edifice, through whose portals the tide of opulent life then ebbed and flowed, is all but deserted now. One may wander at will through its dingy corridors and among its faded fripperies, seeking in vain for attendance or hospitality, the lavish welcome of a vanished day. Those things were not lacking once, and the stream of wealth tossed up and down the stair and billowed up C Street, an ebullient tide of metals and men from which millionaires would be struck out, and individuals known in national affairs. William M. Stewart who would one day become a United States Senator, was there, an unnoticed unit; and John Mackay and James G. Fair, one a senator by and by, and both millionaires, but poor enough then—Fair with a pick on his shoulder and Mackay, too, at first, though he presently became a mine superintendent. Once in those days Mark Twain banteringly offered to trade businesses with Mackay.

"No," Mackay said, "I can't trade. My business is not worth as much as yours. I have never swindled anybody, and I don't intend to begin now."

Neither of those men could dream that within ten years their names would be international property; that in due course Nevada would propose statues to their memory.

Such things came out of the Comstock; such things spring out of every turbulent frontier.

XLIII. ARTEMUS WARD

Madame Caprell's warning concerning Mark Twain's health at twenty-eight would seem to have been justified. High-strung and neurotic, the strain of newspaper work and the tumult of the Comstock had told on him. As in later life, he was subject to bronchial colds, and more than once that year he found it necessary to drop all work and rest for a time at Steamboat Springs, a place near Virginia City, where there were boiling springs and steaming fissures in the mountain-side, and a comfortable hotel. He contributed from there sketches somewhat more literary in form than any of his previous work. "Curing a Cold" is a more or less exaggerated account of his ills.

    [Included in Sketches New and Old. "Information for the Million,"

    and "Advice to Good Little Girls," included in the "Jumping Frog"

    Collection, 1867, but omitted from the Sketches, are also believed

    to belong to this period.]

A portion of a playful letter to his mother, written from the springs, still exists.

    You have given my vanity a deadly thrust. Behold, I am prone to

    boast of having the widest reputation as a local editor of any man

    on the Pacific coast, and you gravely come forward and tell me "if I

    work hard and attend closely to my business, I may aspire to a place

    on a big San Francisco daily some day." There's a comment on human

    vanity for you! Why, blast it, I was under the impression that I

    could get such a situation as that any time I asked for it. But I

    don't want it. No paper in the United States can afford to pay me

    what my place on the Enterprise is worth. If I were not naturally a

    lazy, idle, good-for-nothing vagabond, I could make it pay me

    $20,000 a year. But I don't suppose I shall ever be any account. I

    lead an easy life, though, and I don't care a cent whether school

    keeps or not. Everybody knows me, and I fare like a prince wherever

    I go, be it on this side of the mountain or the other. And I am

    proud to say I am the most conceited ass in the Territory.

    You think that picture looks old? Well, I can't help it—in reality

    I'm not as old as I was when I was eighteen.

Which was a true statement, so far as his general attitude was concerned. At eighteen, in New York and Philadelphia, his letters had been grave, reflective, advisory. Now they were mostly banter and froth, lightly indifferent to the serious side of things, though perhaps only pretendedly so, for the picture did look old. From the shock and circumstance of his brother's death he—had never recovered. He was barely twenty-eight. From the picture he might have been a man of forty.

It was that year that Artemus Ward (Charles F. Browne) came to Virginia City. There was a fine opera-house in Virginia, and any attraction that billed San Francisco did not fail to play to the Comstock. Ward intended staying only a few days to deliver his lectures, but the whirl of the Comstock caught him like a maelstrom, and he remained three weeks.

He made the Enterprise office his headquarters, and fairly reveled in the company he found there. He and Mark Twain became boon companions. Each recognized in the other a kindred spirit. With Goodman, De Quille, and McCarthy, also E. E. Hingston—Ward's agent, a companionable fellow—they usually dined at Chaumond's, Virginia's high-toned French restaurant.

Those were three memorable weeks in Mark Twain's life. Artemus Ward was in the height of his fame, and he encouraged his new-found brother-humorist and prophesied great things of him. Clemens, on his side, measured himself by this man who had achieved fame, and perhaps with good reason concluded that Ward's estimate was correct, that he too could win fame and honor, once he got a start. If he had lacked ambition before Ward's visit, the latter's unqualified approval inspired him with that priceless article of equipment. He put his soul into entertaining the visitor during those three weeks; and it was apparent to their associates that he was at least Ward's equal in mental stature and originality. Goodman and the others began to realize that for Mark Twain the rewards of the future were to be measured only by his resolution and ability to hold out. On Christmas Eve Artemus lectured in Silver City and afterward came to the Enterprise office to give the boys a farewell dinner. The Enterprise always published a Christmas carol, and Goodman sat at his desk writing it. He was just finishing as Ward came in:

"Slave, slave," said Artemus. "Come out and let me banish care from you."

They got the boys and all went over to Chaumond's, where Ward commanded Goodman to order the dinner. When the cocktails came on, Artemus lifted his glass and said:

"I give you Upper Canada."

The company rose, drank the toast in serious silence; then Goodman said:

"Of course, Artemus, it's all right, but why did you give us Upper Canada?"

"Because I don't want it myself," said Ward, gravely.

Then began a rising tide of humor that could hardly be matched in the world to-day. Mark Twain had awakened to a fuller power; Artemus Ward was in his prime. They were giants of a race that became extinct when Mark Twain died. The youth, the wine, the whirl of lights and life, the tumult of the shouting street-it was as if an electric stream of inspiration poured into those two human dynamos and sent them into a dazzling, scintillating whirl. All gone—as evanescent, as forgotten, as the lightnings of that vanished time; out of that vast feasting and entertainment only a trifling morsel remains. Ward now and then asked Goodman why he did not join in the banter. Goodman said:

"I'm preparing a joke, Artemus, but I'm keeping it for the present."

It was near daybreak when Ward at last called for the bill. It was two hundred and thirty-seven dollars.

"What"' exclaimed Artemus.

"That's my joke." said Goodman.

"But I was only exclaiming because it was not twice as much," returned Ward.

He paid it amid laughter, and they went out into the early morning air. It was fresh and fine outside, not yet light enough to see clearly. Artemus threw his face up to the sky and said:

"I feel glorious. I feel like walking on the roofs."

Virginia was built on the steep hillside, and the eaves of some of the houses almost touched the ground behind them.

"There is your chance, Artemus," Goodman said, pointing to a row of these houses all about of a height.

Artemus grabbed Mark Twain, and they stepped out upon the long string of roofs and walked their full length, arm in arm. Presently the others noticed a lonely policeman cocking his revolver and getting ready to aim in their direction. Goodman called to him:

"Wait a minute. What are you going to do?"

"I'm going to shoot those burglars," he said.

"Don't for your life. Those are not burglars. That's Mark Twain and Artemus Ward."

The roof-walkers returned, and the party went down the street to a corner across from the International Hotel. A saloon was there with a barrel lying in front, used, perhaps for a sort of sign. Artemus climbed astride the barrel, and somebody brought a beer-glass and put it in his hand. Virginia City looks out over the Eastward Desert. Morning was just breaking upon the distant range-the scene as beautiful as when the sunrise beams across the plain of Memnon. The city was not yet awake. The only living creatures in sight were the group of belated diners, with Artemus Ward, as King Gambrinus, pouring a libation to the sunrise.

That was the beginning of a week of glory. The farewell dinner became a series. At the close of one convivial session Artemus went to a concert-hall, the "Melodeon," blacked his face, and delivered a speech. He got away from Virginia about the close of the year.

A day or two later he wrote from Austin, Nevada, to his new-found comrade as "My dearest Love," recalling the happiness of his stay:

"I shall always remember Virginia as a bright spot in my existence, as all others must or rather cannot be, as it were."

Then reflectively he adds:

"Some of the finest intellects in the world have been blunted by liquor."

Rare Artemus Ward and rare Mark Twain! If there lies somewhere a place of meeting and remembrance, they have not failed to recall there those closing days of '63.

XLIV. GOVERNOR OF THE "THIRD HOUSE"

With Artemus Ward's encouragement, Clemens began to think of extending his audience eastward. The New York Sunday Mercury published literary matter. Ward had urged him to try this market, and promised to write a special letter to the editors, introducing Mark Twain and his work. Clemens prepared a sketch of the Comstock variety, scarcely refined in character and full of personal allusion, a humor not suited to the present-day reader. Its general subject was children; it contained some absurd remedies, supposedly sent to his old pilot friend Zeb Leavenworth, and was written as much for a joke on that good-natured soul as for profit or reputation.

"I wrote it especially for Beck Jolly's use," the author declares, in a letter to his mother, "so he could pester Zeb with it."

We cannot know to-day whether Zeb was pestered or not. A faded clipping is all that remains of the incident. As literature the article, properly enough, is lost to the world at large. It is only worth remembering as his metropolitan beginning. Yet he must have thought rather highly of it (his estimation of his own work was always unsafe), for in the letter above quoted he adds:

    I cannot write regularly for the Mercury, of course, I sha'n't have

    time. But sometimes I throw off a pearl (there is no self-conceit

    about that, I beg you to observe) which ought for the eternal

    welfare of my race to have a more extensive circulation than is

    afforded by a local daily paper.

    And if Fitzhugh Ludlow (author of the 'Hasheesh Eater') comes your

    way, treat him well. He published a high encomium upon Mark Twain

    (the same being eminently just and truthful, I beseech you to

    believe) in a San Francisco paper. Artemus Ward said that when my

    gorgeous talents were publicly acknowledged by such high authority I

    ought to appreciate them myself, leave sage-brush obscurity, and

    journey to New York with him, as he wanted me to do. But I

    preferred not to burst upon the New York public too suddenly and

    brilliantly, so I concluded to remain here.

He was in Carson City when this was written, preparing for the opening of the next legislature. He was beyond question now the most conspicuous figure of the capital; also the most wholesomely respected, for his influence had become very large. It was said that he could control more votes than any legislative member, and with his friends, Simmons and Clagget, could pass or defeat any bill offered. The Enterprise was a powerful organ—to be courted and dreaded—and Mark Twain had become its chief tribune. That he was fearless, merciless, and incorruptible, without doubt had a salutary influence on that legislative session. He reveled in his power; but it is not recorded that he ever abused it. He got a bill passed, largely increasing Orion's official fees, but this was a crying need and was so recognized. He made no secret promises, none at all that he did not intend to fulfill. "Sam's word was as fixed as fate," Orion records, and it may be added that he was morally as fearless.

The two Houses of the last territorial legislature of Nevada assembled January 12, 1864.—[Nevada became a State October 31, 1864.]—A few days later a "Third House" was organized—an institution quite in keeping with the happy atmosphere of that day and locality, for it was a burlesque organization, and Mark Twain was selected as its "Governor."

The new House prepared to make a public occasion of this first session, and its Governor was required to furnish a message. Then it was decided to make it a church benefit. The letters exchanged concerning this proposition still exist; they explain themselves:

                     CARSON CITY, January 23, 1864.

    GOV. MARK TWAIN, Understanding from certain members of the Third

    House of the territorial Legislature that that body will have

    effected a permanent organization within a day or two, and be ready

    for the reception of your Third Annual Message,—[ There had been

    no former message. This was regarded as a great joke.]—we desire

    to ask your permission, and that of the Third House, to turn the

    affair to the benefit of the Church by charging toll-roads,

    franchises, and other persons a dollar apiece for the privilege of

    listening to your communication.

                     S. PIXLEY,

                     G. A. SEARS,

                            Trustees.

                     CARSON CITY, January 23, 1864.

    GENTLEMEN,—Certainly. If the public can find anything in a grave

    state paper worth paying a dollar for, I am willing they should pay

    that amount, or any other; and although I am not a very dusty

    Christian myself, I take an absorbing interest in religious affairs,

    and would willingly inflict my annual message upon the Church itself

    if it might derive benefit thereby. You can charge what you please;

    I promise the public no amusement, but I do promise a reasonable

    amount of instruction. I am responsible to the Third House only,

    and I hope to be permitted to make it exceedingly warm for that

    body, without caring whether the sympathies of the public and the

    Church be enlisted in their favor, and against myself, or not.

                     Respectfully,

                     MARK TWAIN.

Mark Twain's reply is closely related to his later style in phrase and thought. It might have been written by him at almost any subsequent period. Perhaps his association with Artemus Ward had awakened a new perception of the humorous idea—a humor of repression, of understatement. He forgot this often enough, then and afterward, and gave his riotous fancy free rein; but on the whole the simpler, less florid form seemingly began to attract him more and more.

His address as Governor of the Third House has not been preserved, but those who attended always afterward referred to it as the "greatest effort of his life." Perhaps for that audience and that time this verdict was justified.

It was his first great public opportunity. On the stage about him sat the membership of the Third House; the building itself was packed, the aisles full. He knew he could let himself go in burlesque and satire, and he did. He was unsparing in his ridicule of the Governor, the officials in general, the legislative members, and of individual citizens. From the beginning to the end of his address the audience was in a storm of laughter and applause. With the exception of the dinner speech made to the printers in Keokuk, it was his first public utterance—the beginning of a lifelong series of triumphs.

Only one thing marred his success. Little Carrie Pixley, daughter of one of the "trustees," had promised to be present and sit in a box next the stage. It was like him to be fond of the child, and he had promised to send a carriage for her. Often during his address he glanced toward the box; but it remained empty. When the affair was ended, he drove home with her father to inquire the reason. They found the little girl, in all her finery, weeping on the bed. Then he remembered he had forgotten to send the carriage; and that was like him, too.

For his Third House address Judge A. W. (Sandy) Baldwin and Theodore Winters presented him with a gold watch inscribed to "Governor Mark Twain." He was more in demand now than ever; no social occasion was regarded as complete without him. His doings were related daily and his sayings repeated on the streets. Most of these things have passed away now, but a few are still recalled with smiles. Once, when conundrums were being asked at a party, he was urged to make one.

"Well," he sand, "why am I like the Pacific Ocean?"

Several guesses were made, but none satisfied him. Finally all gave it up.

"Tell us, Mark, why are you like the Pacific Ocean?"

"I don't know," he drawled. "I was just asking for information."

At another time, when a young man insisted on singing a song of eternal length, the chorus of which was, "I'm going home, I'm going home, I'm going home tomorrow," Mark Twain put his head in the window and said, pleadingly:

"For God's sake go to-night."

But he was also fond of quieter society. Sometimes, after the turmoil of a legislative morning, he would drop in to Miss Keziah Clapp's school and listen to the exercises, or would call on Colonel Curry—"old Curry, old Abe Curry"—and if the colonel happened to be away, he would talk with Mrs. Curry, a motherly soul (still alive at ninety-three, in 1910), and tell her of his Hannibal boyhood or his river and his mining adventures, and keep her laughing until the tears ran.

He was a great pedestrian in those days. Sometimes he walked from Virginia to Carson, stopping at Colonel Curry's as he came in for rest and refreshment.

"Mrs. Curry," he said once, "I have seen tireder men than I am, and lazier men, but they were dead men." He liked the home feeling there—the peace and motherly interest. Deep down, he was lonely and homesick; he was always so away from his own kindred.

Clemens returned now to Virginia City, and, like all other men who ever met her, became briefly fascinated by the charms of Adah Isaacs Menken, who was playing Mazeppa at the Virginia Opera House. All men—kings, poets, priests, prize-fighters—fell under Menken's spell. Dan de Quille and Mark Twain entered into a daily contest as to who could lavish the most fervid praise on her in the Enterprise. The latter carried her his literary work to criticize. He confesses this in one of his home letters, perhaps with a sort of pride.

I took it over to show to Miss Menken the actress, Orpheus C. Ken's wife. She is a literary cuss herself.

She has a beautiful white hand, but her handwriting is infamous; she writes fast and her chirography is of the door-plate order—her letters are immense. I gave her a conundrum, thus:

"My dear madam, why ought your hand to retain its present grace and beauty always? Because you fool away devilish little of it on your manuscript."

But Menken was gone presently, and when he saw her again, somewhat later, in San Francisco, his "madness" would have seemed to have been allayed.